Relevant bibliographies by topics / Invention de traditions

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Invention de traditions'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Invention de traditions"

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McFarlane, Graham, Donald Harman Akenson, and Leo Howe. "The Invention of 'Two Traditions'." Irish Review (1986-), no. 11 (1991): 143. http://dx.doi.org/10.2307/29735632.

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Guyer, Jane I. "Traditions of Invention in Equatorial Africa." African Studies Review 39, no. 3 (December 1996): 1. http://dx.doi.org/10.2307/524941.

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Jeffery, Renée. "Tradition as Invention: The `Traditions Tradition' and the History of Ideas in International Relations." Millennium: Journal of International Studies 34, no. 1 (August 2005): 57–84. http://dx.doi.org/10.1177/03058298050340011101.

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Johnson, Greg. "Authenticity, Invention, Articulation: Theorizing Contemporary Hawaiian Traditions from the Outside." Method & Theory in the Study of Religion 20, no. 3 (2008): 243–58. http://dx.doi.org/10.1163/157006808x317464.

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AbstractThis article theorizes potential contributions of outsider analysis to the study of contemporary indigenous traditions, taking Native Hawaiian canoe voyaging and repatriation disputes as its primary examples. The argument proceeds by specifying analytical contributions of articulation theory in contrast to limitations of invention and authenticity discourses. A shared liability of the latter discourses is identified in their tendency to reify identity in ways that preclude engagement with the full range of cultural articulations constitutive of living tradition. Cultural struggle, in particular, is theorized as the aspect of identity articulation that is most explanatory of the character of tradition and least addressed by theories of invention and authenticity.
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Stamper, John W. "The Industry Palace of the 1873 World’s Fair: Karl von Hasenauer, John Scott Russell, and New Technology in Nineteenth-Century Vienna." Architectural History 47 (2004): 227–50. http://dx.doi.org/10.1017/s0066622x00001763.

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The buildings and landscaped grounds of the nineteenth-century international exhibitions were directly related to the architectural and urban design traditions of the cities in which they were built. At the same time, they possessed idealized qualities that made them innovative and distinct from other contemporary buildings. The result of collaborative planning among architects, engineers, and planning committees, the exhibitions were built to evoke ideal civic settings, their exhibition palaces, pavilions, and gardens forming exemplary complexes that synthesized both invention and tradition. The International Exhibition, the Weltausstellung, held in Vienna, Austria in 1873, was one such event (Fig. 1). Its buildings were both related to the architectural and urbanistic design traditions of nineteenth-century Vienna, and at the same time possessed idealized qualities that were inventive and progressive, marking new technological achievements.
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Morton, Jonathan. "Engin." Romanic Review 111, no. 2 (September 1, 2020): 205–26. http://dx.doi.org/10.1215/00358118-8503452.

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Abstract The main texts under consideration in this article are two French-language Alexander romances written in the second half of the twelfth century, discussed in relation to the Latin historical, romance, and naturalist traditions that form the backbone of the medieval tradition of Alexander the Great in medieval Europe, and in particular in relation to the literary tradition that starts with Pseudo-Callisthenes’s Greek Romance of Alexander. The aim is to show how Alexander was used not simply as an icon of secular or military power but also as an important figure for understanding the relationship between the imagination, technological invention, and discovery of new knowledge, which necessarily entails questions of prestige and power. Alexander’s ingenuity, which manifests both as verbal trickery and in the invention of new machines, is shown to be fundamental for a certain model of knowledge-acquisition that sees natural truths as hidden and in need of tools to be extracted. This ingenuity is shown, also, to be closely connected to the inventions of writers of romance, and the article suggests the specific importance of the Alexander material in the history of medieval romance literature.
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Warnier, Jean-Pierre. "Invention des traditions et esprit d'entreprise : une perspective critique." Afrique contemporaine 226, no. 2 (2008): 243. http://dx.doi.org/10.3917/afco.226.0243.

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Delabastita, Dirk. "Continentalism and the invention of traditions in translation studies." Eurocentrism in Translation Studies 6, no. 2 (November 16, 2011): 142–56. http://dx.doi.org/10.1075/tis.6.2.02del.

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This theoretical case study starts from a brief critical discussion of Eurocentrism in translation studies, underscoring the importance of the efforts toward a more inclusive, truly global and culturally balanced approach to translation which are increasingly being made in our field, often under the banner of “the international turn.” However, the rejection of Eurocentrism leaves open a wide range of alternative models and approaches, and this paper aims to show that the search for alternatives is not without its own difficulties. For example, it might be tempting for non-European scholars to derive an alternative way of thinking about translation from translational practices and discourses in their own continent that appear to be at odds with what is perceived as the “European” model of translation. A post-colonial sensibility would seem to make this an extremely attractive proposition. This is the line of thinking which inspired Edwin Gentzler’s Translation and Identity in the Americas. New Directions in Translation Theory (2008). The paper enters into a critical dialogue with Gentzler’s book in order to argue the general thesis that the replacement of one (perceived) continent-based paradigm by another (perceived) continent-based paradigm is not the best way forward, suffering as it does from a range of methodological problems. The best way to overcome Eurocentrism is not to construct and promote an American continentalism (“translation in the American sense”) as an alternative to it, or any other nationally or continentally defined concept of translation, for that matter.
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Sanzo, Joseph E. "The Innovative Use of Biblical Traditions for Ritual Power: The Crucifixion of Jesus on a Coptic Exorcistic Spell (Brit. Lib. Or. 6796[4], 6796) as a Test Case." Archiv für Religionsgeschichte 16, no. 1 (November 13, 2015): 67–98. http://dx.doi.org/10.1515/arege-2014-0007.

