Academic literature on the topic 'Interview with the vampire'

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Journal articles on the topic "Interview with the vampire"

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Miquel-Baldellou, Marta. "From pathology to invisibility: age identity as a cultural construct in vampire fiction." Revista Alicantina de Estudios Ingleses, no. 27 (November 15, 2014): 125. http://dx.doi.org/10.14198/raei.2014.27.08.

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A diachronic analysis of the way the literary vampire has been characterised from the Victorian era up to the contemporary period underlines a clear evolution that seems particularly relevant from the perspective of ageing studies. One of the permanent features characterising the fictional vampire from its origins to its current manifestations in literature is precisely the vampire’s disaffection with the effects of ageing in spite of its old chronological age. Nonetheless, even though the vampire’s appearance does not age, the way it has been presented in literature has significantly evolved from a remarkable aged look during the Victorian period in John Polidori’s “The Vampyre: A Tale” (1819), Joseph Sheridan Le Fanu’s Carmilla (1872) or Bram Stoker’s Dracula (1897) to young adulthood in Anne Rice’s An Interview with the Vampire (1976) and Charlaine Harris’ Dead Until Dark (2001), adolescence in Stephenie Meyer’s Twilight (2005-2008), and even childhood in John Ajvide Lindquist’s Let the Right One In (2004), thus underlining a significant process of rejuvenation through time despite the vampire’s apparent disaffection with the effects of ageing. This article shows how the representations of the vampire in literature reflect a shift from the embodiment of pathology to the invisibility, or the denial, of old age and how this, in turn, reflects cultural conceptualisations and perceptions of ageing.
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Essinger, James. "Interview with the vampire." Computer Fraud & Security 1998, no. 8 (August 1998): 11–13. http://dx.doi.org/10.1016/s1361-3723(98)80018-3.

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Rawski, Jakub. "Kierunki interpretacji motywu wampira w wybranych tekstach kultury od XIX do XXI wieku (rekonesans)." Studia Litteraria 16, no. 1 (2021): 29–48. http://dx.doi.org/10.4467/20843933st.21.003.13383.

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Artykuł ma na celu przedstawienie przeglądu kierunków interpretacji motywu wampira w kulturze popularnej od XIX do XXI wieku. Skupia się na najważniejszych, najbardziej reprezentatywnych tekstach, które wywarły największy wpływ na ewolucję postaci wampira od romantyzmu do czasów współczesnych, takich jak: Dracula, Miasteczko Salem, Wywiad z wampirem, Zmierzch. Zamierzeniem było ukazanie różnych sposobów odczytywania i analizowania wampiryzmu w zależności od przyjętej metodologii. Niewątpliwie – tytułowe kierunki interpretacji utworów wampirycznych były warunkowane możliwościami egzegetycznymi, jakie niesie metodologiczny rozwój literaturoznawstwa i kulturoznawstwa. Directions in Interpretation of the Vampire Theme in Selected Texts of Culture from the 19th to the 21st Century (Reconnaissance) The article aims at offering an overview of directions of interpretation regarding the motif of vampire in popular literature from the 19th to the 21st century. It focuses on the most important, representative texts of culture that have had the greatest influence on the evolution of the vampire figure from Romanticism to the modern times, such as Dracula, Salem’s Lot, Interview with the Vampire, Twilight. The article intends to present various ways of reading and analysing vampirism depending on different methodologies. Undoubtedly, the approaches regarding interpretations of films and literary works featuring vampires have been conditioned by exegetical possibilities brought about by the methodological development in literary and cultural studies.
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Koroniak, Anna. "Crystal Palace – Liminal ‘Self’ and Its Projection in Anne Rice’s Interview with the Vampire and The Vampire Lestat." Ad Americam 22 (March 28, 2021): 5–14. http://dx.doi.org/10.12797/adamericam.22.2021.22.01.

