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Journal articles on the topic 'Invisible cities'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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1

McNabb, Michael. "Invisible Cities." Leonardo 24, no. 1 (1991): 89. http://dx.doi.org/10.2307/1575485.

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2

Dowell, Peter W., and Charles Scruggs. "Invisible Cities." Callaloo 17, no. 2 (1994): 656. http://dx.doi.org/10.2307/2931798.

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3

Batty, M. "Invisible Cities." Environment and Planning B: Planning and Design 17, no. 2 (1990): 127–30. http://dx.doi.org/10.1068/b170127.

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4

Calvino, Italo. "Invisible cities." Peace Review 7, no. 2 (1995): 133. http://dx.doi.org/10.1080/10402659508425866.

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5

Hwang, Sha. "Invisible Cities." Journal of Architectural Education 68, no. 1 (2014): 56–60. http://dx.doi.org/10.1080/10464883.2013.865470.

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6

Pappas, Nickolas. "Plato’s Invisible Cities." Ancient Philosophy 13, no. 2 (1993): 427–30. http://dx.doi.org/10.5840/ancientphil199313213.

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7

BENTON, LAURA. "Invisible Cities of Strength." FORUM 59, no. 1 (2017): 35. http://dx.doi.org/10.15730/forum.2017.59.1.35.

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8

Birringer, Johannes. "Invisible Cities/Transcultural Images." Performing Arts Journal 11, no. 3 (1989): 120. http://dx.doi.org/10.2307/3245431.

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9

FitzGerald, Sharron, and Andreas Philippopoulos-Mihalopoulos. "Invisible Laws, Visible Cities." Griffith Law Review 17, no. 2 (2008): 435–37. http://dx.doi.org/10.1080/10383617.2008.10854617.

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10

Haldon, John. "Invisible cities, hidden agendas." Journal of Peasant Studies 21, no. 2 (1994): 308–21. http://dx.doi.org/10.1080/03066159308438549.

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11

Panigrahi, Sambit. "Cities as Strata in Italo Calvino's INVISIBLE CITIES." Explicator 72, no. 1 (2014): 23–27. http://dx.doi.org/10.1080/00144940.2013.875873.

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12

Conway, Paul. "Birmingham, CBSO Centre: ‘Invisible Cities’." Tempo 59, no. 233 (2005): 57. http://dx.doi.org/10.1017/s0040298205270237.

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The Birmingham Contemporary Music Group opened their 2004–05 season on 19 September 2004 in typically adventurous, innovatory style with an evening of music — including no less than four world premieres — all centred on Italo Calvino's 1972 book Invisible Cities, in which traveller Marco Polo describes, in imaginary dialogues with Kublai Khan, fifty amazing cities, all of which turn out to be Venice.
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13

Panigrahi, Sambit. "Rhizomatic Cities in Italo Calvino’s Invisible Cities." Quaderni d'italianistica 38, no. 1 (2018): 173–94. http://dx.doi.org/10.33137/q.i..v38i1.31158.

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Italo Calvino’s highly successful novel Invisible Cities thoroughly explains Deleuze and Guattari’s famous postmodern concept of rhizome. The cities in the novel do not possess a fixed and coherent structure; rather they exude a structurality that is immensely fleeting and continually evolving. Calvino’s novel Invisible Cities which ironically precedes Deleuze and Guattari’s book A Thousand Plateaus clearly demonstrates the defining characteristic features of rhizome through the unusual and seemingly incomprehensible structure of the individual cities. There have been scanty critical responses in the past regarding the rhizomatic behavior of Calvino’s cities, despite an extraordinary abundance of critical works existing on Calvino’s writing. The rhizomatic patterns of Calvino’s cities, it is believed by the author, need further critical attention. Rhizome, through its perpetually unstable structural modeling, perhaps most effectively demonstrates our utterly disarrayed postmodern condition of existence where any desired structural stability and coherence is a virtual impossibility, and of this trait, Calvino’s cities in the said novel are the principal demonstrators. Based on these precepts, this article intends to analyze how Calvino’s cities in the novel, with their perpetual and immense structural variabilities, exude before the readers a typical postmodern world that wholesomely discards the very idea of structural coherence and stability.
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14

Schor, Tatiana. "the invisible cities in the Brazilian Amazon." Mercator 12, no. 28 (2013): 67–84. http://dx.doi.org/10.4215/rm2013.1228.0005.

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15

Martins, Ana Isabel Correia. "Invisible cities: utopian spaces or imaginary places?" Revista Archai, no. 21 (2017): 123–52. http://dx.doi.org/10.14195/1984-249x_22_5.