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Abstract In this paper, I explore the creative use of biblical traditions in so-called “magical” texts through a detailed analysis of the crucifixion tradition on Brit. Lib. Or. 6796(4), 6796, a seventh-century CE spell for exorcism. I examine three overlapping ways in which the practitioner interacts with the crucifixion story: selection and arrangement of pre-existing traditions; invention of new elements of the story; and the juxtaposition of word and image. I then reflect on the implications of the crucifixion tradition in this spell for analyzing the relationship between biblical traditions and metonymy in “magical” texts, more generally.
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Adam, Robert. "The role of evolution and invention of tradition in identity and the built environment." Journal of Traditional Building, Architecture and Urbanism, no. 1 (November 20, 2020): 551–61. http://dx.doi.org/10.51303/jtbau.vi1.378.

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Tradition is often presented as simply the past and a static phenomenon. This view can be shared by some supporters of tradition in architecture and urbanism, leading to a valorisation of literal past form and detail. Social analysis of tradition acknowledges that it is a more complex and not static phenomenon. At the same time, the concept of the invention of tradition is widely used to discredit tradition itself. This paper departs from the work of Halbwachs and subsequent studies on collective identity, Boyd and Richerson on Dual Inheritance Theory, Shils on the ubiquity of tradition and Cohen on the sociology of identity, amongst others. This is combined with case studies in the evolution and invention of tradition. The paper presents the applicability of changing and invented traditions that foment social cohesion and how their use in design can respond to community identity.
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Dissertations / Theses on the topic "Invention de traditions"

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Nascimento, Débora Cristina. "Arrimos da memória dos imigrantes italianos e seus descendentes: alimentação, família, casa, objetos, terra natal e bairro (1942-1960)." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/12836.

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Made available in DSpace on 2016-04-27T19:30:56Z (GMT). No. of bitstreams: 1 Debora Cristina Nascimento.pdf: 4042029 bytes, checksum: cea8dfa7aaaa0ae3af12bad75070a833 (MD5) Previous issue date: 2014-04-10
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This research sought, through oral testimonies, to document the support references and upholding elements used by both immigrants and their descendants established in São Paulo. This is a study of the dietary traditions brought from the maternal home of the Italian families of the past and present, such as the interviewees recalled them regarding the material culture, and the experiences in their native land and, subsequently, in the Brás neighborhood and the private space of their own homes. Based on reflections on orality and memory, since the sources used here consisted of testimonies and books of memoirs, we sought to understand the (re)significations often nostalgic and idyllic that these groups created on their past and their habits, as well as the subjectivity of their statements in the present moment, their silences and omissions. From the interviews conducted between the years 2010 to 2012, that prioritized Italians from different regions of Italy and their descendants, we were able to observe the regional differences in cuisine and customs, as well as the terrible experience of hunger, the hardship and the Italian history itself during World War II. As for the descendants, who reports what they learned from their elders, we perceived how this memory was reelaborated and what they incorporated from past generations with regard to values, dietary habits and heritage
Esta pesquisa buscou, por intermédio de depoimentos orais, documentar as referências de apoio e os elementos de arrimo utilizados tanto por imigrantes como por descendentes deles, estabelecidos em São Paulo. Trata-se de um estudo das tradições alimentares trazidas da casa materna de famílias italianas de ontem e hoje, pela forma como os depoentes as rememoraram relativamente à cultura material e às experiências na terra nativa e, posteriormente, pela vivência no bairro do Brás e no próprio espaço privado do lar. Com base nas reflexões sobre oralidade e memória, uma vez que as fontes aqui usadas consistiram em testemunhos e livros de memorialistas, buscamos perceber as (re)significações muitas vezes nostálgicas e idílicas que esses grupos criaram sobre seu passado e seus hábitos, além da subjetividade das declarações no momento presente, seus silêncios e omissões. Pelas entrevistas entre 2010 a 2012, que priorizaram italianos de diferentes regiões da Itália e seus descendentes, pudemos observar as diferenças regionais na culinária e nos costumes e também a terrível experiência da fome, as dificuldades e a própria História italiana na época da Segunda Guerra. Quanto aos descendentes, que relataram isso pelo que souberam dos mais velhos, percebemos como reelaboraram essa recordação e o que incorporaram das gerações passadas no que concerne a valores, práticas alimentícias e a patrimônios herdados
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Veiga, Mauricio Biscaia. "Arquitetura neo-enxaimel em Santa Catarina: a invenção de uma tradição estética." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-13022014-151829/.

