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Journal articles on the topic 'Intimate writing'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Cooke, Jennifer. "The Risks of Intimate Writing." Angelaki 16, no. 2 (2011): 3–18. http://dx.doi.org/10.1080/0969725x.2011.591581.

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Jolly, Margaretta. "Introduction: Life Writing as Intimate Publics." Biography 34, no. 1 (2011): v—xi. http://dx.doi.org/10.1353/bio.2011.0007.

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Morley, Rachel. "Writing Intimate Lives: Mediations in Biographical Praxis." Literature Compass 8, no. 12 (2011): 962–71. http://dx.doi.org/10.1111/j.1741-4113.2011.00844.x.

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4

Horn, Katrin. "Of Gaps and Gossip: Intimacy in the Archive." Anglia 138, no. 3 (2020): 428–48. http://dx.doi.org/10.1515/ang-2020-0037.

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AbstractArguing for gossip’s relevance in the archive, this article examines the surviving private material relating to Charlotte Cushman (1816–1876). Cushman was the most celebrated American actress of the nineteenth century yet spent most of her life in an expatriate community in Rome, where she shared her home with other female artists. Analysing letters, diaries, and related forms of life writing by Cushman herself as well as by friends and family, this article pursues two goals: First, it accounts for how a fear of gossip (by Cushman and her family) might have shaped the gaps in the colle

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5

Battershill, Claire. "‘This Intimate Object’: Imagining the World in John Lehmann's New Writing." Modernist Cultures 13, no. 1 (2018): 96–114. http://dx.doi.org/10.3366/mod.2018.0196.

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This article explores ideas of globalism presented in John Lehmann's ‘periodical in book form’, New Writing. Running between 1936 and 1950 and published by five different publishers, New Writing aimed to provide reading material that documented the immediate threat of war and brought anti-Fascist activists from many countries together to combat it. The internationalist project of New Writing through the interwar period was problematically idealistic given that it maintains a colonial view with Europe (and specifically Britain) as the centre, and reinforces a language of colonialism. Its attemp

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Goodall, H. L. "Writing like a Guy in Textville." International Review of Qualitative Research 2, no. 1 (2009): 67–87. http://dx.doi.org/10.1525/irqr.2009.2.1.67.

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This narrative explores the idea of “narrative seduction.” Though an autoethnographic account the author shows how he learned to read and think about the masculine qualities of prose associated with “writing like a man” in the academy, and how this insight led him to locate his ethnographic voice in opposition to it. The narrative includes some stylistic observations about the author's own “seductive” prose and its relationship to intimate listening.

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Berlant, Lauren, and Jay Prosser. "Life Writing and Intimate Publics: A Conversation with Lauren Berlant." Biography 34, no. 1 (2011): 180–87. http://dx.doi.org/10.1353/bio.2011.0008.

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Uldbjerg, Signe. "Writing Victimhood." Kvinder, Køn & Forskning, no. 2 (February 8, 2021): 27–39. http://dx.doi.org/10.7146/kkf.v29i2.124893.

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Non-consensual sharing of intimate images, here called digital sexual assault (DSA), has been a heavily debated subject in Denmark over the past few years. In the polarized public and academic debate, DSA victims are often either subjected to victim blaming or portrayed as ‘broken’ victims with little agency and hope of redemption. This article presents a methodology for working with DSA victims to construct their own alternative and empowering stories of victimhood.Through an experimental methodology based on creative writing, I have included three young women in a process of collectively dev

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SIMPSON, PAUL, MARIA HORNE, LAURA J. E. BROWN, CHRISTINE BROWN WILSON, TOMMY DICKINSON, and KATE TORKINGTON. "Old(er) care home residents and sexual/intimate citizenship." Ageing and Society 37, no. 2 (2015): 243–65. http://dx.doi.org/10.1017/s0144686x15001105.

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ABSTRACTSexuality and intimacy in care homes for older people are overshadowed by concern with prolonging physical and/or psychological autonomy. When sexuality and intimacy have been addressed in scholarship, this can reflect a sexological focus concerned with how to continue sexual activity with reduced capacity. We review the (Anglophone) academic and practitioner literatures bearing on sexuality and intimacy in relation to older care home residents (though much of this applies to older people generally). We highlight how ageism (or ageist erotophobia), which defines older people as post-se

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Kataoka, Kuniyoshi. "Affect and letter-writing: Unconventional conventions in casual writing by young Japanese women." Language in Society 26, no. 1 (1997): 103–36. http://dx.doi.org/10.1017/s0047404500019424.

