Relevant bibliographies by topics / Iraqo Mythology

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Iraqo Mythology'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Iraqo Mythology"

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Hashim Taher, Asst Prof Isra. "القمر في الثقافة العراقية القديمة: اعادة قراءة لرواية" الهلال" لديانا ابو جابر و"طشاري" لأنعام كججي". ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 58, № 2 (2019): 115–28. http://dx.doi.org/10.36473/ujhss.v58i2.879.

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Man used to attribute good and evil in his life to celestial bodies. Therefore, ancient civilizations paid much attention to astronomy which had a lasting impact on mythology and religion. In ancient Iraqi mythology, sad and happy events like war and peace, death and fertility, flood and famine, were attributed to the appearance and disappearance of the moon.Among the post-modern writers who wrote novels about Iraq are the Arab-American Diana Abu Jaber (1959 -) and the Paris-based Iraqi Inaam Kachachi (1952 -). Abu Jaber's Crescent (2003) tells a love story between an Iraqi professor and an Ir
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Yousif, Marwan Khaleel. "Sexual Assault as a Colonial Ideology to Annihilate the Iraqi National Identity in Rasha Fadhil's Ishtar in Baghdad." JOURNAL OF LANGUAGE STUDIES 8, no. 3 (2024): 326–34. http://dx.doi.org/10.25130/lang.8.3.18.

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Regardless of the outcome of events consequently, a person's identity throughout conflicts and wars has a lasting effect on the psyche of a nation, leaving a legacy of trauma, suffering, and sorrow. A nation's psychological and symbolic components, such as the identity of those impacted, their process of healing, and their sympathy for the deceased, are also affected by these wounds, in addition to its physical assets, such as its buildings, artefacts, and natural landscapes. Rasha Fadhil in her dramatic text Ishtar in Baghdad employed the Iraqi mythology to highlight the importance of Iraq's
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Collins, Barry. "The invasion of Iraq and the mythology of international law." International Journal of Contemporary Iraqi Studies 2, no. 3 (2009): 307–20. http://dx.doi.org/10.1386/ijcis.2.3.307_1.

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Borumand, Safura. "Cornucopia: Origins, diffusion and adoption in ancient Irano-Indian semiosphere." Studies in People's History 5, no. 2 (2018): 166–79. http://dx.doi.org/10.1177/2348448918795754.

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Cornucopia or the horn of plenty is one of the cultural and social symbols that signify abundance and blessing in Western culture. Cornucopia originated from Greek mythology, partly related to the legend of Zeus, and partly to the legends of Hercules, Hades, Demeter and Tyche. The sign of cornucopia is also depicted on ancient Iranian and Indian artworks, and the obvious inference is that this was due to Hellenistic influence in both countries.
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Nicolaus, Peter. "Noah and the Serpent." Iran and the Caucasus 22, no. 3 (2018): 257–73. http://dx.doi.org/10.1163/1573384x-20180304.

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The Prophet Noah is not a predominant figure within the Yezidi mythology, and so it should come as no particular surprise that he is often absent from the Yezidi sacred hymns. This peculiarity seems easily explained by the Yezidi cosmogonic myth, which places the emergence of Yezidis as a separate and wholly distinct occurrence from the genesis of the rest of humanity. Hence, a mythical catastrophe reducing mankind to merely one family would certainly contradict said cosmogony. And yet, the tale of “Noah and the Serpent” somehow finds itself recounted within every Yezidi community. The present
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6

Hafez, Mohammed M. "Martyrdom Mythology in Iraq: How Jihadists Frame Suicide Terrorism in Videos and Biographies." Terrorism and Political Violence 19, no. 1 (2007): 95–115. http://dx.doi.org/10.1080/09546550601054873.

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Aboelazm, Ingy. "Africanizing Greek Mythology: Femi Osofisan’s Retelling of Euripides’the Trojan Women." European Journal of Language and Literature 4, no. 1 (2016): 87. http://dx.doi.org/10.26417/ejls.v4i1.p87-103.

