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Journal articles on the topic 'Irish literature – history and criticism – theory, etc'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Mirzakulov, Uktamjon Almardanovich. "THE ROLE OF COMPARTIVISTICS IN MODERN LITERATURE." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 2, no. 10 (2022): 131–33. https://doi.org/10.5281/zenodo.7233072.

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Literary comparative studies are an important trend in philology along with the history of literature, theory and criticism. It began to take shape in the middle of the 19th century. There are terminological discrepancies in the modern classification of comparative studies. Researchers differ in the content plan of concepts: comparative studies, comparative historical literary criticism, comparative literary criticism, comparative literary criticism, etc. This leads to a different understanding of the subject of science, and there is a need to overcome this.

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Walshe, Shane. "Brogues and Blarney." English Text Construction 16, no. 2 (2023): 238–60. http://dx.doi.org/10.1075/etc.23003.wal.

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Abstract From the earliest days, Irish characters have played a prominent role in American comics. The hero of Hogan’s Alley, the first American comic strip to feature a speech balloon, was an Irish child named Mickey Dugan, a.k.a. “The Yellow Kid”. Likewise, the star of Happy Hooligan, the first US comic strip to employ speech balloons on a regular basis, was Irish. Thus, not only are Irish characters important in the early history of American comics, their speech is too. The way that this was represented resembled existing portrayals in pop culture, involving respellings, non-standard gramma

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Smirnova, Natalia N. "A History of “Cohesion”: from M. O. Gershenzon’s “The Poet’s Vision” to V. Weidlé’s “Les Abeilles d’Aristée”." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 82, no. 3 (2023): 5–13. http://dx.doi.org/10.31857/s160578800026309-5.

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The paper is devoted to perception in the theory of literature of the famous statement of Leo Tolstoy about “cohesion” that ensure wholeness of narrative in a novel. Tolstoy’s idea of “cohesion” has repeatedly inspired various interpretations in literary criticism (for instance, M.O. Gershenzon, V.B. Shklovsky, B.M. Eikhenbaum, T. Rainov, and others). There are two contrary positions on the interpretation of the idea of “cohesion”: M.O. Gershenzon’s intuition theory of and in the formal method of V.B. Shklovsky. In the theory of M.O. Gershenzon the “cohesion” become the foundation of the princ

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M, Kavitha. "Nachinarkiniyar History and Textual Ability." International Research Journal of Tamil 4, S-8 (2022): 233–38. http://dx.doi.org/10.34256/irjt22s834.

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Tamil language and literature have flourished with speeches composed by speechwriters. Are greatly aiding researchers who think innovatively. Texts serve as a bridge between linguistic research and e-literary criticism. The texts convey how the Tamil language has changed over time, as well as the living conditions, political changes and customs of the Tamil people. This article explores the history and textual ability of Nachinarkiniyar. Nachinarkiniyar was a knowledgeable and knowledgeable man of various arts, writing semantics for songs, and also possessing the art of religious ideas, music,

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Lee, Juhan. "Criticism of Gaya History Studies in South Korea's Pedagogical Academy - Focusing on Kim Tae-shik and Lee Young-shik." Barun Academy of History 14 (March 30, 2023): 91–160. http://dx.doi.org/10.55793/jkhd.2023.14.91.

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In the 19th century, with the rise of the theory of Korea in Japan, the theory of invasion first created under the name of so-called modern history is the Imna-Japanese theory. It is a claim that Yamatowa ruled or managed the southern part of the Korean Peninsula based on Gaya in the southern part of the Korean peninsula from the 4th to the 6th century AD. It is an antihumanitarian invasion theory advocated by imperialist historians based on exaggerated, embellished, fabricated, and distorted articles in 『Nihon Shoki』 compiled in the 8th century. The ideology of Yamatowa, which sought to reali

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Vasic, Aleksandar. "Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research." Muzikologija, no. 6 (2006): 317–42. http://dx.doi.org/10.2298/muz0606317v.

