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Journal articles on the topic 'Irish American soldiers'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Carville, Justin. "‘This postcard album will tell my name, when I am quite forgotten’: Cultural Memory and First World War Soldier Photograph Albums." Modernist Cultures 13, no. 3 (2018): 417–44. http://dx.doi.org/10.3366/mod.2018.0220.

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Since the Crimean and American Civil Wars in the nineteenth century, photography has allowed societies to experience war through the collective understanding of photographic representation as an inscription or mnemonic cue for recollections of past events. However, the First World War ushered in new vernacular cultural practices of photography which radically altered how both war was represented and experienced through photography. This shift, in turn, engendered new private and domestic forms of post-war remembrance through the photographic image. Kodak's marketing of the Vest Pocket Autograp

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2

TOPPING, SIMON. "“The Dusky Doughboys”: Interaction between African American Soldiers and the Population of Northern Ireland during the Second World War." Journal of American Studies 47, no. 4 (2013): 1131–54. http://dx.doi.org/10.1017/s0021875812001764.

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This article will examine the ways in which the people of Northern Ireland and African American troops stationed there during the Second World War reacted to each other. It will also consider the effect of institutional racism in the American military on this relationship, concluding that, for the most part, the population welcomed black soldiers and refused to endorse American racial attitudes or enforce Jim Crow segregation. This piece argues that, bearing in mind the latent racism of the time, the response of the Northern Irish to African Americans was essentially colour-blind, and this was

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3

Ruffner, Kevin Conley. "Shades of Green: Irish Regiments, American Soldiers, and Local Communities in the Civil War Era." Journal of American History 105, no. 3 (2018): 686–87. http://dx.doi.org/10.1093/jahist/jay341.

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4

Gleeson, David T. "Shades of Green: Irish Regiments, American Soldiers, and Local Communities in the Civil War Era by Ryan W. Keating." Journal of the Civil War Era 8, no. 4 (2018): 720–22. http://dx.doi.org/10.1353/cwe.2018.0083.

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5

Cossen, William S. "Shades of Green: Irish Regiments, American Soldiers, and Local Communities in the Civil War Era by Ryan W. Keating." Journal of Southern History 85, no. 2 (2019): 455–56. http://dx.doi.org/10.1353/soh.2019.0139.

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6

Shiels, Damian. "Shades of Green: Irish Regiments, American Soldiers, and Local Communities in the Civil War Era by Ryan W. Keating." Civil War History 64, no. 3 (2018): 306–7. http://dx.doi.org/10.1353/cwh.2018.0020.

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7

Kelly, Mary C. "Lawrence E. Cline. Rebels on the Niagara: The Fenian Invasion of Canada, 1866; Ryan W. Keating. Shades of Green: Irish Regiments, American Soldiers, and Local Communities in the Civil War Era." American Historical Review 124, no. 5 (2019): 1899–901. http://dx.doi.org/10.1093/ahr/rhz807.

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8

Benton, Sarah. "Women Disarmed: The Militarization of Politics in Ireland 1913-23." Feminist Review 50, no. 1 (1995): 148–72. http://dx.doi.org/10.1057/fr.1995.28.

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The movement for ‘military preparedness’ in America and Britain gained tremendous momentum at the turn of the century. It assimilated the cult of manliness — the key public virtue, which allowed a person to claim possession of himself and a nation to reclaim possession of itself. An army was the means of marshalling a mass of people for regeneration. The symbol of a nation's preparedness to take control of its own soul was the readiness to bear arms. Although this movement originated in the middle-class, Protestant cultures of the USA and England, its core ideas were adopted by many political

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9

Potts, Dylan. "Early-Life Origins of Wartime Behaviour: The Irish Potato Famine and Desertion in the American Civil War." Comparative Political Studies, April 22, 2024. http://dx.doi.org/10.1177/00104140241237461.

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How does pre-war trauma impact battlefield behaviour? I study Irish troops in the American Civil War who experienced the Potato Famine over a decade prior. I use birth cohorts, sibling birth order, adult height, and the geography of last names in Ireland to measure famine exposure within the Irish group at the level of individual soldiers. Each strategy indicates that famine exposure increases desertion. Developing and testing observable implications from theory, I show that heightened risk aversion is the most plausible mechanism. Once soldiers are socialized into active combat through collec

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10

Groeling, Meg. "Shades Of Green: Irish Regiments, American Soldiers, And Local Communities In The Civil War Era." Civil War Book Review 20, no. 1 (2018). http://dx.doi.org/10.31390/cwbr.20.1.13.

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11

Bold, Valentina. "“It’s Braw to Ride Round and Follow the Camp” The Linguistic Journey of a Scots Song, with an Irish Soldier, through Space and Time Valentina Bold." Traditiones 50, no. 2 (2021). http://dx.doi.org/10.3986/traditio2021500203.

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This article considers one song, “The Bonny Lass o Fyvie”, in examples from Scotland, England, and North America. As it moves between language areas – from Scots language into English, Ulster-Scots and American English – there are significant shifts in audiences’ understanding of its subtexts. The song was originally about women’s rights to assert independence from men’s desires, and the vulnerability of men in love. It ends as being about women’s vulnerabilities, dislocated from its indigenous culture.

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12

Deffenbacher, Kristina. "Mapping Trans-Domesticity in Jordan’s Breakfast on Pluto." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1518.

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Neil Jordan’s Breakfast on Pluto (2005) reconceives transience and domesticity together. This queer Irish road film collapses opposition between mobility and home by uncoupling them from heteronormative structures of gender, desire, and space—male/female, public/private. The film’s protagonist, Patrick “Kitten” Braden (Cillian Murphy), wanders in search of a loved one without whom she does not feel at home. Along the way, the film exposes and exploits the doubleness of both “mobility” and “home” in the traditional road narrative, queering the conventions of the road film to convey the desire a

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13

Varney, Wendy. "Homeward Bound or Housebound?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2701.

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   If thinking about home necessitates thinking about “place, space, scale, identity and power,” as Alison Blunt and Robyn Dowling (2) suggest, then thinking about home themes in popular music makes no less a conceptual demand. Song lyrics and titles most often invoke dominant readings such as intimacy, privacy, nurture, refuge, connectedness and shared belonging, all issues found within Blunt and Dowling’s analysis. The spatial imaginary to which these authors refer takes vivid shape through repertoires of songs dealing with houses and other specific sites, vast and distant

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14

"Buchbesprechungen." Zeitschrift für Historische Forschung: Volume 46, Issue 2 46, no. 2 (2019): 289–406. http://dx.doi.org/10.3790/zhf.46.2.289.

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Cremer, Annette C. / Martin Mulsow (Hrsg.), Objekte als Quellen der historischen Kulturwissenschaften. Stand und Perspektiven der Forschung (Ding, Materialität, Geschichte, 2), Köln / Weimar / Wien 2017, Böhlau, 352 S. / Abb., € 50,00. (Alexander Georg Durben, Münster) Pfister, Ulrich (Hrsg.), Kulturen des Entscheidens. Narrative – Praktiken – Ressourcen (Kulturen des Entscheidens, 1), Göttingen 2019, Vandenhoeck &amp; Ruprecht, 409 S. / Abb., € 70,00. (Wolfgang Reinhard, Freiburg i. Br.) Krischer, André (Hrsg.), Verräter. Geschichte eines Deutungsmusters, Wien / Köln / Weimar 2019, Böhlau

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15

"Buchbesprechungen." Zeitschrift für Historische Forschung: Volume 48, Issue 3 48, no. 3 (2021): 533–644. http://dx.doi.org/10.3790/zhf.48.3.533.

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Domeier, Norman / Christian Mühling (Hrsg.), Homosexualität am Hof. Praktiken und Diskurse vom Mittelalter bis heute (Geschichte und Geschlechter, 74), Frankfurt a. M. / New York 2020, Campus, 401 S. / Abb., € 39,95. (Martin Dinges, Stuttgart) Hengerer, Mark / Nadir Weber (Hrsg.), Animals and Courts. Europe, c. 1200 – 1800, Berlin / Boston 2020, de Gruyter Oldenbourg, VII u. 434 S. / Abb., € 89,95. (Stefano Saracino, Jena / München) Baumann, Anette / Alexander Jendorff / Frank Theisen (Hrsg.), Religion – Migration – Integration. Studien zu Wechselwirkungen religiös motivierter Mobilität im vor

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16

Wise, Jenny, and Lesley McLean. "Making Light of Convicts." M/C Journal 24, no. 1 (2021). http://dx.doi.org/10.5204/mcj.2737.

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Introduction The social roles of alcohol consumption are rich and varied, with different types of alcoholic beverages reflecting important symbolic and cultural meanings. Sparkling wine is especially notable for its association with secular and sacred celebrations. Indeed, sparkling wine is rarely drunk as a matter of routine; bottles of such wine signal special occasions, heightened by the formality and excitement associated with opening the bottle and controlling (or not!) the resultant fizz (Faith). Originating in England and France in the late 1600s, sparkling wine marked a dramatic shift

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17

Attallah, Paul. "Too Much Memory." M/C Journal 1, no. 2 (1998). http://dx.doi.org/10.5204/mcj.1704.

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I love memory. It reminds me of who I am and how to get home, whether there's bread in the freezer and if I've already seen a movie. It's less helpful on whether I've already met someone and utterly useless in reminding me if I owe money. Overall, though, I'd rather have it than not. Psychologists and philosophers tell us that memory is one of the ways in which we maintain the integrity of the self. I've never met anyone who's lost his memory, but we've all seen movies in which it happens. First, you lose your memory, then you're accused of a crime you can't remember committing. I forget how i

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