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Journal articles on the topic 'Intertextuality indicator'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

В.Ф., Антонова, та Нешко С.И. "ФОЛЬКЛОРНАЯ ТРАДИЦИЯ КАК ИСТОЧНИК ИНТЕРТЕКСТУАЛЬНОГО ЗАИМСТВОВАНИЯ В АНГЛИЙСКОЙ ЛИТЕРАТУРЕ". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 2, № 88 (2018): 6–16. https://doi.org/10.5281/zenodo.1490147.

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Intertextuality is an integral part of culture and indicator of literary activity. Modern science believes that the theory of intertextuality is based on understanding the development of literature as a continuous interaction of texts and world views, whereby each word of the work specifically adopts and process earlier literature and cultural material of various forms, and intertextual analysis is aimed at revealing such traces ‘alien words’ in the works. The article interprets the phenomenon of intertextuality in various manifestations and functions within the specific artistic c

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2

Голикова, Оксана Николаевна. "НОМИНАТИВНЫЙ РЯД КАК СРЕДСТВО СОЗДАНИЯ ИНТЕРТЕКСТУАЛЬНЫХ СВЯЗЕЙ: АНАЛИЗ ТЕКСТА ЭДМУНДА ШКЛЯРСКОГО СКВОЗЬ ПРИЗМУ СТИХОТВОРЕНИЯ БОРИСА ПАСТЕРНАКА". Русская филология. Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 2, № 55 (2015): 31–35. https://doi.org/10.5281/zenodo.33566.

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<em>The article deals with the specific intertextual potential of nominative rows. The grammatical nature of the constructions being analyzed is described in connection with their functioning as the indicators of intertextuality. The precedence of the nominative row in the Russian poetic tradition is outlined. The nominative rows are described in connection with their functioning as the indicators of intertextuality in the derivative texts. The article deals with fact that based on precedent texts, the </em><em>nominative row’s form reiterates a specific sense or specific senses. The foc

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3

Zhalko, D. "MARKING INTERDISCURSIVITY / INTERTEXTUALITY IN COGNITIVE LINGUISTICS." MESSENGER of Kyiv National Linguistic University. Series Philology 25, no. 1 (2022): 30–42. http://dx.doi.org/10.32589/2311-0821.1.2022.263106.

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The article examines the concept of marking interdiscursiveness / intertextuality from the standpoint of cognitive linguistics, in particular, it defines four terms: a) “interdiscursiveness” is a phenomenon that demonstrates the interaction between discourses; it is an indicator of the residue in the discourse of previous discourses, which provide a kind of “preparation “, “raw material” for another discourse; b) “interdiscourse” is a discourse and ideological space in which discourse formations unfold with their relation of dominance, subordination and contradiction; c) “intertextuality” is t

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Скоробогатова, Елена Александровна. "ГРАММАТИЧЕСКИЕ ПОКАЗАТЕЛИ МЕЖТЕКСТОВОГО ВЗАИМОДЕЙСТВИЯ: МОРФОЛОГИЧЕСКАЯ СЕЛЕКЦИЯ В РОМАНЕ А. ГРИНА «БЕГУЩАЯ ПО ВОЛНАМ» И В СТИХОТВОРЕНИИ Б. ХЕРСОНСКОГО «ОНА»". Русская филология. Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 2, № 55 (2015): 3–6. https://doi.org/10.5281/zenodo.33561.

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<em>The grammatical features of selection in the poem "She" by Boris Khersonskiy and in the novel"She Who Runs on the Waves" by Alexander Grin are researched in the article. It is alleged that the grammatical selection serves as the indicator of their intertextual links. The method of linguopoetical comparative analysis reveals the grammatical markers of intertextual interactions and allows concluding that the form of the participle-formed nominalized transpositive adjective is the morphological and syntactic dominant of both texts. It is assumed that the grammatical charac

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BOBER, Nataliia, Olha LIASHKO, Yan KAPRANOV, Olesya CHERKHAVA, and Larysa MELESHKEVYCH. "Interpretation of Keywords as Indicators of Intertextuality in English New Testament Texts (Antconc Corpus Manager Toolkit)." WISDOM 22, no. 2 (2022): 193–207. http://dx.doi.org/10.24234/wisdom.v22i2.736.

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The article deals with the interpretation of keywords as indicators of registering intertextual properties in English New Testament texts. The notion of “intertextuality” is represented in terms of three approaches: philosophical-poststructuralist, philological, and genre-textual is considered to be a complex interdisciplinary phenomenon and is characterised as a system-textual and prototypical category, with an emphasis on the typological properties of textuality. It has been proved that in order to register the intertextuality in English New Testament Texts, the notions of “keywords” and “li

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Steblyna, Nataliia. "Emotionality and Intertextuality in Official Discourses of Post-Soviet Authoritanian States (Kazakhstan, Belarus, and Russia)." Humanitarian vision 6, no. 2 (2020): 21–27. http://dx.doi.org/10.23939/shv2020.02.021.

