Journal articles: 'Invitational rhetoric'

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Martin, Barbara N., and Catherine M. Miller. "Are Principals Prepared to Lead in Schools with Diverse Student Populations Using Invitational Leadership?" Journal of Education and Culture Studies 1, no. 2 (2017): 198. http://dx.doi.org/10.22158/jecs.v1n2p198.

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<p><em>This inquiry sought to create meaning via an invitational leadership lens about how principals are prepared to lead in schools with diverse student populations. Data revealed principals’ perceptions about preparation related to invitational leadership emphasized contradictions between principals’ inviting-oriented rhetoric and their underlying beliefs regarding diverse student populations. Implications include opportunities that principal preparation programs include invitational leadership at the forefront of social justice leadership, as they prepare leaders working with diverse student populations.</em></p>

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Lozano-Reich, Nina M., and Dana L. Cloud. "The Uncivil Tongue: Invitational Rhetoric and the Problem of Inequality." Western Journal of Communication 73, no. 2 (2009): 220–26. http://dx.doi.org/10.1080/10570310902856105.

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Pariera, Katrina L., and Jeanine W. Turner. "Invitational Rhetoric between Parents and Adolescents: Strategies for Successful Communication." Journal of Family Communication 20, no. 2 (2020): 175–88. http://dx.doi.org/10.1080/15267431.2020.1729157.

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Bates, Benjamin R. "Participatory Graffiti as Invitational Rhetoric: The Case of O Machismo." Qualitative Research Reports in Communication 18, no. 1 (2017): 64–72. http://dx.doi.org/10.1080/17459435.2017.1330276.

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Hayden, Wendy. "From Lucifer to Jezebel: Invitational Rhetoric, Rhetorical Closure, and Safe Spaces in Feminist Sexual Discourse Communities." Rhetoric Society Quarterly 51, no. 2 (2021): 79–93. http://dx.doi.org/10.1080/02773945.2021.1877797.

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Upton, Sarah De Los Santos. "The co-conspiring methodology: An invitational approach to action research." Action Research 18, no. 3 (2017): 387–403. http://dx.doi.org/10.1177/1476750317725389.

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Co-conspiring is an approach to action research aimed at decolonizing the research process. This research method is inspired by an ongoing, collaborative research relationship with East Central Ministries, a faith-based non-profit organization based in Albuquerque, New Mexico’s international district. Guided by East Central Ministries’s practices of intention setting/leaving space for what emerges, focusing on feelings, being community minded, and building the conspiring community, the co-conspiring approach to research is emergent and will manifest differently in any given research context. Grounded in the communication theory of invitational rhetoric, co-conspiring emphasizes relationships based in equality and offers possibilities for transformation through a willingness to be changed by the research experience.

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Kindred, Merle. "Invitational Rhetoric as Ecofeminist Practice: Building an Energy Efficient House in Kerala, India." Journal of the World Universities Forum 2, no. 5 (2009): 79–90. http://dx.doi.org/10.18848/1835-2030/cgp/v02i05/56619.

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Kirtley, Susan. "Considering the Alternative in Composition Pedagogy: Teaching Invitational Rhetoric With Lynda Barry'sWhat It Is." Women's Studies in Communication 37, no. 3 (2014): 339–59. http://dx.doi.org/10.1080/07491409.2014.946166.

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Chick, Daniel M. "Memorializing Senator McCain’s “Uncivil Tongue”: Invitational Rhetoric and the Problem of Confrontation and Violence." Southern Communication Journal 86, no. 4 (2021): 320–34. http://dx.doi.org/10.1080/1041794x.2021.1933154.

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Murray, Jeffrey W. "The face in dialogue, part II: Invitational rhetoric, direct moral suasion, and the asymmetry of dialogue." Southern Communication Journal 69, no. 4 (2004): 333–47. http://dx.doi.org/10.1080/10417940409373304.

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Dinkler, Michal Beth. "New Testament Rhetorical Narratology: An Invitation toward Integration." Biblical Interpretation 24, no. 2 (2016): 203–28. http://dx.doi.org/10.1163/15685152-00242p04.

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We are witnessing these days a remarkable rapprochement between the study of rhetoric and the study of narrative. Indeed, these two approaches to New Testament texts are apparently so different that in 2008, Vernon Robbins could lament the “widespread consensus” among scholars that it is “not possible to formulate a systematic rhetorical approach to narrative portions of the Gospels and Acts.” And yet, this bifurcation has been shortsighted. It is not only possible but also necessary and beneficial to bring the resources and insights of narratology into conversation with the resources and insights of rhetorical criticism. This article participates in the move to build bridges across the theoretical crevasses that have divided “New Testament rhetoric” and “New Testament narrative.” First, I take a panoramic view, broadly outlining several reasons that the dividing lines continue to hold currency in New Testament scholarship, and why these views are misguided. I then propose that we reimagine the boundaries of the “New Testament and rhetoric” to include narrative as a mode of persuasion in and of itself, using resources from the literary subfield of rhetorical narratology. Finally, I offer a brief analysis of the uses of speech and silence in Acts 15:1–35 in order to demonstrate how the tools of rhetorical narratology can help us to think in fresh ways about the rhetorical force of New Testament narratives.

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Kristina, Diah, and Nur Saptaningsih. "Evolution in Visual Communication of the Javanese Printed Wedding Invitations." Jurnal Humaniora 31, no. 3 (2019): 315. http://dx.doi.org/10.22146/jh.38222.