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The beginning of 2006 marked two decades since the death of Stana Djuric-Klajn, the first historian of Serbian musical literature. This is the exterior motive for presenting a summary of the state and results of up-to-date musicology research into Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century, alongside the many works dedicated to this branch of national musical history, recently published. In this way the reader is given a detailed background of these studies ? mainly the authors' names, books, studies, articles, as well as the problems o

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Renedo, Xavier. "Un cavaller català a la cort de Niall Óg O’Neill, «princeps hibernicorum ultonie» (tardor del 1397)." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 22, no. 22 (2023): 251. http://dx.doi.org/10.7203/scripta.22.27829.

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Resum: Anàlisi de l’estada de Ramon de Perellós a Irlanda amb motiu del seu pelegrinatge al Purgatori de Sant Patrici: pas per l’illa de Man; paper dels guies i traductors del gaèlic; situació política de l’illa, dividida en dos blocs, el controlat pel rei d’Anglaterra i el rebel, i formes de vida a la Irlanda independent (nomadisme, alimentació, urbanitat, etc.).Paraules clau: Ramon de Perellós, Niall Óg O’Neill, Purgatori de Sant Patrici, formes de vida de la Irlanda medieval, gastronomia irlandesa medievalAbstract: Analysis of Ramon de Perellós’ stay in Ireland during his pilgrimage to Sain

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Mikhailova, Tatyana. "Пять пятин Ирландии: новое, неожиданное предположение? (Five Fifths of Ireland: New Approach)". Studia Celto-Slavica 2 (2009): 26–39. http://dx.doi.org/10.54586/pqqb9019.

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The problem of the so-called ‘five fifths of Ireland’ remains unresolved up to now, in spite of numerous attempts to find a solution to this linguistic and geographical contradiction. In Modern Irish, traditional provinces of Ireland are called cúige (‘a fifth’), but there are only four (Ulster, Leinster, Munster and Connacht) of them. The same names of the four provinces were known in the Early Irish literature (cóiced Ulad etc). The Irish literati envisaged that contradiction and made some attempts to resolve it in early mythological and pseudo-historical sources (in sagas and poetry). Accor

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Loiter, Sofia. "“THE CONDUIT AND THE SHVAMBRANIA” BY LEV KASSIL: A HISTORY OF THE TEXT." Children's Readings: Studies in Children's Literature 22, no. 2 (2022): 388–403. http://dx.doi.org/10.31860/2304-5817-2022-2-22-388-403.

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The article analyzes the structural and textual changes made by Lev Kassil in the reprinting of the story “Conduit and Shvambraniya”. The material for this study is the 1935 and 1937 editions of the story, two editions in 1957, and the last lifetime edition in 1965. An analysis of the published editions shows the formation of the story “The Conduit and Shvambrania” as a single novel, a single narrative and structural whole, which was not yet the case in the 1935 edition. The author reveals the changes made by Lev Kassil in later versions of the story and offers a classification of authorial co

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Bovsunivska, Tetyana. "DMITRY CHIZHEVSKY`S CONCEPT OF ROMANTICISM AND CANONS OF THE SOVIET LITERARY CRITICISM." Polish Studies of Kyiv, no. 35 (2019): 70–78. http://dx.doi.org/10.17721/psk.2019.35.70-78.

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The article talks about the role of D. Chyzhevsky in redefining the paradigm of Ukrainian romanticism, since Soviet canons are still being explored in his theory and history. In particular, emphasis was placed on confronting such ideological basis as: avoiding any mysticism; refusal of psycho-intimate immersion; the imposition of revolutionary and democratic tendencies; pan-realism; the militant nature of romanticism and the genesis of its origins from German idealism. Chizhevsky proposed instead: the recognition of the heart as the center of romantic aesthetics; peculiarity and singularity of

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Ismailova, Rizvan. "MUTUAL DIVISIONS OF LITERARY TRANSLATION AND THEIR FEATURES." Alatoo Academic Studies 23, no. 4 (2023): 258–68. http://dx.doi.org/10.17015/aas.2023.234.27.

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The article states that grammatical forms, syntactic constructions, sentence symmetry, syntactic figures, rhythmicity of poetic and prose speech, repetitions, parallelisms, etc. in the text have their own national and cultural specifics. Due to the absence or underdevelopment of fundamental works on translation studies, translation criticism, translation history and translation theory in the native language in the native language, we are not able to select and present to the general reader the best translations that clarify the qualitative characteristics, specific features and mutual differen

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Sizikova, T. E., and V. T. Kudryavtsev. "Scheme of Lev Vygotsky's Theory. Part 1." Cultural-Historical Psychology 19, no. 2 (2023): 9–17. http://dx.doi.org/10.17759/chp.2023190202.

