Log in

Relevant bibliographies by topics / Interviews with artists

Contents

Journal articles

Academic literature on the topic 'Interviews with artists'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Interviews with artists.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Interviews with artists"

1

Fusco, Coco, and Robert Knafo. "Interviews with Cuban Artists." Social Text, no. 15 (1986): 41. http://dx.doi.org/10.2307/466491.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Bury, Stephen, and Helen Scott. "The artist speaks: the interview as documentation." Art Libraries Journal 25, no. 1 (2000): 4–9. http://dx.doi.org/10.1017/s0307472200011366.

Full text

Abstract:

Nearly every exhibition catalogue now contains an interview with, or related statement by, the artist. How and why did this become the norm? The increasing popularity of the artist’s words is traced back in this article to its roots in Romanticism, the rise of the mass media and the cult of the avant-garde artist. The value and reliability of the transcribed and printed words is questioned and a bibliography of published interviews with artists follows.

APA, Harvard, Vancouver, ISO, and other styles

3

Machmut-Jhashi, Tamara, Matthew Baigell, and Renee Baigell. "Soviet Dissident Artists: Interviews after Perestroika." Slavic and East European Journal 41, no. 3 (1997): 511. http://dx.doi.org/10.2307/310204.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Shalin, Dmitri, Renee Baigell, and Matthew Baigell. "Soviet Dissident Artists: Interviews after Perestroika." Russian Review 55, no. 4 (1996): 709. http://dx.doi.org/10.2307/131882.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Géracht, Maurice. "Donald Friedman's Interviews : Writers as Visual Artists." Interfaces, no. 40 (December 21, 2018): 209–13. http://dx.doi.org/10.4000/interfaces.612.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Gerlieb, Anne. "TikTok as a New Player in the Contemporary Arts Market: A Study with Special Consideration of Feminist Artists and a New Generation of Art Collectors." Arts 10, no. 3 (2021): 52. http://dx.doi.org/10.3390/arts10030052.

Full text

Abstract:

How do social-media platforms such as TikTok function as a neutralising factor in the gatekeeping process in times of COVID-19 restrictions? How does TikTok change the experience culture in arts, and how does this impact how artists frame their working process alongside primary gatekeepers? During the COVID-19 pandemic, TikTok attracted many artists, who used the platform to take their practice, and thereby their self-marketing, into their own hands. At the same time, a new generation of collectors use TikTok to discover art under popular hashtag #feministartists. When artists label their work with #feministartists, they insert themselves into the gatekeeping process, and use opportunities and restrictions bounded to that specific hashtag. The study examines this process of professional self-positioning by using interviews with contemporary artists, curators, and observations on TikTok, artist talks, and secondary interviews with artists on online platforms. The findings suggest a variation in how one trades in or trades on “feminist artist”, accessing resources, and gaining exposure. A focus on “feminist artists” is restrictive for consolidating artists’ efforts to pursue specific professional, social, political, and economic agendas through art.

APA, Harvard, Vancouver, ISO, and other styles

7

Bene, Elisabeth Maria. "On Regimes of Value in the Art World and the Art of Bernhard Rappold." Journal of Extreme Anthropology 1, no. 2 (2017): 75–78. http://dx.doi.org/10.5617/jea.5383.

Full text

Abstract:

A student essay for the Special Student Issue of the Journal of Extreme Anthropology accompanying the art exhibition 'Artist's Waste, Wasted Artists', which opened in Vienna on the 19th of September 2017 and was curated by the students of social anthropology at the University of Vienna. This essay focuses on multiple source of value creation in the artworld, while using material from interviews with the Viennese artist Bernhard Rappold.

APA, Harvard, Vancouver, ISO, and other styles

8

Johanson, Katya, and Hilary Glow. "Reinstating the artist’s voice: Artists’ perspectives on participatory projects." Journal of Sociology 55, no. 3 (2018): 411–25. http://dx.doi.org/10.1177/1440783318798922.

Full text

Abstract:

Claire Bishop argued that the ethical lens applied to socially engaged arts practice encourages ‘authorial renunciation’ in favour of collaboration and limits the opportunity to expose such practice to critical reception. This article responds to Bishop’s implicit call to envision an artist-centred framework for participatory arts by identifying the motivations and beneficial discoveries that artists make when they seek out the creative involvement of others. Based on interviews with Australian performing artists who have established socially engaged practices, the article aims to bring about a form of ‘authorial reinstatement’ into the value system around participatory arts practice. It identifies a range of motivations for artists who establish socially engaged or participatory practice, from self-developmental to altruistic; and from arts-focused to community- and society-focused. The article argues that using these motivations to inform indicators of achievement for participatory practice provides new opportunities for critical interrogation of those practices.

APA, Harvard, Vancouver, ISO, and other styles

9

Hsieh, Yung-Cheng, and Ssu-Yu Cheng. "The New Taipei City Artist Map Project: The Compilation and Promotion of the Greater Danshui Artist Map." International Journal of Humanities and Arts Computing 7, supplement (2013): 201–15. http://dx.doi.org/10.3366/ijhac.2013.0070.

Full text

Abstract:

‘The Compilation and Promotion of the Greater Danshui Artist Map’ is the first-stage plan from the ‘New Taipei City Artist Map Project’ by Culture Affairs Bureau of New Taipei C ity. The goal of this project, named ‘One Year, One Village’, is to conduct field survey, in-depth interviews, artwork digitisation and promotional events on artists and art villages within Ney Taipei City. Information from the research and its resulting digitised visual and audio contents will become the foundation for future development and production of arts emerging from the growing cultural originality in New Taipei C ity. In addition to utilizing the traditional ‘direct observation’ approaches to obtain first-hand information and establish contacts with local artists, the research also takes on a field survey approach to conduct verbal interviews and complete digital photographs of artists’ artworks. The combination of these methods had achieved a complete and accessible artist archive for the Greater Danshui. Using the surveyed results and digital content, the Greater Danshui artists map website, ( http://artist-map.ntpc.gov.tw/sd_/ ) was completed and a pamphlet for arts of Greater Danshui was published.

APA, Harvard, Vancouver, ISO, and other styles

10

Coleman, Heidi. "Introduction: Devising in Chicago—Interviews with the Artists." Theatre Topics 26, no. 2 (2016): E—1—E—2. http://dx.doi.org/10.1353/tt.2016.0031.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!