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Printed wedding invitations have been one of the most crucial aspects in the social organization among many countries like Brunei Darussalam, Iran, Egypt, and Persia. Javanese people also pay special attention to this social document as it represents social class, social status, prestige, and fnancial support allocated by the host. Evolution of printed Javanese wedding invitations represent social and economic pressures. The diasporic communities who were absent to earn a living brought a noticeable change by setting up the bride’s parents’ photographs in the invitations. 15 invitation texts were selected ranging from 1980 – 2017 used in Tawangmangu, Wonogiri and Sukoharjo, the eastern part of Central Java, Indonesia. There was a consistent regularity in terms of rhetorical structure. Functionally, the invitations have the same role of inviting prospective guests to share happiness in a more family-bound relationship. Inclusion of parents’ photographs, map of the location, pre-wedding photos, wise words, calendar, the profle of the couple were indicators of transformation taking place. Later, the printing decision of the invitations is pretty much customer-driven informed by the customers’ needs, values, and beliefs. Rhetorically the materialistically-driven social phenomenon was shown by an explicit gifts desired.

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Jon, Sung-Gi. "Invitation to Rhetoric-Seon (修辭禪)". Korean Journal of Rhetoric 36 (31 грудня 2019): 199–237. http://dx.doi.org/10.31325/kjr.2019.12.36.199.

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Cavin, Margaret. "Elise Boulding's Rhetoric: An Invitation to Peace." Peace Change 31, no. 3 (2006): 390–412. http://dx.doi.org/10.1111/j.1468-0130.2006.00380.x.

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Pratt, Jonathan. "On the Threshold of Rhetoric." Classical Antiquity 34, no. 1 (2015): 163–82. http://dx.doi.org/10.1525/ca.2015.34.1.163.

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The Helen of Gorgias is designed to provoke the aspiring speaker to consider his relationship with society as a whole. The speech's extreme claims regarding the power of logos reflect simplistic ideas about speaker-audience relations current among Gorgias' target audience, ideas reflected in an interpretive stance towards model speeches that privileges method over truth. The Helen pretends to encourage this conception of logos and interpretive stance in order to expose the intense desire and naïve credulity that drive a coolly technical appraisal of model speeches. The Helen thus manifests, with a playfulness suited to its liminal position, a concern for the ethical and social formation of those who might accept the invitation to study logos.

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Ledoux, Sarah, and Peter Bull. "Order in disorder." Pragmatics and Society 8, no. 4 (2017): 520–41. http://dx.doi.org/10.1075/ps.8.4.03led.

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Abstract Recent research has established that Japanese political oratory and audience behaviour (Bull & Feldman 2011; Feldman & Bull 2012) are fundamentally different to those found in British political speeches (Heritage & Greatbatch 1986). To further develop these cross-cultural analyses of political rhetoric, speaker-audience interaction was analysed in ten speeches by the two second-round candidates in the 2012 French presidential elections (François Hollande; Nicolas Sarkozy). Analogous to British speeches, French speeches were characterised by “implicit” affiliative response invitations and asynchronous speaker-audience interaction, in contrast to Japanese “explicit” invitations and synchrony. These results were interpreted in terms of Hofstede’s (2001) individualism-collectivism cultural dimensions. Dissimilarities in audience responses between the two candidates were also identified and discussed. The analysis of cross-cultural differences continues to reveal the intricate differences between societies, and ensures academic understanding on rhetoric is not boxed into crude universal rules.

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Christiansen, Tanja Juul, and Sine Nørholm Just. "Regularities of diversity discourse: Address, categorization, and invitation." Journal of Management & Organization 18, no. 3 (2012): 398–411. http://dx.doi.org/10.1017/s1833367200000870.

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AbstractManagerial discourses on diversity invoke goals of inclusion and emancipation of suppressed individuals and groups as well as objectives of creating benefits for organizations and society. Partially due to this two-fold emphasis, diversity discourses may, however, be as restricting as they are liberating to the subjects of which they speak. In this article we suggest that utterances pertaining to diversity discourse should be understood as constitutive rhetoric marked by three discursive regularities: address, categorization, and invitation. These regularities underlie and restrain the multiple discursive practices of the developing field of diversity management, and as researchers and practitioners alike continue to explore and enhance this field it is important to understand – and seek to broaden – its conditions of possibility. Emphasizing the theoretical argument about discursive regularities and their articulation, we provide an illustrative example of the how different discursive practices may reproduce common limitations by exploring contributions to Danish diversity discourse.

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Christiansen, Tanja Juul, and Sine Nørholm Just. "Regularities of diversity discourse: Address, categorization, and invitation." Journal of Management & Organization 18, no. 3 (2012): 398–411. http://dx.doi.org/10.5172/jmo.2012.18.3.398.

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AbstractManagerial discourses on diversity invoke goals of inclusion and emancipation of suppressed individuals and groups as well as objectives of creating benefits for organizations and society. Partially due to this two-fold emphasis, diversity discourses may, however, be as restricting as they are liberating to the subjects of which they speak. In this article we suggest that utterances pertaining to diversity discourse should be understood as constitutive rhetoric marked by three discursive regularities: address, categorization, and invitation. These regularities underlie and restrain the multiple discursive practices of the developing field of diversity management, and as researchers and practitioners alike continue to explore and enhance this field it is important to understand – and seek to broaden – its conditions of possibility. Emphasizing the theoretical argument about discursive regularities and their articulation, we provide an illustrative example of the how different discursive practices may reproduce common limitations by exploring contributions to Danish diversity discourse.