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ABSTRACTWith special attention to the use of unconventional practices and pictorial signs in casual letter writing, this article shows how young Japanese women effectively exploit affect-laden shape, form, and function in order to establish intimate and solidary relationships. They rely on both conventional and unconventional aspects of Japanese orthography, encoding affect specific to the given context and merging spoken with written modes of self-representation. In so doing, they seem to draw on diverse “frames” of written language, and to manipulate symbolic means of association and integra

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Раковська, Н. М. "TOPOLOGY OF WRITING AS UNDERSTANDING OF INTIMATE PHILOSOPHY OF V. ROZANOV." Slovyanskyy Zbirnyk, no. 21 (January 25, 2018): 280–90. http://dx.doi.org/10.18524/2413-0613.2017.21.132203.

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Andrews, Margaret. "Out of the cloister: Spanish women’s online intimate writing in context." Journal of Romance Studies 9, no. 1 (2009): 87–98. http://dx.doi.org/10.3828/jrs.9.1.87.

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Browarczyk, Monika, and Lidia Sudyka. "Opening up Intimate Spaces: Women’s Writing and Autobiography in South Asia." Cracow Indological Studies 20, no. 2 (2018): v—xvi. http://dx.doi.org/10.12797/cis.20.2018.02.01.

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Halfon, Eduardo, Lisa Dillman, Daniel Hahn, and Avinoam Patt. "The Purest Form of Writing, the Most Intimate Form of Reading." Massachusetts Review 60, no. 3 (2019): 448–63. http://dx.doi.org/10.1353/mar.2019.0083.

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Clarke, Robert. "Intimate strangers: Contemporary Australian travel writing and the semiotics of empathy." Journal of Australian Studies 29, no. 85 (2005): 69–81. http://dx.doi.org/10.1080/14443050509388017.

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Torres Lepecki, André. "Critical Gestures: Writings on Dance and Culture. By Ann Daly. Middletown, CT: Wesleyan University Press, 2002; pp. 320. $19.95 paper." Theatre Survey 45, no. 1 (2004): 137–39. http://dx.doi.org/10.1017/s0040557404310082.

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Western theatrical dance emerges in the late Renaissance as an increasingly autonomous art form. However, as theatrical dance strove toward the ideal of its own aesthetic self-sufficiency, toward an autonomy that would eventually confer it its place as a truly modern art form, dance developed a paradoxically intimate, intricate, and convoluted relationship with its other—writing. The historical persistence of a continuous dialoguing between dancing and writing indicates how dance's aspirations for aesthetic autonomy were precisely that: an impossible (modern) wishing. Historically, the role an

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Churchill, David S. "Paul Goodman and the Biography of Sexual Modernity." Journal of the Canadian Historical Association 21, no. 2 (2011): 47–60. http://dx.doi.org/10.7202/1003087ar.

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This article is a preliminary exploration of the relationship between the auto-biographical writings of radical US intellectual Paul Goodman and his theorizing of sexuality’s links to the project of political liberation. Goodman’s life writing was integrated into his social and political critique of mid-twentieth century society, as well as his more scholarly pursuits of psychology and sociology. In this way, Goodman’s work needs to be seen as generative of the dialectic of sexually modernity, which integrated intimate queer sexual experiences with conceptual, intellectual, and elite discourse

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DONNER, HENRIKE, and GONÇALO SANTOS. "Love, Marriage, and Intimate Citizenship in Contemporary China and India: An introduction." Modern Asian Studies 50, no. 4 (2016): 1123–46. http://dx.doi.org/10.1017/s0026749x16000032.

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Theorists of globalization as well as activists' writing from a range of positions have argued that intimate practices are taking centre stage and becoming part of global discourses in the process. This holds true for the institution of marriage and the associated ideas about appropriate family forms, but also more generally for the ways in which ideas about ‘modern selves’ are realized in relationships based on reflexivity and self-knowledge through engagement with an intimate other.

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Serageldin, Samia. "Reflections and Refractions: Arab American Women Writing and Written." Hawwa 1, no. 2 (2003): 189–205. http://dx.doi.org/10.1163/156920803100420333.

