Academic literature on the topic 'Ireland, Patrick'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Ireland, Patrick.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Ireland, Patrick"

1

Kaźmierczak, Małgorzata. "Kiedy żył św. Patryk? Rozważania nad chronologią życia Apostoła Irlandii." Vox Patrum 46 (July 15, 2004): 537–45. http://dx.doi.org/10.31743/vp.6857.

Full text
Abstract:
The author of the article analyzes all theories on the chronology of St. Patrick's life - his birth date, the date of his coming to Ireland as a bishop, and his death. As there are two dates of his death mentioned in the Irish Annals: 461 and 493, the issue has been controversial, although traditional historiography assumes the second date is false. The author presents all the theories that arouse since the early forties when Thomas Francis O’Rahilly came up with the theory about the existence of two Patricks: Patrick Palladius (who came to Ireland in 431) and Patrick Briton. The traditional version, which is the only accepted by Polish historians, does not take into consideration the accounts of Prosper of Aquitaine and the time when these texts were written, and ignores the fact that the death of one of St. Patrick's disciples was mentioned in 535 or 537. The author presents her own version of events based on the above mentioned facts and the sentence found in the Irish Annals of Ulster under the year 553, that the relics of St. Patrick were translated after 60 years from his death by Colum Cille, indicating that the later date of his death is actually true. Finaly, the author suggests, that the date of St. Patrick's coming to Ireland in 432 was the date of his first coming to Ireland, as a slave rather than a bishop.
APA, Harvard, Vancouver, ISO, and other styles
2

O'Leary, Aideen. "An Irish Apocryphal Apostle: Muirchú's Portrayal of Saint Patrick." Harvard Theological Review 89, no. 3 (July 1996): 287–301. http://dx.doi.org/10.1017/s0017816000031904.

Full text
Abstract:
In his Vita sancti Patricii, written in the late seventh century, Muirch depicts St. Patrick, the national apostle of Ireland who lived in the fifth century, with a number of interesting characteristics. In this paper I shall demonstrate that the sources behind Muirch's account of Patrick included biographies of New Testament apostles. These biographies provide a background in religious literature for some of the events which, according to Muirch, befall Patrick on his missionary journey around the island of Ireland.
APA, Harvard, Vancouver, ISO, and other styles
3

Collins, Gregory. ""Patrick of Ireland," by Noel D. O'Donoghue." Chesterton Review 17, no. 1 (1991): 76–78. http://dx.doi.org/10.5840/chesterton199117113.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

O'Loughlin, Thomas. "St. Patrick of Ireland: A Biography (review)." Catholic Historical Review 90, no. 4 (2004): 741–42. http://dx.doi.org/10.1353/cat.2005.0064.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Joyce, Stephen J. "The six ages of Patrick: Yet another return to the dating question." Journal of the Australian Early Medieval Association 17, no. 1 (2021): 1–24. http://dx.doi.org/10.35253/jaema.2021.1.1.

Full text
Abstract:
This article returns to the surviving texts of Patrick, apostle to Ireland, in order to refine further his floruit in the fifth century. It argues that Patrick's use of a classical scheme relating age to status clarifies the contexts for the autobiographical details of his life, and that these details can be correlated with the limited historical records that survive for this period. In connecting his excommunication of Coroticus to an Easter controversy c. 455, and his controversial elevation to an episcopal see to a dislocation in clerical authority in Britain c. 441, I argue that Patrick's formal clerical career c. 427-455 matches Richard Hanson's sophisticated literary arguments made in the latter third of the twentieth century. I also propose that the uncertainty over the date of Patrick's death (in a context of exile), as represented by various reports in the Irish and Welsh annals c. 457-493, is inconsequential to his formal period of authority.
APA, Harvard, Vancouver, ISO, and other styles
6

Maguire, C. Kelly, and John R. Graham. "Sedimentation and palaeogeographical significance of the Silurian rocks of the Louisburgh–Clare Island succession, western Ireland." Transactions of the Royal Society of Edinburgh: Earth Sciences 86, no. 2 (1995): 123–36. http://dx.doi.org/10.1017/s0263593300006386.

