Relevant bibliographies by topics / Inuit Art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Inuit Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Inuit Art"

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Graburn, Nelson H. H. "Authentic Inuit Art." Journal of Material Culture 9, no. 2 (July 2004): 141–59. http://dx.doi.org/10.1177/1359183504044369.

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Kamerling, Leonard. "Isuma—Inuit Video Art." Oral History Review 37, no. 2 (July 1, 2010): 278–80. http://dx.doi.org/10.1093/ohr/ohq065.

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Auger, Emily. "Inuit Woman Artists and Western Aesthetics." Dialogue and Universalism 7, no. 3 (1997): 179–86. http://dx.doi.org/10.5840/du199773/418.

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Inuit artists espouse aesthetic values which are indicative of the degree of their involvement with the western art world and of the non-artistic cultural values which they wish to convey and perpetuate in their own communities. It is in this latter expression that Inuit aesthetics may be studied as a conveyor of Inuit rather than non-Inuit culture. In this paper, the statements made by Inuit woman artists from the Keewatin district are analysed with reference to the values associated with contemporary mainstream fine art and the artists' own assertions regarding the importance of non-artistic values in the art-making process.
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Igloliorte, Heather. "Curating Inuit Qaujimajatuqangit: Inuit Knowledge in the Qallunaat Art Museum." Art Journal 76, no. 2 (April 3, 2017): 100–113. http://dx.doi.org/10.1080/00043249.2017.1367196.

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Bathory, Laakkuluk Williamson, Koomuatuk (Kuzy) Curley, Taqralik Partridge, Jocelyn Piirainen, and Georgiana Uhlyarik. "Tunirrusiangit: Their Gifts." Public 32, no. 64 (December 1, 2021): 32–48. http://dx.doi.org/10.1386/public_00070_1.

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Tunnirusiangit: Kenojuak Ashevak + Timotee Pitsiulak was a collaborative project in 2017-2018, led by four Inuit artists and curators, Laakkuluk Williamson Bathory, Koomuatuk (Kuzy) Curley, Taqralik Partridge, Jocelyn Piirainen, in partnership with Dr. Anna Hudson (Mobilizing Inuit Cultural Heritage (MICH) at York University) and Georgiana Uhlyarik, Curator, Art Gallery of Ontario. Designed to generate exchange between Inuit and non-Inuit about the role of art, beauty, and culture in shaping our relationships to the land and to each other, it celebrated the achievements of Kenojuak Ashevak and Timotee Pitsiulak, two Inuit artists who challenged the parameters of tradition while consistently articulated a compelling vision of the Inuit worldview. The team reflected on the project in a series of conversations in October 2020. This is an edited version of their discussions.
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Millard, Peter. "CONTEMPORARY INUIT ART–PAST AND PRESENT." American Review of Canadian Studies 17, no. 1 (March 1987): 23–29. http://dx.doi.org/10.1080/02722018709480973.

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Fry, Jacqueline. "CONTEMPORARY INUIT ART AND ART FROM OTHER “TRIBAL” CULTURES." American Review of Canadian Studies 17, no. 1 (March 1987): 41–46. http://dx.doi.org/10.1080/02722018709480975.

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Oen, Kiem, Brian Postl, Ian M. Chalmers, Norma Ling, Maria Louise Schroeder, Fletcher D. Baragar, Liam Martin, Martin Reed, and Paul Major. "Rheumatic diseases in an inuit population." Arthritis & Rheumatism 29, no. 1 (January 1986): 65–74. http://dx.doi.org/10.1002/art.1780290109.

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Zawadski. "Qaujimanira: Inuit Art as Autoethnography." ab-Original 2, no. 2 (2018): 151. http://dx.doi.org/10.5325/aboriginal.2.2.0151.

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Cornellier, Bruno. "Isuma: Inuit Video Art Michael Robert Evans." Canadian Journal of Film Studies 19, no. 1 (March 2010): 95–98. http://dx.doi.org/10.3138/cjfs.19.1.95.

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Dissertations / Theses on the topic "Inuit Art"

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St-Onge, Colette G. "Symbols of Authenticity: Challenging the Static Imposition of Minority Identities through the Case Study of Contemporary Inuit Art." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20491.

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This thesis examines the use and promotion of shamanic themes in contemporary Canadian Inuit art, being the principle venue in which Inuit identity is presented to non-Inuit in Canada and internationally. The image of Inuit identity promoted through the arts since the mid-twentieth century is arguably the product of non-Inuit state authorities, but Inuit artists themselves are increasingly asserting their voice in their arts and crafts, thereby challenging the image of Inuit identity to non-Inuit. This project first problematizes the history of contemporary Inuit art, where the construction of Inuit identity was heavily prescribed, and then turns to the shifts occurring in Inuit art to highlight the process of identity construction and the agency of Inuit within it. In the process, this project challenges the static conceptualization of minority identities in diverse societies by both state authorities and majority populations. This dissertation contends that Inuit art and identity are fluid concepts and there must be an emphasis made to permit for their fluidity, to avoid affirming a static minority identity in a diverse society, whether in the public or state forums. Consequently, the effort to assert the authenticity of these intangible concepts is contrary to the ideals of diversity and equality promoted in Canada.
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Prokop, Carol Ann. "Written in stone : a comparative analysis of Sedna and the Moon Spirit as depicted in contemporary Inuit sculpture and graphics." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29052.