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O trabalho aqui apresentado trata sobre a reinvenção de uma identidade germânica por meio da arquitetura ocorrida nas cidades de Blumenau e Joinville, em Santa Catarina. Este processo, ocorrido nas décadas de 1970 e 1980, teve um apelo fortemente comercial, visando vender a imagem destas cidades, entre outras na região, de que as tradições germânicas trazidas por imigrantes a partir do século XIX teriam permanecido inalteradas, no intuito de promover o turismo. Esta política, que se baseava no discurso de resgate das tradições, culminou, entre outras coisas, na criação de uma falsa arquitetura típica: o neo-enxaimel, um estilo arquitetônico inspirado no enxaimel, uma antiga técnica de construção de casas, trazida pelos imigrantes. Tendo se proliferado pelo centro destas cidades e alterado a estética urbana, esta arquitetura foi novamente trazida ao presente dentro de um contexto histórico e social bastante diferente daquele das antigas casas. Além disso, para sua implantação não houve qualquer comprometimento histórico, resultando em uma arquitetura inautêntica e até mesmo Kitsch, devido ao seu caráter comercial. Este fato, no entanto, não pode ser entendido como algo isolado, estando relacionado a questões mais amplas discutidas internacionalmente, como a ampliação do conceito de patrimônio cultural, a ilusão de perda da identidade cultural provocada pela globalização, o crescimento da indústria cultural e da indústria do turismo, entre outros fatores. Desta forma, para melhor analisar a invenção do neo-enxaimel como uma tradição estética em Santa Catarina, será inicialmente apresentada uma discussão envolvendo estas questões.
The work presented here deals with the reinvention of a Germanic identity through architecture occurred in the cities of Blumenau and Joinville, Santa Catarina state. This process, which occurred in the 1970s and 1980s, had a strong commercial appeal in order to sell the image of these cities, among others in the region, that the Germanic traditions brought by immigrants in nineteenth century would have remained unchanged, in order to promote tourism. This politics was based on a speech of rescue of traditions and culminated, among other things, in the creation of a false typical architecture: the neo-enxaimel style, an architectural style inspired by the ancient timber framing, a popular technique of building houses brought by immigrants. Having been widespread through the center of these cities, this architecture has altered the urban aesthetics and was brought again into the present within a historical and social context quite different from that one of the old houses. Moreover, for its implementation there was no historical commitment, resulting in an inauthentic architecture and even kitsch, due to its commercial nature. This fact, however, cannot be understood as something separate, being related to broader issues discussed internationally, such as the expansion of the concept of cultural heritage, the illusion of loss of cultural identity caused by globalization, the growth of cultural industry and tourism industry and other factors. Thus, to better analyze the invention of neo-enxaimel style as an aesthetic tradition in Santa Catarina, it will be initially presented a discussion involving these issues.
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Streapco, João Paulo França. "\"Cego é aquele que só vê a bola\". O futebol em São Paulo e a formação das principais equipes paulistanas: S.C. Corinthians Paulista, S. E. Palmeiras e São Paulo F.C. (1894-1942)." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-28092012-183257/.

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Nos últimos anos, os estudos sobre a prática do futebol no Brasil se avolumaram em diversas áreas do saber. Compreendido como um fenômeno de largo alcance social, o futebol que antes era desprezado pela intelectualidade, tornou-se espaço privilegiado para a compreensão de diversos fenômenos sociais correlatos. Não obstante ao desenvolvimento dessas pesquisas, diversas fontes documentais produzidas pelo universo futebolístico ao longo do século XX, ainda não tinham sido analisadas com rigor sistemático. Assim, esse trabalho ao se inserir em um contexto de renovação historiográfica denominada Nova História Cultural, busca compreender algumas facetas da sociedade paulistana que estiveram presentes em seus principais campos, equipes e estádios de futebol no período estudado (1894-1942). A formação de um circuito de praticantes e simpatizantes, a intervenção do poder público, a construção de campos e estádios, o surgimento dos três principais clubes de futebol da cidade, as disputas pelo controle das rendas geradas pelo espetáculo e sua profissionalização, mostraram-se como excelentes fontes documentais para a compreensão da complexidade do processo de modernização ocorrido em São Paulo e suas consequências para seus habitantes, no período abarcado pela pesquisa.
In recent years, many studies on the practice of football in Brazil have been carried out in different areas of knowledge. Understood as a broad-ranging social phenomenon, football which was once despised by intellectuals and academia has become a privileged source for the study of many interconnected social phenomena. Despite the development of said studies, many documentary sources produced in the world of football throughout the twentieth century still have not been systematically assessed. Hence, because this study is part of context of historiographical renewal referred to as New Cultural History, its objective is to further understand certain aspects of the São Paulo society present in the main football fields, teams and stadiums with respect to the period subject matter hereof (1894 1942). The establishment of a group of practitioners and supporters, together with government intervention, the construction of fields and stadiums, the emergence of three major football clubs in the city, disputes over control of revenues generated by the sport itself and its gradual pathway towards becoming increasingly professional reveal to be excellent documentary sources for better understanding the complexity of the modernization process that took pplace in São Paulo and the consequences thereof for its citizens during the period covered in this study.
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Larkin, Pamela Marie. "A universal and personal art through tradition and invention /." Online version of thesis, 1990. http://hdl.handle.net/1850/10883.