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Nigerian writer Femi Osofisan’s new version of Euripides' The Trojan Women, is an African retelling of the Greek tragedy. In Women of Owu (2004), Osofisan relocates the action of Euripides' classical drama outside the walls of the defeated Kingdom of Owu in nineteenth century Yorubaland, what is now known as Nigeria. In a “Note on the Play’s Genesis”, Osofisan refers to the correspondences between the stories of Owu and Troy. He explains that Women of Owu deals with the Owu War, which started when the allied forces of the southern Yoruba kingdoms Ijebu and Ife, together with recruited mercenar
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Mona Hassan Karim and Nasser Hashem Badan. "Ceremonial preoccupations in the performances of the Iraqi playwright." Basrah Arts Journal, no. 26 (August 30, 2023): 59–69. http://dx.doi.org/10.59767/2023.8/26.5.

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The research deals with (the ceremonial preoccupations in the performances of the Iraqi playwright) the Iraqi ceremonial theater with a specificity that emerges as an Arab theatrical style that relied on reviving the legacies and popular folklore drawn from mythology and tales, as what was called quasi-dramatic phenomena as the foundations of an authentic Arab theatrical style employed in harmony with dung overlap with the ritual manifestations of The ceremonial dimensions are seen as one of the most important formative elements of the Arab ceremonial theater and one of the foundations of root
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Hamza, Lect Dr Haider Addam. "Mythical Imagination as a Source for Contemporary Arab Design." European International Journal of Multidisciplinary Research and Management Studies 5, no. 2 (2024): 103–15. https://doi.org/10.55640/eijmrms-05-02-20.

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The first chapter of the research discusses the methodological framework of the study, the research problem, the research significance and necessity, the research objective, the research boundaries, the identification and definition of terms. The second chapter covers the theoretical framework and previous studies. The first section addresses fantasy, and in defining it, explores the theory of fantasy and its role in design, mythology, and the linguistic interpretation of myths, as well as its psychological aspects. The second topic is myth throughout history, the impact of myth and the psycho
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Aziz Mahmood, Karzan. "Evolution of Creation from Mythology to Reality: A Multidisciplinary Study into the Roots of Shelley’s Frankenstein and Ahmed Sa’adawi’s Frankenstein in Baghdad." Arab World English Journal For Translation and Literary Studies 5, no. 1 (2021): 187–200. http://dx.doi.org/10.24093/awejtls/vol5no1.13.

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Shelley’s Frankenstein has been considered a literary masterpiece since its publication. Saadawi’s Frankenstein in Baghdad is similarly a work of great significance that won the International Prize for Arabic Fiction in 2014. Since its release, the name ‘Frankenstein’ attached to Baghdad, as a novel title in the mid of the American occupation of Iraq (2005) and its connection to a universal Frankenstein, has been inspiring to the Iraqis and world fiction lovers. What remains essential about this fascination among the readers is in the questions of how and what is the connection between both wo
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Dissertations / Theses on the topic "Iraqo Mythology"

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Kellner, Ronel. "Historical methodology of Ancient Israel and the archive as historical a priori in the discourses of the Lachish reliefs." Diss., 2016. http://hdl.handle.net/10500/22676.

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The archive as a site of ‘knowledge retrieval’* has long been the exemplary domain of astute historical inquiry. Following the recent ‘historic turn’* to address the politics of knowledge in the broader human and historical sciences, rather than its function as a site of ‘knowledge retrieval’*, I will reflect on the function of the archive as a site of ‘knowledge production’* in the writing of the histories of ancient Israel. Aligned within the conversations among historians and archivists and the new archival turn, the research will endeavour to offer a contribution to the debate on the topic
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Books on the topic "Iraqo Mythology"

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Muḥammad, Aḥmad Muḥyī al-Dīn. Usṭūrat mawt al-maʻbūdāt wa-baʻthihā fī Miṣr wa-al-Sharq al-Adná al-qadīm: Al-ʻIrāq wa-bilād al-Shām. al-Muʼassasah al-Duwalīyah lil-Kitāb, 2020.

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Anthonioz, Stéphanie. L'eau, enjeux politiques et théologiques, de Sumer à la Bible. Brill, 2009.

