Log in

Relevant bibliographies by topics / Ircam

Contents

Journal articles

Academic literature on the topic 'Ircam'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 June 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Ircam.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Ircam"

1

Maconie, Robin. "BOULEZ, INFORMATION SCIENCE AND IRCAM." Tempo 71, no. 279 (2016): 38–50. http://dx.doi.org/10.1017/s0040298216000309.

Full text

Abstract:

AbstractThe rise of information science and its effect on contemporary arts is a topic raised in Stravinsky and Craft's Memories and Commentaries in 1959. It makes sense to inquire how the fundamental priorities and exact discriminations of communications science might have altered the ground rules of musical invention and contemporary listening habits. Answers lie thin on the ground, the few composers most deeply implicated in the information revolution – Babbitt, Boulez, Stockhausen and Cage in particular – having chosen to remain silent on issues relating to the hidden side of the avant-garde. ‘No gossip!’ said Stockhausen to me, in a blunt email in 1998.

APA, Harvard, Vancouver, ISO, and other styles

2

Cont, Arshia. "Introduction: Musical Research at IRCAM." Contemporary Music Review 32, no. 1 (2013): 1–3. http://dx.doi.org/10.1080/07494467.2013.774121.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Machover, Tod. "David Wessel—The IRCAM years." Journal of the Acoustical Society of America 141, no. 5 (2017): 3560. http://dx.doi.org/10.1121/1.4987550.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Vinet, Hugues. "Recent Research and Development at IRCAM." Computer Music Journal 23, no. 3 (1999): 9–17. http://dx.doi.org/10.1162/014892699559850.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Boulez, Pierre, Pierre-Michel Menger, and Jonathan W. Bernard. "From the Domaine Musical to IRCAM." Perspectives of New Music 28, no. 1 (1990): 6. http://dx.doi.org/10.2307/833340.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Gerzso, Andrew. "Aspects of Musical Research at IRCAM." Contemporary Music Review 32, no. 1 (2013): 5–15. http://dx.doi.org/10.1080/07494467.2013.774123.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Lippe, Cort. "Real-time computer music at IRCAM." Contemporary Music Review 6, no. 1 (1991): 219–24. http://dx.doi.org/10.1080/07494469100640221.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Silsbury, Elizabeth. "Pierre Boulez, IRCAM and Ensemble Intercontemporain." International Journal of Music Education os-10, no. 1 (1987): 25–28. http://dx.doi.org/10.1177/025576148701000105.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Skhaplok, Galina. "ON THE REALIZATION OF NOANOA AND PRES, TWO PIECES FOR SOLO INSTRUMENTS AND IRCAM SIGNAL PROCESSING WORKSTATION (Xavier Chabot, Kaija Saariaho, Jean-Baptiste Barrière)." Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta, no. 12 (2021): 73–82. http://dx.doi.org/10.17223/26188929/12/7.

Full text

Abstract:

This article is a translation of a musicological work written by the Finnish composer Kaia Saariaho with sound engineers Xavier Chabot and Jean-Baptiste Barrière from the Ircam. The study describes two solo pieces – «NoaNoa» and «Près» – one for flute, the other for cello, realized during 1992 by Kaija Saariaho with the Ircam Signal Processing Workstation (ISPW, based on the Next computer) and with Xavier Chabot from the Ircam Pedagogy department. These works are created in the pedagogical perspective to explore the potentialities of Max on the ISPW, and specially its connexion with Patchwork used to prepare data and patches. In the two pieces, the electronic parts amplify and develop the sonic structure of the solo instrument, exemplify the close relationship between sound material and musical structure, and explore real-time strategies for control over various synthesis and signal processing algorithms.

APA, Harvard, Vancouver, ISO, and other styles

10

Lindemann, Eric, Francois Dechelle, Bennett Smith, and Michel Starkier. "The Architecture of the IRCAM Musical Workstation." Computer Music Journal 15, no. 3 (1991): 41. http://dx.doi.org/10.2307/3680764.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!