Full text
Abstract:
ABSTRACTThere are three distinct Silurian successions exposed in South Mayo and North Galway, western Ireland, of which the Louisburgh-Clare Island succession is the most northerly. It is separated from the adjacent Croagh Patrick succession by the Emlagh Fault. Three of the formations (Strake Banded, Knockmore Sandstone, Bunnamohaun Siltstone) in this 1·5 km Louisburgh–Clare Island succession had previously been interpreted as intertidal to offshore marine deposits. Almost all the facies present display characteristics of fluvial sedimentation and there is evidence for a contemporaneous volcanic centre to the west of the present outcrop. The exceptions are some grey laminated mudrocks with a fragmentary fauna which are interpreted as lacustrine and which show striking similarities to parts of the Silurian inliers in the central Midland Valley of Scotland. Despite these similarities the evidence for direct connection between western Ireland and Scotland is unproven. Within western Ireland correlations are hindered by uncertainties of the age of the Louisburgh-Clare Island succession and the age span of the adjacent Croagh Patrick succession.
APA, Harvard, Vancouver, ISO, and other styles
7

Fowler, Joan. "Patrick Ireland and the One Way Line of Emigration." Circa, no. 21 (1985): 10. http://dx.doi.org/10.2307/25556946.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Brett, David. "Patrick Ireland, Octagon Gallery Belfast, 8 June - 1 July." Circa, no. 47 (1989): 36. http://dx.doi.org/10.2307/25557460.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Allen, Jo. "Patrick Ireland, Crawford Municipal Gallery, Cork, September - December 1995." Circa, no. 74 (1995): 65. http://dx.doi.org/10.2307/25562903.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Garvin, Tom. "The Anatomy of a Nationalist Revolution: Ireland, 1858–1928." Comparative Studies in Society and History 28, no. 3 (July 1986): 468–501. http://dx.doi.org/10.1017/s001041750001402x.

Full text
Abstract:
The Irish national revolution has been a long time dying. This is due in part to its artificial continuance in Northern Ireland and in part to the survival of its slogans, in fossilized form, as official symbols of the democratic regime in the Republic of Ireland. The main phase of the movement is, however, long over; even the ideological residue left by it is in an advanced state of decomposition, and Patrick Pearse and James Connolly have no intellectual heirs of any importance.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Ireland, Patrick"

1

Johnson, Mira C. 1985. "The Croagh Patrick Pilgrimage: Identity Construction and Spiritual Experience at Ireland's Holy Mountain." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11497.

Full text
Abstract:
xii, 101 p.
The Reek Sunday Pilgrimage at Croagh Patrick in County Mayo, Ireland is a syncretic event that incorporates official Catholic religious narratives of Saint Patrick, folk narratives of the site's Celtic pagan significance, local histories of the Great Irish Famine of the 19th century and personal narratives with a physical engagement with the landscape to create a spiritual experience. The pilgrimage serves as a performative event that allows participants to formulate and perform alternative spiritualities and identities, blurring the distinctions between pilgrim and tourist, sacred and profane. An emerging tradition at Croagh Patrick illustrates this by emphasizing the historical and national significance of the famine villages along the ancient pilgrimage path, the Tochar Phadraig, embracing these sites, and pilgrimage to them, as sacred.
Committee in charge: Lisa Gilman, Chairperson; Dianne Dugaw, Member; Phil Scher, Member
APA, Harvard, Vancouver, ISO, and other styles
2

Stone, Brian James. "Ars rhetorica et sacrae litterae: St. Patrick and the Art of Rhetoric in Early Medieval Briton and Ireland." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/dissertations/852.

Full text
Abstract:
This dissertation is the first intensive rhetorical analysis of the writings of St. Patrick. This analysis, informed by interdisciplinary perspectives and methodologies, contributes to our understanding of the rhetorical nature of St. Patrick's writings, as well as the nature of rhetorical education in early medieval Britain and Ireland The literary significance of Patrick's extant writings, Epistola ad milites Corotici and Confessio, beyond their apparent historical value, has regularly been disputed by prominent scholars. Questions of the level of education Patrick received before being assigned to the bishopric in Ireland have informed debates over the quality and importance of his contribution to Hiberno-Latin literature. This study demonstrates the significance of Patrick's texts through discussion of Patrick's rhetorical astuteness and application of classical rhetorical techniques to a new and challenging context: that of a disseminating Christian world. The rhetorical strategies witnessed in Patrick's writings are decidedly Christian and therefore demonstrate the changing rhetorical culture of the early medieval period. The first chapters focus on ars dictaminis and Patrick's employment of the art of letter writing in Ireland in the 5th century CE. The rhetorical strategies detected in Patrick's Epistola ad milites Corotici are discussed relative to the socio-political and cultural context of early medieval Ireland. The later chapters study the Confessio in relationship to the Confession genre in the Late Roman and Early Medieval periods. Of particular significance here is the rhetorical practice of imitatio, which has deep reaching theological and ideological implications.
APA, Harvard, Vancouver, ISO, and other styles
3