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Traditional mythological themes have been repeatedly depicted in contemporary Inuit art since the late 1950s. This thesis examines the portrayals of the female sea spirit or Sedna and the male moon spirit in sculpture and graphics by contemporary Inuit artists from three Arctic art "communities": Baker Lake, Cape Dorset and Povungnituk. Analysis of the mythological depictions has led me to conclude that artists have tended to employ two distinct styles of illustration to represent these deities. These two types are iconic and narrative. Introduced by the first generation of contemporary Inuit artists working in the late 1950s these types functioned as tangible expressions of the unique nature and role of each deity in Inuit culture as these were perceived by the Inuit artists, and involved a complicated process of integrating both traditional and "alien" elements. Subsequent generations of artists have retained these prototypes and continued to incorporate elements based on these two influences. The complex evolution of Sedna and Moon Spirit imagery reflects the role contemporary Inuit mythological art has come to play as both a medium of communication to non-Inuit and a historical and cultural repository for the Inuit.
Arts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
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Gagnon, Louis. "Charlie Inupuk, étude sémiotique d'un cas en art inuit." Master's thesis, Université Laval, 1990. http://hdl.handle.net/20.500.11794/33509.

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Ce mémoire est constitué de deux grands ensembles: premièrement, un regard synthétique sur le développement de l'art inuit contemporain depuis l'art nordique préhistorique, et deuxièmement une approche sémiotique de l'art de Charlie Inukpuk. Ainsi, dans notre premier volet nous avons voulu situer les multiples productions de l'art esquimau préhistorique jusqu'à l'avènement de l’art inuit contemporain dans une perspective historique basée sur des recherches archéologiques et historiques; notre objectif était alors de démontrer l'importance du phénomène transculturel entre l'art inuit contemporain et l'envahissante culture des Blancs. Par la suite, ceci nous a amené à aborder la question du primitivisme car, l'art inuit a trop souvent été qualifié "d'art primitif " comme si, pour différentes raisons, plusieurs auteurs avaient voulu conserver une intriguante saveur exotique à cette forme d’expression artistique non-occidentale. Cette première partie est suivie d'un portrait contextuel de l'art de Charlie Inukpuk, jeune sculpteur inuit qui vit à Inukjuak dans le Nunavik (Nouveau- Québec). L'art de Charlie Inukpuk nous sert ici de prétexte pour appliquer un modèle sémiotique d'analyse à une oeuvre d'art inuit. Cherchant délibérément à éviter les écueils d'une approche trop ethnologique de l'art inuit, le but ultime de nos travaux était de vérifier le degré d'efficacité d’une telle analyse sémiotique sur une forme d'expression artistique non-occidentale. Les résultats sont tels qu'il devient possible de croire que l'analyse sémiotique, même syntaxique, des sculptures inuit pourra grandement contribuer à une meilleure compréhension de l'art inuit et nous donnera un accès plus valable à ce phénomène artistique hybride résultant d'un croisement culturel entre les Euro-canadiens et les Inuit.
106412\u Résumé en anglais
106413\u Résumé en espagnol
Montréal Trigonix inc. 2018
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Moxon, James. "Youth carvers and the Inuit art industry in Kinngait, Nunavut." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0018/MQ47682.pdf.

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Gibson, Jennifer. "Christianity, syncretism, and Inuit art in the central Canadian Arctic." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0021/MQ48373.pdf.

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Esbin, Howard Bennett. "Western aesthetic conventions and valuation of the artisanal production of non-western cultures." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61118.

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Western aesthetic convention represents an accrual of inherited societal perspectives on the artist, the artifact and its consumer. A review of its history and the etymology of its terminology discloses a twofold problem. The first aspect concerns the separation of the manufacture of aesthetic objects from their economic raison d'etre. The second involves the categorization of these artifacts into art or craft. This problem is compounded when considering Western judgements on non-Western aesthetics. Inuit handicraft provides an appropriate model to illustrate the fact that present convention and nomenclature prove inadequate in addressing both intra and especially extra-cultural concerns. A broader and more inclusive orientation is needed.
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Duchemin-Pelletier, Florence. "« Les sculptures ne sont pas uniquement des sculptures » : réception de l’art inuit contemporain en France des années 1950 à nos jours." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100075.