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<p>The relevance of referring to Lev Vygotsky's works and discovering the unknowable in them is a natural phenomenon that accompanies brilliant works of science, literature, art, etc. Discoveries are accidental and non-accidental at the same time, so they are either accepted immediately or pass the "corridor" of criticism. The history of the formation of Vygotsky's psychology is also the history of our way of understanding Vygotsky. The aim of the article is to reveal what Lev Vygotsky himself might not have highlighted. We have tried to penetrate into the logic, the scheme of his thinki

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Nerio, Magdalena. "Activist Discourse and the Origins of Feminist Shakespeare Studies." Multicultural Shakespeare: Translation, Appropriation and Performance 27, no. 42 (2023): 143–60. http://dx.doi.org/10.18778/2083-8530.27.09.

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This essay reconsiders interpretations of Shakespeare by Irish writer Anna Murphy Jameson and the American Transcendentalist Margaret Fuller. Developing an informal method in which the voice of the female critic rallies in defence of Shakespeare’s heroines, they intervene in a male-dominated intellectual sphere to model alternative forms of women’s learning that take root outside of formalized institutional channels. Jameson, in Shakespeare’s Heroines, invokes the language of authentic Romantic selfhood and artistic freedom, recovering Shakespeare’s female characters from earlier critical aspe

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Korolkova, Angelika. "Linguistic Representation of V.G. Belinsky’s Value Priorities (Based on Aphoristics)." Izvestia of Smolensk State University, no. 3 (55) (January 26, 2022): 53–63. http://dx.doi.org/10.35785/2072-9464-2021-55-3-53-63.

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The article deals with the aphoristic heritage of V.G. Belinsky. V.G. Belinsky’s name and his concept of «real art» are objectively considered nowadays within the history of literature of the 19th century. In his numerous works Belinsky developed the theoretical foundations of Russian realism proposed the principle of a new «real» aesthetics; in fact, he created a program of contemporary art. In the corpus of Russian aphoristics, V.G. Belinsky’s sayings occupy a special place showing in synchrony a person’s ideological attitudes in the first half of the 19th century. Belinsky

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Gómez-de-Tejada, Jesús. "Parodia, intertextualidad y sátira en la narrativa policial de Lorenzo Lunar Cardedo." Studia Romanica Posnaniensia 47, no. 1 (2020): 5–17. http://dx.doi.org/10.14746/strop.2020.471.001.

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Detective fiction as parodic reformulation of genre’s defining patterns has a long history in the Latin American tradition: Borges, Bioy Casares, Soriano, Levrero, Ibargüengoitia, etc. Besides, the evolution of Latin American detective genre has always been characterized by a progressive focalization in the social aspects over the detective story line which has served as a mask to depict in a critical way the flaws of the region’s societies and governments. In nowadays Cuba it could be highlighted the crime narrative of parodic slant by Lorenzo Lunar Cardedo. Among the major features of Lunar

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Galytska, Iuliia. "Alias in women's literature: feminist aspects in a gender context." Grani 23, no. 4 (2020): 28–35. http://dx.doi.org/10.15421/172038.

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The problem of the identity of the woman hiding her gender under a male pseudonym makes us recollect U. Eco’s arguments about the truth and the purpose of literature as well as A. F. Losev’s ideas about the name and the meaning, the theories of the feminist literary critics K. Millett, M. Ellman, T. Moi, E. Showalter, etc. who have presented "women`s writing" and "writing about women" in the feminist field. As one of the central principles of feminist criticism is that no scientific view can ever be neutral, the problem of pseudonyms occupies an important place in the contemporary gender studi

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Abramov, Valerii P., Olga I. Kuznetsova, Irina N. Lekareva, and Julia F. Okovitaya. "Kuban State University: Russian Philology on the 45th Parallel." World of the Russian Word, no. 2 (2023): 119–27. http://dx.doi.org/10.21638/spbu30.2023.213.