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Salaghor, Laila Mohammed Nour. "The re-invention of traditional weaving in Saudi Arabia." Thesis, Coventry University, 2007. http://curve.coventry.ac.uk/open/items/5a7cf3d3-f931-46db-e429-6eb1d1820c56/1.

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This research seeks to create new woven artefacts by integrating elements of traditional weaving from western Saudi Arabia and different kinds of materials for the warp, thus offering a new dimension to the field of hand weaving in Saudi society, and contributing to its development. For the researcher’s MA study, she was interested in western modern weaving and textiles in terms of its new weave techniques, methods, forms, design and function. But, with the commencement of her PhD study, she thought more about Saudi traditional weaving as a key reference. Her interest developed when she worked as a weaver and teacher of the art. Through work experience, the researcher has observed that the field of hand weaving in Saudi Arabia, particularly the traditional Bedouin approach, is rich in aesthetic values and techniques, but is not widespread. Some effort is required to find ways to develop this kind of weaving and to introduce the new forms, appearance and techniques to Saudi Arabian society. At the same time, this might be considered an invitation to Saudi weavers to join the researcher in reclaiming our past to suit the needs of the present time.
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Boonserm, Pawinee. "Tradition and transformation of Thai classical dance : nation, (re)invention, and pedagogy." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/27274.

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This research aims to analyse the role and consequence of state patronage and promotion of Thai classical dance after the revolution of 1932, when the patronage of court dance changed from royal to state support. This research examines connections between the authority of the state, nationalism, Thai identity, and the invention of tradition, by focussing on the reconstruction of Thai classical dance, the promotion of spirituality in the Wai Khru ceremony, and dance pedagogy. This study uses historical research and ethnography through participant-observation, and interviews with senior dance teachers, national artists, masters of the Wai Khru ceremony, and dance artists in the Fine Arts Department, and also draws on the researcher’s personal experience in dance training as a dancer and dance teacher for several years. The thesis offers a detailed analysis of the socio-political context and cultural policy in relation to the establishment of the Fine Arts Department and the Dramatic Arts College; the national institutions whose main roles were to preserve, perform and offer training in traditional dance. After the revolution of 1932, the Fine Arts department played an important role to authorise, preserve, and standardise Thai classical dance. The function and meaning-making processes surrounding dance changed in accordance with the development of Thai identity and cultural policy. During the period 1932-1945, state policy emphasised the homogeneity of ‘Thai-ness’ and civilization, and traditional dance was adapted and combined with classical, folk and western elements. However, after the mid-1940s, the socio-political and cultural policies changed; the state operated the project of cultural revivalism. The court dance style and its rituals were revived with the establishment of a code of ‘classicalism’ which became the central aesthetic identification of Thai identity. The newly-coined classicalism has become the standard, and has been passed on to succeeding generations in the new educational system. These new invented traditions were preserved as if they were sacred, a practice which continues to the present.
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Dunne, Timothy. "International relations theory in Britain : the invention of an international society tradition." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260686.