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Crystal Palace – Liminal ‘Self’ and Its Projectionin Anne Rice’s Interview with the Vampire and The Vampire Lestat This paper offers an analysis of the liminality of the ‘Self’ and its subsequent projection onto the material world in Anne Rice’s early novels, Interview with The Vampire and The Vampire Lestat. The study is focused on two characters of the said works – Lestat de Lioncourtand his long-time companion Claudia – and aims at examining their respective‘Selves’ as preternatural beings as well as unique individuals. The research draws on Judith Butler’s and Rosi Braidotti’s theories in order to examine the physical, emotional, and mental changes the characters under go. It subsequently shows that the preternatural ‘Self’exists in a constant state of non-telic transformation, as well as that the perennial metamorphosisis continuously reflected in the characters’ material homes.
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Mulvey-Roberts, Marie. "Interviewing the Author of Interview with the Vampire." Gothic Studies 1, no. 2 (December 1999): 169–81. http://dx.doi.org/10.7227/gs.1.2.3.

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Tomc, Sandra. "Dieting and Damnation: Anne Rice’s Interview with the Vampire." ESC: English Studies in Canada 22, no. 4 (1996): 441–60. http://dx.doi.org/10.1353/esc.1996.0004.

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Yassa, Maria. "Vampirism, depression and symbolization An analysis of the film “Interview with the Vampire”." Scandinavian Psychoanalytic Review 23, no. 2 (January 2000): 174–92. http://dx.doi.org/10.1080/01062301.2000.10592599.

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Ikawati A., Diah. "ANALYSIS OF THE CHARACTERS OF INTERVIEW WITH THE VAMPIRE, A NOVEL BY ANNE." LINGUA: Journal of Language, Literature and Teaching 13, no. 1 (April 3, 2016): 143. http://dx.doi.org/10.30957/lingua.v13i1.22.

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Analysis on the characters of novel Interview with the Vampire in this study presents characteristics of plot and the intrinsic elements of the novel. Results of analysis show the use of plot and characterization in this novel. Plot is the sequence of incidents or events of which a story is composed. The plot in this study covers exposition, conflict, complication, climax, and denouement. The plot is presented in raising form. The major characters as the characters that involved a great deal in a story are acted by Louis, Lestat, and Claudia. In addition, the minor characters involved in the story include Paul, Louis' sister, Babette, Lestat's father, Armand, Santiago, Madeleine, and the journalist. Theme and point of view in this novel are clearly stated, indicating that the novel has strong characterization.
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안숭범 and johanki. "Different Aspects of Vampires Seen as “Life Other Than One’s Own” - Focus on “ Dracula” , “ Interview with the Vampire” and “ Let the Right One in”." Contemporary Film Studies 12, no. 2 (July 2016): 107–34. http://dx.doi.org/10.15751/cofis.2016.12.2.107.

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Benefiel, Candace R. "Blood Relations: The Gothic Perversion of the Nuclear Family in Anne Rice's Interview with the Vampire." Journal of Popular Culture 38, no. 2 (November 2004): 261–73. http://dx.doi.org/10.1111/j.0022-3840.2004.00111.x.

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Dissertations / Theses on the topic "Interview with the vampire"

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Gianniny, Megan E. ""Other than Dead": Queering Vampires in Buffy the Vampire Slayer, Interview with the Vampire, and The Gilda Stories." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/382.

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This thesis examines three diverse vampire narratives from around the 1990s, arguing that the liminal figure of the vampire, forever in between life and death, is also then well-positioned to queer norms around gender, sexuality, and relationships. This queering, however, manifests differently in each narrative. My analysis looks at each of these three narratives in turn, while also considering how each text’s placement as mainstream or not mainstream affected the manifestation of the vampires’ queering.
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Hradec, Patricia. "Vampiros humanizados: análise da obra Interview with the vampire de Anne Rice." Universidade Presbiteriana Mackenzie, 2014. http://tede.mackenzie.br/jspui/handle/tede/2185.