SANTOS, Dominique Vieira Coelho dos. "Patrício: a construção da imagem de um Santo." Universidade Federal de Goiás, 2012. http://repositorio.bc.ufg.br/tede/handle/tde/1226.

Full text
Abstract:
Made available in DSpace on 2014-07-29T15:14:26Z (GMT). No. of bitstreams: 1 Tese Dominique V C dos Santos.pdf: 1466642 bytes, checksum: df099eaed604630cb7807339d5b2b95a (MD5) Previous issue date: 2012-04-18
Several books dedicated to the life and career of Saint Patrick seem not to take narrative problems into consideration or at least not to focus on them. The main subject in this particular field is the real or historical Patrick, in contrast to the fictional. The authors of these works try to overcome the gap between referent and representation, transcending then in order to find a hidden meaning in the past. Part of the so-called Patrician problem is related to this need of being forced to choose between real and representation. Patrick s history is analyzed differently in this research; we are more interested in understanding the representations than to transcend them. By reading some of the most important documents related to Patrick, we found three different images about him: 1) the auto-image of the Ego Patricius peccator rusticissimus, present in the Confessio and Epistola, both from the fifth century, the earliest texts to be written in Ireland we have; 2) Patrick, the apostle of all Irish people, from Muirchú s master piece Vita Sancti Patricii, written in the seventh century, associated with propaganda and political disputes between monastic houses in Ireland; 3) Patrick, the first man to visit the Purgatorium, from the Tractatus de Purgatorio Sancti Patricii Apostoli Hibernensis, written by H. of Saltrey in the twelfth century. Real and representation are two sides of the same coin. Thus, without any clear-cut distinction in this sense and not looking for a pure past, a different approach of the documents is given. Instead of thinking about the authors of these references as liars and fiction-makers, we try to comprehend the portrait of Patrick they elaborated. These representations along with those from Confessio and Epistola are crucial for the process of building the image of Patrick as a Saint.
Os livros dedicados a vida e obra de São Patrício parecem não levar em consideração os problemas relacionados a narrativa, ou pelo menos não se concentram neste tipo de questão. O principal tópico de estudo neste campo em particular é o Patrício real ou histórico em contraste com o ficcional. Os autores destas obras tentam superar o intervalo entre referente e representação transcendendo-o, de modo a encontrar um significado oculto no passado. Parte do assim chamado Patrician problem diz respeito a esta obrigação de escolher entre real e representação. A história de Patrício é analisada de forma diferente nesta Tese, estamos mais interessados em compreender as representações do que transcendê-las. Lendo alguns dos documentos mais importantes relacionados a Patrício, encontramos três imagens distintas sobre ele: 1) a auto-imagem do Ego Patricius peccator rusticissimus, presente na Confessio e Epistola, ambas do século V, os primeiros textos escritos na Irlanda que temos; 2) Patrício, o apóstolo de todos os irlandeses, da obra prima de Muirchú Moccu Machteni Vita Sancti Patricii, escrita no século VII, associada com a propaganda e as disputas políticas entre as casas monásticas na Irlanda; 3) Patrício, o primeiro homem a visitar o Purgatorium, do Tractatus de Purgatorio Sancti Patricii Apostoli Hibernensis, escrito por H. de Saltrey no século XII. Real e representação são dois lados da mesma moeda. Assim, sem qualquer distinção mais incisiva neste sentido e sem procurar por um passado puro, interpretamos os documentos de forma distinta. Ao invés de pensar sobre os autores destas referências como mentirosos e produtores de ficção, tentamos compreender a imagem de Patrício que eles elaboraram. Estas representações, junto com aquelas oriundas da Confessio e Epistola, são decisivas para o processo de construção da imagem de Patrício como um Santo.
APA, Harvard, Vancouver, ISO, and other styles
4

SANTOS, Dominique Vieira Coelho dos. "As representações da cristianização da Irlanda Celta: uma análise das cartas de São Patrício (V Sec. D.C.)." Universidade Federal de Goiás, 2008. http://repositorio.bc.ufg.br/tede/handle/tde/2297.

