Academic literature on the topic 'Ireland, Patrick'
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Journal articles on the topic "Ireland, Patrick"
Kaźmierczak, Małgorzata. "Kiedy żył św. Patryk? Rozważania nad chronologią życia Apostoła Irlandii." Vox Patrum 46 (July 15, 2004): 537–45. http://dx.doi.org/10.31743/vp.6857.
Full textO'Leary, Aideen. "An Irish Apocryphal Apostle: Muirchú's Portrayal of Saint Patrick." Harvard Theological Review 89, no. 3 (July 1996): 287–301. http://dx.doi.org/10.1017/s0017816000031904.
Full textCollins, Gregory. ""Patrick of Ireland," by Noel D. O'Donoghue." Chesterton Review 17, no. 1 (1991): 76–78. http://dx.doi.org/10.5840/chesterton199117113.
Full textO'Loughlin, Thomas. "St. Patrick of Ireland: A Biography (review)." Catholic Historical Review 90, no. 4 (2004): 741–42. http://dx.doi.org/10.1353/cat.2005.0064.
Full textJoyce, Stephen J. "The six ages of Patrick: Yet another return to the dating question." Journal of the Australian Early Medieval Association 17, no. 1 (2021): 1–24. http://dx.doi.org/10.35253/jaema.2021.1.1.
Full textMaguire, C. Kelly, and John R. Graham. "Sedimentation and palaeogeographical significance of the Silurian rocks of the Louisburgh–Clare Island succession, western Ireland." Transactions of the Royal Society of Edinburgh: Earth Sciences 86, no. 2 (1995): 123–36. http://dx.doi.org/10.1017/s0263593300006386.
Full textFowler, Joan. "Patrick Ireland and the One Way Line of Emigration." Circa, no. 21 (1985): 10. http://dx.doi.org/10.2307/25556946.
Full textBrett, David. "Patrick Ireland, Octagon Gallery Belfast, 8 June - 1 July." Circa, no. 47 (1989): 36. http://dx.doi.org/10.2307/25557460.
Full textAllen, Jo. "Patrick Ireland, Crawford Municipal Gallery, Cork, September - December 1995." Circa, no. 74 (1995): 65. http://dx.doi.org/10.2307/25562903.
Full textGarvin, Tom. "The Anatomy of a Nationalist Revolution: Ireland, 1858–1928." Comparative Studies in Society and History 28, no. 3 (July 1986): 468–501. http://dx.doi.org/10.1017/s001041750001402x.
Full textDissertations / Theses on the topic "Ireland, Patrick"
Johnson, Mira C. 1985. "The Croagh Patrick Pilgrimage: Identity Construction and Spiritual Experience at Ireland's Holy Mountain." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11497.
Full textThe Reek Sunday Pilgrimage at Croagh Patrick in County Mayo, Ireland is a syncretic event that incorporates official Catholic religious narratives of Saint Patrick, folk narratives of the site's Celtic pagan significance, local histories of the Great Irish Famine of the 19th century and personal narratives with a physical engagement with the landscape to create a spiritual experience. The pilgrimage serves as a performative event that allows participants to formulate and perform alternative spiritualities and identities, blurring the distinctions between pilgrim and tourist, sacred and profane. An emerging tradition at Croagh Patrick illustrates this by emphasizing the historical and national significance of the famine villages along the ancient pilgrimage path, the
Committee in charge: Lisa Gilman, Chairperson; Dianne Dugaw, Member; Phil Scher, Member
Stone, Brian James. "Ars rhetorica et sacrae litterae: St. Patrick and the Art of Rhetoric in Early Medieval Briton and Ireland." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/dissertations/852.
Full textSANTOS, Dominique Vieira Coelho dos. "Patrício: a construção da imagem de um Santo." Universidade Federal de Goiás, 2012. http://repositorio.bc.ufg.br/tede/handle/tde/1226.
Full textSeveral books dedicated to the life and career of Saint Patrick seem not to take narrative problems into consideration or at least not to focus on them. The main subject in this particular field is the real or historical Patrick, in contrast to the fictional. The authors of these works try to overcome the gap between referent and representation, transcending then in order to find a hidden meaning in the past. Part of the so-called Patrician problem is related to this need of being forced to choose between real and representation. Patrick s history is analyzed differently in this research; we are more interested in understanding the representations than to transcend them. By reading some of the most important documents related to Patrick, we found three different images about him: 1) the auto-image of the Ego Patricius peccator rusticissimus, present in the Confessio and Epistola, both from the fifth century, the earliest texts to be written in Ireland we have; 2) Patrick, the apostle of all Irish people, from Muirchú s master piece Vita Sancti Patricii, written in the seventh century, associated with propaganda and political disputes between monastic houses in Ireland; 3) Patrick, the first man to visit the Purgatorium, from the Tractatus de Purgatorio Sancti Patricii Apostoli Hibernensis, written by H. of Saltrey in the twelfth century. Real and representation are two sides of the same coin. Thus, without any clear-cut distinction in this sense and not looking for a pure past, a different approach of the documents is given. Instead of thinking about the authors of these references as liars and fiction-makers, we try to comprehend the portrait of Patrick they elaborated. These representations along with those from Confessio and Epistola are crucial for the process of building the image of Patrick as a Saint.