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BARBOSA, MILA BARTILOTTI ALENCAR. "INVENTION IN THE BRAZILIAN POPULAR MUSIC: FROM TRADITION TO SKETCHES OF NOVELTY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=6853@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
Prisioneiro da urgência do momento, libertado pela antena que tudo capta e sente, o artista enxerga além. Alimentado pelo repertório de transformações que outras gerações imprimiram à arte, instigado pela busca do que falta ao presente e pela necessidade de produzir o novo, o inventor (delira) e idealiza outras realidades. Na hipérbole do mundo contemporâneo, imerso em velocidade, interatividade e informação, o artista convive com novos desafios. O compositor popular brasileiro trabalha em meio à proliferação de estilos musicais de fronteiras pouco definidas e usufrui novas tecnologias no processo de criação. As portas do novo século abrem ilimitados horizontes para a invenção musical. Mergulhado neste emaranhado de possibilidades, o artista filtra elementos que podem virar matéria-prima para sua expressão. Acreditando que a transformação da música depende das escolhas, consciência e talento do artista, este estudo pretende investigar o contexto cultural deste início de século e a herança legada pelos inventores da MPB, repensando o sistema da música urbana brasileira e elegendo influências para serem aproveitadas. Pensar caminhos para fugir da música gastronômica (na expressão de Umberto Eco) e chegar à canção crítica e inventiva é uma forma de acreditar que o inusitado é viável mesmo nos dias saturados de informação como os de hoje.
Prisoner of the urgency of the moment, freed by the antenna, which catches and feels everything, the artist looks beyond it all. Fed by the repertoire of transformations that other generations have printed to the art, instigated by the search of what he lacks in the present and by the necessity to produce the new, the inventor (he is delirious) and he idealizes other realities. In the hiperbolic days of the contemporary world, immersed in speed, interactivity and information, the artist faces new challenges. The Brazilian popular composer works within the proliferation of musical styles which come from hardly defined borders and makes use of new technologies in the creation process. The doors of the new century open unlimited horizons for the musical invention. Among this confusion of possibilities, the artist filters elements that can become raw material for his expression. Believing that the transformation of music depends on the choices, conscience and talent of the artist, this study intends to investigate the cultural context of the beginning of this century and the inheritance bequeathed by the inventors of Brazilian Popular Music. It also rethinks the system of Brazilian urban music and elects influences to be used. To think about ways to escape from gastronomic music (in the expression of Umberto Eco) and to get to the critical and inventiveness song is a form of believing that the unusual is feasible even in the days of saturated information like nowadays.
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Jeffery, Renée. "Hugo Grotius and the invention of the 'Grotian tradition' in international relations." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14464.

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This thesis is an intellectual history of the 'Grotian tradition' from the works of Hugo Grotius to the contemporary writings of the 'English School'. Its central argument contends that, contrary to its contemporary conceptualisation, the Grotian tradition has not, historically speaking, been a tradition of thought about international society. Rather, it is a moral tradition, derived in essence, if not always in substance, from Grotius' most famous work De Jure Belli ac Pads, and perpetuated in the international legal writings of a range of scholars including Samuel Pufendorf, James Kent, Henry Wheaton, Cornelius van Vollenhoven and Hersch Lauterpacht before being transformed into its current form in the works of Martin Wight and Hedley Bull. In explicating this argument, this thesis pursues two inter-related lines of inquiry. The first is concerned with the meaning of the term 'Grotian', both in relation to Hugo Grotius and as it has been employed in subsequent scholarship. In doing so, it introduces a three-tiered moral scheme that is central to Grotius' thought and highlights its perpetuation in international legal and political thought. The second line of inquiry considers what it means, both in theoretical and practical terms, to designate a set of thinkers and ideas a 'tradition' and considers the epistemological ramifications of doing so. As such, it is concerned not only with the manner in which the term 'tradition' has been employed by proponents of the 'Grotian tradition' but seeks to highlight some of the broader implications associated with the construction of traditions for the discipline of International Relations.
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Wallis, Caroline. "Construction nationale et néo-ritualisation : analyse anthropologique de la célébration du nouvel an kurde (Newroz)." Thesis, Montpellier 3, 2015. http://www.theses.fr/2015MON30083/document.