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Official discourses of Kazakhstan, Belarus and Russia are discovered with formal analysis in the article. The official discourses were represented with presidents’ web-sites. With the help of computer programs (Python language) the indicators of emotionality, direct and indirect intertextuality were calculated. The low emotionality and direct intertextuality are characteristic features of all three discourses. This underlines low intensity (or formality) of political interrelations. Average indicators of Kazakhstan and Russia discourses emotionality are (0,26; 0,24), for Belarus (0,39). These

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7

Diogo, Nildo. "Análise da textualização publicitária turístico-hoteleira em Moçambique: descrevendo os mecanismos de construção argumentativa." Redis: Revista De Estudos Do Discurso 9 (2020): 79–105. http://dx.doi.org/10.21747/21833958/red9a3.

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This paper aims to analyse and describe the devices of tourism and hotel advertising textualization in Mozambique. It is a qualitative approach combined with pragmatic methods and Discourse Analysis. The corpus was selected from Facebook pages of tourism and hotel institutions, using the following categories as criteria: dialogism; polyphony; intertextuality; autonomic modal- ity; and the reinforcing illocutionary devices. Dialogism is on the top of textual relations; it recov- ers the polyphony and intertextuality notions. The polyphony recovers intertextuality, and the last manifests itself

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Anwar, Sjaeful. "PENGEMBANGAN CD PEMBELAJARAN INTERAKTIF KIMIA SMA BERBASIS INTERTEKSTUALITAS ILMU KIMIA SEBAGAI ALTERNATIF MODEL PEMBELAJARAN." Jurnal Pengajaran Matematika dan Ilmu Pengetahuan Alam 15, no. 1 (2015): 50. http://dx.doi.org/10.18269/jpmipa.v15i1.296.

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Chemistry learning based on the intertextuality of chemistry demands relationship among chemistry representsation on three levels, which are macrocospic, microscopic, and symbol level with the daily experience of students and the social interaction developed by teachers. Through the research entitled “Pengembangan CD Pembelajaran Interaktif Kimia SMA Berbasis Intertekstualitas sebagai Alternatif Model Pembelajaran”, we will have a learning CD for teachers using competency standard and basic competency; concepts and indicators; the representation of chemistry materials on three levels macroscop

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9

Kiorsak, Vladyslav. "Border images of Rus in Fornaldarsagas: intertextuality as an indication of collective memory." Text and Image: Essential Problems in Art History, no. 1 (2021): 29–44. http://dx.doi.org/10.17721/2519-4801.2021.1.02.

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Fornaldarsagas or legendary sagas is an exemplary source to research the environment of Icelandic authors in the late Medieval time. They combine aspects of fiction writing, historical narrative, and folklore. The plots of these works had functioned in the memory a long time before reaching the pages of books. As a result of this, the meaning of these texts was constantly adapting to new conditions, leaving just some elements of the historic core. These aspects make Fornaldarsagas a valuable source for studying the collective memory and worldview of that time. In the current article, it was at

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10

Barker, Naomi J. "The Italian Keyboard Toccata c.1615–1650: A Repository for Oral Compositional Practices." Royal Musical Association Research Chronicle 50 (2019): 1–28. http://dx.doi.org/10.1080/14723808.2018.1513973.

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This research uses statistical analysis of a sample of keyboard toccatas including pieces by Frescobaldi, Rossi, Froberger and the anonymous composer of the manuscript R-Vat Mus Chigi Q.IV.25 to investigate the extent to which surviving written examples of the genre contain indicators of their unwritten compositional processes. The results of the analysis indicate that within the measurably formulaic textural disposition, there are clearly defined motivic patterns and melodic shapes that are present in the work of all three composers. The intertextuality thus implied is indicative of common un

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11

Dunaevskaya, Alla Evgen'evna. "Intertextuality as a form of dialogue in the symphonic work of Andrei Eshpai." Человек и культура, no. 2 (February 2025): 175–86. https://doi.org/10.25136/2409-8744.2025.2.72704.

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The article continues the author's research on the phenomena of symphonic creativity of Andrei Yakovlevich Eshpai, an outstanding master of modern Russian musical art. The composer's selected opuses are considered in the aspect of intertextuality, which is one of the most in-demand in the humanities, including in musical science. Due to the variety of existing scientific interpretations and the availability of a wide range of research perspectives, this aspect of the study seems to us particularly relevant. The article attempts to comprehend intertextuality as a significant, but not the only f

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12

Reyes, Antonio. "Bush, Obama." Journal of Language and Politics 13, no. 3 (2014): 538–62. http://dx.doi.org/10.1075/jlp.13.3.08rey.

