Relevant bibliographies by topics / Irish Christian poetry

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Academic literature on the topic 'Irish Christian poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Irish Christian poetry"

1

Russell, Richard Rankin. "The Poet as Christian?: Seamus Heaney and Irish Catholicism." Christianity & Literature 72, no. 2 (2023): 290–302. http://dx.doi.org/10.1353/chy.2023.a904921.

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Abstract: This essay-review analyzes Kieran Quinlan's 2020 study, Seamus Heaney and the End of Catholic Ireland (Catholic University Press of America), noting its tendency to conflate Catholicism north and south of the border between Ireland and Northern Ireland and its bias against recovering Christian images, ideas, and values in Heaney's poetry. Heaney's Northern Irish Catholicism became a persistent element in his poetry and continued to influence it until his death in 2013.
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Smyth, Marina. "The Origins of Purgatory through the Lens of Seventh-Century Irish Eschatology." Traditio 58 (2003): 91–132. http://dx.doi.org/10.1017/s0362152900003007.

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Many of the surviving texts associated with seventh-century Ireland deal with eschatology. In general, these texts convey assumptions on the fate of the soul after death that are consistent with the traditional Christian view in late antiquity in the West, namely, that the ultimate destiny of most Christians will not be determined till the great universal judgment at the end of time. To illustrate this point I will adduce the theological treatise Liber de ordine creaturarum and the moral treatise De XII abusiuis saeculi, as well as religious poetry and hagiographical works, and set them in the
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Li, Kunyuan, Ruoyu Li, Manxi Liu, Xinwen Liu, and Bingxin Xie. "A Mysticism Approach to Yeats Byzantium." Communications in Humanities Research 4, no. 1 (2023): 438–44. http://dx.doi.org/10.54254/2753-7064/4/20220657.

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William Butler Yeats is the most famous poet in the history of modern Irish literature. He is called the greatest poet of our time by T.S Eliot. He was awarded the Nobel Prize for Literature in 1925. He has a strong interest in mysticism and has made unremitting exploration of it throughout his life. Mysticism is an important source of Yeatss life creation. From the early collection of Irish folklore and mythology to the formation of the later mysterious system, Yeats constructed his own set of mythological systems. Yeats mysticism is particularly evident in his poem Byzantium. His poems are f
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McMANUS, DAMIAN. "SURNAMES AND SCIONS: ADJECTIVAL QUALIFICATION OF CHRISTIAN NAMES AND COGNOMINA IN CLASSICAL IRISH POETRY." Ériu 63, no. 1 (2013): 117–43. http://dx.doi.org/10.1353/eri.2013.0004.

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McManus, Damian. "Surnames and Scions: Adjectival Qualification of Christian Names and Cognomina in Classical Irish Poetry." ÉRIU 63, no. -1 (2013): 117–43. http://dx.doi.org/10.3318/eriu.2013.63.117.

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Sazonova, Anna. "Medieval Felines in Poetic and Visual Narratives of Anglo-Saxons and the Irish in the 7th–9th Centuries." Adam & Eve. Gender History Review, no. 30 (2022): 213–36. http://dx.doi.org/10.32608/2307-8383-2022-30-213-236.

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The article examines the origin of cat’s image in the medieval written tradition. The author believes that the first early medieval portrait of domestic animal was the Latin riddle of Anglo–Saxon Aldhelm. The development of felinistic imagery is analyzed in the comparative aspect of Anglo-Saxon and Irish cultures. The Anglo–Latin riddle tradition is compared with the visual images from hybrid Irish–Northumbrian (or ‘Hiberno–Saxon’) decorated art (Book of Kells) and with the Old Irish poetry of Insular monks (Pangur Bán). The author’s interpretation for enigmatic plot of the famous miniature wi
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Sturgeon, Sinéad. "East-Central Europe in the Writing of James Clarence Mangan." Acta Universitatis Sapientiae, Philologica 12, no. 1 (2020): 10–26. http://dx.doi.org/10.2478/ausp-2020-0002.

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Abstract This study explores the significance of East-Central Europe in a range of James Clarence Mangan’s poetry and prose from 1838–1847, focusing particularly on his depiction of Biedermeier Vienna (in the short story “The Man in the Cloak”), revolutionary uprisings in Poland and Albania (in the poems “Siberia” and “Song of the Albanian”), and his translations from the work of Bohemian-born Viennese poet Joseph Christian Freiherr von Zedlitz (1790–1862). I argue that Mangan’s interest in this region is twofold. On the one hand, it stems from the amenability of East-Central European culture
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Doroszkiewicz, Warsonofiusz. "Grecki mnich Teodor pierwszym Prymasem Anglii." Elpis 12 (2010): 177–94. http://dx.doi.org/10.15290/elpis.2010.12.11.