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AbstractAt a time when the American popular imagination is dominated by fun-house refractions of Arabs and Muslims as the ultimate "other," it is critical that these images be counterbalanced by unmediated, first-person, authentic reflections of the real-life experiences of writers of Middle Eastern heritage. This is where fiction and narrative non-fiction occupy a privileged position, creating an intimate, expansive space for empathy and identification, and serving generality through specificity.

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Epstein, Maram. "Writing Emotions: Ritual Innovation as Emotional Expression." NAN NÜ 11, no. 2 (2009): 155–96. http://dx.doi.org/10.1163/138768009x12586661922947.

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AbstractThis article examines the chronological biographies of the Qing ritualists Yan Yuan (1635-1704) and Li Gong (1659-1733) to witness how they negotiated and wrote about the ritual and emotional priorities in their relationships with various family members. It argues that rather than being just a form of ritual duty, filial piety was a core emotion at the center of many people's affective and spiritual lives. Although the conservative nature of nianpu (chronological biography) as a genre meant that some of the most intimate relationships in these two men's lives would get passed over in s

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Swenson, Kristine. "Intimate Sympathy and Self-Effacement: Writing the Life of Sophia Jex-Blake." a/b: Auto/Biography Studies 14, no. 2 (1999): 222–40. http://dx.doi.org/10.1080/08989575.1999.10815220.

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Fackler, Katharina. "Postcolonial and Transoceanic Life Writing." JAAAS: Journal of the Austrian Association for American Studies 1, no. 1 (2020): 157–62. http://dx.doi.org/10.47060/jaaas.v1i1.78.

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In lieu of an abstract, here is the first paragraph of this forum contribution: The study of life writing and postcolonial theory have had a long, intimate, and mutually constitutive relationship. The desire to more comprehensively understand the (human) subjectivities of the (formerly) colonized through (their own) cultural self-expression has driven life-writing scholars to significantly expand their canon and their scholarly methods. The human and the non-human are onto-social conditions imposed on colonized and enslaved peoples. In the context of transoceanic studies, various conditi

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Regard, Frédéric. "Derrida Un-Cut: Cixous's Art of Hearts1." Paragraph 30, no. 2 (2007): 1–16. http://dx.doi.org/10.3366/prg.2007.0024.

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This article concerns the Portrait of Jacques Derrida, drawn by Hélène Cixous in 2001. The pages I choose to focus on are nine extracts of Derrida's footnoted additions to an essay by Geoffrey Bennington, either annotated or highlighted, sometimes both, in Cixous's hand in red, blue or black pen. The central point I develop is that Cixous's close relation to Derrida is not so much to an intimate friend whose skin could be touched, as to Derrida qua writing being, Derrida as corpus. I argue that intimacy operates by loosening Derrida's tongue, entering into his tongue in order to get to his hea

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Tabarez, Ulises Moreno. "Roses for the Revolution." International Review of Qualitative Research 4, no. 4 (2011): 361–84. http://dx.doi.org/10.1525/irqr.2011.4.4.361.

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Representations of Mexican revolutionary hero, Emiliano Zapata, migrate across the Mexico/US borders. His specters inform and reflect sexual identities migrating across these borderlands. Theoretically guided by Madison's model of performative writing and Muñoz's disidentification, this experimental project highlights and challenges the heteronormativity that pervades these migratory representations and the discursive practices that bring them to life. Through a performative writing exercise, I travel through theory and time to (re)present the figure of Zapata in an intimate love story whose b

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André, Willian, and Lara Luiza Oliveira Amaral. "A vida íntima entre as paredes de vidro: uma análise dos diários de Maura Lopes Cançado, Alejandra Pizarnik e Sylvia Plath / Intimate life inside the walls of glass: an analysis of journals by Maura Lopes Cançado, Alejandra Pizarnik and Sylvia Plath." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 4 (2019): 395. http://dx.doi.org/10.17851/2358-9787.28.4.395-426.

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Resumo: Partindo de algumas considerações de Leonor Arfuch, Philippe Lejeune e Michel Blanchot sobre a “escrita íntima” relacionada à produção de diários, este artigo tem por objetivo central tecer uma análise comparativa entre os diários de três escritoras: Maura Lopes Cançado, Alejandra Pizarnik e Sylvia Plath. Colocando essas produções lado a lado, intencionamos mostrar algumas características comuns, tanto com relação à forma – como a recorrência à linguagem lírica –, quanto com relação aos conteúdos: relatos de angústias, tentativas de suicídio, experiências de internamento em hospitais p

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26

Watt, Adam. "Reading Proust in Barthes's Journal de deuil." Nottingham French Studies 53, no. 1 (2014): 102–12. http://dx.doi.org/10.3366/nfs.2014.0076.