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This dissertation aims to analyze the novel Interview with the Vampire by Anne Rice, the first of ten books in the Vampire Chronicles". The aim of this research is to demonstrate how the vampires presented by Rice are humanized. It begins with a historical study about vampires, both legendary and literary ones, then there is a study about the life and work of the American writer as well as a survey of the differences between the vampires from Rice and others described in the literature, including the icon of the genre: Dracula, by Bram Stoker. The analysis still continues with some theoretical notes on the fantastic genre, including concepts about Todorov, Ceserani, among others. There is also an analysis of the main characters: the vampire Louis who denies his vampiric nature; the vampire Lestat who also fights against human problems; Claudia, the vampire kid, who does not accept her condition as a woman stuck in a child s body; the vampire Armand, one of the oldest vampires in the world that looks for human peace. There is also an analysis of a human character, a supposed journalist, who listens to the story of mortal and immortal life of the vampire Louis. The analysis also covers the time and space in the narrative and its relationship with the fantastic genre, as well as some differences between the book written in 1976 and the film released in 1994, a big hit, reference for many other vampire movies.
Esta dissertação tem por objetivo analisar o romance Interview with the Vampire de Anne Rice que é o primeiro livro dos dez que constituem suas Crônicas Vampirescas . Pretende-se com esta pesquisa demonstrar como os vampiros apresentados por Rice são humanizados. Inicia-se com um estudo histórico sobre os vampiros, tanto lendários quanto literários, depois há um estudo sobre a vida e obra da escritora norte-americana bem como um levantamento das diferenças entre os vampiros de Rice e outros descritos na literatura, entre os quais o ícone do gênero: Drácula, de Bram Stoker. A análise continua ainda com alguns apontamentos teóricos sobre o gênero fantástico, incluindo conceitos de Todorov, Ceserani, entre outros. Há também uma análise dos principais personagens: o vampiro Louis que renega sua natureza vampírica; o vampiro Lestat que também luta contra problemas humanos; Cláudia, a menina vampira, que não aceita sua condição de mulher presa a um corpo de criança; o vampiro Armand, um dos mais velhos vampiros do mundo que almeja a paz humana. Há ainda a análise de um personagem humano, um suposto jornalista, que ouve toda a história de vida mortal e imortal do vampiro Louis. A análise ainda abrange o tempo e espaço da narrativa e sua relação com o gênero fantástico, bem como algumas diferenças entre o livro escrito em 1976 e o filme, lançado em 1994, um sucesso de bilheteria, referência para muitos filmes sobre vampiros.
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Lima, Dante Luiz. "Bloody eroticism in interview with the vampire." Florianópolis, SC, 2007. http://repositorio.ufsc.br/xmlui/handle/123456789/90081.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente
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Este estudo tem o intuito de investigar como textos literários são adaptados para o cinema. Esta investigação foi feita usando-se o romance Entrevista com o Vampiro (1976) de Anne O´Brien Rice e sua adaptação fílmica (1994) dirigida por Neil Jordan. O aspecto principal do romance e do filme analisados durante a pesquisa foi o homoerotismo. Para se fazer a investigação foram usadas as passagens mais importantes do romance onde o homoerotismo é mais evidente, isto foi feito para dar apoio a hipótese de que o vampiros do sexo masculino de Rice tem atração um pelo outro, especialmente os protagonistas Louis, Lestat e Armand. Com relação ao filme, três cenas onde o homoerotismo é mais evidente foram selecionadas para mostrar como os adaptadores fazem a transposição. Ressalta-se que o conteúdo homoerótico da estória diminui drasticamente quando transposta para a tela do cinema sob a direção de Jordan. As implicações das escolhas feita pelos adaptadores são discutidas com respaldo em estudos de estudiosos de cinema. No caso de Entrevista com o Vampiro, muitos personagens do romance foram excluídos, a aparência física dos personagens principais foi mudada e muitos outros elementos foram acrescentados e subtraídos. Portanto, este estudo apresentará teorias de adaptação fílmica para tentar explicar como a transposição acontece. This study aims at investigating how literary texts are transposed to the screen. This investigation was done using the novel Interview with the Vampire (1976) by Anne O'Brien Rice and its filmic adaptation (1994) directed by Neil Jordan. The main aspect of the novel and the film analyzed during the research was the homoeroticism. In order to do the investigation the most important passages of the novel in which the homoeroticism is more evident were analyzed to support the hypothesis that Rice´s male vampires are attracted to each other, especially the protagonists Louis, Lestat and Armand. Regarding the film, three scenes from it in which the homoerotic overtones are more evident were selected to show how film adaptors perform the transposition. It must be pointed out that the homoerotic content of the story diminishes drastically when transposed to the screen under Jordan´s direction. The implications of the choices made by the adaptors are discussed under the light of film scholars. In the case of Interview with the Vampire, lots of characters from the novel were left out, the physical appearance of the main characters was changed and many other elements were subtracted and added. Thus this study will present theories of film adaptation to try to explain how the transposition takes place.
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Silva, Lilian Maria Araujo da. "The Body of condemned in Anne Rices The Vampire chronicles: Interview with the Vampire." Universidade do Estado do Rio de Janeiro, 2009. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1033.

