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Books on the topic 'Intimate writing'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Breyten, Breytenbach. Intimate stranger: A writing book. Archipelago Books, 2009.

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2

How writing touches: An intimate scholarly collaboration. Cambridge Scholars, 2012.

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3

1835-1910, Twain Mark, and Neider Charles 1915-, eds. Papa, an intimate biography of Mark Twain. Doubleday, 1985.

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4

Burleigh, Erica. Intimacy and Family in Early American Writing. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137404084.

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5

Esquivel, Laura. Between two fires: Intimate writings on life, love, food & flavor. Crown Publishers, 2000.

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6

1915-1979, Pierrakos Eva, and Saly Judith, eds. Creating union: The essence of intimate relationship. 2nd ed. Pathwork Press, 2002.

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7

Wendell, Leilah. The book of Azrael: An intimate encounter with the Angel of Death. Westgate Press, 1988.

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8

Intimate talk: Autobiographical & critical writings, conversations, letters & translations from the Armenian. Impressions, 1992.

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9

McCarthy, Peter. Writing diaspora in the west: Intimacy, identity and the new marginalism. Palgrave Macmillan, 2009.

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10

A different kind of intimacy: The collected writings of Karen Finley. Thunder's Mouth Press, 2000.

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11

Gauthier, France. On ne meurt pas: Récit intime. Libre expression, 2004.

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12

La parola in bilibo: La scrittura intima nel Novecento a la produzione epitolare di Carlo Emilio Gadda. Il Cardo, 1995.

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13

The converse of the pen: Acts of intimacy in the eighteenth-century familiar letter. University of Chicago Press, 1986.

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14

Gauthier, France. On ne meurt pas: La nouvelle vie de mon père : médecin de l'âme : récit intime. Éditions Publistar, 2010.

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15

Riccio, Ottone M. The Intimate Art of Writing Poetry. Backinprint.com, 2000.

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16

1950-, Harrington Walt, ed. Intimate journalism: The art and craft of reporting everyday life. Sage Publications, 1997.

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17

1950-, Tucker Susan, and Strother Linda Lee, eds. The soul of a writer: Intimate interviews with successful songwriters. Journey Pub. Co., 1996.

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18

Tucker, Susan, and Linda Lee Strother. The Soul of a Writer: Intimate Interviews with Successful Songwriters. Journey Publishing Company, 1996.

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19

Writing the Intimate Character: Create Unique, Compelling Characters Through Mastery of Point of View. Writer's Digest Books, 2016.

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20

Charles, Laurie L. Intimate Colonialism: Head, Heart, and Body in West African Development Work (Writing Lives: Ethnographic Narratives). Left Coast Press, 2007.

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21

Bennett, Kate. John Aubrey’s and Life-Writing. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.14.

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John Aubrey constructed an intimate and nonthreatening biographical persona, which allowed him to collect sensitive material about people in a politically turbulent period. He preserved documents and facts, but also anecdotes and “sayings,” as records of the human voice and the reputations of biographical subjects. He developed an expectation that comprehensive and factual biographical reference works were necessary, and that biography could be an aspect of social or historical knowledge. He wrote the lives of women and of those who were not privileged, rejecting the exemplary tradition and wr

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22

Stern, Karen B. Writing on the Wall. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691161334.001.0001.

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Few direct clues exist to the everyday lives and beliefs of ordinary Jews in antiquity. Prevailing perspectives on ancient Jewish life have been shaped largely by the voices of intellectual and social elites, preserved in the writings of Philo and Josephus and the rabbinic texts of the Mishnah and Talmud. Commissioned art, architecture, and formal inscriptions displayed on tombs and synagogues equally reflect the sensibilities of their influential patrons. The perspectives and sentiments of nonelite Jews, by contrast, have mostly disappeared from the historical record. Focusing on these forgot

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23

Zaritt, Saul Noam. Jewish American Writing and World Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863717.001.0001.

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Jewish American Writing and World Literature studies Jewish American writers’ relationships with the idea of world literature—how they place themselves within its boundaries, outside its purview, or, most often, in constant motion across and beyond its maps and networks. Writers such as Sholem Asch, Jacob Glatstein, Isaac Bashevis Singer, Anna Margolin, Saul Bellow, and Grace Paley all responded to a demand to write beyond local Jewish and American audiences and toward the world, as a global market and as a transnational ideal. At the same time, their work is deeply informed by an intimate con

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24

Jones, Shara. Burn the Toxic Thoughts after Writing: Journal and Workbook for Women with Prompts with Intimate Guidelines for Practicing Self-Compassion and Self-Love. Independently Published, 2020.

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25

Kim, Su Yun. Imperial Romance. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751882.001.0001.

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This book argues that the idea of colonial intimacy within the Japanese empire of the early twentieth century had a far broader and more popular influence on discourse makers, social leaders, and intellectuals than previously understood. The book investigates representations of Korean–Japanese intimate and familial relationships — including romance, marriage, and kinship — in literature, media, and cinema, alongside documents that discuss colonial policies during the Japanese protectorate period and colonial rule in Korea (1905–45). Focusing on Korean perspectives, the book uncovers political

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26

Writing Intimacy into Geography. Taylor & Francis Group, 2017.

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27

Currier, Jameson. Until my heart stops: Intimate writings. 2015.

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28

Jones, Shara. Burn Out Old You after Writing Self-Love Activities for Living a Good Life with Good Vibes: Journal and Workbook for Women with Intimate Guidelines for Spiritual Self-Discovery. Independently Published, 2020.

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29

Maglaque, Erin. Venice's Intimate Empire. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501721656.001.0001.

