Relevant bibliographies by topics / Irish Exhibition (1888 : London, England)

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Academic literature on the topic 'Irish Exhibition (1888 : London, England)'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Irish Exhibition (1888 : London, England)"

1

HELLAND, JANICE. "Rural Women and Urban Extravagance in Late Nineteenth-Century Britain." Rural History 13, no. 2 (2002): 179–97. http://dx.doi.org/10.1017/s0956793302000109.

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This essay discusses two exhibitions that romanticised the rural Celtic fringes of Britain for consumption in London, the ‘metropolis of the world’. Alice Hart's reconstructed Donegal Village at the Irish Exhibition (1888), organised under the auspices of the Donegal Industrial Fund, assuaged the reality of poverty in the Congested Districts; the Duchess of Sutherland's faux Highland cottage at the Victorian Era Exhibition (1897), organised by Scottish Home Industries, suggested hunting, fishing and scenic views rather than land reform and emigration. While the differences between the organisa
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2

Ziomek, Krzysztof. "Udział Polonii w Powszechnej Wystawie Krajowej we Lwowie w 1894 r." Rocznik Biblioteki Naukowej PAU i PAN 69 (February 2025): 151–90. https://doi.org/10.4467/25440500rbn.24.011.21175.

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Since the Great Exhibition of 1851 in London, universal exhibitions have been held on a regular basis around the world to showcase nations’ cultural, industrial, and agricultural achievements. In Galicia, too, land exhibitions were held to highlight regional achievements. The exhibition held in Lwów in 1894 played an extraordinary role for two reasons: 1) it was supposed to refute the allegations made by Stanisław Szczepanowski in famous polemical book Nędza Galicyi..., published in 1888 and depicting Galicia as a land of extreme poverty; 2) it was the centenary of the Kościuszko Uprising, reg
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Watson, David, Gary Farnell, David Watson, et al. "Reviews: The Fiction of Narrative: Essays on History, Literature and Theory, 1957–2007, Possible Worlds of Fiction and History: The Postmodern Stage, History on British Television: Constructing Nation, Nationality and Collective Memory., Anglo-Saxon Culture and the Modern Imagination, Chaucer and Religion, Holinshed's Nation: Ideals, Memory, and Practical Policy in the, Shakespeare's Freedom, Shakespeare and the Just War Tradition, Autobiography in Early Modern England, Milton's Angels: The Early-Modern Imagination, the Extraordinary and the Everyday in Early Modem England. Essays in Celebration of the Work of Bernard Capp, Defoe's America, Politics and Literature in the Age of Swift: English and Irish Perspectives, Dreaming in Books: The Making of the Bibliographic Imagination in the Romantic Age, Harriet Martineau. Authorship, Society and Empire, the Collected Letters of Ellen Terry: Volume 1, 1865–1888, London, Modernism, and 1914, Roll Away the Reel World: James Joyce and Cinema, the Oxford Handbook of Modernisms, Know Your Enemy: The American Debate on Nazism, 1933–1945, Hugh Trevor-Roper, the BiographyHaydenWhite, edited and with an introduction by DoranRobert, The Fiction of Narrative: essays on History, Literature and Theory, 1957–2007 , The Johns Hopkins University Press, 2010, pp. xxiv + 382, US$30DoleželLubomír, Possible Worlds of Fiction and History: The Postmodern Stage , The Johns Hopkins University Press, 2010, pp. ix + 171, £31.RobertDillon, History on British Television: Constructing Nation, Nationality and Collective Memory. Manchester University Press, 2010, pp. vi + 234, £60.DavidClark and PerkinsNicholas (eds), Anglo-Saxon Culture and the Modern Imagination , D.S. Brewer, 2010, pp. xiv + 213, £55HelenPhillips (ed.), Chaucer and Religion , Christianity and Culture: Issues