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The article represents the history and modernity of philological scholarship in Kuban State University, the oldest university of classical education in the south of Russia, which has been preserving and developing the traditions in the sphere of education, science and social and educational activity since 1920. The authors describe the principal directions of philology development at the faculty: teaching Russian language and literature, academic research work in the field of literary studies, the history of Russian literature from its beginning up to present times, including literature of Rus

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Горбач, Юлія. "ЛЕОНІД БІЛЕЦЬКИЙ: ПРАЗЬКИЙ ПЕРІОД ЕМІГРАЦІЇ ТА ЙОГО ВІДОБРАЖЕННЯ В ЕПІСТОЛЯРІЇ (1920–1940-ВІ РР.)". Ucraina Magna IV (24 грудня 2022): 70–90. https://doi.org/10.5281/zenodo.10456159.

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The article is about the famous Ukrainian literary scholar, Slavist, Pre-sident of the Ukrainian Free Academy of Sciences Leonid Biletsky (1882–1955), whose name is known not only in Ukraine, but also abroad. Among the scientific interests of the prominent Ukrainian were the study of the problems of the theory and history of Ukrainian literature, literary criticism, analysis of the work of T. Shevchenko, I. Franko, M. Kotsyubynsky, V. Samiilenko, E. Malaniuk, O. Stefanovych, etc. The last years of his life L. Biletsky devoted to the multi-volume edition

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Sulyak, S. G. "I.P. Filevich and Carpathian Rus Part 1. Biography." Rusin, no. 62 (2020): 32–49. http://dx.doi.org/10.17223/18572685/62/3.

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Ivan Porfirevich Filevich (August 20 (September 1), 1856 – January 7 (20), 1913) – a Russian historian, publicist, and public figure, born in Chełm Land to the family of a Uniate priest, a native of Galicia, Orthodox. He graduated from St. Petersburg University, later taught Russian language, literature, and history at the First Realschule and at the Gymnasium of the Imperial Philanthropic Society in St. Petersburg. Since 1890, he worked at the Department of Russian History at the Imperial Warsaw University, first as an extra-ordinary professor, and since 1897 as an ordinary professor. His ori

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Vezhnevets, Iryna. "Intermediality and problems of interpretation of the vocal cycle "The Short Straw" of Francis Poulenc." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 101–6. http://dx.doi.org/10.32461/2226-2180.39.2021.238698.

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The purpose of the article is due to the need to study the peculiarities of the interpretation of the artistic texts of the vocal cycle of F. Poulenc on the poem by M. Karem "Straw" in the intermedial space. The methodology is based on an integrated approach using comparative, structural, interdisciplinary methods and narrative analysis to understand the psychological processes that arise when interpreting a vocal cycle, involves the inclusion of the problem of analysis in the space of art history and cultural discourse in an interdisciplinary context. Scientific novelty the scientific novelty

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Bocharov, Alexey V. "Corpus bibliometric aspects of Slavic studies in Russian-language scholarly electronic resources in the context of categories of historical knowledge." Rusin, no. 68 (2022): 336–51. http://dx.doi.org/10.17223/18572685/68/18.

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The article analyses the task of measuring completeness, representativeness, and balance when creating a corpus of Russian-language texts on Slavic literature. The criteria for a disciplinary corpus can be calculated using a bibliometric and scientometric approaches. Different categories of historical knowledge can denote phenomena comparable to the themes and problems of research in Slavic studies. A total of 76 historical categories have been tested (historical analogy, historical memory, historical possibility, historical time, historical personality, etc.). All historical categories associ

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Rebihić, Nehrudin. "Bošnjačka književnost u obzorima Vladimira Jurčića: Rekonstrukcija neobjavljene knjige Muslimani u hrvatskoj književnosti." Historijski pogledi 5, no. 8 (2022): 317–49. http://dx.doi.org/10.52259/historijskipogledi.2022.5.8.317.