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During the Renaissance, the Venetian Mediterranean empire stretched from the lagoon city’s shores to the island of Cyprus. This vast empire was governed by aristocratic men: educated as humanists, they were sent out into the empire armed with ancient geographies and classical epics. Once there, they married women who were their own subjects, and in doing so crossed the boundaries of ethnic and religious identity which divided the early modern Mediterranean world. An Intimate Empire undertakes the first study of this relationship between humanism, empire, and family. Mining private writings, hu

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30

Cottle, Thomas J., and Robert Coles. Intimate Appraisals: The Social Writings of Thomas J. Cottle. UPNE, 2002.

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31

Intimate Appraisals: The Social Writings of Thomas J. Cottle. University Press of New England, 2002.

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32

Burleigh, E. Intimacy and Family in Early American Writing. Palgrave Macmillan, 2014.

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33

Intimacy and Family in Early American Writing. Palgrave Macmillan, 2014.

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34

Claman, Elizabeth. Hard Love: Writings on Violence & Intimacy. Queen of Swords Press, 1997.

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35

Bobker, Danielle. The Closet. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691198231.001.0001.

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Long before it was a hidden storage space or a metaphor for queer and trans shame, the closet was one of the most charged settings in English architecture. This private room provided seclusion for reading, writing, praying, dressing, and collecting—and for talking in select company. In their closets, kings and duchesses shared secrets with favorites, midwives and apothecaries dispensed remedies, and newly wealthy men and women expanded their social networks. This book presents a literary and cultural history of these sites of extrafamilial intimacy, revealing how, as they proliferated both in

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36

Esquivel, Laura. Between two fires: Intimate writings on life, love, food & flavor. 2015.

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37

Judith, Barrington, ed. An Intimate Wilderness: Lesbian writers on sexuality. Eighth Mountain Press, 1991.

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38

Wendell, Leilah. The Book of Azrael: An Intimate Encounter with the Angel of Death. Westgate Press (La), 1990.

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39

Hard love: Writings on violence and intimacy. Queen of Swords Press, 1997.

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40

Esquivel, Laura. Between Two Fires: Intimate Writings on Life, Love, Food, and Flavor. Crown, 2001.

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41

Wright, Julian. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199533589.003.0009.

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At the beginning of this book, we developed three frameworks for studying ideas about the present in French socialist intellectual life: the time of modern political culture; the time of the socialist movement; and the time of the individual. The last of these has been a human voice throughout, complicating and deepening the discussion. With that biographical focus, my material has been presented less systematically than in the careful typology of the sociologist Georges Gurvitch. What I have wanted to do is to allow intimate experiences of writing, thinking, and arguing to dominate my study o

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42

Cooke, Jennifer. Scenes of Intimacy: Reading, Writing and Theorizing Contemporary Literature. Bloomsbury Publishing Plc, 2014.

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43

Bruno, Giuliana. Public Intimacy: Architecture and the Visual Arts (Writing Architecture). The MIT Press, 2007.

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44

Scenes Of Intimacy Reading Writing And Theorizing Contemporary Literature. Continuum Publishing Corporation, 2013.

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45

Peter Orlovsky A Life In Words Intimate Chronicles Of A Beat Writer. Routledge, 2014.

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46

Ferguson, Sam. Les Cahiers d’André Walter. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814535.003.0002.

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Gide’s first publication of diary-writing, Les Cahiers d’André Walter, explores the potential of the journal intime to contribute to an author’s literary œuvre, and help construct their textual author-figure. It was initially presented as the real diary of a real André Walter (an ‘auteur supposé’ rather than a mere pseudonym). When read as if it were a real journal intime, it appears as an innovative, partly literary diary-writing project, and manifests a new concept of the intime. André Walter’s own theoretical deliberations in this work explore themes of contingency (associated with the jour

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47

Tulloch, John, and Belinda Middleweek. Beyond High Theories of Intimacy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0012.

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Chapter 10 explores the ways in which intertexuality within and between the stages of writing, directing, and performing the film The Piano Teacher create a multi-authored text. In the absence of an ethnography of production impossible for films made in the past, the authors devised a “soft ethnography” approach focused on some key players in this “multiply authored” semiotic model (namely, the prize-winning author, director, and lead actor) to suggest the flow and feedback between these different “signatures” in the text. This soft ethnography is grounded in knowledge of the writer’s discursi

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48

Writing Diaspora in the West: Intimacy, Identity and the New Marginalism. Palgrave Macmillan, 2009.

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49

Greyser, Naomi. Between Intimacy and Distance, a “Neutral Territory”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190460983.003.0004.

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This chapter examines masculine individualism’s push–pull relationship with sympathy, beginning in The Scarlet Letter’s Custom-House. There, Hawthorne’s narrator sympathetically presses Hester Prynne’s dusty, scarlet A against his heart, feeling a burning tingle as he places himself in her position. Sections read touch and untouchability in The Scarlet Letter, exploring what encouraged male readers to overcome what Henry Thoreau referred to as masculinity’s “gulf of feeling” to experience sentimental connection. Writing through alienation and writer’s block, Hawthorne’s tingling connection wit

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50

Smith, Angela. Colonial Modernists. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199609932.003.0016.

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This chapter looks at a range of colonial fiction up to 1950 by writers native to Australia, New Zealand, India, the Caribbean, and Canada, which in some way develops and inflects modernist aspiration and practice. The old paradigm, that European models of literary modernism were disseminated to outposts of the British Empire, possibly via such cultural missionaries as E. M. Forster or D. H. Lawrence, and then belatedly imitated, or that artists from the colonies travelled to the metropolitan centre to discover and be transformed by the avant-garde, is evidently undermined by a cursory glance

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