in Teaching and Research, D. S. Brewer, 2010. pp. xix + 216, £55.IgorDjordjevic, Holinshed's Nation: Ideals, Memory, and Practical Policy in the Chronicles, Ashgate, 2010, pp. xii + 274, £55.StephenGreenblatt, Shakespeare's Freedom , University of Chicago Press, 2010, pp. xiii + 144, $24.PaolaPugliatti, Shakespeare and the Just War Tradition , Ashgate, 2010, pp. x + 249, £55.AdamSmyth, Autobiography in Early Modern England , Cambridge University Press, 2010, pp. x +222, £55.JoadRaymond, Milton's Angels: The Early-Modern Imagination , Oxford University Press, 2010, pp. xviii+ 465, £30.AngelaMcShane and WalkerGarthine (eds), The Extraordinary and the Everyday in Early Modem England. Essays in Celebration of the Work of Bernard Capp , Palgrave Macmillan, 2010, pp. xi + 254, £55.DennisTodd, Defoe's America , Cambridge University Press, 2010, pp. xii +229, £55.ClaudeRawson (ed.), Politics and Literature in the Age of Swift: English and Irish Perspectives , Cambridge University Press, 2010. pp. xiii + 29, £55.AndrewPiper, Dreaming in Books: The Making of the Bibliographic Imagination in the Romantic Age , University of Chicago Press, 2009, pp. xvi + 303, £24.EllaDzelzainis and KaplanCora (eds), Harriet Martineau. Authorship, Society and Empire , Manchester University Press, 2010, pp. xii + 263, £65.KatharineCockin (ed.), The Collected Letters of Ellen Terry: Volume 1, 1865–1888 Pickering & Chatto, 2010, pp. xlvi + 241, £100.MichaelJ. K. Walsh (ed.), London, Modernism, and 1914 , Cambridge University Press, 2010, pp. xx + 294, £50.JohnMcCourt (ed.), Roll Away the Reel World: James Joyce and Cinema , Cork University Press, 2010. pp. xiii + 248, £35.PlockVike Martina, Joyce, Medicine, and Modernity , University Press of Florida, 2010, pp. xi + 190, $69.95.PeterBrooker, GasiorekAndrzej, LongworthDeborah, and ThackerAndrew (eds), The Oxford Handbook of Modernisms , Oxford University Press, 2010, pp. xvii + 1182, £85.MichaelaHoenicke Moore, Know Your Enemy: The American Debate on Nazism, 1933–1945 , Cambridge University Press, 2010, pp. xviii+ 390, £55.SismanAdam, Hugh Trevor-Roper, The Biography , Weidenfeld & Nicolson, 2010, pp. xviii + 598, £25." Literature & History 20, no. 2 (2011): 83–108. http://dx.doi.org/10.7227/lh.20.2.6.

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4

Noyce, Diana Christine. "Coffee Palaces in Australia: A Pub with No Beer." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.464.

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The term “coffee palace” was primarily used in Australia to describe the temperance hotels that were built in the last decades of the 19th century, although there are references to the term also being used to a lesser extent in the United Kingdom (Denby 174). Built in response to the worldwide temperance movement, which reached its pinnacle in the 1880s in Australia, coffee palaces were hotels that did not serve alcohol. This was a unique time in Australia’s architectural development as the economic boom fuelled by the gold rush in the 1850s, and the demand for ostentatious display that gather
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5

Mules, Warwick. "A Remarkable Disappearing Act." M/C Journal 4, no. 4 (2001). http://dx.doi.org/10.5204/mcj.1920.

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Creators and Creation Creation is a troubling word today, because it suggests an impossible act, indeed a miracle: the formation of something out of nothing. Today we no longer believe in miracles, yet we see all around us myriad acts which we routinely define as creative. Here, I am not referring to the artistic performances and works of gifted individuals, which have their own genealogy of creativity in the lineages of Western art. Rather, I am referring to the small, personal events that we see within the mediated spaces of the everyday (on the television screen, in magazines and newspapers
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