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16

Christensen, Peter G. "UTOPIA AND ALIENATION IN CALVINO'S INVISIBLE CITIES." Forum Italicum: A Journal of Italian Studies 20, no. 1 (1986): 16–27. http://dx.doi.org/10.1177/001458588602000102.

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17

Chang, Sen-dou. "Cities with Invisible Walls (review)." China Review International 3, no. 2 (1996): 375–76. http://dx.doi.org/10.1353/cri.1996.0110.

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18

Mendieta, Eduardo. "Invisible cities: A phenomenology of globalizationfrom below." City 5, no. 1 (2001): 7–26. http://dx.doi.org/10.1080/13604810120057868.

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19

Kourtit, Karima, and Peter Nijkamp. "Invisible Cities: the End of the Urban Century?" SCIENZE REGIONALI, no. 1 (February 2015): 105–11. http://dx.doi.org/10.3280/scre2015-001008.

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20

Mendieta, Eduardo. "Invisible cities: A phenomenology of globalization from below." City 5, no. 1 (2001): 7–26. http://dx.doi.org/10.1080/713657048.

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21

Mendieta, Eduardo. "Invisible cities: A phenomenology of globalization from below." City 5, no. 1 (2001): 7–26. http://dx.doi.org/10.1080/13604810124686.

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22

Saivetz, Deborah. "‘Every Light Form Has a Shadow’: Acting in ‘Invisible Cities’." New Theatre Quarterly 16, no. 1 (2000): 65–75. http://dx.doi.org/10.1017/s0266464x00013464.

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In the foregoing article Deborah Saivetz described the background to the creation of Pino DiBuduo's Invisible Cities on the Newark, New Jersey, campus of Rutgers University in October 1998, and the development, limitations and strengths of that production. Its ‘audience’ – for the most part members of the university community and attendees at the concurrently scheduted ‘Arts Transforming the Urban Environment’ conference – were impressed by DiBuduo's artistic vision and the conviction of the actors, though a few expressed disappointment that, despite the project's urban setting and conference tie-in, Invisible Cities seemed to have little to do with the historically and culturally rich city of Newark itself. Most, however, were fascinated by, and perhaps even grateful to, the visiting Italian director who, with his band of student artists, transformed an ordinary campus building into an at times baffling, frequently delighful, and always provocative sequence of worlds – as if, as one witness put it, ‘watching a dream in real life’. The actors and technicians who participated in Invisible Cities confronted challenges from all angles: the English–Italian language barrier, the University bureaucracy, the physical limitations of the performance space, inclement weather, and the shortage of finances, human resources – and, most of all, time. Yet, despite the constant ‘changes of direction’ that were part of the Invisible Cities process, the actors were inspired by DiBuduo's willingness to allow them complete artistic licence in the conception and execution of their cities, and they came to understand that even artistic tensions can strengthen the bonds within an ensemble, infusing its members with a fighting spirit that refuses to let the project die. In the following interview, the student artists reflect upon the unique process of creating Invisible Cities, the actor–director relationship, the role of the audience, and the effect of the project upon the Rutgers–Newark community.
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23

Daly, Erin Moore. "New Orleans, Invisible City." Nature and Culture 1, no. 2 (2006): 133–48. http://dx.doi.org/10.3167/155860706780608670.

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This article explores the hidden, suppressed elements of New Orleans leading up to and immediately following Hurricane Katrina. The article is juxtaposed with excerpts from Italo Calvino's Invisible Cities in order to provide a lens through which to ask questions not typically raised by government officials, city planners, and science and technology experts. This uncovers aspects of New Orleans that must not be overlooked in the rebuilding process. If policy, culture, and technology render aspects of New Orleans invisible, then only by revealing these aspects can one ascertain the truth of the city.
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24

Rowden, Terry, and Charles Scruggs. "Sweet Home: Invisible Cities in the Afro-American Novel." MELUS 22, no. 2 (1997): 137. http://dx.doi.org/10.2307/468144.

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25

Costanzo, Angelo, and Charles Scruggs. "Sweet Home: Invisible Cities in the Afro-American Novel." American Literature 66, no. 3 (1994): 618. http://dx.doi.org/10.2307/2927624.

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26

Leone, Massimo. "Invisible Frontiers in Contemporary Cities: An Ethno-Semiotic Approach." International Journal of Interdisciplinary Social Sciences: Annual Review 4, no. 11 (2010): 59–74. http://dx.doi.org/10.18848/1833-1882/cgp/v04i11/53031.