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The theological climate of the young Church of anglo-Saxon Christians was determined by Irish and Welsh monks maintaining the tradition of the Egyptian desert. The angles and Saxons had a particular vision of the natural world, of the eternal world, a particular comprehension of sin and repentance. rome in its missionary work used them to attach the British Christians the see of St Peter. Britain had no original link with the culture and tradition of the classical Church. It has been particularly established and enforced in VII and VIII, when England received a great dose of classical learning
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Stewart, Sheila. "Christ Would Break Your Tongue." Art/Research International: A Transdisciplinary Journal 3, no. 1 (2018): 258–65. http://dx.doi.org/10.18432/ari29336.

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“Christ Would Break Your Tongue” is part of my on-going exploration of growing up as a United Church minister’s daughter in small-town Ontario. In the title poem, I inquire into the interstices of gender, voice, and authority. In “Dominion” I grapple with how the Christian underpinnings of Western culture place humans above other creatures and lifeforms to the detriment of all living beings. In “Billy Stewart’s Geography” I begin to explore the church’s role in political oppression, colonialism, and residential schools, building on my poetic interests in family dynamics and place (Stewart, 200
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Boneham, John. "Reserve and Physical Imagery in the Tractarian Poetry of Isaac Williams (1802–65)." Studies in Church History 48 (2012): 246–58. http://dx.doi.org/10.1017/s0424208400001352.

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The Oxford, or Tractarian, Movement began as a conservative reaction to the reforming measures of the 1820s and 1830s and in particular to the Whig government’s passing of the Irish Church Temporalities Bill in 1832. For the Tractarians, the cumulative effect of such legislation was that the authority of the Church was being seriously compromised by interference from the secular government, which could now include those who were not necessarily Anglicans or even Christians. While it was these overtly political concerns that moved John Keble to preach his ‘Assize Sermon’ which has. traditionall
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Books on the topic "Irish Christian poetry"

1

Greeley, Andrew M. A book of Irish-American blessings. Thomas More Association, 1988.

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2

1951-, Witherington Ben, and Armitage Christopher M, eds. The poetry of piety: An annotated anthology of Christian poetry. Baker Academic, 2002.

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3

Coigligh, Ciarán Ó. Zein na Gaeilge: Hadhcúnna. An Sagart, 2009.

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4

1935-, Murray Patrick, ed. The Deer's cry: A treasury of Irish religious verse. Four Courts Press, 1986.

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John, O'Donohue. Conamara blues: Poems. Cliff Street Books, 2001.

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Fiannachta, Pádraig Ó. Leim an da mhile: Jesus in Dingle / [translated by] Natalie Trump. Sagart, 2005.

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Súilleabháin, Tadhg Gaelach Ó. Furnace of love: A selection from the religious poetry of Tadhg Gaelach Ó Súilleabháin. Dedalus Press, 2002.

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1961-, Aspinall Dana E., ed. Amey Hayward. Ashgate, 2003.

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9

Donne, John. Selected poetry. Oxford University Press, 1998.

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10

Wesley, Charles. The unpublished poetry of Charles Wesley. Kingswood Books, 1990.

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Book chapters on the topic "Irish Christian poetry"

1

O’Donoghue, Bernard. "Catholic-Christian identity and modern Irish poetry." In Irish Catholic Identities. Manchester University Press, 2015. http://dx.doi.org/10.7228/manchester/9780719097317.003.0021.

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O’Donoghue, Bernard. "Catholic-Christian identity and modern Irish poetry." In Irish Catholic identities. Manchester University Press, 2015. http://dx.doi.org/10.7765/9780719098376.00032.

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Hudson, Benjamin. "Introduction." In Viking Pirates and Christian Princes. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195162370.003.0001.

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Abstract Battles, Victories, And Gifts have occupied the thoughts of many writers, among them a tenth-century poet who declaimed, “Hold my horse, young man, and leave me be; the Irish and the Vikings are raiding, their horses are swift across Achall ... Olaf who seized the kingship of Dublin in a battle at Howth gave me a horse as the reward for my poem:’ Olaf is the typical Viking warrior, victorious in battle, exalted in status, and generous to his followers. But no Viking poet recited this verse; the author was an Irishman named Cinaed ua h Artacain-an unexpected choice of poet to recite li
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Bitel, Lisa M. "The First Tale." In Otherworld. Oxford University PressNew York, 2025. http://dx.doi.org/10.1093/oso/9780197600610.003.0002.