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The study of Bosniak literature in the period of the Independent State of Croatia has been marginalized in previous literary-historical studies, and the reasons for this were ideological and political in nature, and not scientific. This work deals with the status of Bosniak literature in the literary-critical horizons of Vladimir Jurčić, the bellwether of the Ustasha national ideology in Bosnia and Sarajevo, in the period from 1941st to 1945th. As a professor, editor of daily and periodical publications, he wrote about Bosniak literature and its canonical writers in the light of the ideologica

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Pylypchuk, Oleh, Oleh Strelko, and Yuliia Berdnychenko. "PREFACE." History of science and technology 11, no. 2 (2021): 271–73. http://dx.doi.org/10.32703/2415-7422-2021-11-2-271-273.

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The issue of the journal opens with an article dedicated to the formation of metrology as government regulated activity in France. The article has discussed the historical process of development of metrological activity in France. It was revealed that the history of metrology is considered as an auxiliary historical and ethnographic discipline from a social and philosophical point of view as the evolution of scientific approaches to the definition of individual units of physical quantities and branches of metrology. However, in the scientific literature, the little attention is paid to the pro

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Butska, Kateryna V. "UKRAINIAN POSTCOLONIAL NOVEL AS A NATIONAL NARRATIVE: “THE MUSEUM OF ABANDONED SECRETS” BY O. ZABUZHKO AND “THE BEECH LAND” BY M. MATIOS." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 33–46. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-3.

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The article examines the seminal novels of Ukrainian women writers from the first and second decades of the 21st century, namely “The Museum of Abandoned Secrets” (“Музей покинутих секретів”, 2009) by O. Zabuzhko and “The Beech Land” (“Букова земля”, 2019) by M. Matios. The selected works are analyzed through the lens of postcolonial criticism, that is, from the point of view of the historical experience of the statelessness of the Ukrainian community and its reflection in literary texts. The main attention is paid to the narrative features of the works, namely the tendency to broad narrative,

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Smolianinov, Artem V. "Metatextual originality of Nikolai Yadrintsev's Literary Collection: Ideologization and genre-style syncretism." Vestnik Tomskogo gosudarstvennogo universiteta, no. 505 (2024): 69–79. https://doi.org/10.17223/15617793/505/7.

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The article presents a metatextual analysis of the concept and structure of the first regional multi-author collection, compiled and published in 1885 by Nikolai Yadrintsev, one of the main ideologists and founders of Siberian regionalism, which should be considered as an important fact in the history of Siberian literature. The study is based on the theory of metatext proposed by V.S. Kiselev, V.V. Bazhenova, Yu.V. Kazarin and I.O. Gogoleva, according to which metatext is understood and studied as a set of texts correlated with each other, constructed in the process of their individual recept

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Rotov, I. M. "“Thanatopolitics” in the Socio-Political Discourse in the 2000s and 2020s: between the “Living Dead” and “Necrosociality”." Discourse 10, no. 6 (2024): 29–39. https://doi.org/10.32603/2412-8562-2024-10-6-29-39.

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Introduction. Over the past twenty years, the terms “thanatopolitics”, “necropolitics”, “necroeconomics”, etc. have been actively used in socio-political discourse. But the definitions of these meanings remain blurred. In the last 4–5 years, they can be found in Russian-language articles, as well as in the public space of blogs and YouTube channels. Often, the use of these terms is associated with biased statements by authors from a nonacademic environment. The purpose of this article is to identify the area of use of the term “thanatopolitics” in the academic literature of recent years.Method

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Denisov, Nicholas G., and Valery B. Khramov. "INTERNATIONAL TCHAIKOVSKY COMPETITION AS A PHENOMENON OF WEBCAST." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 174–80. http://dx.doi.org/10.17223/22220836/42/14.

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The International Tchaikovsky Competition has been held for sixty years and has become a tradition with an intention to renew itself. An essential aspect of this is the webcast, which, being performed at the highest level, not only develops the established democratic orientation of this competition, but makes the competition a relatively independent artistic event. The empirical base of the research is Internet broadcasting of XV and XVI competitions. Method – a comparative analysis, performed in the context of cultural knowledge. The article analyzes the features of the modern Internet broadc

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Abzalov, Lenar F., Marat S. Gatin, Ilyas A. Mustakimov та Roman Yu Pochekaev. "Улуг битикчи — тюрко-монгольский институт, интегрированный в систему мусульманской администрации чингизидских государств XIII–XIV вв. (по материалам «Дастур ал-катиб»)". Монголоведение (Монгол судлал) 15, № 1 (2023): 8–28. http://dx.doi.org/10.22162/2500-1523-2023-1-8-28.