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Haila, A. "Misguided Rhetoric on Rent: A Comment on Ball and Clark." Environment and Planning A: Economy and Space 21, no. 11 (1989): 1525–32. http://dx.doi.org/10.1068/a211525.

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Recently in this journal Ball and Clark have debated the theory of land rent. This comment is an attempt to show that the art of wording in that debate has been, above all, misleading. In the process of the controversy the original questions have been displaced by others, and discussion has been choked by ready answers quoted from classic authority. This comment is an attempt to penetrate behind the rhetorical veil and to reveal the important questions that deserve to be discussed in a sincere way. In order to make clear the main issue—the use and the relevance of the theory of land rent—the recent project of Ball is crystallized into a thesis: the received theory of rent should be rejected. Ball's attempts to justify this thesis are weighed, and it is concluded that Ball has not managed to justify the thesis. This means that the alleged alternative theory based on the criticism against the theory of land rent is rather a belief and an illusion than a properly justified stand. Therefore, apart from providing a short outline for an alternative approach, the main outcome of the comment is an invitation to further discussion.

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Goodman, Katherine R. ""ICH BIN DIE DEUTSCHE REDLICHKEIT"." Daphnis 29, no. 1-2 (2000): 307–54. http://dx.doi.org/10.1163/18796583-90000709.

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Christiane Mariane von Ziegler wrote these 33 letters between 1731 and 1733. They illuminate both her character and particular events in her life during the years between her invitation to join the Deutsche Gesellschaft and her coronation as poet laureate. Ziegler actively participated in some of the intrigues surrounding the first Professor of German Rhetoric in Halle, Johann Ernst Philippi. Her involvement in these intrigues provoked Philippi to acts of revenge that ultimately damaged Ziegler's own reputation. Orchestrating much of the mischief from afar were the Liscow brothers and Hagedorn, opponents of the gallant and heroic style in literature. The letters are reprinted her for the first time since 1792.

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Swiencicki, Jill. "Rhetorics of Invitation and Refusal in Terry Tempest Williams'sThe Open Space of Democracy." Women's Studies in Communication 38, no. 2 (2015): 151–66. http://dx.doi.org/10.1080/07491409.2015.1027022.

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Walters, Shannon. "Unruly Rhetorics: Disability, Animality, and New Kinship Compositions." PMLA/Publications of the Modern Language Association of America 129, no. 3 (2014): 471–77. http://dx.doi.org/10.1632/pmla.2014.129.3.471.

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“I was sure it would make a great story, first for telling and then for writing down,” writes harriet MCbryde Johnson, explaining why she accepts an invitation from Peter Singer to a debate at Princeton University (2003). Initially, Johnson, a disability-rights activist and lawyer who has a neuromuscular disease, is unsure how to interact with Singer, whose philosophy of preferential utilitarianism argues that it is ethical to kill babies born with severe disabilities. Johnson first encounters Singer at an event at the College of Charleston, and she looks to the rules of decorum to help her decide how to handle the situation. When she sees Singer talking to friends, she considers leaving before even being introduced to him. “Hereabouts,” however, “the rule is that if you're not prepared to shoot on sight, you have to be prepared to shake hands. I give Singer the three fingers on my right hand that still work. ‘Good afternoon, Mr. Singer. I'm here for Not Dead Yet.‘ I want to think he flinches just a little” (204 [2005]).

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Feldman, Ofer, and Peter Bull. "Understanding audience affiliation in response to political speeches in Japan." Language and Dialogue 2, no. 3 (2012): 375–97. http://dx.doi.org/10.1075/ld.2.3.04fel.

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Affiliative response invitations were analysed in 38 speeches delivered during the 2009 Japanese general election by 18 candidates for the House of Representatives (the lower house of the National Diet of Japan). The results clearly replicated those reported by Bull and Feldman (2011) in their analysis of the 2005 Japanese general election. Highly significant correlations were found between the two studies not only for the overall pattern of affiliative responses, but also for each type of response (applause, laughter and cheering). In both studies, over 70% of affiliative responses occurred in response to explicit invitations from the speaker. This contrasts with British political meetings, where applause occurs principally in response to implicit rhetorical devices. However, the candidates’ electoral success showed no significant correlations either with overall affiliative response rate, or with rates for applause, laughter or cheering. It is proposed that the prime function of affiliative response invitations at these meetings is not so much to win votes as to give the audience the opportunity to express their support both for the candidates and for the political parties they represent.

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Ledo, Jorge. "Foreword." Análisis. Revista de investigación filosófica 4, no. 2 (2018): 157–60. http://dx.doi.org/10.26754/ojs_arif/a.rif.201722470.

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The aim of this volume is not to offer a comprehensive overview of the multifarious aspects of fiction and its implications for early modern philosophy, but to be an invitation, from the standpoint of the history of philosophy, to survey some of the fundamental problems of the field, using six case-studies written by some of the finest international scholars in their respective areas of Renaissance studies. Although perhaps not evident at a first reading, these six studies are linked by common concerns such as the theoretical relationship between (literary) history, rhetoric, poetics, and philosophy; the tensions between res, verba, and imago; and the concept of enargeia. They have been arranged according to the chronology of the corpus each one considers.

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Tawalbeh, Ahmad I. "Jordanian Wedding Invitation Genre During the Covid-19 Pandemic." Journal of Language Teaching and Research 12, no. 5 (2021): 705–15. http://dx.doi.org/10.17507/jltr.1205.09.

