Relevant bibliographies by topics / Iraqi Museum

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Iraqi Museum'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Iraqi Museum"

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Curtis, John, Qais Hussein Raheed, Hugo Clarke, Abdulamir M. Al Hamdani, Elizabeth Stone, Margarete van Ess, Paul Collins, and Mehsin Ali. "An assessment of archaeological sites in June 2008: An Iraqi-British project." Iraq 70 (2008): 215–37. http://dx.doi.org/10.1017/s0021088900000966.

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The proposal to develop an Iraqi-British project to protect and promote cultural heritage in Southern Iraq was first mooted at a lunch in the British Museum on 24 September 2007, involving Major-General Barney White-Spunner, Charles Moore, former editor of the Daily Telegraph, Neil MacGregor, Director of the British Museum, and John Curtis, Keeper of the Department of the Middle East at the British Museum. The lunch had been arranged to provide Major-General White-Spunner with recent information about the state of the Iraqi cultural heritage, as he was due to be deployed to Iraq in February 2008 as Commander-in-Chief of British troops and General Officer Commanding the Multi-National Division South-East. At the lunch, it was suggested that the greatest need would be to arrange for the inspection of archaeological sites and, if necessary, to arrange for the protection of them, and also to consider facilitating the reopening of some provincial museums. It is known that archaeological sites particularly in Southern Iraq suffered grievously from looting, particularly after the Second Gulf War, and most provincial museums were sacked following the First Gulf War in 1991 and again in 2003. Major-General White-Spunner immediately recognised the importance of these proposals and appointed a project manager, Major Hugo Clarke, to work up a scheme with John Curtis. The project has been made possible by a generous grant from the Department of Culture, Media and Sport, that has covered all costs except those incurred in Iraq, which have been met by the British Army.
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Phuong, Catherine. "THE PROTECTION OF IRAQI CULTURAL PROPERTY." International and Comparative Law Quarterly 53, no. 4 (October 2004): 985–98. http://dx.doi.org/10.1093/iclq/53.4.985.

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Images of widespread looting were the first to come from Baghdad following the entry of US forces into the Iraqi capital city in April 2003. In particular, it is hard to forget the powerful images of smashed display cases, empty vaults, and desperate staff in the Iraqi National Museum. Worse still, the National Library was burnt down. The looting of the Iraqi National Museum took place between 8 April, when the security situation prompted staff to leave the museum, and 12 April when some of them managed to return. Despite early pleadings with US forces to move a tank to guard the museum gates, US tanks did not arrive until 16 April.1 Cynics would say that the protection of the Oil Ministry appeared to take priority at the time.2 Early reports estimated that around 170,000 items went missing from the Iraqi National Museum in Baghdad.3 This figure was completely exaggerated and the Bogdanos enquiry established that over 13,000 items had been stolen and about 3,000 recovered by September 2003.4 This article seeks to determine to what extent the US can be held legally responsible for the looting, and then to examine the international legal framework in place to facilitate the recovery and return of the items stolen from the Iraqi National Museum and other Iraqi cultural institutions
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Vanzan, Anna. "The Holy Defense Museum in Tehran, or How to Aestheticize War." Middle East Journal of Culture and Communication 13, no. 1 (May 13, 2020): 63–77. http://dx.doi.org/10.1163/18739865-01301004.

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Abstract In September 2013 the Iranian authorities inaugurated the Holy Defense Museum (Muzeh-i Dafa’-i Moqaddas) in the capital Tehran that also hosts a Martyrs’ Museum (Muzeh-i Shuhada) built in the early 1980s and later renovated. The new museum is part of a grandiose project to commemorate the sacrifice of Iranians during the war provoked by the Iraqi regime (1980–1988). The museum encompasses various aspects of the arts (visual, cinematic, photographic, literary, etc.) shaped to remember and celebrate the martyrs of that war. The 1979 Iranian Revolution and the following Iran-Iraq War produced an enormous amount of visual material; works produced during this crucial period that disrupted the balance of power, both regionally and internationally, constitute an important part of Iran’s recent history. Visual materials produced in that period not only constitute a collective graphic memory of those traumatic years, they also revolutionized Iranian aesthetics. The Islamic Republic of Iran (hereafter IRI) establishment has a long experience in molding contemporary art for political purposes and the Holy Defense Museum represents the zenith of this imposing project. In this paper, I present an analytic and descriptive reading of the museum in light of my direct experience visiting the museum, and I explore its role in maintaining the collective memory of the Iran-Iraq conflict, in celebrating the revolution and in aestheticizing war.
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Al-Mutawalli, Nawala, Walther Sallaberger, and Ali Ubeid Shalkham. "The Cuneiform Documents from the Iraqi Excavation at Drehem." Zeitschrift für Assyriologie und vorderasiatische Archäologie 107, no. 2 (December 30, 2017): 151–217. http://dx.doi.org/10.1515/za-2017-0101.