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Introduction. The article examines a yarliq from the medieval Persian treatise Dastur al-Katib to characterize the institution of ulug bitigchi that used to be widespread in the Mongol Empire and states of Genghis Khan’s descendants. Goals. The study attempts an interdisciplinary analysis of the historical monument — one yarliq appointing an ulug bitigchi (head of scribes) and contained in Dastur al-Katib fi Tayin al-Maratib (A Scribe’s Guide to Determining Ranks) compiled in the mid-14th century by Persian official Muhammad ibn Hindushah Nakhchivani. Materials and methods. The paper focuses o

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Ozoliņš, Jānis. "Naratoloģijas kā disciplīnas raksturojums." Letonica, no. 35 (2017): 68–81. http://dx.doi.org/10.35539/ltnc.2017.0035.j.o.68.81.

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The article examines the development of narratology from its inception to the latest trends, showing the crisis of discipline and the prospects for the future progress. Within structuralism and semiotics ‘narrative’ was one of the study fields uncovering ‘deep structure’. The quest for universal categories determined the ambition of structural narratology as a discipline, with the help of the description reducing narrative structure to the combination of formal elements. In the article Introduction à l’analyse structurale des récits by Roland Barthes that was published in the journal Communica

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Belov, Sergey A. "Constitutional jurisprudence of values: an attempt on the purity of law?" Vestnik Tomskogo gosudarstvennogo universiteta. Pravo, no. 54 (2024): 5–22. https://doi.org/10.17223/22253513/54/1.

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The use of different arguments and grounds for interpreting legal norms can be considered in relation to the text of legal documents within the framework of three approaches. Textualism limits interpretation to the literal content of the text itself. Meta-textualism relies on the general context of the textual fixation of the norm - the history of its adoption and law enforcement interpretation, systemic interrelations with other norms, the implied goals of legal regulation, etc. The meta-textualism is based on the general context of the textual fixation of the norm. Extra-textualism is based

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Ozoliņš, Gatis. "CREATIVITY OF CONTEMPORARY DIEVTURI GROUPS AS A CULTURAL POLITICAL DISCOURSE." Via Latgalica, no. 2 (December 31, 2009): 39. http://dx.doi.org/10.17770/latg2009.2.1609.

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Dievturība (dievturi - "God keepers", "people who live in harmony with God") is a newly created religious tradition having appeared in the second part of the 1920s – 1930s, its most essential source includes materials of Latvian folklore and folk traditions. These are interpreted by construing a religious ethical theory and creating a religion which is alternative to Christianity, with its own doctrine and rituals, and the conception of Latvianness in culture and politics. Latvianness is the most essential concept of cultural politics to which all activities of the dievturi are subjected (exal

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Polianska, I. M. "Specificity and functions of a dance as a component of syncretic “mousikē” art of the Ancient world." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 274–87. http://dx.doi.org/10.34064/khnum1-51.16.

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Background. The rapid development of contemporary art has intensified the scientific thought in relation to the theory and history of dancing art. Domestic art criticism pays much attention to the problems of dancing functioning in contemporary culture; periodicals publish theoretical and methodological works, general critical reviews of ballet performances. In historical plane, the majority of publications contain information about outstanding artists – performers and choreographers of various times and stylistic trends. However, the evolution of a dance as a socio-cultural and artistic pheno

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"Rethinking the Category of Class: Tempora Multa of the Plural Subject." Philosophical Literary Journal Logos 31, no. 4 (2021): 171–92. http://dx.doi.org/10.22394/0869-5377-2021-4-171-190.

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This article attempts to rethink the Marxist category of class in response to criticism of the progressivist conception of history. The Marxism of the twentieth and twentyfirst centuries has typically run into a problem arising from the fact that accepting the proletariat as the subject of history makes any political action aimed at social transformation superfluous. From a political viewpoint, the concept of the subject of history either implies that the working class will spontaneously carry out its historical task without any intervention, or requires the dictate of the party to act as a re

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OKYAYUZ, Ayşe Şirin, and Elif ERSÖZLÜ. "The translation of a cartoon history of the universe written for child readers, its’ translation and criticism." RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, August 21, 2022. http://dx.doi.org/10.29000/rumelide.1164917.