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3

al-Safa, Ikhwan, Rabbi Dan Bridge, and Rabbi Kalonymus. The Animals' Lawsuit Against Humanity: An Illustrated 10th Century Iraqi Ecological Fable. Fons Vitae, 2005.

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4

Wildwood, Gretchen. Ancient Mesopotamian Civilization. Rosen Publishing Group, 2009.

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5

al-Rihlah ila al-Firdaws wa-al-Jahim fi asatir al-Iraq al-qadim (Dirasat). Azminah, 2001.

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6

Tales From the Arab Tribes: The Oral Traditions Among the Great Arab Tribes of Southern Iraq (Kegan Paul Arabia Library). Kegan Paul, 2007.

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7

Attempts on Death. Smokestack Books, 2021.

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8

Pagan Trinity - Holy Trinity: The Legacy of the Sumerians in Western Civilization. Hamilton Books, 2007.

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9

The Lifeboat that Saved the World. Thames & Hudson, 2017.

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10

L'eau, enjeux politiques et théologiques, de Sumer à la Bible. Brill, 2009.

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Book chapters on the topic "Iraqo Mythology"

1

Leeming, David. "The Mythology of Mesopotamia." In Jealous Gods and Chosen People: The Mythology of the Middle East. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195147896.003.0006.

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Abstract Just as Minoan, Mycenaean, Dorian, and Ionian myths are all part of what we think of as Greek mythology, with its diversity, its conflicting versions of particular events, and its literary as opposed to purely religious and folkloric content, Mesopotamian mythology is made up of the myths and religions of several cultures that over many centuries inhabited the same geographic area—essentially modern Iraq—and assimilated each other’s religious understandings and stories. Mesopotamian mythology refers here to the period between the advent of writing in Sumer late in the fourth millenniu
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2

Chalabi, Tamara. "Fragments of a Mirror: The Writing of Gertrude Bell." In Gertrude Bell and Iraq, edited by Paul Collins and Charles Tripp. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266076.003.0007.

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This chapter proposes to explore the writing of Gertrude Bell through a few prisms: first, her interest in history and archaeology, and second, her private letters. It will examine how Bell’s interest in archaeology mirrored her interest in politics: just as in her political role, in which she was building a state, Bell attempted through her archaeological work and photography to create a mythology about the Orient. Bell’s private letters also provide an insight into how she interacted with men and the role of this interaction in realising her political aims and in shaping her life. The chapte
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Hultgård, Anders. "Travelling myths or Indo-European tradition? The Irano-Scandinavian correspondences." In Indo-European Interfaces: Integrating Linguistics, Mythology and Archaeology. Stockholm University Press, 2024. http://dx.doi.org/10.16993/bcn.e.

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The presence of striking similarities between Scandinavian and Iranian myths has long attracted the curiosity of scholars. The attempts of explaining them follow mainly two lines of reasoning. The first one holds that traditions from Iran spread to northern Europe through different ways in the first millennium CE. The other way round was not proposed – unless we mention Olof Rudbeck and his Atlantica of the 17th century. The second one emphasizes the idea of common Indo-European roots. In this chapter the arguments of both explanation models are discussed and evaluated. Some of the corresponde
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Mous, Maarten. "The Iraqw society reflected in their language." In The Integration of Language and Society. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192845924.003.0010.

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A close inspection of the anthropological literature on Iraqw (Cushitic, Tanzania) reveals that central properties in their culture include the relative importance of social relations and hence community over kinship relations, the relevance of relative rather than absolute time, the centrality of space in culture and the importance of ritual cleansiness. The paper investigates to what extend the Iraqw language reflects this. Language being a social construct is expected to reflect social structure over time, both in lexicon and in grammar. Indeed the Iraqw language reflects their social struc
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"Martyrdom mythology in Iraq: How jihadists frame suicide terrorism in videos and biographies: Mohammed M. Hafez." In Terrorism Studies. Routledge, 2013. http://dx.doi.org/10.4324/9780203717622-40.

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Journal articles
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