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Abstract: Drehem, ancient Puzriš-Dagān, is well known as the place of origin of more than 15,000 cuneiform tablets from the Ur III period that were sold on the antiquities markets from 1909 onwards. The State Board of Antiquities and Heritage of Iraq undertook the first controlled excavations at the site in 2007 under the direction of Ali Ubeid Shalkham. The cuneiform texts and fragments found there not only add to the well-known royal archives dealing with cattle, treasure or shoes, but they include many records on crafts and agriculture. With this evidence, the subsistence economy behind this important administrative center and royal palace of the Third Dynasty of Ur becomes more evident. We thank the Iraqi State Board of Antiquities and Heritage, the Iraq Museum Baghdad and Mr Ali Ubeid Shalkham for the permission to publish the tablets from the excavation season of 2007. The stays of Nawala Al-Mutawalli at LMU Munich in 2015 and 2016 in order to prepare this article were generously funded by the Gerda Henkel Stiftung. We are grateful to Margarete van Ess for the invitation to a first meeting in 2013 at the DAI Orientabteilung, Berlin. Thanks are owed to Manuel Molina for his careful reading of this article and his helpful remarks and Frans van Koppen for his editorial care. Walther Sallaberger’s work also contributes to his “Sumerisches Glossar” project. – All photos and plans of the excavation were made by Ali Ubeid Shalkham, the tablets in the Iraq Museum were photographed by Nawala Al-Mutawalli Mahmood. The abbreviations follow the Reallexikon für Assyriologie und Vorderasiatische Archäologie. The online digital resources CDLI (cdli.ucla.edu) and especially BDTNS (bdtns.filol.csic.es) have proven once more to be indispensable for our studies of lexicography and prosopography.
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Guendelman Hales, Rafael. "Objects Removed for Study." Migration and Society 3, no. 1 (June 1, 2020): 262–71. http://dx.doi.org/10.3167/arms.2020.030125.

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“Objects Removed for Study” is a creative remaking of a fraction of the Library of Ashurbanipal (part of the Assyrian collection of the British Museum) by a group of women from the Iraqi Community Association in London. Inspired by the main role of the library as a guide for the Assyrian king Ashurbanipal, and considering the current situation in Iraq, the women were invited to rewrite and re-create a series of ceramic books and artifacts. This project aims to critically rethink both the identity and the role of these old artifacts in the articulation of new sensitivities and possibilities in today’s context of displacement.
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Katrib, Ruba. "Representation and identity: Reflections on presenting contemporary art in an American museum." Journal of Contemporary Iraq & the Arab World 15, no. 1-2 (March 1, 2021): 199–214. http://dx.doi.org/10.1386/jciaw_00048_1.

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This text is a curatorial reflection upon the process of organizing the exhibition Theater of Operations: The Gulf Wars 1991–2011, which took place at MoMA PS1 in 2019. The text questions the possibilities and limits of decolonial curating in an American museum and analyses the reception of Iraqi contemporary art in a Western context.
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Shabout, Nada. "The Iraqi Museum of Modern Art: Legal Implications of the 2003 Invasion." Collections 2, no. 4 (December 2006): 285–96. http://dx.doi.org/10.1177/155019060600200403.

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Saadoon, Abather Rahi. "SUMERIAN TEXTS FROM THE ARCHIVE OF THE PRINCESS ŠĀT-EŠTAR IN THE COLLECTIONS OF THE IRAQ MUSEUM." Iraq 80 (September 28, 2018): 213–31. http://dx.doi.org/10.1017/irq.2018.14.

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The princesses in the royal family of the Ur III state had a role in developing and revitalizing the economy. In ancient Iraqi society women operated in all fields of work. Cuneiform texts recorded their activities in the processes of receiving, delivery, distribution and mediating between people. Living in the community, Iraqi women played an important and positive role in ancient Iraq's society. Šāt-Eštar first became known as a princess in the texts treated in the author's MA Thesis in 2010. The study of the texts which mention princess Šat-Eštar shows that this character played an important role in processes of receiving, delivering, distributing and mediating between people. She was specialized in trading several materials, primarily barley and flour and then dates, as well as textiles and clothing types. The people she dealt with were Agatia, Šulgi-mudah, Abituni, Šāt-Su'en, Šāt-Nūnu, Šeškala, and Lugal-nisaĝ-e.
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Al-Haidary, Ali. "Vanishing point: the abatement of tradition and new architectural development in Baghdad's historic centers over the past century." Contemporary Arab Affairs 2, no. 1 (January 1, 2009): 38–66. http://dx.doi.org/10.1080/17550910802622488.

