Relevant bibliographies by topics / "irdisches vergnuegen in gott"

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic '"irdisches vergnuegen in gott"'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic ""irdisches vergnuegen in gott""

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Jacob, Joachim. "„Wolken betrachten“." Paragrana 22, no. 2 (2013): 159–69. http://dx.doi.org/10.1524/para.2013.22.2.159.

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Der Aufsatz untersucht die Meditation als eine literarische Praxis am Beispiel der Tradition der christlichen ‚Occasional meditations‘, des ‚Meditierens bei Gelegenheit‘ (J. Hall), die von zufällig begegnenden Gegenständen ihren Ausgang nimmt. Die Betrachtung der Wolken als Inbegriff eines zufällig begegnenden Phänomens wird in ihrer meditativen Bearbeitung bei Joseph Hall (Occasionall Meditations, 1630) und in deren deutschen Adaption bei Christian Scriver (Gottholds zufällige Andachten, 1663) und Barthold Hinrich Brockes (Irdisches Vergnügen in Gott, 1721-1748) vorgestellt. Hans Magnus Enzen
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Hees, Johannes. "Denken und Betrachten." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft Band 64. Heft 1 64, no. 1 (2019): 87–109. http://dx.doi.org/10.28937/1000108296.

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Der Schulphilosoph Leibniz und der physikotheologische Dichter Brockes bilden eine historische Konstellation in der Frühaufklärung. Leibniz markiert eine Lücke in der rationalistischen Epistemologie: Er stößt in der Logik auf eine ästhetische Dimension der Erkenntnis, ohne dass er dabei die Ästhetik von der Logik trennt. Im Irdischen Vergnügen in Gott (1721-1748), dessen Zentrum die Wahrnehmung, Beobachtung und Beschreibung von Naturphänomenen bildet, inszeniert Brockes diese ästhetische Dimension der Erkenntnis. Die Gedichtsammlung entwickelt dabei eine Proto-Ästhetik in poetischer Form, dere
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Henley, Grant. ""Das mir recht in die Seele strahlte": Aspects of a Pietist Poesie in B. H. Brockes's Irdisches Vergnügen in Gott." Monatshefte 103, no. 1 (2011): 1–22. http://dx.doi.org/10.1353/mon.2011.0008.

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Hoyt, Giles R., and Harold P. Fry. "Physics, Classics, and the Bible: Elements of the Secular and the Sacred in Barthold Heinrich Brockes' Irdisches Vergnugen in Gott, 1721." German Quarterly 66, no. 1 (1993): 95. http://dx.doi.org/10.2307/408519.

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Tschacher, Walter, and Harold P. Fry. "Physics, Classics, and the Bible: Elements of the Secular and the Sacred in Barthold Heinrich Brockers' "Irdisches Vergnugen in Gott," 1721." German Studies Review 14, no. 3 (1991): 613. http://dx.doi.org/10.2307/1430983.

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Höft, Thomas. "Harold P. Fry, Physics, Classics, and the Bible. Elements of the Secular and the Sacred in Barthold Heinrich Brockes’ Irdisches Vergnügen in Gott, 1721." Arbitrium 10, no. 1 (1992). http://dx.doi.org/10.1515/arbi.1992.10.1.80.

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Kaur, Kairit. "Totentanz and Graveyard Poetry: about the Baltic German Reception of English Graveyard Poetry / Totentanz ja graveyard poetry: inglise kalmuluule baltisaksa retseptsioonist." Methis. Studia humaniora Estonica 17, no. 21/22 (2018). http://dx.doi.org/10.7592/methis.v17i21/22.14583.

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This paper explores the Baltic German reception of English graveyard poetry. The first translation of a graveyard poem was published in 1783 by Gottlieb Schlegel (Gray’s “Elegy”). Next, a poem by Elisa von der Recke is analysed in its dialogue with Blair’s “The Grave” and Schiller’s “Resignation”. The earliest and the most often talked about graveyard poem with the longest reception was Edward Young’s “Night-Thoughts”. Heinrich Mutschmann, professor for English at the University of Tartu, interpreted it as late as 1939.
 
 Tõukudes ühest 1759. aastal Tallinnas trükitud matuseluuletus
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Dissertations / Theses on the topic ""irdisches vergnuegen in gott""

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Hunfeld, Barbara. "Der Blick ins All : Reflexionen des Kosmos der Zeichen bei Brockes, Jean Paul, Goethe und Stifter /." Tübingen : Niemeyer, 2004. http://www.loc.gov/catdir/toc/fy0605/2005355087.html.

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Books on the topic ""irdisches vergnuegen in gott""

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Brockes, Barthold Heinrich. Irdisches Vergnügen in Gott: Naturlyrik und Lehrdichtung. Reclam, 1999.

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Jürgen, Rathje, ed. Irdisches Vergnügen in Gott: Erster und zweiter Teil. Wallstein Verlag, 2013.

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3

Physics, classics, and the Bible: Elements of the secular and the sacred in Barthold Heinrich Brockes' Irdisches Vergnügen in Gott, 1721. P. Lang, 1990.

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Brockes, B. H. Irdisches Vergnugen in Gott (Universal-Bibliothek : Nr. 2015). Philipp Reclam jun. Verlag GmbH, 1998.

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Book chapters on the topic ""irdisches vergnuegen in gott""

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Brauneck, Manfred. "Brockes, Barthold Heinrich: Irdisches Vergnügen in Gott." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6108-1.

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"Barthold Heinrich Brockes: Irdisches Vergnügen in Gott." In Poetik des Schmerzes. Wilhelm Fink Verlag, 2007. http://dx.doi.org/10.30965/9783846743805_006.

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3

Lee, Charlotte. "Barthold Heinrich Brockes and Distributed Cognition: The Delicate Flux of World and Spirit." In Distributed Cognition in Enlightenment and Romantic Culture. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474442282.003.0003.

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This chapter discusses Barthold Heinrich Brockes, a prolific German poet of the eighteenth-century, as a precursor of theories of distributed cognition. It argues that developments in anti-dualist and radical Protestant thought around 1700, together with Brockes’ own commitment to the ‘mixed-science’ of physico-theology, cause his poetry to resonate with modern approaches to cognition. Through close readings of individual poems from the collection Irdisches Vergnügen in Gott, the chapter examines Brockes’ presentation of the flux between mind, body and world, and of the productive use which, through what we might call ‘epistemic engineering’, humankind can make of its environment. It also remarks on the compatibility of this religious work, geared towards the celebration of God, with modern, essentially secular understandings of our world.
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