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This paper, framed under the scope of Critical Discourse Analysis (CDA), explains social processes by analyzing discourse practices. It proposes (para)linguistic variables employed in the creation of (in)formality in discourse in relation to two Aristotelian persuasive modes: Ethos and Pathos (Kennedy 1991). These modes of persuasion reveal different ways to convey a political message in the current U.S. political scene. This paper compares the stylistic differences in speeches given by George W. Bush and Barack Obama to justify escalating troops in the conflicts of Iraq (2007) and Afghanistan

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13

Gandi, Herald. "Patterns of Allusive Poetry in Jonah’s Psalm: Intertexts in Jonah 2:3a and 10c." Journal of Biblical Literature 144, no. 1 (2025): 85–104. https://doi.org/10.15699/jbl.1441.2025.5.

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Abstract In this article, I examine intertextual connections between the Psalter and Jonah, focusing on first and last lines of Jonah’s psalm (Jonah 2:3–10). Employing indicators of literary dependence—such as verbal correspondence, availability, modification, partial integration, multiplicity, and thematic correspondence—I argue that Jonah 2:3a engages with Ps 120:1, enriching the narrative with themes of exile, innocent suffering, and divine justice. Similarly, Jonah 2:10c creatively reuses Ps 3:9, incorporating its broader theological motifs of divine blessing and judgment. These intertextu

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14

Botha, E. "Die boek Job as bron van intertekste vir ‘Wie weet?' (Die waarheid gelieg, 1984)." Literator 16, no. 3 (1995): 17–22. http://dx.doi.org/10.4102/lit.v16i3.636.

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The Book of Job as a source of intertexts for T.T. Cloete’s short story ‘Wie weet?’ (Die waarheid gelieg, 1984) T.T. Cloete’s account of a woman's physical and spiritual agony in the short story “Wie weet?” ffrom Die waarheid gelieg, 1984), read within the South African/Afrikaans cultural context, presents several indicators that the Book of Job is its intertext, the most explicit pointer being the role of the sufferer’s sister-in-law. Intertextuality in Cloete’s oeuvre often takes the form of a creative reworking or rereading of texts (cf Scholtz, 1984; Botha, 1984; Roos, 1986). Roos comments

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15

Hlukhovtseva, Iryna. "Functioning particularities of phraseological units in Mykola Rudenko’s fiction and popular science works." Linguistics, no. 2 (50) (2024): 86–95. https://doi.org/10.12958/2227-2631-2024-2-50-86-95.

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In the poetic and prose works of Mykola Rudenko phraseological units create an encyclopaedic and cognitive environment as a complex of verbal units that are carriers of language and speech information. The phraseographic parameters of this environment (implicit and explicit) should be clear to the reader without further comment. Explaining the phraseological meaning and its nuances, revealing the connotation, marking stylistic indicators, tracing out the existing contexts reveal the subtleties of writer’s creative laboratory. Mykola Rudenko’s phraseology in prose works reproduces the mental fe

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16

Колесникова, А. В., and Л. М. Бондарева. "Peculiarities of the functioning of allusions in Salman Rushdie’s novel “Midnight’s Children”." Modern scientist, no. 2 (February 15, 2024): 152–58. http://dx.doi.org/10.58224/2541-8459-2024-2-152-158.

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целью исследования является характер установления функционирования аллюзий как средств реализации категории интертекстуальности в тексте романа С. Рушди «Midnight’s Children». Для достижения указанной цели решается ряд задач, направленных на систематизацию соответствующих языковых единиц, установление их соотнесенности с именами главных персонажей произведения и анализ степени соответствия судеб героев образам подразумеваемых божеств, упоминаемых в индийских канонических религиозных текстах. В работе используются методы контекстуального анализа, семантического анализа и сравнительно-сопоставит

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Hordii, Oksana. "Kommunikative und expressive Formeln des Deutschen in Internettexten: ein diskursorientierter Ansatz." Yearbook of Phraseology 12, no. 1 (2021): 167–96. http://dx.doi.org/10.1515/phras-2021-0007.

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Abstract This paper deals with the functioning of expressive and communicative formulas of modern German in computer-mediated discourse. The set phrases analysed are pre-formed sentence-value word combinations that serve as a means of expression of various speech intentions and emotions. These linguistic units are known to evade a uniform classification scheme, with boundaries between different groups being indistinct. The set phrases considered in this work are viewed as a functional-semantic field which includes communicative and expressive formulas and some mixed types. By discussing their

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18

Zinchenko, Veronika. "Ballet “Chasing Two Hares” by Yuri Shevchenko: Intertextual and Intermedial Contexts." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 133 (March 21, 2022): 111–19. http://dx.doi.org/10.31318/2522-4190.2022.133.257327.