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Dans le milieu des années 1950, des expositions itinérantes d’art inuit contemporain sont envoyées sur plusieurs continents. Elles y connaissent une réception enthousiaste en raison du positionnement particulier que leur confère James A. Houston, à cheval sur les sphères conceptuelles du moderne et du supposé primitif. Seule la France, dont l’imaginaire collectif s’est pourtant largement enrichi de figures polaires depuis les missions d’apostolat et d’exploration, affiche alors une certaine défiance à l’endroit de cette nouvelle forme artistique. Cette thèse propose d’examiner les conditions de réceptions de l’art inuit contemporain dans un contexte hexagonal dominé jusque dans les années 1970 par le paradigme primitiviste, avant de se concentrer sur la multiplication des initiatives individuelles et collectives qui, depuis le début des années 1980, marquent un renouvellement du regard. Tout le long, l’art inuit est questionné dans sa faculté à être saisi comme un outil opératoire désignant une forme d’authenticité artistique ou culturelle. Un dernier pan s’intéresse au discours autochtone et aux jeux de double adresse auquel s’exercent les artistes inuit
From the middle of the 1950s, traveling exhibitions of Contemporary Inuit Art have been staged across several continents. These exhibitions had been enthusiastically received, thanks in large part to the particular positioning put forth by James A. Houston, which established Contemporary Inuit Art within the artistic constructs of primitivism and modernism. This warm welcome was in marked contrast to France's own reception of Inuit art. Even though its collective imaginary has been largely shaped by figures from the North Pole, a view that can be traced back to the first apostolic and exploratory missions of the continent, France remained the only country that showed a certain distrust towards this artistic expression. This thesis will examine the conditions by which Contemporary Inuit Art has been re-interpreted within a series of evolving historical contexts, beginning with the domination of the primitivist paradigm until the 1970s, and moving towards the multiplication of individual and collective projects from the early 1980s, a context which prevails to this day. Throughout this examination, the question of Contemporary Inuit Art's ability to be seen as a symbol of artistic and cultural authenticity will be addressed. The final chapter will deal with the notion of aboriginal discourse and the 'double address' mode of communication that Inuit artists tend to employ
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Chevallier, Jennifer Geneviève. "L’empreinte du chamane : le souffle de la pensée chamanique dans l’art contemporain des Premières Nations au Canada. Essai de sociologie de l’art entre 1990 et 2010." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030025.

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Le chamanisme, exprimé dans l’art contemporain des Premières Nations du Canada, opère comme un puissant marqueur ethnique. Il symbolise l’espace sacré où se joue la résistance culturelle, avec les engagements politiques qui la sous-tendent. Il représente aussi un référent identitaire. L’analyse de ce courant esthétique actuel soulève des questions essentielles : de quelle manière le chamanisme est-il abordé par les artistes, à la fois comme concept et comme pratique artistique ? Quelle est la mission de l’art d’inspiration chamanique contemporain, du point de vue de son rôle social, en tant que gardien de l’identité et de la spiritualité mais aussi comme catalyseur du processus de guérison collective et individuelle ? Dans le contexte artistique postmoderne, le chamanisme peut être considéré comme une source de pouvoir et d’inspiration, une terre sacrée que les artistes autochtones explorent avec détermination. En puisant dans les racines profondes de la tradition, et en s’engageant dans une expérience moderne, les artistes se donnent pour mission de raviver la sagesse des anciens et de se relier à la cosmogonie autochtone.Leur pratique a pour but de réduire le clivage psychique entre nostalgie des origines et indianité contemporaine. Ainsi, le statut d’hybridité donne naissance à une force de transformation d’une grande créativité. Cette thèse analyse les enjeux philosophiques et politiques auxquels l’art d’inspiration chamanique est confronté, en s’appuyant sur un point de vue anthropologique et esthétique. Après un rappel du contexte socio-historique canadien, nous abordons les deux missions essentielles des chamanes de l’art : la réécriture de l’histoire et la reconquête de leur identité, qui dessinent, à travers la reconnaissance de leur différence, l’architecture d’une nouvelle Amérindie
Shamanism in contemporary native art in Canada is becoming one of the most relevant ethnic markers. It is the sacred place, the major source for cultural resistance, with strong roots and political implications underneath. It works as a powerful identity referent. As we analyse the aesthetic phenomenon from a modern perspective,different issues are emerging : how shamanism is acknowledged, both as a concept and as a practice by the First Nations artists ? Which social functions and philosophical involvements are assumed by the contemporary “shamanic art”, considering its symbolic part as the keeper of identity and spirituality, or/and performed or seen as a healing process ?In the postmodern artistic context, shamanism may be considered as an essential source of power and inspiration, a sacred land that most of the native artists are now exploring, defining therefore a new ontology. From the deep roots of the traditional knowledge, their legacy, and through their own contemporary experiment, these artists are trying to bring back the original wisdom in order to reconnect themselves with the native cosmogony and consequently, to reduce the psychic schism between traditionalism’s nostalgy and contemporary indianness (nativeness). Therefore the status of “betweenness”, that is specifically attributed to the native artists, is shifted into a power of creative transformation. This thesis analyses the process of shamanistic inspiration in contemporary native art, through the philosophical and political issues as well as with an anthropological and aesthetics point of view. The historical and sociological contexts are explored before defining th! e two main missions of the “Shamen of Art” : the rewrighting of the History and the Conquest of Identity, drawing through the recognition of their alterity, the architecture of a new “Amerindia”
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Pelaudeix, Cécile. "Modèles de temporalité et lieux du sens en histoire de l’art : dessins et estampes (1959-2002) de l’artiste inuit Kenojuak Ashevak." Grenoble 2, 2004. http://www.theses.fr/2004GRE29044.