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Abstract This is the oldest existing story about love and the Irish Otherworld. It was probably written around 700 ce, although the action took place five centuries earlier, when King Conn of the Hundred Battles reigned over pagan Ériu. Or so said the medieval scholars. By 700, most Irish called themselves Christians. The hero, Connlae, has little to say. Most of the dialogue is among his father, Conn, the druid Coran, and a mysterious nameless beauty chants poetry to the bemused Connlae. The purpose of the Otherworldly beauty in this story seems clear, but her identity less so, for she remain
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Grene, Nicholas. "Patrick Kavanagh." In Farming in Modern Irish Literature. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198861294.003.0007.

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Patrick Kavanagh is unique among modern Irish writers in that he spent the first half of his life as a largely self-educated small farmer in Monaghan, while struggling to find a voice for that experience as a writer. In his early poetry and his autobiography, The Green Fool, he sought to render the realities of farming and to escape romantic literariness; ‘Inniskeen Road’ and ‘Shancoduff’ are key breakthrough poems in this effort. While he was later to reject the didacticism of The Great Hunger, the achievement of this extraordinary long poem is the combination of inside and outside perspectiv
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Idrissova, Elmira T. "SYMBOL STRUCTURE AND ALLEGORY AS OBJECTS OF ETHNO-TRANSLATION." In Synergy of Languages & Cultures 2023: Interdiscipilinary Studies. St Petersburg State University, 2024. http://dx.doi.org/10.21638/2782-1943.2023.14.

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This study analyses the visual structure of the Old Irish poem ‘Cros Chríst’, believed to have been written in the 10th century, and is an example of a lorica — a Christian hymn for a believer’s protection. The objective is to construct a visual structure for an Old Irish poem, specifically ‘Cros Chríst’, which can be used to analyse other Old Irish poems. To achieve this goal, it is necessary to demonstrate through intermediate analysis that the visual structure of the poem ‘Cros Chríst’ unfolds at multiple levels simultaneously. These levels include verbal (word-level analysis), audial (anal
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Ilgova, Daria A. "THE VISUAL STRUCTURE OF THE OLD IRISH POEM “CROS CHRÍST”." In Synergy of Languages & Cultures 2023: Interdiscipilinary Studies. St Petersburg State University, 2024. http://dx.doi.org/10.21638/2782-1943.2023.15.

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The present study is devoted to the analysis of the visual structure of the Old Irish poem “Cros Chríst”, which was presumably written in the X century and is an example of lorica (a Christian hymn for a believer’s protection). The aim of the study is to build a visual structure of an Old Irish poem, the case of “Cros Chríst”, with the opportunity to use this structure to analyze other Old Irish poems. In order to achieve this goal, it is necessary to prove by the intermediate analysis that the visual structure of the poem “Cros Chríst” unfolds at several levels simultaneously: verbal (the wor
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"N." In The Oxford Companion To Irish Literature, edited by Robert Welch and Bruce Stewart. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198661580.003.0014.

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Abstract Naboth’s Vineyard (1891), a novel by *Somerville and Ross, originating as a short story entitled ‘Slide Number 42’ in the Christmas number of the Lady’s Pictorial (1890), and their only full-length treatment of Irish village life. A melodramatic plot involves the frustrated love of Harriet Donovan for the handsome Rick O’Grady whom she earlier rejected to marry John Donovan. As President of the local *Land League branch, Donovan abuses his position in trying to drive a widow, Mrs Leonard, off a farm he covets. O’Grady, who loves Mrs Leonard’s daughter Ellen, comes to her aid but incur
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"U." In The Oxford Companion To Irish Literature, edited by Robert Welch and Bruce Stewart. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198661580.003.0021.

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Abstract Ulster cycle, a group of heroic tales relating to the Ulaid, a powerful prehistoric people of the north of Ireland, from whom the name of Ulster derives. Their territory extended from Donegal to the mouth of the Boyne and their traditional seat was at *Emain Macha, now Navan fort near Armagh. Their opponents were the Conmichta, associated with the province of that name, who had their seat at Cruachain in Co. Roscommon. The conflict between Ulaid and Connachta forms the basis of the tales grouped in this cycle, the most famous of which is *Tdin Bo Cuailnge, where the Ulster hero is *Cu
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