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Construction nationale et néo-ritualisation : analyse anthropologique de la célébration du nouvel an kurde (Newroz).Cette étude traite de la transformation progressive des représentations, des croyances et despratiques associées à la célébration du nouvel an Newroz par le mouvement national kurde enTurquie. La recherche aborde Newroz comme une tradition inventée et explore les fonctionsde cette forme de néo-ritualisation dans la construction de l'identification collective à lanation kurde.La première partie situe l'intégration de cette fête aux origines zoroastriennes dans lerépertoire symbolique du nationalisme ethno-culturel kurde et décrit les fonctions qu'elleassure dans le contexte de recomposition des frontières étatiques du Moyen-Orient post-ottoman. Dans un deuxième temps, la recherche se concentre sur les réaménagementssymboliques subis par la tradition Newroz, suite à l'adoption d'une idéologie marxiste parcertaines factions du mouvement national kurde à partir des années 60. La recherche estcentrée d'une part sur la modification des représentations et croyances associées au nouvel anet d'autre part sur la modification des pratiques associées à sa célébration dans la décennie 90,désormais arènes d'affrontements violents avec les forces de l'ordre. L'étude se concentreensuite sur l'institutionnalisation de la tradition Newroz par deux nationalismes concurrents.Dans un premier temps, la recherche aborde la réintégration de la tradition inventée,désormais orthographiée Nevruz, dans le répertoire symbolique du nationalisme turc endétaillant les fonctions inédites de la tradition (ré) inventée dans ce nouveau contexte. Dansun deuxième temps, la recherche explore les politiques culturelles actuellement menées parles élus du parti pro-kurde légal détenant le pouvoir municipal dans le sud-est de la Turquie etpropose une analyse anthropologique de la célébration contemporaine du nouvel an par lemouvement national kurde en Turquie.L'intérêt théorique principal de cette étude est de reposer la question de la rigidité destraditions inventées en montrant comment une tradition a été soumise à des réaménagementssymboliques au sein d'un mouvement national particulier et en abordant les modalités de sontransfert dans le répertoire symbolique d'un nationalisme concurrent.Mots cléfs : invention de la tradition, néo-ritualisation, nationalisme, identificationscollectives, mobilisation ethno-culturelle kurde en Turquie
National construction and neo-ritualization: anthropological analysis of the celebration of the Kurdish New Year (Newroz). This study deals with the gradual transformation of representations, beliefs and practices associated with celebration of New Year Newroz by the national Kurdish movement in Turkey. The research looks at Newroz as an invented tradition and explores the functions of this form of neo-ritualization in the construction of collective identifications with the Kurdish nation.Part 1 positions the integration of this festival with Zoroastrian origins in the symbolic repertoire of Kurdish ethno-cultural nationalism and describes the functions it performs in the context of the recomposition of state frontiers in the post-Ottoman Middle East. In the second part, the research focuses on the symbolic redevelopments undergone by the Newroz tradition after adoption of a Marxist ideology by certain factions of the Kurdish national movement starting in the 1960s. The research centres on the one hand on modification of the representations and beliefs associated with the New Year and, on the other, on the modification in practices associated with its celebration in the 1990s, from which point it became the arena of violent clashes with the security forces. The study then focuses on institutionalisation of the Newroz tradition by two competing nationalisms. The research initially focuses on the reintegration of the invented tradition, now written Nevruz, in the symbolic repertoire of Turkish nationalism, by detailing the unprecedented functions of the (re)invented tradition in this new context. In a second phase, the research explores the cultural policies currently implemented by elected members of the legal pro-Kurdish party holding municipal power in the south-east of Turkey and proposes an anthropological analysis of the contemporary New Year celebration by the national Kurdish movement in Turkey.The main theoretical interest of this study is that it resituates the question of the rigidity of invented traditions by showing how a tradition was subjected to symbolic redevelopments within a particular national movement and exploring the ways in which it was transferred into the symbolic repertoire of a competing nationalism.Key words : invention of tradition, neo-ritualization, nationalism, collective identifications, Kurdish ethno-cultural mobilisation in Turkey
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Books on the topic "Invention de traditions"

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Invention, rewriting, usurpation: Discursive fights over religious traditions in Antiquity. Frankfurt am Main: Lang, 2012.

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Squarcini, Federico, ed. Boundaries, Dynamics and Construction of Traditions in South Asia. Florence: Firenze University Press, 2006. http://dx.doi.org/10.36253/88-8453-261-2.

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This collection of essays is meant to explore the various forms that the theme and the notion of "tradition2 took within the South Asian context, during ancient and pre-colonial periods. Designed by the editor to cover a significant selection of the specialized fields of knowledge that shaped classical South Asian intellectual history, the aim of this volume is to offer a stimulating anthology of papers on the different and complex processes employed during the "invention", construction, preservation and renewal of a given tradition.In this regard, the contributors have expertly analysed a large variety of aspects, namely the transmission of traditional canons "both textual and practical", the dynamisms and the strategies chosen for the renewal of a tradition, its internal and external dialectics, the procedures of its legitimation, the theoretical and pragmatic mechanisms of its survival, the tensions and the criticisms of traditional knowledge systems, etc. Attention has also been paid to problems related to the primacy exercised by highly specialized traditional experts, to monopolies in the transmission of knowledge, to its means of cultural and political justification, and to the connections between a specific traditional field of knowledge and the surrounding social arena.
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Hobsbawm, Eric, and Terence Ranger, eds. The Invention of Tradition. Cambridge: Cambridge University Press, 2009. http://dx.doi.org/10.1017/cbo9781107295636.

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Kauvar, Elaine M. Cynthia Ozick's fiction: Tradition & invention. Bloomington: Indian University Press, 1993.

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Lewis, James R., and Olav Hammer, eds. The Invention of Sacred Tradition. Cambridge: Cambridge University Press, 2007. http://dx.doi.org/10.1017/cbo9780511488450.

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Schmidt, Hans-Joachim, ed. Tradition, Innovation, Invention, Band 18. Berlin, Boston: DE GRUYTER, 2005. http://dx.doi.org/10.1515/9783110920840.

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Université de Fribourg. Institut des études médiévales. Tagung. Tradition, Innovation, Invention: Fortschrittsverweigerung und Fortschrittsbewusstsein im Mittelalter. Berlin: De Gruyter, 2005.

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Palmisano, Stefania, and Nicola Pannofino, eds. Invention of Tradition and Syncretism in Contemporary Religions. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61097-9.

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Thakali, Shailendra. Renegotiating tradition: tourism and cultural invention in Nepal. [Guildford]: [University of Surrey], 1994.

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C, Davidson Cynthia, ed. Tradition and invention in architecture: Conversations and essays. New Haven [Conn.]: Yale University Press, 2011.