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27

Watson, Allan, and Calvin Taylor. "Invisible Agents and hidden Protagonists: Rethinking Creative Cities Policy." European Planning Studies 22, no. 12 (2013): 2429–35. http://dx.doi.org/10.1080/09654313.2013.790586.

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28

Siddi, Nicola. "The Invisible Boundaries in the City." Journal of Frontier Studies 6, no. 1 (2021): 160–69. http://dx.doi.org/10.46539/jfs.v6i1.257.

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1. Perhaps physical frontiers are less important since somehow the world has become a global entity, in which information passes through the physical walls.
 Many of them have been destroyed (Berlin) and some others such as that of Cyprus resist, but they are certainly less effective than in the past. The major concern of the future is the identification of invisible borders within the cities.
 It is difficult to identify exclusion, and marginalization is hiding within the cities, even in the weal- thiest ones.The spaces of the cities have invisible borders, but they are not easy to cross.
 2. An MIT study (Xu Y, Belyi A, Santi P, Ratti C. 2019) highlights these problems after processing data on human movements, social networks connections and the socio-economic status of people, the document proposes two indices to measure segregation in Singapore.
 The index segregation of communication measures the relationship between people within each so- cial network, considering the frequency of communication and the socio-economic attributes of each person. The physical segregation index indicates the social exposure which people have towards each other belonging to similar and different socio-economic groups as they move more and more around the city.
 3. The MIT study shows how it is possible, through the management of big data, to be able to bring out invisible marginalization situations which can not be seen in other ways.
 4. The “documedial process” (Ferraris, Paini, 2018) in which the digital breakthrough has transformed the city, allows not only to bring out areas of border and exclusion but lays the foundations for an analysis of reality capable of highlighting cultural isolation.
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29

Morris, Leslie. "Placing and Displacing Jewish Studies: Notes on the Future of a Field." PMLA/Publications of the Modern Language Association of America 125, no. 3 (2010): 764–73. http://dx.doi.org/10.1632/pmla.2010.125.3.764.

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Let Me Begin with a Decidedly Non-Jewish Reference, in Order to Both Place and Displace Jewish Studies. In Italo Calvino's Invisible Cities, an evocation of imaginary places that emerge and recede from memory, all eventually turning out to be the same place, Marco Polo says to Kubla Kahn, in response to the charge that he has not spoken of Venice: “Every time I describe a city I am saying something about Venice” (86). The notion of Venice as implicit in every city strikes me as an apt analogy for what I will be claiming as the possible relation between Jewish studies and literary studies. As a faculty member housed in a national literature department (German) at a public research university dominated by a biennial funding battle with the state legislature, I move between reading the minutes of the University Senate and reading Calvino's Invisible Cities in order to imagine the invisible universities or invisible studies beyond the prairie and, indeed, beyond the notion of the university (and the humanities) in ruin.
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30

Soares, Fábio Augusto Morales. "Cidades invisíveis: para uma crítica do conceito de polis." Revista Archai, no. 4 (2010): 71–81. http://dx.doi.org/10.14195/1984-249x_4_7.

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31

Sullivan, William. "The Institute for the Study of Non–Model Organisms and other fantasies." Molecular Biology of the Cell 26, no. 3 (2015): 387–89. http://dx.doi.org/10.1091/mbc.e14-03-0814.

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In his classic novel Invisible Cities, Italo Calvino describes a series of fantastic imagined cities that fulfill core human needs that remain unmet in ordinary cities. In light of the recent founding of a number of high-profile biomedical institutes, Calvino's descriptions encourage us to consider the unmet needs of the biomedical community and imagine unorthodox institutes designed to fulfill these needs.
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32

Gunning, Tom. "Invisible Cities, Visible Cinema: Illuminating Shadows in Late Film Noir." Comparative Critical Studies 6, no. 3 (2009): 319–32. http://dx.doi.org/10.3366/e1744185409000810.

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33

Springer, Carolyn. "Textual Geography: The Role of the Reader in "Invisible Cities"." Modern Language Studies 15, no. 4 (1985): 289. http://dx.doi.org/10.2307/3194671.

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34

Karpow, Filip. "The Contestation of Space in 'Invisible Cities' by Italo Calvino." Białostockie Studia Literaturoznawcze, no. 2 (2011): 185–98. http://dx.doi.org/10.15290/bls.2011.02.14.

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35

Pocci, Luca. "Between the Visible and the Invisible: Calvino's Cities and Memory." Quaderni d'italianistica 27, no. 1 (2006): 109–23. http://dx.doi.org/10.33137/q.i..v27i1.8981.