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La linéarité du temps ne permet pas d'articuler de façon convaincante art et histoire. L'étude montre comment la création de l'estampe par des acteurs occidentaux, en Arctique canadien, au milieu du XXe siècle, reproduit le motif de l'origine et de la fin de l'art. En se basant sur une approche réticulaire (Warburg et l'hétérogénéité des images et du temps, modèle encyclopédique d'Eco et notion d'interprétant de Peirce), sur l'iconologie analytique de Arasse, l'étude démontre ensuite que l'art graphique (1959-2002) de Kenojuak entremêle des éléments de représentation collectifs et des éléments issus d'un imaginaire personnel. Est notamment mis au jour un dispositif visuel (formant) de déploiement qui figure tarniq, composante de la personne reposant sur un principe de vitalité, dispositif aussi observé dans la sculpture, la tapisserie, les masques. L'étude montre enfin que la démarche est pertinente pour aborder, plus généralement, la singularité en histoire de l'art.
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Mullick, Nancy S. "The transfer of the Northern Affairs (NA) and Indian and Northern Affairs of Canada (INAC) collections of Inuit art, 1985-1992." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ39995.pdf.

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Books on the topic "Inuit Art"

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Noël, Michel. Nunavimiut: Art inuit = Inuit art. Pointe-Claire, Qc: Roussan, 1992.

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Noël, Michel. Nunavimiut: Art inuit = Inuit art. Pointe-Claire, Qc: Roussan, 1992.

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Canada. Dept. of Indian and Northern Affairs. Indian and Inuit Affairs Program. Inuit Art Bibliography: Inuit Art Section. S.l: s.n, 1987.

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Canada. Dept. of Indian Affairs and Northern Development. Inuit Art Section. Inuit art bibliography. Ottawa: Indian and Northern Affairs Canada, 1992.

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Canada. Indian and Northern Affairs Canada., ed. Discover Inuit art. [Ottawa]: Indian and Northern Affairs Canada, 2000.

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Canada. Dept. of Indian and Northern Affairs. Indian and Inuit Affairs Program. Inuit art section. S.l: s.n, 1990.

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Northern Affairs Program (Canada). Inuit Art Section. Inuit art bibliography. Ottawa: The Section, 1987.

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(Canada), Inuit Art Centre. Inuit art bibliography. Ottawa: DIAND, 1987.

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Canada. Indian and Northern Affairs Canada. Inuit art bibliography. 2nd ed. Hull, Qué: Indian and Northern Affairs Canada, 1992.

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Gallery, Loveland Museum and. Survival: Inuit art. Loveland, Colo: Loveland Museum Gallery, 2004.

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Book chapters on the topic "Inuit Art"

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Zawadski, Krista Ulujuk. "Inuit Research Methodologies." In The Routledge Companion to Indigenous Art Histories in the United States and Canada, 200–209. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003014256-23.

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Doubleday, Nancy C. "Sustaining Arctic Visions, Values and Ecosystems: Writing Inuit Identity, Reading Inuit Art in Cape Dorset, Nunavut." In The GeoJournal Library, 167–80. Dordrecht: Springer Netherlands, 2005. http://dx.doi.org/10.1007/1-4020-3814-3_11.

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Campbell, Heather, and Reilley Bishop-Stall. "An Inuit Approach to Archival Work Based On Respect and Adaptability." In The Routledge Companion to Indigenous Art Histories in the United States and Canada, 53–63. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003014256-6.

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Tod-Tims, Cahley, and Pamela Stern. "“We are starving for our food”." In The Inuit World, 270–87. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429275470-20.

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Petit, Céline. "Re/Creating ‘Evocative Images’ (sunannguanik iqqaigutinik): Procedural Knowledge and the Art of Memory in the Inuit Practice of String Figure-Making." In Indigenous Knowledge and Ethnomathematics, 3–37. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97482-4_1.

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Laugrand, Frédéric. "“You are like Geese”. Working and Drum Dancing with Inuit Elders in Nunavut (Canada)." In Integrating Strangers in Society, 39–52. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-16703-5_3.

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Stroeken, Koen. "Chapter Fourteen: Intuition, Destiny, Love." In Simplex Society, 273–80. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-41115-1_16.

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AbstractDating apps, quantum computation and election of the GOAT in any domain are three cases that illustrate the antagonism of simplex society with intuition and particularly with the claim to intuit destiny.The chapter takes its cue from the oldest remedy against simplex society. The magic of love, how could dating apps capture it? The apps are a cure worsening the problem because they enhance the simplex of chance. Intuition approaches love as destiny.Events should be situated in the middle between the given, the pregiven and the immitted. Intuition is the extent to which one captures that middle. It is the human sense of reality. Being conscious of an immission is pre-ception, perceiving an event before it occurs.
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d’Abbs, Peter, and Nicole Hewlett. "Community-Controlled Liquor Outlets and Permit Systems." In Learning from 50 Years of Aboriginal Alcohol Programs, 187–230. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-0401-3_7.