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Esta dissertação trata do gótico literário, especialmente nas literaturas de língua inglesa. O tema principal gira em torno da figura do vampiro. A escolha do tema é resultado de minhas leituras sobre a primeira aparição do vampiro na prosa literária, figura oriunda das lendas na Europa oriental e central. Partindo do século XVIII, chego até a contemporaneidade, em solo norte-americano, onde se passa a narrativa de Entrevista com o Vampiro, romance este que será o foco principal de meus estudos sobre o gótico e o vampiro na literatura. Composta de três capítulos, esta dissertação trata das origens da lenda do vampiro e o seu ingresso na literatura, da questão do corpo humano e do corpo híbrido do vampiro. Por último, analiso o romance que impulsionou minha pesquisa, em diálogo com os capítulos anteriores
This dissertation is about the literary gothic, especially in literatures in English language. The main theme focuses on the figure of the vampire. Such a choice is the result of my readings of the first appearance of the vampire in prose fiction. The vampire arose in the legends from Eastern and Central Europe. Starting from the 18th century, I come to the present, in North-American soil, where the narrative of Interview with the Vampire takes place. This novel will be the center of this dissertation on the literary gothic and the vampire. Composed of three chapters, this work deals with the origins of the legend of the vampire and its insertion in literature; with the human body and the hybrid body of the vampire. Lastly, I analyse the novel that is in the center of my research, in a dialogue with the previous chapters
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Osap, Sonja. "Queer as Vampires : A study of Anne Rice’s Interview With The Vampire through queer theory." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-6262.

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This paper will focus on the homosexuality and homoeroticism that can be found in Anne Rice’s novel Interview With The Vampire using Queer theory. The paper is divided into four parts in which different aspects of the novel will be discussed. Firstly the discussion focuses on the homoeroticism which is abundant in Rice’s novel. The second part covers the subject of identity and Louis’ quest to find out what and why he is. Next the issue of family within the vampyric world is examined using the family unit that Louis, Lestat and Claudia make as its basis. Lastly the question of why the ‘gender-free’ love which is present in Interview With The Vampire is important to the vampire genre is answered.
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Bendel, Jared A. "A queer perspective| Gay themes in the film "Interview with the Vampire"." Thesis, Colorado State University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1539594.

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There are a growing number of mainstream films and television shows which include gay characters or same-sex families as central figures: A Single Man, The Kids Are Alright, Will & Grace, Mad Men, Two and a Half Men, and Modern Family. This thesis sets out to determine if the film Interview with the Vampire, which preceded the above named films and television shows by more than five years, is a cite of queer cinema that focuses on gay themes while proposing a same-sex family. In coupling Seymour Chatman's rhetorical theory of narrative in fiction-literature and film with Harry Benshoff and Sean Griffin's theory of Queer Cinema, the study focuses on locating and citing specific instances where gay themes of identity and identification along with the theme of the same-sex family emerge. The study utilizes the novel Interview with the Vampire by Ann Rice as a critical touchstone and draws from Roland Barthes' concept of "Rhetoric of the Image" to evaluate the strength of the themes found within the adapted film Interview with the Vampire. The research finds several examples of the re-presentation of individual gay lives and uncovers evidence of a cinematic representation of a same-sex family. The researcher concludes that while the film Interview with the Vampire is certainly an example of queer cinema, it also presents a same-sex family unit that may be the first of its kind.