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This study examines the generic components of Arabic wedding invitation cards issued during the Covid-19 period in Jordanian society. It aims to find out the role played by the Covid-19 pandemic in shaping the rhetorical structure (moves and steps) of these cards. The sample consists of 100 electronic wedding cards which were analyzed using top-down (genre analysis approach) and bottom-up processing. The analysis shows that there are nine component moves realized by certain steps, shaping the invitation genre. It is found that this genre is subject to change which essentially affects its common main communicative purpose, viz. to invite people to celebrate the wedding in a place. It is hoped that the results of this study may confirm previous literature about the effects of the surrounding context on shaping a genre, help familiarize those interested in knowing about this Arabic genre and offer insights for those interested in conducting cross-cultural contrast.

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Marinelli, Kevin. "Placing second: Empathic unsettlement as a vehicle of consubstantiality at the Silent Gesture statue of Tommie Smith and John Carlos." Memory Studies 10, no. 4 (2016): 440–58. http://dx.doi.org/10.1177/1750698016653442.

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In this article, I explore the material rhetorics of place from the perspective of transferential space. Specifically, I examine the Silent Gesture statue of Tommie Smith and John Carlos at San José State University. Drawing on Alison Landsberg’s concept of transferential space and Dominick LaCapra’s concept of empathic unsettlement, I argue that the statue explores the limits of identification in such a way that illuminates new possibilities for the rhetoricity of transferential space. Specifically, I argue that the statue’s invitation to physically and metaphorically ‘Take a Stand’ with Smith and Carlos facilitates noteworthy tensions of civic identity and, in turn, fosters mnemonic practices of consubstantiality with the disenfranchised for its visitors.

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Vagle, Mark D. "It Is Known." Qualitative Inquiry 26, no. 5 (2019): 554–56. http://dx.doi.org/10.1177/1077800418819636.

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We close this special issue with a Postlude designed to serve as both an ending and an invitation for continued re-imagining. Using It is Known from Game of Thrones as both a theoretical and rhetorical device, the purpose here is to more plainly lay out some key phenomenological and hermeneutic concepts and ideas–suggesting that what we “know” can be read as an effort to teach, to exert power, and/or to play depending any number of contextual nuances and factors.

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Austin, Jonathan Luke, Rocco Bellanova, and Mareile Kaufmann. "Doing and mediating critique: An invitation to practice companionship." Security Dialogue 50, no. 1 (2019): 3–19. http://dx.doi.org/10.1177/0967010618810925.

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What does it mean to study security from a critical perspective? This question continues to haunt critical security studies. Conversations about normative stances, political engagement, and the role of critique are mainstays of the discipline. This article argues that these conversations tend to revolve around a too disembodied image of research, where the everyday practice of researchers is sidelined. But researchers do do research: they work materially, socially, and cognitively. They mediate between various feedback loops or fields of critique. In doing so, they actively build and exercise critique. Recognizing that fact, this article resists growing suggestions to abandon critique by, first, returning to the practice of critique through the notion of companionship. This permits us to reinvigorate our attention to the objects, persons, and phenomena through which critique gains inspiration and purpose, and that literally accompany our relationship to critique. Second, we explore what happens when our companions disagree, when critique faces controversies and (a) symmetries. Here, we support research designs of tracing credibility and establishing symmetries in order to move away from critique as denouncing positions we disagree with. Third, we discuss the relation between companionship, critique, reflexivity, and style. Here, the rhetorical practices of critical inquiry are laid out, and possibilities for its articulation in different and less silencing voices are proposed.

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Marschall, Priscille. "Punctuating Paul’s Letters in Light of the Ancient Theory of Côla and Periods." Biblical Interpretation 28, no. 1 (2020): 100–125. http://dx.doi.org/10.1163/15685152-00281p06.

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Abstract This article argues that the micro-structure of Paul’s letters is intrinsically linked to an aural logic. Taking 2 Corinthians 10:8-11 as an example and using the notions of côlon and period as described in the rhetoric and stylistic treatises of the Graeco-Roman world, I will show both the methods and the extent to which it is possible to reconstitute its original “punctuation” – i.e., the different breaks that punctuated this passage when it was read aloud. This will allow me to shed new light on the structure of the passage and, especially, on the debated question of the place of verse 9, namely the extent to which it is linked with either verse 8 or verses 10-11, or is rather independent. More generally, this article is an invitation to develop colometric analysis as an additional tool in debates concerning micro-structure and punctuation of NT texts.

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Little, Brent. "A Charity of Mutuality and Hospitality: L'Arche's Witness to Catholic Theology." Horizons 47, no. 1 (2020): 46–68. http://dx.doi.org/10.1017/hor.2020.2.

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Through the writings of Jean Vanier, this paper encourages Catholic theologians to examine critically their theological sources and their own rhetoric for the context of developmental disabilities. Specifically, this thought experiment is an invitation for the Catholic academy to consider how its theologies of charity can assist the church to reflect on its pastoral ministry to people with developmental disabilities. Some Catholic discourse is built on an assumed one-directional concept of charity that emphasizes the agency and gifts of the giver over the receiver. Such a one-sided model of hospitality tends to emphasize the giver as the person without developmental disabilities, whereas the person with disabilities is described as the receiver of hospitality; their own gifts and agency thereby are either unacknowledged or downplayed. This paper argues, instead, that Catholic theologies of charity, particularly regarding developmental disabilities, should be built on a mutuality that affirms each person's agency to be both a giver and a receiver of charity.

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Berti, Enrico. "My Walks With Aristotle." Peitho. Examina Antiqua 7, no. 1 (2016): 55–68. http://dx.doi.org/10.14746/pea.2016.1.3.