Full text
Abstract:
Made available in DSpace on 2014-07-29T16:17:34Z (GMT). No. of bitstreams: 1 Dissertacao Dominique Vieira Coelho dos Santos.pdf: 925623 bytes, checksum: 8574ef40fe569a96d4de871284d41969 (MD5) Previous issue date: 2008-02-26
This research intends to analyze representations concerning christianization of celtic Ireland by Saint Patrick. We have as sources two Latin documents wrote in the 5th century Ireland (Confesio and Epistola ad milites Corotici). Different publications that deal with this subject often describe Patrick as cristianizer of Ireland or responsible for organizing a preexisting Christianity. We present another approach considering only the two letters written by Patrick trying to observe how it represented the Irishmen, himself and the christianization of Ireland. The plot we ve constructed understands the representation concept as a polissemic form, that if thought in middle voice, whithout concentrating on the polarization between a realistic or textualistic form of to lead the narrative, may mean a different form of working with the Patrician workmanships, introducing, thus, in its narrative nucleus, an aprroach that is different from the proposals of realistic character suggested by the Irish historiography. There is Patrick, there is Ireland and there are representations.
Esta dissertação tem por objetivo analisar as representações da cristianização da Irlanda Celta elaboradas por São Patrício. Temos como fontes dois documentos escritos em Latim na Irlanda do século V (Confesio e Epistola ad milites Corotici). Diversas publicações que tratam deste tema descrevem Patrício sempre como o cristianizador da Irlanda ou organizador de um cristianismo pré-existente. Apresentamos uma outra abordagem, levando em consideração apenas as duas cartas escritas por Patrício e nelas tentaremos observar como ele representou os irlandeses, a si mesmo e a cristianização da Irlanda. O enredo que construímos compreende o conceito de representação como uma forma polissêmica, que se for pensada em voz média, não se fixando na polarização entre uma forma realista ou textualista de conduzir a narrativa, pode significar uma maneira diferente de se relacionar com as obras de Patrício, apresentando, assim, em seu núcleo narrativo, uma abordagem distinta das propostas de caráter realista sugeridas pela historiografia irlandesa. Há Patrício, há Irlanda e há representações.
APA, Harvard, Vancouver, ISO, and other styles
5

Ratte, Kelly. "Representations of gothic children in contemporary irish literature: a search for identity in Patrick McCabe's The Butcher Boy, Seamus Deane's Reading in the Dark, and Anna Burns' No Bones." Honors in the Major Thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/937.

Full text
Abstract:
Ireland is not a country unfamiliar with trauma. It is an island widely known for its history with Vikings, famine, and as a colony of the English empire. Inevitably, then, these traumas surface in the literature from the nation. Much of the literature that was produced, especially after the decline in the Irish language after the Great Famine of the 1840s, focused on national identity. In the nineteenth century, there was a growing movement for Irish cultural identity, illustrated by authors John Millington Synge and William Butler Yeats; this movement was identified as the Gaelic Revival. Another movement in literature began in the nineteenth century and it reflected the social and political anxieties of the Anglo-Irish middle class in Ireland. This movement is the beginning of the Gothic genre in Irish literature. Dominated by authors such as Sheridan Le Fanu and Bram Stoker, Gothic novels used aspects of the sublime and the uncanny to express the fears and apprehensions that existed in Anglo-Irish identity in the nineteenth century. My goal in writing this thesis is to examine Gothic aspects of contemporary Irish fiction in order to address the anxieties of Irish identity after the Irish War of Independence that began in 1919 and the resulting division of Ireland into two countries. I will be examining Patrick McCabe's The Butcher Boy, Seamus Deane's Reading in the Dark, and Anna Burns' No Bones in order to evaluate their use of children amidst the trouble surrounding the formation of identity, both personal and national, in Northern Ireland. All three novels use gothic elements in order to produce an atmosphere of the uncanny (Freud); this effect is used to enlighten the theme of arrested development in national identity through the children protagonists, who are inescapably haunted by Ireland's repressed traumatic history.; Specifically, I will be focusing on the use of ghosts, violence, and hauntings to illuminate the social anxieties felt by Northern Ireland after the Irish War of Independence.
B.A.
Bachelors
Arts and Humanities
English
APA, Harvard, Vancouver, ISO, and other styles
6