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Paquiot, Alethea. "Images de la transgression : Carmilla (1872), Dracula (1897) et les vampires d'Anne Rice." Thesis, Le Havre, 2016. http://www.theses.fr/2016LEHA0028.

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Devenu célèbre sous les traits de Dracula, le vampire est un monstre révélateur et résilient qui s'est fait archétype incontournable de la culture populaire et dont l'existence diégétique précède le roman de Bram Stoker. Du folklore à la fiction et de l'ombre à la lumière, son évolution est représentative des sociétés et des époques dans lequel il revient à la vie. A la fois transgressifs et normatifs, ses avatars jouent un rôle cathartique en incarnant le refus des lois humaines naturelles et divines, mais aussi la réitération de ces règles et la création de canons littéraires. Cette étude diachronique centrée sur "Carmilla" (1872), "Dracula" (1897) et les vampires d'Anne Rice démontre que leurs aventures invitent à réfléchir autant aux conséquances des fautes qu'à la validité des normes, à l'essence de la nature et des failles humaine et à la fonction libératrice des personnages de fiction et particulièrement des monstres
Known to most as Dracula, the vampire is revealing and resilient monster whose diegetic existence predates Stoker's novel, and that has become a key figure of popular culture. From folklore to fiction and from shadow to ligjhte, its evolution is indicative of the times and societies in wich it return to life. Equally transgressive and normative, its avatars play a cathartic role aas they epitomize rejection of human, natural and divine laws, but also the reiteration of the rules and the creation of literary canons. This diachronic study focused on "Carmilla" (1872), "Dracula" (1897) and Anne Rice's vampires shows that their adventures induce reflection on both the consequences of wrongdoing and the validity of norms, on the essence of human nature and hubris, and the liberating fucntion of fictional characters, particulary monsters
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Kemp, Kurt Alan. "Anne Rice's vampire aesthetic : redefining the vampire tradition /." View online, 1994. http://repository.eiu.edu/theses/docs/32211998858840.pdf.

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Stephanou, Aspasia. "Our blood, ourselves : the symbolics of blood in vampire texts and vampire communities." Thesis, University of Stirling, 2011. http://hdl.handle.net/1893/3644.

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My thesis examines the ways in which blood is represented in vampire novels, films, and vampire communities. I locate my thesis within a postmodern framework that encompasses a diverse range of critical approaches such as postmodern, feminist and materialist theories, anthropology, psychoanalysis, and histories of medicine and ideas. The mixture of high and low status texts selected examine the ways identity, self-fashioning and the body are constructed through their use of a symbolics of blood. The first chapter examines the changing meanings of blood in vampire texts from the nineteenth century to the present through the discourses of medical science and technology. While blood is shown to be an important fluid in biomedicine, at the same time it conjures up associations with identity and corporeality. The second chapter examines consumption as a trope to define and control the female vampire. Through the analysis of literal and figurative acts of cannibalistic consumption, eating and incorporation in vampire literature, the chapter seeks to address female appetite, disease and identity. The third chapter examines the use of blood and postmodern self-fashioning in vampire communities in order to expose the various meanings of real or symbolic blood within postmodern culture. I conclude by addressing issues and ideas that my thesis has brought to the fore and which can be explored further.
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Soloviova-Horville, Daniela. "Du vampire slave au vampire occidental : genèse et migrations d'une figure de l'imaginaire." Amiens, 2006. http://www.theses.fr/2006AMIE0016.