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Book chapters on the topic "Invention de traditions"

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Delabastita, Dirk. "Continentalism and the invention of traditions in translation studies." In Eurocentrism in Translation Studies, 29–42. Amsterdam: John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/bct.54.02del.

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Isoni, Alessandro. "Diversity of Food Traditions: A Historical Perspective on Invention and Transformation." In LITES - Legal Issues in Transdisciplinary Environmental Studies, 205–16. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75196-2_12.

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Ayoh’Omidire, Félix. "The Re-invention of Myths, Legends, Panegyrics and Folktales in the Afro-Latin-American Diaspora." In The Palgrave Handbook of African Oral Traditions and Folklore, 777–802. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55517-7_38.

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Gray, Piers. "Introduction: Inventing Traditions." In Marginal Men, 1–15. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-08137-0_1.

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Bowman, Paul. "The Tradition of Invention: On Authenticity in Traditional Asian Martial Arts." In East Asian Pedagogies, 205–25. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45673-3_14.

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Roberts, Matthew. "Inventing the radical tradition." In Chartism, Commemoration and the Cult of the Radical Hero, 3–30. Abingdon, Oxon; New York, NY: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429198106-1.

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Harding, Graham. "Inventing tradition and terroir." In Wine, Terroir and Utopia, 93–110. Abingdon, Oxon ; New York, NY : Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9780429492471-6.

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Adams, Matthew S. "Conclusion: Inventing a Tradition." In Kropotkin, Read, and the Intellectual History of British Anarchism, 182–87. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137392626_7.

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Storey, John. "Class and the invention of tradition." In The Making of English Popular Culture, 197–212. Milton Park, Abingdon, Oxon; New York: Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315720678-14.

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McFaul, Hugh. "Freedom of Religion and the Invention of Tradition." In Law, Religion and Tradition, 119–33. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96749-3_6.

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Conference papers on the topic "Invention de traditions"

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Selivanova, Alexandra. "Inventing "Modern Architecture": Government and Social Order in the USSR in 1930s." In Proceedings of the 2019 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ahti-19.2019.3.

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Kipöz, Şölen, and F. Dilek Himam. "Re-Inventing Traditional Textiles For The Contemporary Design Culture." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0062.

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Zhao, Decheng, Yiwen Shang, Wei Liu, and Gang Liu. "Research of Regional Design Based On The Invention and Innovative Design Of The Yellow River Waterwheel's Traditional Characteristics." In Proceedings of the 2019 2nd International Conference on Sustainable Energy, Environment and Information Engineering (SEEIE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/seeie-19.2019.36.

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Otto, Marcel, Jayanta S. Kapat, Robin Phelps, Thomas O’Neal, and George Gramatikas. "An Evidence Based Process Facilitating Engineering Education and Innovation in the Field of Turbomachinery." In ASME Turbo Expo 2019: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/gt2019-91854.

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Abstract A confluence of disruptive trends in the energy industry is creating an imperative for providers as well as all companies throughout the value-chain to innovate. Due to the physical and intellectual proximity of universities to cutting edge technology development universities are at the epicenter for the next generation of energy innovation and innovators. However, through traditional disciplinary coursework and research activities, today’s engineering faculty and students do not gain the skills to be effective innovators and advance their inventions from the lab to the market. As a result, new methods of education and training is required to meet the energy innovation imperative. The National Science Foundation Innovation Corps (I-Corps) program, which aims to develop critical innovator skills while aiding in the process of developing innovations that have potential to solve a market-based problems. The program is an intense workshop with the goal to develop a scalable business model around the invention by “getting out of the building” and conducting more than 100 interviews with potential customers and other key stakeholders to test hypotheses related to problems and value propositions. The evidence from those interviews is used to validate or invalidate hypotheses about the business model. The present paper examines the I-Corps program as an evidence-based process to facilitate engineering education and innovation in the field of turbomachinery. Utilizing a case study approach, we analyze the experiences of PDCC Technologies, a university based startup trying to commercialize a high temperature material as a potential component of gas turbine engines. The journey through the program including key “aha” moments and lessons learned is retold based on the specific example. The paper concludes with a summary of value for students and faculty and remarks on the improvement of the engineering program itself.
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Saklani, Dr Bina, and Prof Atul Saklani. "Reconciling Modernity and Re-Inventing Tradition: Changing Perspective of Ancestor Worship in Uttarakhand Himalayas, (India)." In Annual International Conference on Contemporary Cultural Studies. Global Science & Technology Forum (GSTF), 2014. http://dx.doi.org/10.5176/2382-5650_ccs14.16.

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Kováč, Milan. "Co-invention Project in the Physics Curriculum on the Lower Secondary School." In INNODOCT 2018. València: Editorial Universitat Politècnica de València, 2018. http://dx.doi.org/10.4995/inn2018.2018.8766.