O'Reilly, Noel. "Pro fide et patria? The Catholic Church and Republicanism in Ireland 1912-1923." Thesis, Queen's University Belfast, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388057.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Wu, Yen-chi, and 吳彥祺. "Re-visioning Ireland: A Gothic Reading of Patrick McCabe’s The Butcher Boy." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/85693110040561673177.

Full text
Abstract:
碩士
國立中山大學
外國語文學系研究所
100
This thesis, drawing from the Gothic paradigm, attempts to complicate and supplement the revisionist reading of Patrick McCabe’s The Butcher Boy (1992). The novel tells the murder story of Francie Brady, a troubled Irish boy who slaughters his Anglicized neighbor like a pig. Critics have aligned the novel with the revisionist attempt to debunk nationalist meta-narrative. They have also associated the sensational plotline and grotesque imageries in the novel with the Gothic tradition. Revisionism and Gothicism, therefore, are two established reading strategies to The Butcher Boy. Both ideas, however, are used by critics with certain unease, for both terms are under much critical debate. Moreover, in the end of the novel, McCabe astutely eschews moral judgment on Francie’s horrific deed. Francie’s first-person narrative also allows the reader to sympathize with the young murderer. In this regard, McCabe keeps a sympathetic undertone in the murder story, which a simplistic revisionist reading cannot fully account for. This thesis, bringing the two critical paradigms together, argues that McCabe’s use of Gothicism is crucial to understanding his complicated re-visioning of Ireland in the 1960s. Through historicizing the Gothic fiction, the thesis underlines the idea of “antiquarianism” to explicate the historical background of the novel—Ireland at the turn of the 1960s when the Republic underwent a transformation of national ethos, from conservative nationalism to modernization. I contend that while the novel is critical of the waning nationalism, it is also suspicious of Ireland’s relentless modernizing project. From a cultural dimension of the Gothic, the thesis foregrounds the relation between Gothic imagination and racial discourse. In this light, I intend to demonstrate that the recurrent image of “pig” in the novel is a Gothicized racial stereotype of the Irish people. Through Francie’s struggle with the pig image, the thesis examines Irish people’s negotiation with their often derogatory racial stereotype. Finally, resorting to the Gothic device of “double bind,” I attempt to expound McCabe’s underlying sympathy for the homicidal and suicidal boy, who is depicted as both victim and murderer, both pig and butcher.
APA, Harvard, Vancouver, ISO, and other styles
8

LEBAROVÁ, Dorotea. "Keltsko křesťanská spiritualita v období raného středověku." Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-47756.

Full text
Abstract:
This work deals with Christian tradition in Ireland and northwest Scotland in period from 5th to 12th century. The work is divided into two parts. The first one is an introduction into historical and cultural context. In the second one I used a religious model of Mr. Ninian Smart who distinguishes religion into seven dimensions. That dimensions are doctrinal, mythological, ritual, social, ethic, emotional and artistic. In each of these dimensions I deal with about four topics which are typical for Celtic {--} Christian tradition and on them I illustrate the uniqueness of that tradition. That uniqueness is in high ability for enculturation of Christianity together with ability for new innovative approaches. Some of these new approaches are introduction of new penitential practice, phenomenon of pilgrimage or interconnectedness of monasticism with apostolate.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Ireland, Patrick"

1

Patrick of Ireland. Wilmington, Del: Michael Glazier, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Little, Jean. Patrick: Patron saint of Ireland. New York: Holiday House, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lawhead, Stephen. Patrick: Son of Ireland : a novel. New York: William Morrow, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