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In connection with the ongoing celebration of Aristotle’s Year that has been announced by UNESCO, the Poznan Archaeological Reserve – Genius Loci organized a series of lectures “Walks with Aristotle” that refer to the famous name of the Peripatos school. This invitation has been accepted by one of the greatest scholars of Aristotle, Professor Enrico Berti from the University of Padua, who has been publishing for more than 50 years various studies on the philosophy of the Stagirite as well as on the history of philosophy. Recently, his very instructive book, entitled Aristotle’s Profile, has appeared in Polish translation (Poznań 2016). Professor Berti’s presentation provides an overview of his most important achievements. Included in these are his forthcoming works: his new translation and commentary on Aristotle’s Metaphysics as well as his monograph Aristotelismo which reconstructs the diverse interpretations of Aristotle’s doctrines through centuries: from logic to epistemology, from physics to psychology and zoology, from metaphysics to ethics and politics and lastly from rhetoric to poetics.

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Nguyen, Quoc Tan Trung. "Rethinking the Legality of Intervention by Invitation: Toward Neutrality." Journal of Conflict and Security Law 24, no. 2 (2019): 201–38. http://dx.doi.org/10.1093/jcsl/krz004.

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Abstract The article re-examines one of the most established and classical doctrines in international law, with a massive body of literature—intervention by invitation. The doctrine is straightforward and intuitive, and therefore compelling. Since the use of force or intervention in the domestic affairs of a state is prohibited, the consent of the ‘state’ itself could, naturally, eliminate the wrongfulness of the act. There is contention that the ‘government-preference’ principle of intervention by invitation affords a ‘clear alternative’ to external intervention authorized by the Security Council (‘UNSC’)[ Wippman (1996, Duke Journal of Comparative & International Law, 7, 209)]. Others, however, stressing the momentous nature of current events, believe that ‘democratic legitimacy’ is fundamental. The present author finds both approaches inadequate. In many cases, the complexity of intervention by invitation in both cases is, inevitably, reduced to the issue of recognition: ‘Who can speak for a state?’[We can see such tendency in many works on the topic such as: 2016, Byrne, Journal on the Use of Force and International Law, 3, 97, 100; Wippman (1996, Duke Journal of Comparative & International Law, 7, 217–22; Oppenheim and Lauterpacht, International Law, 7th edition (Longmans Green 1952), 249; or Fox, ‘Intervention by Invitation’ in Weller M (ed), The Oxford Handbook of the Use of Force in International Law (Oxford University Press 2015), 831–35.]. The latter is a highly political question. The law, then, is left undetermined, and actions are explained by the government’s political preferences and its rhetorical appeal to so-called international community values [Falk (ed), The International Law of Civil War (The John Hopkins Press 1971), 28]. Inspired by general neutrality approach, the author will evoke available theoretical principles and state practices to form a theory of the Equality of internal actors, (hereinafter ‘Equality theory’), in the hope of proving the relevance, reliability, consistency and overall superiority of this theory in dealing with the legality of intervention by invitation.

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Rotondo, Amanda. "Will we see you @ the museum?: Museum Web sites as rhetorical invitations to the public." International Journal of the Inclusive Museum 2, no. 1 (2009): 143–54. http://dx.doi.org/10.18848/1835-2014/cgp/v02i01/44562.

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Amernic, Joel H. "THE RHETORIC VERSUS THE REALITY, OR IS THE REALITY “MERE” RHETORIC? A CASE STUDY OF PUBLIC ACCOUNTING FIRMS' RESPONSES TO A COMPANY'S INVITATION FOR ALTERNATIVE OPINIONS ON AN ACCOUNTING MATTER." Critical Perspectives on Accounting 7, no. 1 (1996): 57–75. http://dx.doi.org/10.1006/cpac.1996.0008.

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Easton, Lee, and Kelly Hewson. "Negotiating the Nation Through Superheroes." Imagining SoTL 1 (February 10, 2021): 41–57. http://dx.doi.org/10.29173/isotl530.

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This case study focuses on Canadian students’ responses to our invitation to imagine their own nationalist superheroes whose costumes and powers represent a nation. We provide a close reading of 34 student artifacts to show how they draw on discourses that position Canada as a benevolent, multicultural country—a rhetorical formation we call the Canadian Shield. We also reveal how some artifacts negotiate tropes of the Shield, adapting or revising them in distinctive ways. We conclude, however, that when invited to create Canadian superheroes, many of the student creations reaffirm dominant visions of the country, and such habits of thought, we venture, are best considered as ideological bottlenecks.

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López de Castro, Armando. "Teresa de Ávila y la poesía cancioneril = Teresa de Ávila and the songbook poetry." Lectura y Signo, no. 15 (December 24, 2020): 189–204. http://dx.doi.org/10.18002/lys.v0i15.6472.

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Teresa de Jesús escribió poesía porque tenía un alma musical y sabía dar ritmo a sus poemas. Es una música que surge de la oscuridad y habla de lo profundo, destinada a elevarse desde la fuerza de su dolorosa espera, de ahí que invite a la plegaria con el estremecimiento de ser sustancia viva. Vueltos hacia su propio interior, sus poemas potencian su energía sonora desde la desnudez de su fingida retórica y nos hacen volar el oído hacia lo sobrenatural, buscando la recuperación del orden perdido. Teresa de Jesús wroter poetry because she had a musical soul and knew how to give rhythm to her poems. It is a music that emerges from the darkness and speaks from the deep, destined to rise from the force of its painful waiting, hence the invitation to prayer with the shudder of being living substance. Turned towards his own interior, his poems enhance his sound energy from the nakedness of his feigned rhetoric and make us blow our ears towards the supernatural, seeking the recovery of the lost order.