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AbstractThis chapter reviews two strategies for managing alcohol deployed in some Aboriginal communities: community-owned liquor outlets, usually in the form of licensed clubs, and liquor permit systems that authorise approved individuals to import and consume liquor in communities where doing either is otherwise not allowed under local restrictions.The rationale underlying community-owned outlets is that they retain the revenue derived from drinking by community members in the community, foster a culture of moderation and deter illicit importation of liquor (i.e. ‘grogrunning’). Historically, most community-owned outlets have failed to achieve either the second or third of these objectives, but rather have become centres for heavy drinking and associated harms. Some community-owned outlets, however, have succeeded in fostering moderate drinking, and the chapter outlines factors conducive to their doing so.The use of individual liquor permit systems today is confined to some remote communities in the Northern Territory, Australia, and some Inuit communitiesin Nunavut, Canada. Evidence of their impact is sparse but suggests that liquor permit systems can enhance community management of alcohol provided three conditions are met: permit committees and others responsible for administering permit systems are adequately supported and resourced; effective controls are in place to deal with illegal supply of alcohol, and the rules and procedures that constitute the permit system enjoy legitimacy in the eyes of the community.
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Stroeken, Koen. "Chapter Eight: Healer or King." In Simplex Society, 195–209. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-41115-1_10.

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AbstractThis chapter explains the tensor of kum which features centrally in the author’s anthropological work on chiefdoms in eastern and central Africa that centralized into kingdoms. The data intertwine with conversations with a modernly educated chief, a man of the world living in the metropole of Dar es Salaam. The effort of the previous chapter continues as we extend our analysis from frame and sphere to cultural systems and the human species. Ethnographic reflections about lifeways come to the fore, as do intuitions one acquires after being trained in medicine. The training draws on a long-standing initiatory network spanning central and eastern Africa. Divination and initiation keep the chief’s rule medicinal. They prevent power from corrupting into autocracy.Can Western democracies, which presently go through rough times, learn from the mechanisms? An intriguing similarity is how the tensor splits into simplexes, and that members of the human species intuit the split as ‘no good’. Elections are politics of the real that reveal collective reason. The chapter ends with the contrasting case of a European country after 400 days without government. Do the better educated know best?
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Graburn, Nelson. "Clothing in Inuit Art." In Arctic Clothing of North America-Alaska, Canada, Greenland, 132–38. McGill-Queen's University Press, 2005. http://dx.doi.org/10.1515/9780773573284-026.

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Conference papers on the topic "Inuit Art"

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Raab, Peter S. "Settled: Culturally and Climatically Attuned Interventions for Ivujivik." In 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.92.

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This research examines the dual challenge of addressing climatic and cultural considerations in architecture, specifically using prefabricated mass timber housing in the remote Inuit village of Ivujivik. Situated just below the Arctic Circle, this northernmost settlement in a Canadian province presents unique challenges of isolation at the edge of Nunavik in Nord-du-Québec. An island, not in a geographic sense, but through its remoteness as neither road nor rail link this community to North America’s industrial centers, necessitates strategic architectural planning. With a harbor navigable for only 20 days annually, prefabricated design solutions are necessitatedfor nearly all its building stock, where timing is essential to providing much-needed housing solutions to this distant part of the planet. A liminal condition and cultural heritage that has been disrupted by climate change.The study is based on projects from a third-year undergraduate architectural design studio conducted in spring 2021. This period of virtual learning due to Covid-19 led to an exploration of Ivujivik’s local ecology, resources, and climate, aligning architectural designs with the village’s cultural, infrastructural, and environmental needs. The remote learning context paralleled the village’s remoteness, making prefabrication and mass timber appealing solutions for addressing the housing crisis sustainably and culturally sensitively. Despite the lack of physical site visits and direct communication with local leaders, extensive secondary research provided comprehensiveinsights, including academic and multimedia sources and consultations with design experts.The paper advocates for a holistic architectural approach that harmonizes building science with indigenous cultural knowledge and local perspectives, demonstrating the broader implications and potential of sustainable architecture in remote indigenous settings.
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Luta (Manolescu), Daniela Alice, Adrian Ioana, Bianca Cezarina Ene, Ionela Daniela Jugănaru, and Daniela Tufeanu. "E-learning: Introducing Computer Use in Mathematics Lessons in Primary Education." In World Lumen Congress 2021, May 26-30, 2021, Iasi, Romania. LUMEN Publishing House, 2022. http://dx.doi.org/10.18662/wlc2021/37.