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This article contributes to ongoing critical reflection on the place of Marcel Proust's writings in the œuvre of Roland Barthes, through a reading of Barthes's Journal de deuil. I explore the explicit references made to Proust as well as the more indirect or involuntary traces of À la recherche that surface in the notes that make up the Journal. These are read comparatively with references made to Proust, mourning, memory and writing that figure in Barthes's contemporary works, notably the lecture ‘“Longtemps, je me suis couché de bonne heure”’, Fragments d'un discours amoureux and La Chambre

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P. B. Rodrigues, Isabel, and Kathleen Sheldon. "Cape Verdean and Mozambican Women's Literature: Liberating the National and Seizing the Intimate." African Studies Review 53, no. 3 (2010): 77–99. http://dx.doi.org/10.1017/s0002020600005680.

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Abstract:In Mozambique and Cape Verde, writing in Portuguese by African women has directly engaged political reconstruction by denouncing colonial oppression and embracing national freedom. This article addresses the recent history of Lusophone African women's fiction, which has been pivotal in inscribing the intimate arena of sexuality and motherhood into power relations and has also revealed ways in which the domain of violence intersects with private lives. By focusing on two novels that exemplify this trend, this article demonstrates links between the political and the intimate. It also sh

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Wyss, Eva L. "From the bridal letter to online flirting." Journal of Historical Pragmatics 9, no. 2 (2008): 225–54. http://dx.doi.org/10.1075/jhp.9.2.04wys.

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Over the past two centuries concepts of love, as well as the nature of intimate relations, have undergone modifications. Along with these modifications, the language of desire, the text type of the love letter and love-letter writing practice have changed as well. It is therefore surprising that certain elements of the correspondence between prospective brides and grooms of the nineteenth-century bourgeoisie seem today to be enjoying a comeback on the Internet. Some of the parameters, however, have changed. This essay will explore the similarities and differences of intimate literacy from a hi

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Inayatullah, Naeem. "Pulling threads: Intimate systematicity in The Politics of Exile." Security Dialogue 44, no. 4 (2013): 331–45. http://dx.doi.org/10.1177/0967010613491305.

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The achievements of Elizabeth Dauphinee’s (2013) The Politics of Exile are highlighted by means of two juxtapositions. First, Dauphinee’s book invites a contrast to novels because it takes the form of a story. Specifically, Dauphinee’s portrait of the vilified ‘Serbs’ is compared with how the Taliban are treated in Khalid Hosseini’s The Kite Runner and Nadeem Aslam’s The Wasted Vigil. Second, The Politics of Exile is examined as it emerges from Dauphinee’s efforts to overcome the limits of her more academic work. The advantages of Dauphinee’s approach relative to our standard research are pres

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Shawanda, Amy. "Baawaajige." Turtle Island Journal of Indigenous Health 1, no. 1 (2020): 37–47. http://dx.doi.org/10.33137/tijih.v1i1.34020.

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 Baawaajige: my ideas for research are often revealed while sleeping. We as Anishinaabe People are able to connect to the spiritual realm through dreams. I will explore how Anishinaabe People utilize dreams and validate Indigenous ways of knowing without feeling shy and to be proud of where we obtain our knowledge. We need to normalize our dreams and visions within our writing. My conference presentation explores the use of dreams in academic writing as validated research. I want to privilege Indigenous research method and methodology that appears within our dreams, visions, and through

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Hefner, Brooks E. "“Any Chance to Be Unrefined”: Film Narrative Modes in Anita Loos's Fiction." PMLA/Publications of the Modern Language Association of America 125, no. 1 (2010): 107–20. http://dx.doi.org/10.1632/pmla.2010.125.1.107.