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Umezurike, Samuel Augustine, and Olusola Ogunnubi. "Counting the Cost? A Cautionary Analysis of South Africa's BRICS Membership." Journal of Economics and Behavioral Studies 8, no. 5(J) (2016): 211–21. http://dx.doi.org/10.22610/jebs.v8i5(j).1444.

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BRICS is a grouping of five major developing countries that includes Brazil, Russia, India, China and South Africa, all with the ambition of changing the governance architecture of international political-economy but with claims to speedy industrialization, fast growing economies and relatively strong regional and global influence. South Africa joined BRICS at the invitation of China in 2010 and has shown commitment to the group through friendly relations with other member countries. The countryâ€™s extensive economic links with China and the other BRICS states underpinned its strategy of diversifying its external trade especially with regard to looking away from West. This article employs content analysis to reflect on South Africaâ€™s membership of BRICS, focusing specifically on the countryâ€™s relations with China. It argues that, while South Africaâ€™s economic indicators do not fit well with the BRICS grouping, China is promoting this relationship in order to counter the Westâ€™s neo-imperialism and neo-liberal rhetoric. South Africaâ€™s willingness to accept Chinese superiority in the African market and to act as a junior partner in the global power configuration makes the country the perfect choice for this project.

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Martin-Beltrán, Melinda, Angélica Montoya-Ávila, Andrés A. García, and Nancy Canales. "Do You Want to Tell Your Own Narrative?”: How One Teacher and Her Students Engage in Resistance by Leveraging Community Cultural Wealth." Association of Mexican American Educators Journal 12, no. 3 (2018): 97. http://dx.doi.org/10.24974/amae.12.3.408.

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This qualitative case study offers a window into one classroom in which one Latinx English language arts teacher and her newcomer high school students tapped into community cultural wealth (Yosso, 2005) as they engaged in literacy practices to resist oppression, denounce discrimination, and strive for social justice. We draw upon Yosso’s (2005) framework of community cultural wealth (CCW) to understand how teachers can encourage resistance among historically marginalized students within the current racist and xenophobic political climate; and we examine how students respond to the teacher’s invitation to engage and develop their resistant capital through their writing. Data analyzed for this study include student letters, teacher interviews, and fieldnotes from one lesson, which was situated in a year-long ethnographic study. We found that the teacher cultivated resistant capital by tapping into students’ lived experiences to scrutinize oppressive rhetoric and persist in the face of adversity. Students seized the opportunity to resist the dominant anti-immigrant narrative by leveraging their resistant capital through counter-stories, assertions of experiential knowledge, and appeals to a moral imperative. Our study contributes to scholarship on CCW by exploring how CCW is utilized in a previously under-examined context and has implications for educators by offering examples of classroom practices that cultivate CCW and transform deficit discourses that threaten to impede academic success, especially among Latinx students.

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Ryczek, Wojciech. "U bram niebios. Oda (IV 30) Macieja Kazimierza Sarbiewskiego do Janusza Skumina Tyszkiewicza." Terminus 22, no. 4 (57) (2020): 333–55. http://dx.doi.org/10.4467/20843844te.20.018.12538.

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At Heaven’s Gate: Maciej Kazimierz Sarbiewski’s Ode (IV 30) to Janusz Skumin Tyszkiewicz The main purpose of this paper is twofold. Firstly, it presents the edition of a Latin ode written by Maciej Kazimierz Sarbiewski SJ (1595–1640) dedicated to Janusz Skumin Tyszkiewicz (1572–1642), Voivode of Trakai, after the death of his beloved wife, Barbara née Naruszewicz (1580–1627). A new Polish translation of this text and a commentary are also provided. Secondly, the first part of the paper, or the invitation to close reading, aims at giving more detailed information about the rhetorical architecture of the ode, particularly its composition, arguments, and figures. Sarbiewski, regarded as the most brilliant imitator of Horatian lyrical discourse in early-modern Europe (“Christian Horace”), used the established schemes and formulas to create a Christian consolation based on reinventing the lyrical arguments. The persuasive power of his ode is strongly related to vivid, evocative, and meaningful images. The correlation between divine inspiration and poetic perfection allowed him to refashion the rhetorical patterns of epicedium. Sarbiewski wanted to demonstrate his ability to use various modes of linguistic expression. Thus, in the heart of his consolation there is a story about “the cracks”(rimae) in heaven’s gate and a poet who can take a short glimpse into “the heavenly city”(urbs caelestis). The consolation is to confirm the belief that, following departure, a deceased can live in the realm of eternal joy and happiness. Paradoxically, he or she can be happier there than during his or her earthly life. Despite its rhetorical refinement and poetical elaboration, it always serves the same purpose. Moreover, its realisation only becomes possible due to literary mediation. The poet appears to be the mediator between the world of the living and the world of the dead. The final verses of the poem bring a moral lesson best epitomized in a brief appeal “do not want more”(nec tu plura velis), addressed not only to Tyszkiewicz, but also to the poet himself and the readers.

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Ryczek, Wojciech. "U bram niebios. Oda (IV 30) Macieja Kazimierza Sarbiewskiego do Janusza Skumina Tyszkiewicza." Terminus 22, no. 4 (57) (2020): 333–55. http://dx.doi.org/10.4467/20843844te.20.018.12538.