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This article gives an extensive, detailed historic overview of Baghdad's unique architectural heritage from its ancient Sumerian roots in design through the Islamic and modern periods by an Iraqi professor of architecture. The functionally and aesthetically integrated residential architecture of the ancient Sumerians, its labyrinthine network of abutting houses with open inner-courtyards, ingenious ventilation systems, and enclosed balconies (shanāshīl) that formed the warp and weft1 of the fabric of the urban society which it supported for millennia is disappearing. The ancient patterns which still survive in Baghdad are not only emblematic of Middle Eastern architecture but are the essential imprint of Babel (Babylon) – the mother of all cities. The author demonstrates how modernization and rapid changes brought on by economic growth and population explosions led to unregulated building projects that were often conceived and implemented by foreign firms in abject disregard of the unique and irreplaceable cultural heritage of Iraq. Landmarks of culture have already been lost, and there is much still to lose, but it is not too late if proper funds, urban planning and action at the level of the individual can be marshalled to preserve the living museum of Baghdad's eternal architecture that is the most conspicuous physical expression of its social, cultural and historic identity.
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Al-Hummeri, Hussein Mohammed. "Unpublished Cuneiform Texts from Old Babylonian Period." Al-Adab Journal 1, no. 125 (June 15, 2018): 37–54. http://dx.doi.org/10.31973/aj.v1i125.40.

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The cuneiform texts particularly the economic texts are considered as one of the most important documents that reflect the reality of everyday life, in fact among the periods of Mesopotamia the Old Babylonian Period (1595-2004 B.C) was characterized by development of economic activity which was reflected in the economic cuneiform texts as an ideal material to study the economic and social conditions of that period. This research studied five unpublished cuneiform texts which are part of forfeit texts belong to the Iraqi Museum. Therefore, their location and reference are unknown, one of them belong to (Abi-ešuḫ) the eighth king of the First Dynasty of Babylon, another one had a new date formula we think that belong to (Abi-sare) the sixth king of Larsa city, three of them hadn't date formula this made difficulty of determining the length of time for the these texts, but they generally belong to the Old Babylonian Period, based on personal names that was contained which were common names there, as well as the way of writing that supports these texts belong to Old Babylonian Period.
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Dissertations / Theses on the topic "Iraqi Museum"

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Ridha, Mohaned. "The negation in Muslim Baghdad Arabic." Thesis, Uppsala universitet, Institutionen för lingvistik och filologi, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-234363.

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The aim of the thesis is to study the negation in Muslim Baghdad Arabic variety. Iraqi Arabic variety has several different varieties because of the different ethnicities and religions in Iraq therefore the scope of the thesis has been limited to investigate just one type of Baghdad Arabic variety which is Muslim Baghdad Arabic (MBA). I used text analysis as a method in order to investigate the negation (system) in Muslim Baghdad Arabic variety. The material used was a book by McCarthy (1965) ‘Spoken Arabic of Baghdad, Anthology of text’. I also used Abu-Haidar’s article ‘Negation in Iraqi Arabic’ which is the most relevant work to my thesis as a starting point and for comparison with my discussion. The thesis has presented three different types of results. (i) There were some similar results that have been presented in both my thesis and the previous studies. (ii) There were some different results about some matters between my thesis and the previous studies. (iii) There were some new results in this thesis that have not been presented in any other studies.
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Yost, Jonathan David. "Fixing What Has Been Broken: The United States' Actions in the Aftermath of the Looting of the Iraq National Museum during the 2003 Invasion." W&M ScholarWorks, 2013. https://scholarworks.wm.edu/etd/1539626709.

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Janbek, Dana. "The Use of the Internet as a Communication Medium by Extremist Muslim Groups: A Content Analysis of Web Sites." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/273.