Os livros dedicados a vida e obra de São Patrício parecem não levar em consideração os problemas relacionados a narrativa, ou pelo menos não se concentram neste tipo de questão. O principal tópico de estudo neste campo em particular é o Patrício real ou histórico em contraste com o ficcional. Os autores destas obras tentam superar o intervalo entre referente e representação transcendendo-o, de modo a encontrar um significado oculto no passado. Parte do assim chamado Patrician problem diz respeito a esta obrigação de escolher entre real e representação. A história de Patrício é analisada de forma diferente nesta Tese, estamos mais interessados em compreender as representações do que transcendê-las. Lendo alguns dos documentos mais importantes relacionados a Patrício, encontramos três imagens distintas sobre ele: 1) a auto-imagem do Ego Patricius peccator rusticissimus, presente na Confessio e Epistola, ambas do século V, os primeiros textos escritos na Irlanda que temos; 2) Patrício, o apóstolo de todos os irlandeses, da obra prima de Muirchú Moccu Machteni Vita Sancti Patricii, escrita no século VII, associada com a propaganda e as disputas políticas entre as casas monásticas na Irlanda; 3) Patrício, o primeiro homem a visitar o Purgatorium, do Tractatus de Purgatorio Sancti Patricii Apostoli Hibernensis, escrito por H. de Saltrey no século XII. Real e representação são dois lados da mesma moeda. Assim, sem qualquer distinção mais incisiva neste sentido e sem procurar por um passado puro, interpretamos os documentos de forma distinta. Ao invés de pensar sobre os autores destas referências como mentirosos e produtores de ficção, tentamos compreender a imagem de Patrício que eles elaboraram. Estas representações, junto com aquelas oriundas da Confessio e Epistola, são decisivas para o processo de construção da imagem de Patrício como um Santo.
SANTOS, Dominique Vieira Coelho dos. "As representações da cristianização da Irlanda Celta: uma análise das cartas de São Patrício (V Sec. D.C.)." Universidade Federal de Goiás, 2008. http://repositorio.bc.ufg.br/tede/handle/tde/2297.
Full textThis research intends to analyze representations concerning christianization of celtic Ireland by Saint Patrick. We have as sources two Latin documents wrote in the 5th century Ireland (Confesio and Epistola ad milites Corotici). Different publications that deal with this subject often describe Patrick as cristianizer of Ireland or responsible for organizing a preexisting Christianity. We present another approach considering only the two letters written by Patrick trying to observe how it represented the Irishmen, himself and the christianization of Ireland. The plot we ve constructed understands the representation concept as a polissemic form, that if thought in middle voice, whithout concentrating on the polarization between a realistic or textualistic form of to lead the narrative, may mean a different form of working with the Patrician workmanships, introducing, thus, in its narrative nucleus, an aprroach that is different from the proposals of realistic character suggested by the Irish historiography. There is Patrick, there is Ireland and there are representations.
Esta dissertação tem por objetivo analisar as representações da cristianização da Irlanda Celta elaboradas por São Patrício. Temos como fontes dois documentos escritos em Latim na Irlanda do século V (Confesio e Epistola ad milites Corotici). Diversas publicações que tratam deste tema descrevem Patrício sempre como o cristianizador da Irlanda ou organizador de um cristianismo pré-existente. Apresentamos uma outra abordagem, levando em consideração apenas as duas cartas escritas por Patrício e nelas tentaremos observar como ele representou os irlandeses, a si mesmo e a cristianização da Irlanda. O enredo que construímos compreende o conceito de representação como uma forma polissêmica, que se for pensada em voz média, não se fixando na polarização entre uma forma realista ou textualista de conduzir a narrativa, pode significar uma maneira diferente de se relacionar com as obras de Patrício, apresentando, assim, em seu núcleo narrativo, uma abordagem distinta das propostas de caráter realista sugeridas pela historiografia irlandesa. Há Patrício, há Irlanda e há representações.
Ratte, Kelly. "Representations of gothic children in contemporary irish literature: a search for identity in Patrick McCabe's The Butcher Boy, Seamus Deane's Reading in the Dark, and Anna Burns' No Bones." Honors in the Major Thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/937.
Full textB.A.
Bachelors
Arts and Humanities
English
O'Reilly, Noel. "Pro fide et patria? The Catholic Church and Republicanism in Ireland 1912-1923." Thesis, Queen's University Belfast, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388057.
Full textWu, Yen-chi, and 吳彥祺. "Re-visioning Ireland: A Gothic Reading of Patrick McCabe’s The Butcher Boy." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/85693110040561673177.