O'Donoghue, Noel. Aristocracy of soul: Patrick of Ireland. London: Darton, Longman and Todd, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Brian O'Doherty/Patrick Ireland: Between categories. Farnham: Lund Humphries, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Patrick, Ireland, and National Museum of American Art (U.S.), eds. Patrick Ireland, drawings 1965-1985: Essay. Washington, D.C: Published for the National Museum of American Art by the Smithsonian Institution Press, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ireland, Patrick. Patrick Ireland: Rope drawings 1980 - 90. Kyoto: Kyoto Shoin International, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Aristocracy of soul: Patrick of Ireland. London: Darton, Longman and Todd, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

373?-463?, Patrick Saint, and Patrick Saint 373?-463?, eds. Patrick, the pilgrim apostle of Ireland: St. Patrickʹs Confessio and Epistola. Dublin: Veritas, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Executed for Ireland: The Patrick Moran story. Cork: Mercier, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Ireland, Patrick"

1

Gillis, Alan. "“Ireland is Small Enough”: Louis MacNeice and Patrick Kavanagh." In A Companion to Irish Literature, 159–75. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444328066.ch39.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lynch, Suzanne. "Virginia Woolf and Ireland: The Significance of Patrick in The Years." In Locating Woolf, 115–28. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230223011_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Grogan, Erin. "‘We Belong to the World’: Christine Longford’s War Plays During Irish Neutrality." In Cultural Convergence, 217–35. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57562-5_9.

Full text
Abstract:
Abstract Regrettably, Christine Longford is at present remembered mostly for her marriage to Lord Edward and her administrative work at the Gate Theatre. However, she was also a successful and prolific playwright. This chapter focuses on three history plays written during World War II: Lord Edward (1941), The United Brothers (1942) and Patrick Sarsfield (1943). In these works, Longford used the stage to voice strong critique of the increased state control and censorship practices during ‘the Emergency’ in Ireland. Through the female characters, Longford comments, in particular, on the static roles Irish women had while women around the world found new opportunity.
APA, Harvard, Vancouver, ISO, and other styles
4

Keating-Miller, Jennifer. "The Misfit Chorus Line: Ireland from the Margins in Patrick McCabe’s Call Me the Breeze." In Language, Identity and Liberation in Contemporary Irish Literature, 100–135. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230275089_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Peter, Christine St. "Traveling Back Home: the Blockbusters of Patricia Scanlan and Maeve Binchy." In Changing Ireland, 122–46. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230596467_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

McGrath, Charles Ivar. "Politics, Parliament, Patriot Opinion, and the Irish National Debt in the Age of Jonathan Swift." In Taxation, Politics, and Protest in Ireland, 1662–2016, 43–87. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04309-4_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Maples, Holly. "Parading Multicultural Ireland: Identity Politics and National Agendas in the 2007 St Patrick’s Festival." In Crossroads: Performance Studies and Irish Culture, 237–48. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244788_19.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

"Patrick’s Ireland." In Saint Patrick Retold, 61–93. Princeton University Press, 2019. http://dx.doi.org/10.2307/j.ctvc77fj4.9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

"2. Patrick’s Ireland." In Saint Patrick Retold, 61–93. Princeton: Princeton University Press, 2019. http://dx.doi.org/10.1515/9780691190013-006.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"Introduction." In Patrick McCabe’s Ireland, 1–9. Brill | Rodopi, 2018. http://dx.doi.org/10.1163/9789004389007_002.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Ireland, Patrick"

1

Fahy, Paul, Michael Walsh, Francis Loth, Florentina Ene, Patrick Delassus, and Liam Morris. "CFD Challenge: Experimental Benchmarking Data for the Pressure Drop Across a Cerebral Aneurysm Model." In ASME 2012 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/sbc2012-80442.

Full text
Abstract:
Since 2006, the GMedTech biomedical research centre in the Galway Mayo Institute of Technology (GMIT) in the west of Ireland has developed capabilities for generating physiological type flow conditions through realistic vascular models based on medical images. The GMedTech centre has designed and developed a number of fully controlled and instrumented synchronised experimental test systems for testing in the abdominal aorta, coronary, venous and intracranial vessels with and without associated disease types. The experimental testing was performed by PhD candidate Paul Fahy and his supervisors Dr. Liam Morris and Dr. Patrick Delassus.
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography