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Journal articles on the topic 'Iris Murdoch'

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Published: 4 June 2021

Last updated: 18 May 2024

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1

Kane, Richard C., and Harold Bloom. "Iris Murdoch." South Atlantic Review 54, no. 3 (September 1989): 155. http://dx.doi.org/10.2307/3200208.

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2

Hague, Angela, and Deborah Johnson. "Iris Murdoch." South Atlantic Review 54, no. 2 (May 1989): 166. http://dx.doi.org/10.2307/3200579.

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3

Sapio, Maria Del, Deborah Johnson, and Alan Bold. "Iris Murdoch." Yearbook of English Studies 20 (1990): 342. http://dx.doi.org/10.2307/3507624.

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4

Dykes, Anthony. "Iris Murdoch." New Blackfriars 75, no. 888 (December 1994): 562–68. http://dx.doi.org/10.1111/j.1741-2005.1994.tb06434.x.

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5

Schneiderman, Leo. "Iris Murdoch: Fantasy Vs. Imagination." Imagination, Cognition and Personality 16, no. 4 (June 1997): 379–97. http://dx.doi.org/10.2190/2ycw-jjdl-nkpq-4thc.

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Iris Murdoch is an exponent of the view that fictional narratives are best written by observing other people realistically and as entirely separate from the author's private life, with its memories and desires. Convinced that it is possible for a novelist to be “objective,” she has written over twenty novels, relying on what she terms “imagination,” i.e., attention to the uniqueness of individuals, without subjective distortion dictated by the author's unconscious conflicts or ideological obsessions. The opposite of “imagination,” in Murdoch's view, is “fantasy,” or the exploitation by the nov

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6

Sadjadi, Bakhtiar, and Peyman Amanolahi Baharvand. "The Significance of Love and Selflessness in Iris Murdoch’s Moral Philosophy." Khazar Journal of Humanities and Social Sciences 22, no. 2 (July 2019): 83–92. http://dx.doi.org/10.5782/2223-2621.2019.22.2.83.

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As a distinguished philosopher and novelist in the second half of the twentieth century, Iris Murdoch addressed the significance of ethics in her framework of thought. Murdoch’s moral philosophy was widely acknowledged as a challenge to the prevailing ethical traditions which, she asserted, had failed to present an accurate picture of morality. As a philosopher and literary figure, Murdoch maintained that not only moral philosophy but also literature should depict perceptible pictures of man’s morality. The purpose of this paper is to closely explore Murdoch’s perspective towards the weight of

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7

Henry, Richard, Iris Murdoch, and John Bayley. "Iris: A Memoir of Iris Murdoch." World Literature Today 73, no. 4 (1999): 748. http://dx.doi.org/10.2307/40155169.

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8

Umachandran, Mathura. "‘THE AFTERMATH EXPERIENCED BEFORE’: AESCHYLEAN UNTIMELINESS AND IRIS MURDOCH'S DEFENCE OF ART." Ramus 48, no. 2 (December 2019): 223–47. http://dx.doi.org/10.1017/rmu.2019.18.

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This year marks the centenary of the birth of Iris Murdoch (1919–99). She has been celebrated as one of Britain's most important postwar writers with twenty-six prose fiction novels to her name. Murdoch was also an ancient philosopher who was primarily interested in issues of moral philosophy. Pinning down her place in the Anglo-American analytic tradition of philosophy, however, is not a straightforward task. On the one hand she cut a conventional figure, holding a tutorial fellowship at St Anne's College, Oxford, from 1948 to 1963. On the other hand, her philosophical writing increasingly de

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9

Braune, Camille. "From Inattentiveness Towards Moral Failures: Acknowledging Simone Weil in Iris Murdoch’s Literary Writings." Labyrinth 25, no. 2 (January 15, 2024): 47–73. http://dx.doi.org/10.25180/lj.v25i2.341.

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Simone Weil's ideas proved fundamental for Iris Murdoch, opening up a difficult path of thought for one rooted in the British philosophical tradition in the 1950s (Sim 1985, Bok 2005, Lovibond 2011a, Panizza 2022a, Mac Cumhaill and Wiseman 2022). Grasping the Weilian-inspired moral theory of attention sketched by Iris Murdoch is a prerequisite for comprehending the development of her moral ideas (Panizza 2015, Broackes 2012) and the form they may take in her literary writings (Griffin 1993, Morgan 2006). This paper argues that we can read an expression of Simone Weil in Iris Murdoch's novels w

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10

Bolton, Lucy. "Murdoch andMargaret: Learning a Moral Life." Film-Philosophy 21, no. 3 (October 2017): 265–80. http://dx.doi.org/10.3366/film.2017.0051.

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Reading the moral philosophy of Iris Murdoch alongside film enables us to see Murdoch's notions of practical moral good in action. For Murdoch, moral philosophy can be seen as “a more systematic and reflective extension of what ordinary moral agents are continually doing”. Murdoch can help us further by her consideration of the value of a moral fable: does a morally important fable always imply universal rules? And how do we decide whether a fable is morally important? By bringing Murdoch and Margaret (Kenneth Lonergan, 2011) together in an exploration of the moral decision making of the film'

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11

Fortney, Mark. "Loving Attention: Buddhaghosa, Katsuki Sekida, and Iris Murdoch on Meditation and Moral Development." Philosophy East and West 74, no. 2 (April 2024): 212–32. http://dx.doi.org/10.1353/pew.2024.a925190.

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Abstract: According to Iris Murdoch, one of our central moral capacities is to direct our attention in a way that is just and loving. In Metaphysics as a Guide to Morals , Murdoch explores the prospects for strengthening this capacity through engaging in Zen Buddhist practices, particularly zazen meditation as Katsuki Sekida describes it in Zen Training: Methods and Philosophy . Murdoch has a mixed view of whether zazen could really contribute to our moral development, expressing both some optimism and some reservations. I argue that a stronger version of Murdoch's project, by her own lights,

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12

Catană, Elisabeta Simona. "Postmodernist Faces of Truth and Fiction in Iris Murdoch’s The Sea, The Sea." Studia Universitatis Babeș-Bolyai Philologia 66, no. 2 (March 30, 2021): 9–20. http://dx.doi.org/10.24193/subbphilo.2021.2.01.

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"Postmodernist Faces of Truth and Fiction in Iris Murdoch’s The Sea, The Sea. This essay analyses Iris Murdoch’s The Sea, The Sea and argues that the concept of truth stands for multiple-faced fiction to be interpreted according to the readers’ vision, culture and education. One’s vision of the world represents one’s truth about the world. Emphasizing the fictionality of truth and inviting the readers to analyze the symbols of the sea and of the “various lights” (Murdoch 77), which stand for different views on the past and the world, Iris Murdoch’s The Sea, The Sea evinces its postmodernist an

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13

Moss, Howard. "Narrow Escapes: Iris Murdoch." Grand Street 6, no. 1 (1986): 228. http://dx.doi.org/10.2307/25006943.

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14

Henry, Richard, and Peter J. Conradi. "Iris Murdoch: A Life." World Literature Today 77, no. 1 (2003): 108. http://dx.doi.org/10.2307/40157855.

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15

Turner, N. "Iris Murdoch: Philosophical Novelist." Contemporary Women's Writing 7, no. 1 (May 18, 2012): 111–12. http://dx.doi.org/10.1093/cww/vps007.

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16

Altorf, Marije. "Iris Murdoch and Morality." European Legacy 19, no. 4 (June 7, 2014): 496. http://dx.doi.org/10.1080/10848770.2014.927214.

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17

Hämäläinen, Nora. "Symposium on Iris Murdoch." Heythrop Journal 54, no. 6 (June 17, 2013): 1007–11. http://dx.doi.org/10.1111/heyj.12045.

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18

Robjant, David. "Symposium on Iris Murdoch." Heythrop Journal 54, no. 6 (June 30, 2013): 999–1006. http://dx.doi.org/10.1111/heyj.12057.

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19

Antonaccio, Maria. "Symposium on Iris Murdoch." Heythrop Journal 54, no. 6 (July 14, 2013): 1012–20. http://dx.doi.org/10.1111/heyj.12058.

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20

Williges, Flavio. "Platão e Iris Murdoch." Revista Archai, no. 26 (May 1, 2019): e02603. http://dx.doi.org/10.14195/1984-249x_26_3.

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Desde a publicação, em 1958, do famoso artigo A Filosofia Moral Moderna de G. E. M. Anscombe estabeleceu-se uma espécie de consenso em torno da necessidade de as teorias ético-filosóficas contemporâneas ampliarem sua agenda de análise para além das noções de dever e obrigação. Esse movimento conduziu à redescoberta de concepções morais antigas ligadas à constituição de um caráter virtuoso e da conquista da felicidade ou bem-viver, especialmente a ética de Aristóteles e dos filósofos estoicos. Nesse artigo eu mostro que a filósofa e escritora britânica Iris Murdoch participou desse movimento de

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21

Stimpson, Catharine R., and Peter J. Conradi. "Iris Murdoch: A Life." Academe 88, no. 4 (2002): 70. http://dx.doi.org/10.2307/40252196.

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22

Leeson, Miles. "Iris Murdoch and Morality." Miscelánea: A Journal of English and American Studies 46 (February 17, 2013): 155–58. http://dx.doi.org/10.26754/ojs_misc/mj.20128965.

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23

Driver, Julia. "Love and Unselfing in Iris Murdoch." Royal Institute of Philosophy Supplement 87 (June 2, 2020): 169–80. http://dx.doi.org/10.1017/s1358246120000028.

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AbstractIris Murdoch believes that unselfing is required for virtue, as it takes us out of our egoistic preoccupations, and connects us to the Good in the world. Love is a form of unselfing, illustrating how close attention to another, and the way they really are, again, takes us out of a narrow focus on the self. Though this view of love runs counter to a view that those in love often overlook flaws in their loved ones, or at least down-play them, I argue that it is compatible with Murdoch's view that love can overlook some flaws, ones that do not speak to the loved one's true self. Unselfing

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24

Hämäläinen, Nora. "Reduce Ourselves to Zero?: Sabina Lovibond, Iris Murdoch, and Feminism." Hypatia 30, no. 4 (2015): 743–59. http://dx.doi.org/10.1111/hypa.12172.

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In her book Iris Murdoch, Gender and Philosophy, Sabina Lovibond argues that Iris Murdoch's philosophical and literary work is covertly dedicated to an ideology of female subordination. The most central and interesting aspect of her multifaceted argument concerns Murdoch's focus on the individual person's moral self‐scrutiny and transformation of consciousness. Lovibond suggests that this focus is antithetical to the kind of communal and structural criticism of society that has been essential for the advance of feminism. She further reads Murdoch's dismissal of “structuralism” as proof of Murd

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25

Alegría, Daniela. "The Ethic of Love by Iris Murdoch." Eidos, no. 31 (March 24, 2020): 64–90. http://dx.doi.org/10.14482/eidos.31.8001.

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26

Heusel, Barbara Stevens, Suguna Ramanathan, and Darlene D. Mettler. "Iris Murdoch: Figures of Good." South Atlantic Review 58, no. 1 (January 1993): 165. http://dx.doi.org/10.2307/3201129.

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27

Lewis, Tess, and Peter J. Conradi. "Iris Murdoch: The Imagined Life." Hudson Review 55, no. 1 (2002): 153. http://dx.doi.org/10.2307/3852866.

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28

Cooper, Samuel, and Sasha Lawson-Frost. "IRIS MURDOCH ON MORAL VISION." Think 20, no. 59 (2021): 63–76. http://dx.doi.org/10.1017/s1477175621000191.

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Iris Murdoch (1919–99) was a philosopher and novelist who wrote extensively on the themes of love, goodness, religion, and morality. In this article, we explore her notion of ‘moral vision’; the idea that morality is not just about how we act and make choices, but how we see the world in a much broader sense.

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29

Laverty, Megan Jane. "Iris Murdoch, Romanticism and Education." Philosophy of Education 77, no. 3 (2021): 80–84. http://dx.doi.org/10.47925/77.3.080.

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30

Fuad, Muhammad. "Iris Murdoch, Kesempurnaan, dan Moralitas." Paradigma, Jurnal Kajian Budaya 1, no. 2 (February 10, 2016): 182. http://dx.doi.org/10.17510/paradigma.v1i2.13.

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<p>The paper brings Iris Murdoch�s article, �The Idea of Perfection,� of which three frames of ideas, Plato�ethics, inner experience, and moral concept were discussed. The goal of �the idea of perfection� is�reaching Perfection by cultivating the inner experience� which the social behaviorists challenged the<br />notion of �inner experience� as the core role. It is not tangible, therefore it is meaningless. Besides�inner experience, Murdoch�s premise lies in morality, which is �a magnetic but inexhaustible reality.��Although no one can reach Perfection, it remains a measure of whic

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31

Felton, Sharon. "Iris Murdoch (review)." MFS Modern Fiction Studies 34, no. 2 (1988): 291–92. http://dx.doi.org/10.1353/mfs.0.0813.

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32

Sagare, S. B., and Iris Murdoch. "An Interview with Iris Murdoch." MFS Modern Fiction Studies 47, no. 3 (2001): 696–714. http://dx.doi.org/10.1353/mfs.2001.0064.

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33

Jordan, J. "Iris Murdoch: Texts and Contexts." Contemporary Women's Writing 8, no. 3 (June 12, 2014): 432–33. http://dx.doi.org/10.1093/cww/vpu010.

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34

Willemsen, Mariëtte. "Vogels kijken met Iris Murdoch." Wijsgerig Perspectief 47, no. 3 (October 3, 2007): 25–38. http://dx.doi.org/10.1347/wper.47.3.25.

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35

Gutleben, Christian, and Iris Murdoch. "An Interview with Iris Murdoch." Recherches anglaises et nord-américaines 25, no. 1 (1992): 169–76. http://dx.doi.org/10.3406/ranam.1992.1260.

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36

Altorf, Marije. "After Cursing the Library: Iris Murdoch and the (In)visibility of Women in Philosophy." Hypatia 26, no. 2 (2011): 384–402. http://dx.doi.org/10.1111/j.1527-2001.2010.01157.x.

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This article offers a critical reading of three major biographies of the British novelist and philosopher Iris Murdoch. It considers in particular how a limited concern for gender issues has hampered their portrayals of Murdoch as a creator of images and ideas. The biographies are then contrasted to a biographical sketch constructed from Murdoch's philosophical writing. The assessment of the biographies is set against the larger background of the relation between women and philosophy. In doing so, the paper offers a critical response to Sally Haslanger's recent “Musings” (Haslanger 2008), whic

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37

Franco, Pedro. "Iris Murdoch: das sombras à luz." Estrema: revista interdisciplinar de humanidades 2, no. 2 (2023): 65–90. http://dx.doi.org/10.51427/com.est.2023.02.02.0004.

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Neste ensaio, defendo que a imagem da luz é muito significativa na obra filosófica e literária de Iris Murdoch, e exploro as suas potencialidades, bem como as suas limitações. Estabeleço uma ligação entre dois romances de Iris Murdoch e suas ideias filosóficas, fazendo referência à sua obra filosófica como um todo. The Bell (1958) e A Severed Head (1961) representam respectivamente, na minha leitura, uma transição das sombras para a luz, sendo que o segundo romance reproduz de forma muito directa a alegoria da caverna de Platão. Nesta transição, a capacidade moral do auto-descentramento (unsel

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38

Altorf, Marije. ""Initium ut esset, creatus est homo": Iris Murdoch on Authority and Creativity." Text Matters, no. 1 (November 23, 2011): 92–105. http://dx.doi.org/10.2478/v10231-011-0007-6.

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In 1970 the British novelist and philosopher Iris Murdoch published both her thirteenth novel, A Fairly Honourable Defeat, and her best known work of philosophy, The Sovereignty of Good. Given the proximity of these publication dates, it does not surprise that there are many points of comparison between these two works. The novel features, for instance, a character writing a work of moral philosophy not unlike Murdoch's own The Sovereignty of Good, while another character exemplifies her moral philosophy in his life. This article proposes a reading of the novel as a critical commentary o

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39

Gila Moreno, María. "Las prisioneras de Iris Murdoch. Influencia y refutación de Marcel Proust en las novelas de Iris Murdoch." Escritura e Imagen 18 (December 13, 2022): 27–44. http://dx.doi.org/10.5209/esim.84832.

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Murdoch fue una ferviente admiradora de la obra de Proust, pero nunca aceptó su concepción del sufrimiento como aprendizaje para el artista. Frente a la convicción del narrador de En busca del tiempo perdido de haber redimido su vida con su arte, Murdoch arguye en Metaphysics as a Guide to Morals el carácter irredimible del daño infligido y sufrido. Esta oposición se observa asimismo en las tres novelas en las que la autora replica el motivo de la prisionera, tomado de Proust: El unicornio, El mar, el mar y An Accidental Man. Las tres muestran la crueldad y el dolor propios de la situación y,

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40

Metin Barlık, Memet. "Iris Murdoch Eserlerinde Modern Yabancılaşma Olgusu." Uluslararasi Kibris Universitesi Fen-Edebiyat Fakultesi 24, no. 95 (January 1, 2018): 279–98. http://dx.doi.org/10.22559/folklor.193.