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The aim of this paper is to identify and analyze the role that the use of the computer has in stimulating the logical thinking of young schoolchildren. Through this, the purpose of the activity of solving operations with natural numbers, is to develop logical thinking, properly combining intuitive elements with abstract ones. Solving arithmetic problems, we can activate young students in the formation of skills and abilities to analyze the given situation, to intuit and discover the way to get what is required in the mathematical problem. This paper aims to prove that, if both traditional methods and computer-based teaching methods are used in the instructive-educational process, then school performance will register a significant increase in terms of quantity and quality. This experimental study started from the premise that solving arithmetic problems with the help of computer, using e-learning platforms is an important activity in the mathematics lesson in primary school through which we stimulate young students’ logical thinking.
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Cole, Daniel P., Todd C. Henry, Ke An, Yan Chen, and Robert A. Haynes. "Damage Precursor Assessment in Aerospace Structural Materials." In ASME 2018 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/smasis2018-7908.

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The focus of this study was to apply a robust inspection technique for monitoring damage nucleation and propagation in 7075 aluminum alloy specimens exposed to cyclic loading. A previously developed specimen, linearly tapered in width along the length, was subjected to a sinusoidal tension-tension load while conductivity and strain were measured in-situ. Ex-situ measurements of modulus, hardness, surface potential, digital image correlation strain field, and neutron diffraction were made as a function of fatigue cycles. It is hypothesized that varying levels of induced stress along the length due to equal-force but varying area along the length will create a record of damage which can be probed to intuit a temporal history for the specimen. Baseline, intermediate, and failure sensor measurements for several specimens were compared and analyzed as a function of applied stress (varied linearly along the length) and fatigue cycles (constant). Mechanisms of damage nucleation and propagation due to fatigue cycling are discussed with an emphasis on which inspection methods are most promising for improving structural durability and state monitoring.
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Bahar Aydın, Kâmile. "Model of Autonomous-Related Singles Counseling in Collectivistic Cultures: The Turkey Model." In International Association of Cross Cultural Psychology Congress. International Association for Cross-Cultural Psychology, 2020. http://dx.doi.org/10.4087/ezin5166.

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In this paper the Model of Autonomous-Related Singles Counseling (MARSC) is introduced. MARSC is based on Kağıtçıbaşı's (1996) Autonomous-Related Self Model (ARSM) and on Aydın’s (2017, 2019) Singles Counseling Theory which have been developed in Turkey, a country that scores high on collectivism (Hofstede, 1980). In both models, the basic psychological needs of autonomy and relatedness are the key concepts. ARSM is a supplementary synthesis model that integrates two constructs assumed to be conflicting, and it is based on cross-cultural diversity: autonomy and relatedness. ARSM is prevalent in collectivistic cultures. Research conducted on diverse national and ethnic groups in Brazil, Estonia, Turkey, China, the Canadian Inuit, and immigrants in the United States of America and Europe, provides scientific evidence with regard to the ARSM. ARSM develops in the family model of psychological interdependence (FMPI) in collectivistic cultures. It involves a healthier combination of both autonomy and relatedness, which are essential psychological needs rather than relying on single autonomy or relatedness. Autonomy infers agency (social and cognitive) and volition, while relatedness infers emotional relations and support. Intervention is needed for ARSM to develop in a collectivistic culture. A single individual at MARSC is defined as someone who never married, got divorced, lives separately, or is widowed. MARSC has been developed to inspire prevention and intervention programs to develop the ARSM and related structures and functions (such as FMPI and autonomous-related single lifestyle). However, some environmental problems have become widespread and important in Turkey, therefore, the effectiveness of these psychological counseling programs also requires these problems to be resolved. Within the scope of Turkey-MARSC, these programs should be prepared to enhance efforts on developing autonomy in single individuals.
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Lessure, Harold S., and Christopher M. Lawson. "Optical intersatellite link computer model." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1986. http://dx.doi.org/10.1364/oam.1986.fi5.

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An interactive computer program has been written to aid in the definition of technologies required for optical intersatellite communication links. Input parameters are varied and the bit error rate (BER) is calculated for the link. The parameters are broken down into the following categories: laser transmitter parameters, laser pointing parameters, satellite tracking parameters, modulator characteristics, and detector performance characteristics. The model simplifies the analysis of interplay between these independently controllable parameters, allowing a rapid numerical evaluation of a configuration of interest. The model consists of six primary modules each containing between one and six subroutines. The function of the modules can briefly be described as follows: (1) INIT initializes input parameters and admits systematic variation of a given parameter of interest; (2) TRANSMIT calculates the power incident on the detector taking into account the transmitter power, free-space divergence loss, pointing loss, tracking loss, transmission loss through optical components, and modulation loss; (3) BACKGROUND determines the effects of optical background from sources such as stars, the moon, the earth, and the sun; (4) SIGNAL/NOISE calculates the detector signal-to-noise ratio (SNR) with dark current, thermal noise, shot noise, electronic noise, and optical background present; (5) BIT ERROR calculates BER as a function of SNR for a given modulation format; (6) DISPLAY tabulates and plots the data.
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Huang, Yuhao, Zane Morris, Tim Sirola, Andrew Hardman, Yifan Shi, Il Yong Kim, Manish Pamwar, and Balbir Sangha. "Frequency-Constrained Multi-Material Topology Optimization: Commercial Solver Integrable Sensitivities." In WCX SAE World Congress Experience. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2023. http://dx.doi.org/10.4271/2023-01-0029.