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The relevance of research. The ballet “Chasing Two Hares” was first investigated from the point of view of intertextual and intermedia connections. Also, for the first time, the analysis of the musical component of the film "Chasing Two Hares" directed by V. Ivanov and composer B. Gomolyaka has been carried out. The parameters of interaction between the ballet “Chasing Two Hares” and the film of the same name at different levels are derived: plot, genre, intonation and drama. Main objective of the study is to determine the intertextual and intermedia contexts of Y. Shevchenko’s ballet “C

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19

Gabadadze, Nana. "Specifics of reading intertext." MODERN ISSUES OF MEDICINE AND MANAGEMENT 23, no. 1 (2022). http://dx.doi.org/10.56580/geomedi0009.

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The material presented in the article focuses on intertextuality indicators, which can be both conventional and explicit. We emphasize the interest of the reader in trying to understand an inter text whose interpretation depends not on its erudition but on a thought strategy, a combination of collective and individual memory, which reveals, the life-giving ability of national linguistic and literary traditions.

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20

Tolochko, Orest. "FUNCTIONAL PARADIGM OF SEMANTIC AND STYLISTIC INVERSION IN THE ORIGINAL AND TRANSLATED TEXT OF J. BARNES NOVEL “A HISTORY OF THE WORLD IN 10 ½ CHAPTERS”." Young Scientist 10, no. 86 (2020). http://dx.doi.org/10.32839/2304-5809/2020-10-86-38.

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Topicality of the problem raised in this article is determined by insufficient representation of J. Barnes’ creative phenomenon, in particular his prose translation studies analysis, in the Ukrainian philological science. Complex nature of the postmodern belles-lettres discourse elucidation has been conditioned by its intertextuality and genre heterogeneity of its text parts. Non-linear narration together with the intricate combination of discourse samples belonging to various genres and styles in the text framework. Thus, the realistic illusion is made by means of its consideration from the p

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21

Minervini, Rosaria, and María Teresa Martín Sanchez. "La argumentación en el Plan Curricular del Instituto Cervantes: análisis de producciones escritas de estudiantes de ELE." Revista de Educación a Distancia (RED) 23, no. 75 (2023). http://dx.doi.org/10.6018/red.544911.

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In this paper we present the results of a research on the analysis of argumentative writing by Italian students of Spanish as a foreign language at the University of Salerno (Italy). The need to implement a different model of argumentative macrostructure teaching/learning has led us to consider the following objectives: to verify the positive impact of direct instruction using different real materials in order to investigate whether autonomous and distance learning favours the understanding of the argumentative macrofunction, in response to the research questions of whether intertextuality hel

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22

Bobul, Ivan. "Artistic and aesthetic characteristics of vocal and pop performance as a genre synthesis of arts." Collection of scientific works “Notes on Art Criticism”, no. 40 (December 30, 2021). http://dx.doi.org/10.32461/2226-2180.40.2021.250367.

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The purpose of the article is to study the artistic and aesthetic features of vocal and pop art as a genre synthesis of arts. The research methodology involves the use of system-structural, comparative methods of analysis and culturological and art approaches in the study of these issues. The scientific novelty of the work is to expand the theoretical boundaries of understanding vocal and pop performance as a synthetic genre that combines different arts, and its defining artistic and stylistic features that directly affect the structure and stylistic features of vocals, interpretation of the w

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23

LeBlanc, Carrie. "Stop Press!" M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2439.

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The plausibility of a ‘celebrity-artist’ is met with scepticism, suspicion and/or outright disdain amongst those who guard the traditions surrounding the exclusionary world of ‘High Art’. As a construct unique to the advent of media culture, the vapid and transient nature associated with contemporary celebrity negates the high-minded notion of genius retrospectively applied to a ‘hero-artist’ such as Michelangelo or Rembrandt. (Chris Rojek’s categories are useful in illustrating this difference. While the celebrity of earlier artists was based on talent, and thus, ‘achieved celebrity’, current

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24

Howell, Katherine. "The Suspicious Figure of the Female Forensic Pathologist Investigator in Crime Fiction." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.454.

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Over the last two decades the female forensic pathologist investigator has become a prominent figure in crime fiction. Her presence causes suspicion on a number of levels in the narrative and this article will examine the reasons for that suspicion and the manner in which it is presented in two texts: Patricia Cornwell’s Postmortem and Tess Gerritsen’s The Sinner. Cornwell and Gerritsen are North American crime writers whose series of novels both feature female forensic pathologists who are deeply involved in homicide investigation. Cornwell’s protagonist is Dr Kay Scarpetta, then-Chief Medica

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