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The use of Web sites by terrorist groups has been evident since the mid 1990s. Security experts and researchers have identified terror-related Internet activity as a growing area of concern, especially following the attacks of September 11, 2001. Terrorist groups using the Internet pose two distinct threats. The first is cyberterrorism: terrorists using the Internet destructively and directly to bring about harm to persons or property, including, attacks on Web sites. The second is the use of the Internet as a communication medium to further the cause of terrorism or a particular organization. As of 2008, Weimann (2008b) estimated that over 6,000 terrorist Web sites exist, but the definition of a terrorist Web site is not always clear. This study analyzed the content of 30 "extremist" sites and defined those as sites that endorse hatred and violence towards the United States and its allies by sharing their hatred and actively promoting their ideologies online. This research examined the source of the message, the message content, the types of receivers intended, the channels used to communicate the message, the purpose of the message, and the effects of the message. Results indicate that a major purpose of the organizations is to justify their actions to skeptics. The organizations have built a virtual extremist community with each other and outside members where their sum is greater than their total. The actual impact of these sites is difficult to measure. However, while Web 2.0 features are employed on these sites, this study argues that censorship and forum rules restrict members from engaging in a real dialogue thus limiting the potential of recruiting moderates.
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Khan, Zaynab. "Women Rights and Islam : A study of women rights and effects of Islamic fundamentalism and Muslim feminism in the Kurdish area of Iraq." Thesis, Linköping University, Department of Management and Economics, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-3265.

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Lack of women rights in the international society is something that UN and other international human organizations are striving against. Women oppression is common in many countries, but is often connected with the Muslim countries. Women oppression is something that is against UN: s definition of human rights. The international society has therefore tried to protect the women, and has formed resolutions, conventions and so on, for their security.

According to the Iraqi regime, human rights are an important question. The country has therefore signed the UN: s convention about women rights. Since the year of 1992, when the Kurdish area of Iraq became self- governed, Kurdistan has started programs that favour women rights. Organizations and institutions have for example been established, that are struggling for the women in the society. The ruling government has also instituted some laws that favour women rights.

Islamic fundamentalism and Muslim feminism are two theories that today have supporters in the international society. Both of those theories and their supporters believes in the Quran and use it to justify their own actions, but in different ways. The fundamentalists emphasize the differences that, by the nature, exist between the sexes. According to the fundamentalists, women and men have different responsibilities in the society. The feminists on the other hand believe in equality between the sexes and mean that women oppression has its origin in an erroneous interpretation of the Quran.

Different kinds of crimes against women rights issues are today common in Kurdistan. Many of those crimes don’t have any support in neither UN, nor the Quran. Muslim feminists, the department for human rights and the women organizations all has agreed about the meaning of women rights. They believe in UN: s definition of women rights and they all use the Quran to justify women right issues. Islamic fundamentalists on the other hand also use the Quran for justifying their actions, but they don’t believe in UN: s definition of women rights.

So both Muslim feminists and Islamic fundamentalists exist today in Kurdistan, and their engagement in women issues is therefore affecting the work of the organizations and the department.

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Goodman, Brianne. "The strength of Muslim American couples in the face of heightened discrimination from September 11th and the Iraq War : a project based upon an independent investigation /." View online, 2008. http://hdl.handle.net/10090/5950.

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Marston, Jane Elizabeth. "Canting the cradle : the destruction of an ancient Mesopotamian civilization." Diss., 2013. http://hdl.handle.net/10500/10145.

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Iraq is a country of great cultural significance as it is where civilization first began. As a result of its lengthy occupation, it is virtually one large archaeological site. In spite of numerous warnings to the governments of both the United States and the United Kingdom, no efforts were made to protect the Iraqi National Museum in Baghdad when the American-led coalition unlawfully invaded Iraq. Indeed, orders were given not to interfere with the looting. During the occupation that followed, the United States failed to take steps to protect Iraqi cultural property. In terms of international law, it was obliged to protect Iraq’s cultural property. The United States also chose to exacerbate its unlawful conduct by occupying archaeological sites and damaging them further by illegal construction. As a result many significant sites have been irreparably damaged or destroyed. Their conduct was the result of complete indifference to the Iraqi cultural heritage. Although their actions render them iin breach of international law, it is unlikely that the United States will ever be prosecuted for its actions.
Old Testament & Ancient Near Eastern Studies
M.A. (Ancient Near Eastern Studies)
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Books on the topic "Iraqi Museum"

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Lacheman, Ernest René. Joint expedition with the Iraq Museum at Nuzi VII. Winona Lake: Eisenbrauns, 1989.

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Basmachi, Faraj. Cylinder Seals in the Iraq Museum, Uruk and Jamdat Nasr periods. London: Nabu Publications, 1994.