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<div class="section abstract"><div class="htmlview paragraph">Numerical tools such as topology optimization (TO) have seen large development in both academic and industrial settings, enabling the optimization of structural objectives and/or attributes, subject to a wide range of constraints, pertinent to the engineering and design problems of automotive and aerospace industries. Classical TO methods assume the use of a single material (SMTO), however, a recent and important advancement in this field is that of multi-material topology optimization (MMTO), capable of simultaneous material existence and selection optimization. This is of heightened importance in the aforementioned industries, where many costly engineering materials can be used, but their selection is delegated to engineer experience. Consideration of modal characteristics (i.e., natural frequencies) in MMTO efforts have seen marginal development in recent years, yet is vital to both industries, who’s products are each subject to uncontrolled environments and vibratory motion. Where frequency has been considered in MMTO, mathematical frameworks require the usage of model attributes that are not extractable from commercial finite element analysis (FEA) solvers, leading to reduced computational efficiency. This paper presents an advancement of the frequency-constrained MMTO sensitivities previously utilized in SMTO, enabling the use of commercial solvers, thus inheriting computational improvements. A derivation of sensitivities, a detailed discussion, and analysis of two case studies have been included, so as to provide the reader with a sound understanding of the nature of the constraint sensitivities, and how they may be able to intuit results.</div></div>
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Holmsen, Holm, Ole-Bjørn Tysnes, Adrie J. M. Verhoeven, Vidar M. Steen, Lindsey J. Moore, and Sissel Rongved. "INHIBITION BY NEOMYCIN OF AGONIST-INDUCED POLYPHOSPHOINOSITIDE METABOLISM AND RESPONSES IN HUMAN PLATELETS." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1644521.

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Signal processing in platelets seems to involve polyphosphoinositide (PPI) metabolism, although direct coupling between PPI metabolism and responses has not been proved. Neomycin binds tightly to PPIs and has been used to probe the involvement of PPI metabolism and responses in platelets. Neomycin(SO4)3 powerfully inhibited ADP- and adrenaline-induced aggregation of platelets in PRP. This was partly due to the sulphate anion; the chloride form was therefore prepared. Platelets were prelabelled in PRP with 32P-Pi. and transferred by gel filtration to a calcium-free Tyrode’s solution (GFP). Increasing concentrations (2-5 mM) of neomycinCl6 caused progressive inhibition of thrombin-induced aggregation, dense granule secretion, acid hydrolase secretion and formation of 32P-phosphatidic acid (PA); the inhibition was immediate, not affected by aspirin and counteracted by increasing thrombin concentrations. Incubation of neomycin (up to 5 mM) with this GFP or with P-Pi. On GFP prepared from unlabelled PRP had no effect on the P content of ATP, phosphatidylinositol-4-phosphate (PIP) or phosphatidylinositol-4,5-bisphosphate (PIP ). Increasing neomycin concentrations caused progressive inhibition of the thrombin-induced init^l (10 sec) decrease, but not of the late (90 sec) incg^ase i-n P-PIP2 while they enhanced the increase in P-PIP. Similar results were obtained ^th collagen and PAF. Both the increase in cytosolic Ca and pH (measured by INDO-I and BCECF, respectively) induced by thrombin were inhibited progressively by increasing concentrations of neomycin. These results are in support for a direct involvement of PPI metabolism in the stimulus-response coupling below the receptor level. However, the failure of neomycin to affect turnover of PIP and PIP2 in nonstimulated platelets suggests that the aminoglycoside does not penetrate the membrane, and only become available to PPI during stimulation.
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Wendrich, Robert E. "A Novel Approach for Collaborative Interaction With Mixed Reality in Value Engineering." In ASME 2011 World Conference on Innovative Virtual Reality. ASMEDC, 2011. http://dx.doi.org/10.1115/winvr2011-5515.