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This essay examines the underappreciated work of the Hollywood scenarist and humor writer Anita Loos. In general, Loos is known separately to film scholars, as a prominent writer of silent films, and to historians of American culture, as an important twentieth‐century humorist. However, her film‐writing career and her work in the theory of film writing influenced the narrative structure and assumptions of her fiction. Through readings of Loos's three early novels, the essay demonstrates how the humor and complex cinematic structure of these texts depend on a stark text‐image divide that stems

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Tisselli, Eugenio. "The Heaviness of Light." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 6, no. 2 (2018): 11–25. http://dx.doi.org/10.14195/2182-8830_6-2_1.

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This text explores the material implications of electronic reading and writing in the Anthropocene. It does so by briefly examining the consequences that the production and usage of electronic devices has on ecosystems and social contexts. Different perspectives on how a reader or writer may deal with the negative effects of sociotechnical systems are offered: restraint, pharmacological awareness and togetherness. Such perspectives can be transformed into reading and writing tools for the Anthropocene that may allow readers and writers of electronic literature to integrate the notion of an ext

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Charles, Nickie. "Written and spoken words: representations of animals and intimacy." Sociological Review 65, no. 1 (2016): 117–33. http://dx.doi.org/10.1111/1467-954x.12376.

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In this paper I explore the differences in the ways people write and talk about their relationships with animals, focusing on those they regard as kin and with whom they live. I draw on responses to the Animals and Humans Mass Observation directive, which was sent out in the summer of 2009, and 21 in-depth interviews with people who share their domestic space with animals. I suggest that writing about relationships with animals produces a particularly intimate representation which is almost confessional, while talking to another person about similar relationships renders the intimacy less obvi

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Boncori, Ilaria, and Charlotte Smith. "I lost my baby today: Embodied writing and learning in organizations." Management Learning 50, no. 1 (2018): 74–86. http://dx.doi.org/10.1177/1350507618784555.

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This article focuses on miscarriage and the sharing of intimate experiences as an example of alternative writing that can be used to challenge and resist dominant masculine discourse in academia. It steps back from patriarchal forms of writing organizations and contributes in three ways: in terms of methodology through the use of multi-voice autoethnography that embraces evocative language; with regard to the subject matter, by sharing a narrative that focuses on the bodily and dirty in day-to-day organizing; and in style, by going beyond traditional structures to foster personal, fragile and

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Sari, Fatimah Mulya, and Shely Nasya Putri. "Academic Whatsapp Group: Exploring Students’ Experiences in Writing Class." TEKNOSASTIK 17, no. 2 (2019): 56. http://dx.doi.org/10.33365/ts.v17i2.324.

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The use of social-networking application such as WhatsApp in learning writing enables students to foster individual learning experiences during the class and after the class. WhatsApp itself has a special feature to create the specific group in order to bound the members and intimate the interaction among lecturer and students relating to the course matters. This current study generally explores the students’ perceptions in experiencing WhatsApp Group Chat in learning writing. This qualitative research was conducted in one of universities in Lampung province, Indonesia. The subjects were 28 se

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Matthis, Milan Marković. "Dear Simona." Maska 34, no. 198 (2019): 10–13. http://dx.doi.org/10.1386/maska.34.198-199.10_1.

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Abstract »Dear Simona« is a short article in which the author employs the lyrical format of a letter to the renowned playwright Simona Semenič: on the one hand, in order to describe some potential directions of analyzing her writing, on the other to ponder on their private relationship. The first part of the text deals with the relationship between theatre and society, the second with relationships between genders, and the third with the relationship between intimate and public.

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Nakamura, Lisa. "“Words with Friends”: Socially Networked Reading on Goodreads." PMLA/Publications of the Modern Language Association of America 128, no. 1 (2013): 238–43. http://dx.doi.org/10.1632/pmla.2013.128.1.238.

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Reading isn't what it was. As we enter the “late age of print,” E-Books are still less common than “P-Books” (printed books), but the balance is quickly changing, especially in the world of academic publishing (Striphas xii). While many lament the loss of the p-book's materiality, texts have become more lively as a result of digitization: textual-production platforms like blogging let writers and readers interact with each other and create intimate social relationships. As Kathleen Fitzpatrick found while writing her book Planned Obsolescence using CommentPress, an online platform that enables

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Bonasera, Carmen. "Bodies and self-disclosure in American female confessional poetry." European Journal of Life Writing 10 (July 9, 2021): SV33—SV56. http://dx.doi.org/10.21827/ejlw.10.37638.