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The rape of Mesopotamia: Behind the looting of the Iraq Museum. Chicago, IL: University of Chicago Press, 2008.

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Karvonen-Kannas, Kerttu. The Seleucid and Parthian terracotta figurines from Babylon: In the Iraq Museum, the British Museum, and the Louvre. Firenze: Casa editrice le lettere, 1995.

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Dhikrayātī. Qum: Ḥusayn al-Shākirī, 1997.

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Omar, Manal M. Barefoot in Baghdad: A Muslim American woman's story of struggle, sisterhood, and surprising love in the chaos of Iraq. Naperville, Ill: Sourcebooks, 2010.

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"Shāhid" bi-lā shahādah: Muḥakamat "shāhid" wa-istiqrāʾ mashrūʻ. Bayrūt, Lubnān: Dār al-Amīr lil-Thaqāfah wa-al-ʻUlūm, 2003.

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Khâlisî, Muhammad al. La vie de l'ayatollah Mahdî al-Khâlisî par son fils (Batal. Paris: La Martinière, 2005.

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Muḥammad ibn Muḥammad Mahdī Khāliṣī. La vie de l'ayatollah Mahdî al-Khâlisî. Paris: Martinière, 2005.

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Qamar banī Hāshim. Karācī: ʻAṣmah Pablīkeshanz, 2002.

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Book chapters on the topic "Iraqi Museum"

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Jamal Al-deen, Taghreed. "Migrant Muslim Iraqi Mothers: The Study." In Motherhood, Education and Migration, 51–67. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9429-5_3.

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Al-Dabbagh, Harith. "Iraq." In Parental Care and the Best Interests of the Child in Muslim Countries, 81–119. The Hague: T.M.C. Asser Press, 2017. http://dx.doi.org/10.1007/978-94-6265-174-6_4.

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Chatty, Dawn. "Iraqi Refugees in the Arab Muslim World: Ottoman Legacies and Orientalist Presumptions." In Managing Muslim Mobilities, 21–38. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137386410_2.

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Shayan, Fatemah. "Yazidi Minority in Iraq." In Handbook of Contemporary Islam and Muslim Lives, 1–18. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-73653-2_83-1.

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Shayan, Fatemah. "Yazidi Minority in Iraq." In Handbook of Contemporary Islam and Muslim Lives, 377–94. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-32626-5_83.

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Walbridge, John, and Linda Walbridge. "Son of an Ayatollah: Majid al-Khu’i (Iraqi Religious Leader in Great Britain)." In Muslim Voices and Lives in the Contemporary World, 101–11. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611924_8.

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Szanto, Edith. "Islam in Kurdistan: Religious Communities and Their Practices in Contemporary Northern Iraq." In Handbook of Contemporary Islam and Muslim Lives, 1–16. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-73653-2_88-1.

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Szanto, Edith. "Islam in Kurdistan: Religious Communities and Their Practices in Contemporary Northern Iraq." In Handbook of Contemporary Islam and Muslim Lives, 361–76. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-32626-5_88.

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Cockrell-Abdullah, Autumn. "Art and Agency." In Advances in Public Policy and Administration, 320–42. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-3001-5.ch016.

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This chapter places the practices of Kurdish visual artists working in Iraqi Kurdistan within the historical context of the Iraqi state and discusses the production of artwork, particularly the creation of the Museum of Modern Art and the Sulemani International Film Festival, as they demonstrate the transitional nature of power and the struggle for cultural dominance within Iraqi Kurdish society. Once the sole or major patron of most artwork produced in Iraqi Kurdistan, the government is no longer funding most projects. The loss of this major patron has significantly changed the relationship between government (patron) and artist (client) creating opportunities for artists to develop alternative sources of support. The work of these artists reveals the struggle of a nation to transform historical relationships of power and to develop a sustainable civil society and a long-term, sustainable peace.
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Renfrew, Colin. "Reflections on the Looting of the Iraqi National Museum in Baghdad." In Series on the Iraq War and its Consequences, 319–35. WORLD SCIENTIFIC, 2003. http://dx.doi.org/10.1142/9789812387554_0026.

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Conference papers on the topic "Iraqi Museum"

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Amin, Yasin, and Goran Othman. "Forensic Investigation of Two Christian and Muslim Mass Graves Skeletal Remains in Sorya-Duhok governorate- Iraqi Kurdistan." In 4th Scientific Conference of Hawler Medical University. Hawler Medical University, 2018. http://dx.doi.org/10.15218/hmu.04.05.

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