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41

Brugmans, Edith. "Iris Murdoch over filosofie en literatuur." Algemeen Nederlands Tijdschrift voor Wijsbegeerte 113, no. 4 (December 31, 2021): 461–78. http://dx.doi.org/10.5117/antw2021.4.003.brug.

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42

Turner, Jack. "Iris Murdoch and the Good Psychoanalyst." Twentieth Century Literature 40, no. 3 (1994): 300. http://dx.doi.org/10.2307/441557.

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43

Herman, David. "Iris Murdoch: The Retrospective Fiction (review)." MFS Modern Fiction Studies 47, no. 3 (2001): 715–17. http://dx.doi.org/10.1353/mfs.2001.0067.

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44

Painter, Rebecca M. "Book Review: Iris Murdoch: A Life." Christianity & Literature 52, no. 2 (March 2003): 286–89. http://dx.doi.org/10.1177/014833310305200225.

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45

HATİPOĞLU, Gülden. "Erotics of War and Sovereignty in Iris Murdoch’s The Red and the Green." Gaziantep University Journal of Social Sciences 22, no. 3 (July 28, 2023): 852–64. http://dx.doi.org/10.21547/jss.1237803.

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In The Red and the Green the Irish writer Iris Murdoch creates a narrative universe that focuses on the Easter Rising of 1916, one of the most tumultuous turns in twentieth century Irish history, and introduces a rich web of moral conflicts and dilemmas experienced by members of an Anglo-Irish community in Dublin. The main concern of this article is to introduce a reading of Murdoch’s The Red and the Green in the context of the mythopoetic discourse of the Easter Rising of 1916, which predominantly reflected the nationalist rhetoric of the Irish Revivalist Movement, and to show how Murdoch rev

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46

Głąb, Anna. "Iris Murdoch’s Conception of Moral Development in Her Novel The Good Apprentice." Roczniki Filozoficzne 71, no. 2 (June 28, 2023): 239–60. http://dx.doi.org/10.18290/rf237102.13.

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The author juxtaposes two views of morality and the views of man they imply: one represented by behaviourist and existentialist approaches in theories of morality and the other proposed by Iris Murdoch, who stresses the ability to see and recognise morally significant characteristics. In Murdoch’s opinion, a person’s moral development consists in a change in the quality of consciousness as a result of the activity of attention in exploring moral reality. After contrasting these two views, the author confronts Murdoch’s approach with the conception of moral development understood along these li

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47

Lovibond, Sabina. "The Elusiveness of the Ethical: From Murdoch to Diamond." Royal Institute of Philosophy Supplement 87 (June 2, 2020): 181–200. http://dx.doi.org/10.1017/s1358246119000195.

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AbstractCora Diamond is a powerful witness to the originality of Iris Murdoch's writings on ethics, showing how Murdoch is at variance with contemporary orthodoxy not just in respect of particular doctrines (no ‘ought’ from an ‘is’, etc.), but in her questioning of mainstream assumptions as to what constitutes the subject-matter of moral philosophy. Diamond celebrates Murdoch as an ally in her campaign against the ‘departmental’ conception of morality – the idea that moral thought is just one branch of thought among others – and highlights Murdoch's enduring belief in the ‘ubiquity of the mora

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48

Watson, George. "Iris Murdoch and the Net of Theory." Hudson Review 51, no. 3 (1998): 490. http://dx.doi.org/10.2307/3852712.

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49

Głąb, Anna. "Moralność jako uwaga. Słownik etyczny Iris Murdoch." Logos i Ethos 2 (November 30, 2013): 81. http://dx.doi.org/10.15633/lie.155.

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50

Dalcol, Mônica Saldanha, and Flavio Williges. "Tradução do capítulo “Schopenhauer”, de Iris Murdoch." Voluntas: Revista Internacional de Filosofia 4, no. 2 (December 2, 2013): 112. http://dx.doi.org/10.5902/2179378633984.

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