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36

Barahona Rios, Adrian, Lara Estevez Fernandez, He Cui, and Shuyuan Huang. "Revealing the Invisible City." Airea: Arts and Interdisciplinary Research, no. 1 (June 18, 2018): 11–27. http://dx.doi.org/10.2218/airea.2764.

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This article discusses “Exposing the Invisible: A Brain-driven Audiovisual Walk”, an audiovisual installation that was part of the Digital Media Studio Project entitled Invisible Cities. Commencing with an analysis of the research, and experimental and compositional strategies we devised for the installation, we will explore the possibilities afforded from the creative combination of sounds, visuals, emotions and places, in relation to more general aesthetic considerations relevant to data sonification and visualisation. Our approach understands visualisation as a bridge interlinking the emotions with various types of visual elements and sonification as a translation of the inaudible into the sphere of the audible; most importantly, the combination of both as an instrument for comprehending the human-city bond via the embodied sensory experience of place. Our practice, inspired from the interaction between the lived body and the (urban) environment, uses the EEG data with an artistic approach in order to reflect upon and re-interpret this bond.
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37

Stasiowski, Maciej. "Nooks and Crannies in Visible Cities: 3D Re-imagining Techniques for Archaeology and Architecture in Film." Kwartalnik Filmowy, no. 113 (May 7, 2021): 169–83. http://dx.doi.org/10.36744/kf.677.

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With the success of the BBC and PBS series such as Italy’s Invisible Cities (2017), Ancient Invisible Cities (2018), and Pompeii: New Secrets Revealed (2016), made in collaboration with ScanLab and employing LiDAR scanning and 3D imaging techniques extensively, popular television programmes grasped the aesthetics of spectral 3D mapping. Visualizing urban topographies previously hidden away from view, these shows put on display technological prowess as means to explore veritably ancient vistas. This article sets out to investigate cinematographic devices and strategies – oscillating between perspectives on built heritage championed by two figures central to the 19th-century discourse on architecture: Eugène Emmanuel Viollet-le-Duc and John Ruskin – manipulating the image in a rivalry for the fullest immersion into a traversable facsimile of past spatialities.
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38

Martinez, Francisco. "The Invisible City: Exploring the Third Something of Urban Life." Culture Unbound 6, no. 3 (2014): 647–69. http://dx.doi.org/10.3384/cu.2000.1525.146647.

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With this article I intend to contribute to the debate about how to study urban life. Firstly, I argue for the relevance of invisible and silent aspects of cities and inbetween sutures, which I understand to mean a third ’something’ beyond forms and flows. Secondly, I explore several examples and draw on arguments from Wittgenstein and Lefebvre to frame this hypothesis. Thirdly, I use the chess game as a metaphor to illustrate the multiplicity and unpredictability of engagements of urban life. Finnally, I propose to approach cities in an open-ended and ordinary way, paying attention to dialectically interconnected processes and the particular conditions of possibility for knowledge.
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39

Joshi, Rutul, and Yogi Joseph. "Invisible Cyclists and Disappearing Cycles." Transfers 5, no. 3 (2015): 23–40. http://dx.doi.org/10.3167/trans.2015.050303.

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Cycles are fast disappearing from the urban landscape, popular culture, and everyday life in India. The marginalization of cycling is seen in the backdrop of an emerging automobile culture linked with rising incomes, post-liberalization and skewed notions of modernity. The continued dominance of motorized modes seeks to claim a larger share of road space mirroring the social power structure. The majority of urban cyclists in India are low-income workers or school-going children. Despite the emergence of a subculture of recreational cycling among higher-income groups, everyday cycling confronts social bias and neglect in urban policies and public projects. The rhetoric of sustainability and equity in the National Urban Transport Policy 2006 and pro-cycling initiatives in “best practice” transit projects are subverted by not building adequate enabling infrastructure. This article presents an overview of contentious issues related to cycling in Indian cities by examining the politics of inclusion and exclusion in urban policies.
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40

BUNTING, TRUDI E. "INVISIBLE UPGRADING IN INNER CITIES: HOMEOWNERS‘ REINVESTMENT BEHAVIOUR IN CENTRAL KITCHENER." Canadian Geographer/Le Géographe canadien 31, no. 3 (1987): 209–22. http://dx.doi.org/10.1111/j.1541-0064.1987.tb01235.x.

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41

Huang, Youqin, and Chengdong Yi. "Invisible migrant enclaves in Chinese cities: Underground living in Beijing, China." Urban Studies 52, no. 15 (2014): 2948–73. http://dx.doi.org/10.1177/0042098014564535.