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Design and engineering in real-world projects is often influenced by reduction of the problem definition, trade-offs during decision-making, possible loss of information and monetary issues like budget constraints or value-for-money problems. In many engineering projects various stakeholders take part in the project process on various levels of communication, engineering and decision-making. During project meetings and VE sessions between the different stakeholder’s, information and data is gathered and put down analogue and/or digitally, consequently stored in reports, minutes and other modes of representation. Results and conclusions derived from these interactions are often influenced by the user’s field of experience and expertise. Personal stakes, idiosyncrasy, expectations, preferences and interpretations of the various project parts could have implications, interfere or procrastinate non-functionality and possible rupture in the collaborative setting and process leading to diminished prospective project targets, requirements and solutions. We present a hybrid tool as a Virtual Assistant (VA) during a collaborative Value Engineering (VE) session in a real-world design and engineering case. The tool supports interaction and decision-making in conjunction with a physical workbench as focal point (-s), user-interfaces that intuit the user during processing. The hybrid environment allows the users to interact un-tethered with real-world materials, images, drawings, objects and drawing instruments. In course of the processing captures are made of the various topics or issues at stake and logged as iterative instances in a database. Real-time visualization on a monitor of the captured instances are shown and progressively listed in the on-screen user interface. During or after the session the stakeholders can go through the iterative time-listing and synthesize the instances according to i.e. topic, dominance, choice or to the degree of priority. After structuring and sorting the data sets the information can be exported to a data or video file. All stakeholders receive or have access to the data files and can track-back the complete process progression. The system and information generated affords reflection, knowledge sharing and cooperation. Redistribution of data sets to other stakeholders, management or third parties becomes more efficient and congruous. Our approach we took during this experiment was to [re]search the communication, interaction and decision-making progressions of the various stakeholders during the VE-session. We observed the behavioral aspects during the various stages of user interaction, following the decision making process and the use of the tool during the course of the session. We captured the complete session on video for analysis and evaluation of the VE process within a hybrid design environment.
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Gafni, Ruti, and Anat Goldstein. "Effects of Multicultural Teamwork on Individual Procrastination[Abstract]." In InSITE 2020: Informing Science + IT Education Conferences: Online. Informing Science Institute, 2020. http://dx.doi.org/10.28945/4524.

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Aim/Purpose: [The full version of this paper is published in the Interdisciplinary Journal of e-Skills and Lifelong Learning (IJELL) https://doi.org/10.28945/4617] The purpose of this study is to discover usage differences in task performance by students of different cultures, by examining procrastination patterns from a national cultural perspective, exploring the effect of multicultural virtual teamwork on student’s individual procrastination. Background: This study aims to examine higher-education entrepreneurial learning in the con-text of multicultural virtual teamwork, as actually performed during participation on a Global Entrepreneurship course. Methodology: In the examined course, there were 177 participants, from 3 different countries: United Kingdom, France and Israel. The students were grouped into 40 multicul-tural virtual (not face-to-face) teams, each one composed of at least participants of two countries. This research is based on analysis of objective data collected by Moodle, the LMS used in the In2It project, in its built-in log system, from the Global Entrepreneurship course website, which offer students diverse entities of information and tasks. The primary methodology of this study is analytics of the extracted data. Contribution: This study aims to discover the effects of multicultural teamwork on individual procrastination, while comparing the differences between cultures, as there are only a few studies exploring this relation. The uniqueness of this study is also by using and analyzing actual data of student procrastination from logs, while other studies of procrastination in multicultural student teams have measured perceived procrastination, collected using surveys. Findings: Results show statistical differences between countries in procrastination of individual assignments before team working: students from UK were the most procrastinators and Israeli students were the least procrastinators, but almost all students procrastinated. However, the outcome of the teamwork was submitted almost without procrastination. Moreover, procrastination in individual assignments performed after finishing the multicultural teamwork, dramatically decreased to 10% of the students' prior individual procrastination. Recommendations for Practitioners: The results from this study, namely, the decline of the procrastination after the multicultural virtual teamwork, can be used by global firms with employees all over the world, working in virtual multicultural teams. Such firms do not need to avoid multicultural teams, working virtually, as they can benefit from this kind of collaboration. Recommendation for Researchers: These results can be also beneficial for academic researchers from different cultures and countries, working together in virtual multicultural teams. Impact on Society: Understanding the positive effect of virtual multicultural teamwork, in mitigating the negative tendency of students from diverse cultures to procrastinate, as concluded in this study, can provide a useful tool for higher education or businesses to mitigate procrastination in teamwork processes. It can also be used as an experiential learning tool for improving task performance and teamwork process. Future Research: The relation between procrastination and motivation should be further examined in relation to multicultural virtual teams. Further research is needed to explore the effect of multicultural virtual teamwork during the teamwork process, and the reasoning for this effect.
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Reports on the topic "Inuit Art"

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Sanborn-Barrie, M., N. M. Rayner, and A. Ford. Investigation into the feasibility of increasing geoscience accessibility through existing web platforms and mobile applications, Nunavut. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331384.

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Accessibility and uptake of geoscience knowledge by First Nations and Inuit community members has traditionally been limited. This is, at least in part, due to the technical nature of geological maps and the expensive licensing requirements of the geographic information system software that is used to view and analyse geoscience data. During the Foundational Year of GEM GeoNorth, we investigated the potential of available apps and platforms, including NRCan Observer, Rockd and SIKU to broaden access and knowledge sharing of geoscience with non-specialists. Most prospective was SIKU - a mobile app developed by northerners for northerners that currently supports knowledge-gathering related to the natural world (currently mammals, birds, fish and sea-ice conditions). This report provides an overview of our investigation and presents detailed aspects of the feasibility and related costs of incorporating a geoscience component(s) into SIKU that could allow northerners the opportunity to calibrate geoscience through georeferenced photographs and structural trends for consideration and use on their terms.
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