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L’étude examine les particularités de la vision slave du vampirisme et retrace les étapes de sa migration au sein de la société et de la littérature occidentales aux XVIIIe et XIXe s. Elle examine les facteurs favorisant la découverte des cas de vampirisme survenus en Serbie dans les années 1730. L’analyse des réactions des penseurs du XVIIIe s. Face à cette ‘superstition’ montre que le vampirisme est stigmatisé comme une pathologie culturelle, l’apanage des peuples incultes. L’examen des définitions des dictionnaires du XVIIIe s. Témoigne de la focalisation sur l'aspect gorgé de sang du vampire. La fascination devant la pléthore sanguine répond ainsi à la perplexité devant la pléthore de preuves ‘officielles’. Dans la littérature du XIXe s. L’image du corps vampirique reflète les préoccupations d’une société occidentale en quête d’elle-même. Le vampire devient le symbole du mal-être et du désir insatisfait - le corps pâle et exsangue se fait l’allégorie du manque et de la privation
Beginning with an analysis of the Slavic vision of vampirism and its attributes, our dissertation traces the various stages of its development in Western European literature and culture in the 18th and 19th centuries, before examining the factors responsible for the growing notoriety of Serbian vampire "cases" in the 1730s. The numerous philosophical and theological treatises concerning this "superstition" substantiate the fact it was considered a pathological adjunct of ignorant peoples. Eighteenth century entries in dictionaries stress the distended aspect of vampires bloated with blood, the fascination for which can be measured by the plethora of official texts "proving" their existence. The image of the vampire in 19th century literature exemplifies Western European society's quest for identity, and it is within this framework that the vampire came to connote infirmity and unquenched desire, with the pale and bloodless body becoming the allegorical representation of deprivation
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Books on the topic "Interview with the vampire"

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Rice, Anne. Interview with the Vampire. 2nd ed. New York, USA: Ballentine Books, 2014.

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Rice, Anne. Interview With The Vampire. New York, USA: Ballantine Books, 1985.

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Rice, Anne. Interview with the vampire. New York: Ballantine Books, 1986.

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Rice, Anne. Interview with the Vampire. New York, USA: Alfred A. Knopf, 1994.

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Witter, Ashley Marie. Interview with the vampire: Claudia's story. New York: Yen Press, 2012.

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Rice, Anne. Interview with the Vampire: Book I of The Vampire Chronicles. New York, USA: Ballantine Books, 1988.

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Silver, Alain. The vampire film: From Nosferatu to Interview with a vampire. 3rd ed. New York: Limelight Editions, 1997.

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Rice, Anne. Interview with the Vampire: Book I of The Vampire Chronicles. New York: Ballantine Books, 1994.

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Silver, Alain. The vampire film: From Nosferatu to Interview with the vampire. 3rd ed. New York: Limelight Editions, 1997.

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Rice, Anne. Interview with the Vampire: The First Book in the Vampire Chronicles. London: Warner Books, 1995.

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Book chapters on the topic "Interview with the vampire"

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Schumann, Nancy. "Vampiric Emotion and Identity in Dracula and Interview with the Vampire." In Dracula, 213–26. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63366-4_12.

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Riazanov, Alexandre, and Andrei Voronkov. "Vampire." In Automated Deduction — CADE-16, 292–96. Berlin, Heidelberg: Springer Berlin Heidelberg, 1999. http://dx.doi.org/10.1007/3-540-48660-7_26.

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Payne, Christopher, and Andrew Kjos. "Vampire." In A Beginner’s Guide to Special Makeup Effects, 13–15. New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003093701-4.

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Burger, Alissa. "The Vampire." In Teaching Stephen King, 11–25. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137483911_2.

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Wisker, Gina. "Vampire Bites." In Contemporary Women's Gothic Fiction, 157–86. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-30349-3_7.

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Wisker, Gina. "Vampire Kisses." In Contemporary Women's Gothic Fiction, 187–205. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-30349-3_8.

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Riazanov, Alexandre, and Andrei Voronkov. "Vampire 1.1." In Automated Reasoning, 376–80. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/3-540-45744-5_29.

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Kennedy, Paul. "Introduction: Capitalist Modernity in Question." In Vampire Capitalism, 1–28. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55266-2_1.