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42

Van Vuuren, H. "Komas uit 'n Bamboesstok en Invisible Cities van Italo Calvino." Literator 7, no. 3 (1986): 1–12. http://dx.doi.org/10.4102/lit.v7i3.884.

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The prose work by Italo Calvino, Invisible cities is of special interest in the study of D.J. Opperman’s Komas uil 'n bamboesstok.Calvino’s novel also has a character, the fictionalised Marco Polo, who plays such an important role in Komas uil 'n bamboesstok. When the traces of Italo Calvino’s work are sought in Komas, the coherence between poems in the volume emerges more clearly. The importance of Calvino’s “novel” as intertext does not primarily reside in the clarifying reciprocity which it has with single poems or pairs of poems. It is the central intertcxt in the volume, seeing that it is of determining importance for its structure. Opperman’s poetic technique in this volume reiterates the structure of Invisible cities: multiplicity which in the end can be reduced to unity.
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43

Hsiao, Douglas H. "Invisible Cities: The Constitutional Status of Direct Democracy in a Democratic Republic." Duke Law Journal 41, no. 5 (1992): 1267. http://dx.doi.org/10.2307/1372765.

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44

Downey, Anthony. "Paul Seawright, Invisible Cities, Anthony Downey, Kerlin Gallery, Dublin, November - December 2005." Circa, no. 115 (2006): 74. http://dx.doi.org/10.2307/25564411.

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45

Ryan. "Politics, Discourse, Empire: Framed Knowledge in Italo Calvino's Invisible Cities." Interdisciplinary Literary Studies 18, no. 2 (2016): 222. http://dx.doi.org/10.5325/intelitestud.18.2.0222.

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46

Saivetz, Deborah. "‘What Counts is the Landscape’: the Making of Pino DiBuduo's ‘Invisible Cities’." New Theatre Quarterly 16, no. 1 (2000): 50–64. http://dx.doi.org/10.1017/s0266464x00013452.

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In October 1998 the Italian director Pino DiBuduo visited the Newark, New Jersey, campus of Rutgers University on the occasion of the major international conference, ‘Arts Transforming the Urban Environment’ For the occasion, he transformed a bleakly concrete teaching block on the Newark campus into a site for the latest of his Invisible Cities projects. These had originated in his Teatro Potlach company's residency in the Italian village of Fara Sabina in 1991, where DiBudo's intention – as in a number of site-specific variations on Invisible Cities since – was to render ‘visible’ aspects of the everyday urban environment which we no longer have the imagination or the patience to ‘see’. While Deborah Saivetz looks also at this original Italian project, and at a later version in Klagenfurt, Austria, she concentrates here on the Newark production, whose development she recorded – in this opening article in her own and DiBuduo's words, and in the following piece through the experiences and recollections of the participants. Deborah Saivetz holds a doctorate in Performance Studies from Northwestern University, and is currently Assistant Professor of Theater in the Department of Visual and Performing Arts at the Newark campus of Rutgers University. Her directorial work includes productions for the New Jersey Shakespeare Festival, the Drama League of New York's Directors’ Project, New York's Alchemy Courthouse Theater, and the Parallax Theater Company in Chicago. She has also worked with JoAnne Akalaitis as assistant director on John Ford's ‘Tis Pity She's a Whore at Chicago's Goodman Theatre, and created original theatre pieces with Chicago's Industrial Theater and Oxygen Jukebox.
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47

Whyte, Martin King. "Cities with Invisible Walls: Reinterpreting Urbanization in Post-1949 China.Kam Wing Chan." China Journal 36 (July 1996): 173–74. http://dx.doi.org/10.2307/2950393.

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48

Bossuyt, Audrey, Laurence Broze, and Victor Ginsburgh. "On Invisible Trade Relations between Mesopotamian Cities during the Third Millennium B.C." Professional Geographer 53, no. 3 (2001): 374–83. http://dx.doi.org/10.1111/0033-0124.00291.

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49

Kinnamon, Keneth. "Sweet Home: Invisible Cities in the Afro-American Novel (review)." MFS Modern Fiction Studies 40, no. 2 (1994): 364–65. http://dx.doi.org/10.1353/mfs.0.0279.

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50

Breiner, Laurence A. "Italic Calvino: The Place of the Emperor in Invisible Cities." MFS Modern Fiction Studies 34, no. 4 (1988): 559–73. http://dx.doi.org/10.1353/mfs.0.0893.

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