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At Heaven’s Gate: Maciej Kazimierz Sarbiewski’s Ode (IV 30) to Janusz Skumin Tyszkiewicz The main purpose of this paper is twofold. Firstly, it presents the edition of a Latin ode written by Maciej Kazimierz Sarbiewski SJ (1595–1640) dedicated to Janusz Skumin Tyszkiewicz (1572–1642), Voivode of Trakai, after the death of his beloved wife, Barbara née Naruszewicz (1580–1627). A new Polish translation of this text and a commentary are also provided. Secondly, the first part of the paper, or the invitation to close reading, aims at giving more detailed information about the rhetorical architecture of the ode, particularly its composition, arguments, and figures. Sarbiewski, regarded as the most brilliant imitator of Horatian lyrical discourse in early-modern Europe (“Christian Horace”), used the established schemes and formulas to create a Christian consolation based on reinventing the lyrical arguments. The persuasive power of his ode is strongly related to vivid, evocative, and meaningful images. The correlation between divine inspiration and poetic perfection allowed him to refashion the rhetorical patterns of epicedium. Sarbiewski wanted to demonstrate his ability to use various modes of linguistic expression. Thus, in the heart of his consolation there is a story about “the cracks”(rimae) in heaven’s gate and a poet who can take a short glimpse into “the heavenly city”(urbs caelestis). The consolation is to confirm the belief that, following departure, a deceased can live in the realm of eternal joy and happiness. Paradoxically, he or she can be happier there than during his or her earthly life. Despite its rhetorical refinement and poetical elaboration, it always serves the same purpose. Moreover, its realisation only becomes possible due to literary mediation. The poet appears to be the mediator between the world of the living and the world of the dead. The final verses of the poem bring a moral lesson best epitomized in a brief appeal “do not want more”(nec tu plura velis), addressed not only to Tyszkiewicz, but also to the poet himself and the readers.

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Kreindler, Sara A., Ashley Struthers, Colleen J. Metge, et al. "Pushing for partnership: physician engagement and resistance in primary care renewal." Journal of Health Organization and Management 33, no. 2 (2019): 126–40. http://dx.doi.org/10.1108/jhom-05-2018-0141.

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Purpose Healthcare policymakers and managers struggle to engage private physicians, who tend to view themselves as independent of the system, in new models of primary care. The purpose of this paper is to examine this issue through a social identity lens. Design/methodology/approach Through in-depth interviews with 33 decision-makers and 31 fee-for-service family physicians, supplemented by document review and participant observation, the authors studied a Canadian province’s early efforts to engage physicians in primary care renewal initiatives. Findings Recognizing that the existing physician–system relationship was generally distant, decision-makers invested effort in relationship-building. However, decision-makers’ rhetoric, as well as the design of their flagship initiative, evinced an attempt to proceed directly from interpersonal relationship-building to the establishment of formal intergroup partnership, with no intervening phase of supporting physicians’ group identity and empowering them to assume equal partnership. The invitation to partnership did not resonate with most physicians: many viewed it as an inauthentic offer from an out-group (“bureaucrats”) with discordant values; others interpreted partnership as a mere transactional exchange. Such perceptions posed barriers to physician participation in renewal activities. Practical implications The pursuit of a premature degree of intergroup closeness can be counterproductive, heightening physician resistance. Originality/value This study revealed that even a relatively subtle misalignment between a particular social identity management strategy and its intergroup context can have highly problematic ramifications. Findings advance the literature on social identity management and may facilitate the development of more effective engagement strategies.

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Jakiel, Rafał. "Wątki futurystyczne i cyberpunkowe w wybranych telewizyjnych produkcjach popkultury w kontekście retoryczno-językoznawczej analizy utworu audiowizualnego." Annales Universitatis Paedagogicae Cracoviensis | Studia de Cultura 9, no. 4 (2018): 104–15. http://dx.doi.org/10.24917/20837275.9.4.10.

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DOI 10.24917/20837275.9.4.10W artykule pokazano liczne możliwości podjęcia analizy językoznawczej filmów zawierających wątki futurystyczne i cyberpunkowe. Dokonany przeze mnie wybór materiału badawczego był nietypowy. Większość wybranych seriali telewizyjnych nie stanowi klasycznego przykładu analizowanej przeze mnie literatury i jej adaptacji. Próbowałem odnaleźć i opisać popkulturowe produkty tylko zainspirowane literaturą futurystyczną i cyberpunkową; takie, które nie muszą spełniać wszystkich warunków stawianych pracom tego nurtu, np. Westworld (HBO), Doctor Who (BBC) and Mr. Robot (USA Network). Moim celem było zebranie i omówienie interesujących jednostek językowym i ich najróżniejszych złożonych zastosowań, które mogą interesować badaczy retoryki i językoznawców. Niektóre audiowizualne utwory opisałem jedynie pokrótce. Stanowić mają one zaproszenie do dalszych badawczych aktywności: Black Mirror (Channel 4 / Netflix), Extant (CBS).Futuristic and cyberpunk themes in popculture television shows and rhetoricallinguistic analysis of audiovisual workThe purpose of this paper was to show a number of linguistic analysis possibilities of futuristic and cyberpunk movie themes. My choice of material was untypical; Many of my chosen TV-shows were not the classical example of analyzed type of literature and its adaptations. I attempted to find and describe popculture products inspired by futuristic and cyberpunk literature, which don’t have to meet all the conditions for being defined as cyberpunk work, for example: Westworld (HBO), Doctor Who (BBC), and Mr. Robot (USA Network). My goal was to collect and discuss interesting language units and their combinations which may be used as material in rhetoric and linguistic studies. Some of the examples used were only succinctly described as an invitation to further scholarly activities: Black Mirror (Channel 4 / Netflix), Extant (CBS).

