Academic literature on the topic 'Ipanema beach'

Field observations of the Ipanema Beach, Rio de Janeiro, ocean sewage outfall are presented. Measurements of dilution and other wastefield characteristics were obtained by adding dye tracer to the effluent and measuring in-situ. Simultaneous measurements of oceanographic conditions were made by Acoustic Doppler Current Profilers, thermistor strings, and profiling instruments. Four experiments were performed, two during unstratified conditions when the plume was surfacing, and two during conditions of strong stratification when the plume was submerged. The minimum dilution varied from 30 to 130. The measurements reflect the worst case conditions as the campaigns were all made for weak currents.

‘The Girl from Ipanema’ – or, in Portuguese, ‘Garota de Ipanema’ – is without doubt the song that turned bossa nova into a household term the world over. It was written by Antônio Carlos Jobim and Vinícius de Moraes one afternoon in 1962, as they sat in the Veloso bar – now renamed ‘Garota de Ipanema’ – on Montenegro Street, where they had watched the young Helô Pinheiro walk past them on her way to Ipanema Beach. The song was first recorded in 1963 by Peri Ribeiro (Odeon) (Machado 1971), and since then over 300 other recordings have appeared on the market, both in Brazil and abroad (Cabral n.d.c, p. 10). When it was first launched in America on the ‘Getz/Gilberto’ album (Verve), interpreted by Astrud and João Gilberto in 1964, ‘The Girl from Ipanema' posed a serious challenge to the Beatles’ hegemony over the charts, rapidly moving to second place. With 4.2 million registered performances, it was only in the last four years that its ratings began to fall, but it is still among the world's most widely aired popular songs (Anon 1994c, pp. 124–5).

<p class="Default">Neste artigo, tenho como objetivo discutir as relações entre espaço e sexualidades dissidentes, com foco no homoerotismo masculino, a partir da fotografia de Alair Gomes (1921 – 1992), artista considerado o percussor do homoerotismo na fotografia brasileira. Elegi para análise fragmentos da série Beach., realizada ao longo das décadas de 1960 e 1980 na praia de Ipanema, no Rio de Janeiro. Entendo que Alair, por meio da sua “escritura fotográfica”, imaginou uma nova conjugação entre espaço e sexualidades dissidentes como campos de possível, criando assim, o que chamarei de heterotopias do (in)desejável.</p>

The extensive Brazilian coast comprises diverse reef fish communities. Here, we report a pioneer study on the reef fish community composition of the Cagarras Archipelago. This rocky reef system consists of a small group of coastal islands 5 km south off Ipanema Beach, Rio de Janeiro city, Brazil. A relatively diverse and disturbed fish community (99 species from 39 families) was found in this archipelago. Two different visual census techniques were utilized and a large difference was observed in the number of species compared to other Brazilian reef sites. Trophic structure and biogeographical affinities are discussed. The absence of some reef fish species, mainly top predators, suggests severe environmental impact in this area and exhorts the Brazilian authorities to create a marine protected area. Results obtained in this study will serve to future environmental studies in Cagarras.

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A praia de Ipanema, por todo seu histórico cultural inovador, disseminou costumes e comportamentos que foram aderidos à identidade cultural carioca. Suas areias também serviram de inspiração para o surgimento de modismos, que influenciaram cidadãos e simpatizantes do local. Acredita-se que frequentadores cotidianos e sazonais, assim como os “empreendedores da areia”, mais conhecidos como vendedores ambulantes, se relacionem e se desenvolvam, em parte, com e a partir da atmosfera ipanemense. Desta forma, esta dissertação investiga a praia de Ipanema como um espaço midiático de consumo e afetos, onde estão em evidência as trocas e produções de sociabilidades presentes no cotidiano praiano, assim como a expansão do consumo de bens que vão além de sua materialidade. Para isso, esta dissertação se dividirá em duas etapas, a primeira é composta pela descrição e análise de contextos históricos e conceitos teóricos relacionados ao tema. Na segunda etapa, será evidenciada uma pesquisa de campo de caráter etnográfico, pois tentará compreender o ambiente e o comportamento cotidiano ipanemense, inicialmente através de uma observação sistemática nas areias e no calçadão da praia, e posteriormente, a partir de entrevistas estruturadas com frequentadores e ambulantes de Ipanema.
Ipanema beach, for all its innovative cultural history, disseminated customs and behaviors that were adhered to the Carioca cultural identity. Its sands also served as inspiration for the appearance of fashions, which influenced citizens and supporters of the place. It is believed that daily and seasonal goers, as well as the "sand businessman", better known as street vendors, relate to and develop in part with and from the atmosphere of Ipanema. Thus, this dissertation investigates Ipanema beach as a media space of consumption and affection, where the exchanges and productions of sociabilities present in everyday life are evidenced, as well as the expansion of the consumption of goods that go beyond their materiality. For this, this dissertation will be divided in two stages, the first is composed by the description and analysis of historical contexts and theoretical concepts related to the theme. In the second stage, a field research of ethnographic character will be evidenced, since it will try to understand the environment and the daily behavior of Ipanema, initially through a systematic observation in the sands and on the boardwalk of the beach, and later, from structured interviews with regulars and hawkers from Ipanema.