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Far from being a mere thematic device, the body plays a crucial role in poetry, especially for modern women poets. The inward turn to an intimate autobiographical dimension, which is commonly seen as characteristic of female writing, usually complies with the requests of feminist theorists, urging writers to reconquer their identity through the assertion of their bodies. However, inscribing the body in verse is often problematic, since it frequently emerges from a complicated interaction between positive self-redefinition, life writing, and the confession of trauma. This is especially true for

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Campbell, Andrea Louise. "Family Story as Political Science: Reflections on Writing Trapped in America’s Safety Net." Perspectives on Politics 13, no. 4 (2015): 1043–52. http://dx.doi.org/10.1017/s1537592715002303.

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Intimate ethnography presents a number of challenges: How could I write about my own family in a way that was true to their experience but also an “objective” report? How could I convey telling details without robbing my family of their privacy? How could I rein in my emotions to report their story, and did I pick and choose facts to protect them or to make them more sympathetic? How could I generalize from their experience to that of millions of social assistance recipients? In this Reflections essay, I consider these challenges in light of what other social scientists have said about the iss

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Barnwell, Ashley. "Hidden heirlooms: Keeping family secrets across generations." Journal of Sociology 54, no. 3 (2017): 446–60. http://dx.doi.org/10.1177/1440783317727878.

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This article explores how wider national narratives facilitate families’ choices about what information to keep secret over time. I argue that attention to the ways family secrets operate reveals how social and moral codes are both sustained and challenged on an intimate scale. The article also makes an argument for using life writing and literature to explore the often-illusive contours of family secrets. To illustrate, I examine Lynette Russell’s memoir A Little Bird Told Me: Family Secrets, Necessary Lies and Richard Flanagan’s novel Death of a River Guide. Anchoring the analysis within the

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Roberts, June Gersten. "The Flourishing Folds." Dance, Movement & Spiritualities 6, no. 1-2 (2020): 155–70. http://dx.doi.org/10.1386/dmas_00008_1.

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The Flourishing Folds is a solo video-art project, which re-negotiates the author’s relationship with ageing through creating intimate skin-portraits in near-touch close-up. The article reflects on these processes of re-possessing and re-purposing images of ageing skin and shares affirming experiences of embodied, sensory-perceptual video making. Tibetan Buddhist meditation practices inform the project and the article shares reflective writing on deep body meditations that dwell in locations where creasing skin offers pockets for holding spiritual humility and where folds form valleys that map

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Compagnone, Maria Rosa. "Le forum de discussion: espace public des temps modernes." LCM - La Collana / The Series 9788879169776 (July 2021): 89–105. http://dx.doi.org/10.7359/977-2021-comp.

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Discussion forums on the web concern a large number of subjects such as domestic life (recipes and cooking), intimate life (pregnancy and sex life) or intellectual life (scientific subjects, school homework). Our study focuses on the analysis of the messages exchanged on the forums alfemminile.com, aufemminin. com, skuola.net, doctissimo.it and doctissimo.fr and its aim is therefore to examine, from a linguistic point of view, a type of network communication, discussion forums. While the research falls within the scope of analyzing the specifics of computer-mediated communication (CMO), it als

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Shomoossi, Nematullah. "Collaboration of Translators with Medical Authors: A Qualitative Enquiry into Writing Articles in English." Acta Facultatis Medicae Naissensis 30, no. 1 (2013): 45–47. http://dx.doi.org/10.2478/v10283-012-0035-1.

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Summary The interaction between non-English authors of medical articles and translators can be considered as a key component in perfect rendering of the content. In the era of rapid spread of research findings throughout the world, some researchers with little knowledge of English look for translation and editing services in order to share their findings in the global dialogue of science production. This paper will closely investigate the protocol analysis of an interview with a medical researcher and an intimate translator who has helped him for almost 10 years in translating his articles and

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Leick, Karen. "Popular Modernism: Little Magazines and the American Daily Press." PMLA/Publications of the Modern Language Association of America 123, no. 1 (2008): 125–39. http://dx.doi.org/10.1632/pmla.2008.123.1.125.

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This essay looks at the American popular reception of modernist little magazines and of writers who were regularly published there, including James Joyce and Gertrude Stein. In the 1920s, book reviewers, syndicated daily book columnists who reached millions, and celebrity columnists took notice of authors or books that were considered news. Experimental modernist writing was frequently discussed, even when it had appeared in obscure little magazines. Even editorials in major newspapers debated literary trends. This national conversation about modernist writing has been largely ignored by criti

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González, Francisco J. "Writing Gender with Sexuality: Reflections on the Diaries of Lou Sullivan." Journal of the American Psychoanalytic Association 67, no. 1 (2019): 59–82. http://dx.doi.org/10.1177/0003065119826626.