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Hui, Ming Tak Ted. "Journeys to the West: Travelogues and Discursive Power in the Making of the Mongol Empire." Journal of Chinese Literature and Culture 7, no. 1 (2020): 60–86. http://dx.doi.org/10.1215/23290048-8313520.

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Abstract Before the Mongol conquest in 1279, numerous envoys were sent from the Southern Song court to its neighboring states. Their purpose was to evaluate and tame foreign territories and alien peoples and thereby reduce their threat to Song culture, and the travelogues resulting from these journeys were often “utilitarian” in style. The Record of the Perfected Master Changchun's Journey to the West (Changchun zhenren xiyou ji 長春真人西遊記), however, deserves special attention for its nuanced handling of a complex cultural-political power dynamics. Its compiler, Li Zhichang, was a leader in the Quanzhen sect, and his travelogue documents the journey of his master, Qiu Chuji, at the invitation of Chinggis (Genghis) Khan. Li's text illustrates the tension of competing political and cultural authorities: while the Mongols were becoming the source of political authority, the Taoists still owned the discursive power. The author argues that Li deliberately adopted a narrative strategy that conceded the Mongol claim to political legitimacy while simultaneously asserting Taoism's cultural dominance over the Mongols. The article also juxtaposes Li's work with the travel record by Yelü Chucai, a Khitan adviser to the Mongols who traveled with Chinggis Khan during his western military expeditions. Although Yelü's travelogue is often read as a rebuttal to Li Zhichang's work, a closer look reveals how Yelü appropriated Li's strategy for his own agenda: to justify Mongols' invasion of Central Asia while highlighting the cultural values shared between the Mongols and the Han Chinese. Both works employ rhetorical strategies that laid the foundation for political discourse affirming the Mongol-Yuan dynastic legitimacy.

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Drach, Irina. "Lviv musical impressions on the pages of A. Bennett’s diary." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 59, no. 59 (2021): 9–20. http://dx.doi.org/10.34064/khnum1-59.01.

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Background. Objectives and methodology of the research. The article contains a commentary to the separate pages of A. Bennett’s diaries, in which the impressions of the famous English writer, playwright, actor and journalist from visiting the cities of Moscow, Orel and Lviv were recorded in May 1988. This trip took place at the invitation of the Writers’ Union of the USSR. As part of the British delegation, A. Bennett carried out a mission of “cultural diplomacy”, whose goal was to open the “Iron Curtain” between the West and the countries of Eastern Europe. The program of the visit of the foreign delegation is analyzed, in particular, visits to opera performances (at the Bolshoi Theater – “Werther” by J. Massenet, at the Lviv Opera and Ballet Theater – «The Ukrainian Cossack beyond the Danube» by S. Gulak-Artemovsky). The purpose of this article is to introduce into the scientific circulation the evidence that allows illuminating the events of the recent past through the prism of the perception of their immediate participants. Another task of this article is to determine the pragmatics of “hospitality” and its operatic component in the conditions of the Soviet system on a concrete example. In addition, the article establishes, with the help of diary notes, the specifics of the guests’ reaction to the realities of Ukrainian life during the “Perestroika” period and to the fact that opera represents power, which is essential for cultural diplomacy. The research is based on diary prose, which was originally prepared for publication in a literary journal. This determined the appropriate mode of expression and set the choice of illuminated objects. The descriptive-evaluative narrative appeals to real places and persons. So, the author tries to achieve the effect of documentary. At the same time, there is a noticeable tendency to create a slightly entertaining text that should interest the average reader and meet his expectations. Research results. This material made it possible to supplement with interesting facts the practice of cultural diplomacy that was established in the USSR, which was covered by the Western researchers, for example F. Barghoorn (1960), P. Hollander (1981), M. David-Fox (2011). In addition, the analysis of this evidence made it possible to introduce into scientific use not only the events, but also the attitude of foreign guests towards them. This is important for historiography and reconstruction of the recent past. The events, mentioned in the text of the evidence, acquire an outside view. The words of the “outsider” become comparative frame through which it is possible to comprehend what happened, freely from the obsessive rhetoric of the perestroika time. According to Bennett, in 1988 the protective function of the totalitarian system came into conflict with the new trend of the time. The imprint of stagnation and decline, even decomposition, but not the sense of purpose and optimism, which P. Hollander described as the “stigma of these countries”, also affected the “window” of Soviet reality, where obvious cracks of loud selfdisclosures appeared. The mandatory program of the visit included meeting with colleagues. With the help of diary, the specific reaction of the guests is set to the fact why an opera self-representation was so important for the «Soviet side». The pages of Bennett’s diaries showed attention to everyday details. The writer was able to create not an image of faceless mass, but the vivid portraits of his contemporaries and capture his experience of meeting a different reality. Conclusions. A. Bennett – a man and a writer – recreated his short stay in Lviv, capturing the theatrical nature of the life-giving performance that unfolded here in the tense collisions between official rhetoric and living reality. The opera itself was of little interest to A. Bennett, but he was well aware of the exceptional importance attached by the organizers of the trip to the fact of visiting the opera house. As an “object of showing” to foreigners, the opera served, first of all, as a proof of the “culture” of the country, a proof that the cultural heritage of the past is better preserved here. At the same time, in the system of “cultural diplomacy” the opera topos functioned as an aesthetic representation of power, the “higher truth” about it. Opera representation existed as a self-sufficient complete phenomenon, which testified to the presence of higher meanings in the real world.

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Journal articles on the topic 'Invitational rhetoric'

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