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As an integral part of the innovation of Physics Curriculum, we consider involvement of a co-invention project - a small teamwork of the pupils on the tasks developed by themselves - project, lasting 10-15 teaching hours, with focused goal oriented on innovation of a product. Pupils are scaffolded in well-designed learning environment, by well-designed printed material and specially trained physics teacher in an equipped physics laboratory. As our endeavour to meet such a goal, we have started by initial pilot projects, in which 13-years old pupils constructed products from a very limited material, using a limited equipment. The project itself is directed to take into consideration each of the sights - scientific (physics as a school subject, part of the sciences, how does the nature work); engineering (physics as a school subject, part of the technology education); collaborative design (work of small teams, which consider also whole school community and experts from out of schools environment) and discussing entrepreneurial practices (considering usable products, create marketing plan). The pupils are systematically lead to develop each of these four sights via six stages - idea generation, activity (planning, designing), knowledge seeking, evaluation of invention, justifying solution, knowledge building. Such a complex activity performed by 13 years old pupils can be considered as too ambitious. Of course, we are modifying whole physics education and we are preparing pupils to be able to work in teams, discuss, measure physical quantities, articulate their ideas and work with various sources of information. In the article, we proudly inform about happy pupils, which like physics (and also school subject - physics) and prove their knowledge on a higher level than their peers, after one year of testing our new methodologies. Moreover, we start to measure the level of their engineering competences and hypothesize, that it should be developed better, than of their peers educated by traditional means.
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Kaplan, Kathleen M., and John J. Kaplan. "Protecting Intellectual Property in Power." In ASME 2005 Power Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/pwr2005-50007.

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Power Engineers sometimes lack an important area of the engineering profession: Intellectual Property Education. Intellectual Property (IP) encompasses the intangible “stuff” which is what power engineering is all about — original thought, invention, and progress. The three traditional areas of IP are copyrights, trademarks, and patents. A power engineer cannot protect his or her interest and truly benefit society, whether it be an invention, expression of idea, or some other non-tangible property, without understanding these three IP areas. Power engineers are not to be blamed; IP has not been incorporated into the engineering discipline. Unfortunately, with the lack of IP instruction, power engineers may be ignorant as to the protection of their creations. This impacts their futures as they will be entering the creative field of power engineering without IP knowledge and may miss precious opportunities to benefit from their creations. Of course, this lack of IP knowledge does not help the power engineer or the progression of power engineering. This paper, written by a patent agent and patent attorney, both holding doctorate degrees in computer science and electrical engineering, respectively, will introduce the concepts of intellectual property in an easy-to-understand format. The authors will cover all three traditional areas of IP: copyrights, trademarks, and patents. Within each, specific examples will be given with respect to power engineering. With the knowledge presented, the power engineer should be able to identify the type of intellectual property needed to protect his or her works.
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Kacane, Ilze, and Oksana Kovzele. "REPRESENTATION OF TRADITIONAL FESTIVITIES IN TEXTBOOKS FOR LEARNERS OF BASIC SCHOOLS IN LATVIA: RE-INVENTING CHRISTMAS." In 13th International Conference on Education and New Learning Technologies. IATED, 2021. http://dx.doi.org/10.21125/edulearn.2021.0120.

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Barak, Moshe. "Promoting Inventive Design and Problem-Solving Competencies." In ASME 2008 9th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2008. http://dx.doi.org/10.1115/esda2008-59118.

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What can education do to foster students’ inventive design and problem-solving competencies? On the one hand, it is widely agreed that accomplishing this end is one of education’s main objectives today. On the other hand, many people regard creativity as a ‘God-given’ ability, something an individual either has or does not have but can hardly be learned or enhanced. Therefore, it is of no surprise that only little has been done to introduce the teaching of creative thinking into traditional schooling, either in K-12 education or in engineering education. In the current paper, however, I present a different viewpoint. The literature on design and problem-solving in engineering shows that while novices tend to follow a routine design approach or use the trial-and-error method, experts are likely to use domain-specific strategies, schemes and heuristics, move flexibly from one working method to another, combine given strategies in new ways, and solve problems by using shortcuts or rules-of-thumb rather than work according to a specific method. Therefore, it could be useful to teach students several heuristic methods for inventive design and problem-solving that have been used increasingly in engineering, for example, SCAMPER, TRIZ, Systematic Inventive Thinking (SIT) and the Eight-Dimensional method. This paper briefly reviews some of these methods and addresses the outcomes of several studies about teaching the methods to engineers and designers in industry, junior high school students, and science and technology teachers. The findings indicate that the participants often improved their achievements in suggesting original solutions to problems in comparison to a control group, and successfully utilized the method they had learned in their final project. The implications to engineering education are also discussed.
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Joy, Helen K., and Manjunath R. Kounte. "An Overview of Traditional and Recent Trends in Video Processing." In 2019 International Conference on Smart Systems and Inventive Technology (ICSSIT). IEEE, 2019. http://dx.doi.org/10.1109/icssit46314.2019.8987896.

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