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Kennedy, Paul. "The Rise of Vampire Capitalism (and not a slayer in sight)." In Vampire Capitalism, 29–60. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55266-2_2.

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Kennedy, Paul. "The Roots of Vampire Capitalism." In Vampire Capitalism, 61–97. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55266-2_3.

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Conference papers on the topic "Interview with the vampire"

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Knight, Melissa. "Abraham Lincoln: vampire hunter." In SIGGRAPH Asia 2013 Computer Animation Festival. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2542398.2542459.

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Knight, Melissa. "Abraham Lincoln: Vampire Hunter." In ACM SIGGRAPH 2013 Computer Animation Festival. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2503541.2503545.

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Kosa, Tracy Ann. "Vampire bats: Trust in Privacy." In 2010 Eighth Annual International Conference on Privacy, Security and Trust (PST). IEEE, 2010. http://dx.doi.org/10.1109/pst.2010.5593227.

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Kotelnikov, Evgenii, Laura Kovács, Giles Reger, and Andrei Voronkov. "The vampire and the FOOL." In CPP 2016: Certified Proofs and Programs. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2854065.2854071.

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Littman, Karen. "Interview." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.253681.

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Butz, Andreas, Clifford Beshers, and Steven Feiner. "Of Vampire mirrors and privacy lamps." In the 11th annual ACM symposium. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/288392.288598.

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Van House, Nancy A. "Interview viz." In CHI '06 extended abstracts. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1125451.1125720.

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Dragan, Ioan, Konstantin Korovin, Laura Kovacs, and Andrei Voronkov. "Bound Propagation for Arithmetic Reasoning in Vampire." In 2013 15th International Symposium on Symbolic and Numeric Algorithms for Scientific Computing (SYNASC). IEEE, 2013. http://dx.doi.org/10.1109/synasc.2013.30.

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Akera, Atsushi, and Franz Alt. "Franz Alt interview." In ACM Oral History interviews. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1141880.1141881.

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Akera, Atsushi, and Bernard Galler. "Bernard Galler interview." In ACM Oral History interviews. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1141880.1141883.

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Reports on the topic "Interview with the vampire"

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DEPARTMENT OF THE ARMY WASHINGTON DC. An Exclusive Interview. Fort Belvoir, VA: Defense Technical Information Center, February 1998. http://dx.doi.org/10.21236/ada353808.

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Nykaza, Edward T., Kathleen Hodgdon, Trent Gaugler, Peg Krecker, and George Luz. Personal Interview Protocol Report. Fort Belvoir, VA: Defense Technical Information Center, November 2010. http://dx.doi.org/10.21236/ada544876.

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Huang, Zhao. Slides for job interview. Office of Scientific and Technical Information (OSTI), February 2021. http://dx.doi.org/10.2172/1764877.

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Svanes, Erik, Lisbeth Mogensen, Hanna Hartikainen, and Ulrika Franke. Interview guide for primary production. Nordic Council of Ministers, April 2017. http://dx.doi.org/10.6027/na2017-907.

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de Eyto, Adam, and Niall Cormican. An interview with Niall Cormican. University of Limerick, 2019. http://dx.doi.org/10.31880/10344/7525.

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Luciano, Bernadette. An Interview with Alina Marazzi. Purdue University Press, February 2013. http://dx.doi.org/10.5703/1288284315028.

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Luciano, Bernadette. An Interview with Francesca Pirani. Purdue University Press, February 2013. http://dx.doi.org/10.5703/1288284315031.

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Luciano, Bernadette. An Interview with Marina Spada. Purdue University Press, February 2013. http://dx.doi.org/10.5703/1288284315032.

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Luciano, Bernadette. An Interview with Paola Sangiovanni. Purdue University Press, February 2013. http://dx.doi.org/10.5703/1288284315033.

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Lunn, Maureen, and Kevin Roark. National Geographic Interview -- Pit Manufacturing. Office of Scientific and Technical Information (OSTI), October 2020. http://dx.doi.org/10.2172/1680006.

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