Full text國立中山大學
外國語文學系研究所
100
This thesis, drawing from the Gothic paradigm, attempts to complicate and supplement the revisionist reading of Patrick McCabe’s The Butcher Boy (1992). The novel tells the murder story of Francie Brady, a troubled Irish boy who slaughters his Anglicized neighbor like a pig. Critics have aligned the novel with the revisionist attempt to debunk nationalist meta-narrative. They have also associated the sensational plotline and grotesque imageries in the novel with the Gothic tradition. Revisionism and Gothicism, therefore, are two established reading strategies to The Butcher Boy. Both ideas, however, are used by critics with certain unease, for both terms are under much critical debate. Moreover, in the end of the novel, McCabe astutely eschews moral judgment on Francie’s horrific deed. Francie’s first-person narrative also allows the reader to sympathize with the young murderer. In this regard, McCabe keeps a sympathetic undertone in the murder story, which a simplistic revisionist reading cannot fully account for. This thesis, bringing the two critical paradigms together, argues that McCabe’s use of Gothicism is crucial to understanding his complicated re-visioning of Ireland in the 1960s. Through historicizing the Gothic fiction, the thesis underlines the idea of “antiquarianism” to explicate the historical background of the novel—Ireland at the turn of the 1960s when the Republic underwent a transformation of national ethos, from conservative nationalism to modernization. I contend that while the novel is critical of the waning nationalism, it is also suspicious of Ireland’s relentless modernizing project. From a cultural dimension of the Gothic, the thesis foregrounds the relation between Gothic imagination and racial discourse. In this light, I intend to demonstrate that the recurrent image of “pig” in the novel is a Gothicized racial stereotype of the Irish people. Through Francie’s struggle with the pig image, the thesis examines Irish people’s negotiation with their often derogatory racial stereotype. Finally, resorting to the Gothic device of “double bind,” I attempt to expound McCabe’s underlying sympathy for the homicidal and suicidal boy, who is depicted as both victim and murderer, both pig and butcher.
LEBAROVÁ, Dorotea. "Keltsko křesťanská spiritualita v období raného středověku." Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-47756.
Full textBooks on the topic "Ireland, Patrick"
Lawhead, Stephen. Patrick: Son of Ireland : a novel. New York: William Morrow, 2003.
Find full textO'Donoghue, Noel. Aristocracy of soul: Patrick of Ireland. London: Darton, Longman and Todd, 1987.
Find full textBrian O'Doherty/Patrick Ireland: Between categories. Farnham: Lund Humphries, 2009.
Find full textPatrick, Ireland, and National Museum of American Art (U.S.), eds. Patrick Ireland, drawings 1965-1985: Essay. Washington, D.C: Published for the National Museum of American Art by the Smithsonian Institution Press, 1986.
Find full textIreland, Patrick. Patrick Ireland: Rope drawings 1980 - 90. Kyoto: Kyoto Shoin International, 1991.
Find full text373?-463?, Patrick Saint, and Patrick Saint 373?-463?, eds. Patrick, the pilgrim apostle of Ireland: St. Patrickʹs Confessio and Epistola. Dublin: Veritas, 1998.
Find full textBook chapters on the topic "Ireland, Patrick"
Gillis, Alan. "“Ireland is Small Enough”: Louis MacNeice and Patrick Kavanagh." In A Companion to Irish Literature, 159–75. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444328066.ch39.
Full textLynch, Suzanne. "Virginia Woolf and Ireland: The Significance of Patrick in The Years." In Locating Woolf, 115–28. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230223011_7.
Full textGrogan, Erin. "‘We Belong to the World’: Christine Longford’s War Plays During Irish Neutrality." In Cultural Convergence, 217–35. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_9.
Full textKeating-Miller, Jennifer. "The Misfit Chorus Line: Ireland from the Margins in Patrick McCabe’s Call Me the Breeze." In Language, Identity and Liberation in Contemporary Irish Literature, 100–135. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230275089_4.
Full textPeter, Christine St. "Traveling Back Home: the Blockbusters of Patricia Scanlan and Maeve Binchy." In Changing Ireland, 122–46. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230596467_6.
Full textMcGrath, Charles Ivar. "Politics, Parliament, Patriot Opinion, and the Irish National Debt in the Age of Jonathan Swift." In Taxation, Politics, and Protest in Ireland, 1662–2016, 43–87. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04309-4_3.
Full textMaples, Holly. "Parading Multicultural Ireland: Identity Politics and National Agendas in the 2007 St Patrick’s Festival." In Crossroads: Performance Studies and Irish Culture, 237–48. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244788_19.
Full text"Patrick’s Ireland." In Saint Patrick Retold, 61–93. Princeton University Press, 2019. http://dx.doi.org/10.2307/j.ctvc77fj4.9.
Full text"2. Patrick’s Ireland." In Saint Patrick Retold, 61–93. Princeton: Princeton University Press, 2019. http://dx.doi.org/10.1515/9780691190013-006.
Full text"Introduction." In Patrick McCabe’s Ireland, 1–9. Brill | Rodopi, 2018. http://dx.doi.org/10.1163/9789004389007_002.
Full textConference papers on the topic "Ireland, Patrick"
Fahy, Paul, Michael Walsh, Francis Loth, Florentina Ene, Patrick Delassus, and Liam Morris. "CFD Challenge: Experimental Benchmarking Data for the Pressure Drop Across a Cerebral Aneurysm Model." In ASME 2012 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/sbc2012-80442.
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