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In contemporary psychoanalytic writing, gender tends to be disarticulated from sexuality. While this has been a theoretically useful approach, especially as regards the critical appraisal of early traditional literature (which often assumed a facile coherence between sex, sexuality, and gender), this position too often leaves gender stripped of one of the most compelling forces in psychoanalytic theorizing, namely, its relation to the sexual. Here the diaries of Lou Sullivan (1951–1991)—a transsexual man who began writing long before considering sexual transitioning—are used to present an exte

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Gómez, Reid. "The Meaning of Written English: A Place to Dream as One Pleases." American Indian Culture and Research Journal 41, no. 4 (2017): 93–114. http://dx.doi.org/10.17953/aicrj.41.4.gomez.

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I examine Rey Chow's assertion that the process of racialization parallels the challenge of coming to terms with language. In 2011, Anthony Webster coedited the American Indian Culture and Research Journal special issue “American Indian Languages in Unexpected Places” and called for an extension of his work on Blackhorse Mitchell's novel Miracle Hill: The Story of a Navajo Boy. My argument looks at writing as a matter of choices the writer makes (following William L. Leap's work in American Indian English) and the requirements expected of readers. Moving away from the error analyses and ethnog

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Walsh, Thomas. "Animating Joyce: Tim Booth’s Ulys." Animation 7, no. 1 (2012): 83–99. http://dx.doi.org/10.1177/1746847711428855.

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According to Paul Wells, the lengthy and intimate relationship of the animation auteur to the animated text is similar to the writing process, and the animated form’s sense of its own artifice highlights the transformative aspects of adapting literary sources for the cinema. It is this expression of interiority, translation and textual process that makes the animated film a perfect vehicle for an adaptation of James Joyce’s Ulysses (1922), which utilizes multiple narrators to construct and deconstruct representations of urban, Dublin society in the early 20th century. It is the purpose of this

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Kristeva, Julia. "The Psychic Life: A Life in Time: Psychoanalysis and Culture." Journal of French and Francophone Philosophy 26, no. 2 (2018): 81–90. http://dx.doi.org/10.5195/jffp.2018.860.

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Last year I published an autobiographical text in the form of interviews with a young psychologist entitled Je me voyage. The title’s neologism gives a nod to my foreign status in the French language which has largely determined my psychosexual positioning in research and in writing; the psychic experience has been central to my life’s trajectory (which I will not elaborate on here.) In my familial context, culture constituted a world that made life liveable —and I experienced life, due to the importance accorded to language, as survival, as an intimate resistance and an inherent creativity in

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Puchianu, Carmen Elisabeth. "Rumänische Realität surrealistisch verkörpert: Joachim Wittstocks Erzählung Hades, (m)eine postmoderne Lesart." Germanistische Beiträge 44, no. 1 (2019): 41–58. http://dx.doi.org/10.2478/gb-2019-0002.

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Abstract Our analysis of Joachim Wittstock’s narrative entitled Hades and published thirteen years after the fall of the communist regime in Romania aims at pointing out the intimate connection between socio-political reality and personal experience reflected by the creative process of turning reality into fiction by writing. We consider the chosen narrative both as a political and literary statement, reflecting much of the way of life in Romania during the late 1980s. The narrative may be considered as some kind of withheld fiction and a pertinent comment of the author as to the role of ficti

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Thomson, Jody, Sheridan Linnell, Cath Laws, and Bronwyn Davies. "Entanglements between Art-making and Storytelling in a Collective Biography on the Death of an Intimate Other." Departures in Critical Qualitative Research 7, no. 3 (2018): 4–26. http://dx.doi.org/10.1525/dcqr.2018.7.3.4.

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In this essay, the four authors explore the material and affective agency of art-making in a collective biography workshop. We work with our memories of the death of someone close to us, through stories, and through making art. Collectively we explore a specific, embodied moment of the particular deaths we have each experienced. The substantive focus of our work is methodological. We concern ourselves with what is made possible through including art-making in intra-action with the more usual storytelling/listening/writing/reading/making of collective biography.

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