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This article focuses on the translation of educational comics. A cartoon book and its’ Turkish translation are analyzed: The Cartoon History of the Universe Volumes 1-7 From the Big Bang to Alexander the Great (1990) by Larry Gonick and its’ translation by…. printed in 2010 published by …… The aim of the study is to analyze an educational cartoon translation from the translator’s perspective (referring to constraints, translation challenges, translator choices etc.) and to focus on the same texts from a translation critic/editor perspective who does not have previous knowledge about the sectio

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"Humanist Philology and Its Impact on the Evolution of the Humanities in Early Modern Europe." Philosophical Literary Journal Logos 31, no. 6 (2021): 63–94. http://dx.doi.org/10.22394/0869-5377-2021-6-63-89.

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The article considers how the humanist educational and research agenda influenced learning and scholarship from the late fifteenth century through the sixteenth century, and in particular its impact on the humanities (linguistics, bibliography and history). Beyond such essential requirements as free exchange of research information and mas- tering both classical languages in order to read the original ancient texts, scientific dis- ciplines made additional demands that went far beyond those of the Scholastic trivium. The author also addresses the adoption of textual criticism (e.g. the use of

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Lupașcu, Emanuel. "Metamodernismul în teorie și în practică: pentru o conceptualizare a modernității singulare în câmpul literar românesc." Transilvania, 2023. http://dx.doi.org/10.51391/trva.2023.05-06.03.

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Metamodernism is a Eurocentric theoretical fiction, with no adherence to the social and cultural realities of post-communist Romania. This article provides a critique of the theory of metamodernism proposed by Timotheus Vermeulen and Robin van den Akker and used by Alex Ciorogar to describe the post-2010 Romanian poetry system. Even if the concept is inoperative for Romanian literature, it is a symptom of the overcoming of the postmodernist framework, felt by writers as anti-essentialist, light-hearted, and unconcerned with the problems of today’s society (climate crisis, immigrants, marginali

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"Foucault, Lenin, and Western Marxism." Philosophical Literary Journal Logos 29, no. 2 (2019): 251–67. http://dx.doi.org/10.22394/0869-5377-2019-2-251-264.

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This article others a brief historical account of the complex relationship between Michel Foucault and certain theorists in the Western Marxist philosophical tradition. In the context of the history of the “short twentieth century,” Western Marxism is an intellectual trend based on an interpretation of non-Western revolutionary praxis (by Bolsheviks, Maoists, Guevaristas, etc.). Comparative analysis of several schematic portraits - of Lenin’s revolutionary intellectual, of traditional as opposed to organic intellectuals in Gramsci, and of Foucault’s public intellectual - shows that Foucault in

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Чень, Ліна. "Індивідуальний виконавський стиль студента-вокаліста: зміст та структура". Педагогічні науки: теорія, історія, інноваційні технології, 24 березня 2025. https://doi.org/10.24139/2312-5993/2025.02/385-395.

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The individual performance style of a student vocalist is studied in scientific discourse from the standpoint of art history and music pedagogy. The art history, philosophical, general aesthetic and culturological aspects of the concept of "individual performance style of a student vocalist" are highlighted. The attention is focused on the existing differences in the interpretations of the concept of "musical style". The relationship between creative method and style is outlined, where the first concept (method) finds its manifestation through the second (style). The feasibility of considering

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"D.F. WATSON and A.J. HAUSER, Rhetorical Criticism of the Bible. A Comprehensive Bibliography with Notes on History and Method. Biblical Interpretation Series 4. xx + 207 pp. E.J. Brill, Leiden, etc., 1994. 110.00 guilders." Vetus Testamentum 45, no. 4 (1995): 573–74. http://dx.doi.org/10.1163/1568533952662315.

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Paniotova, Taisia, and Maxim Romanenko. "The Skill of Imagining the Future: The Utopian Dimension of Soviet Revolutionary Festivities." Quaestio Rossica 10, no. 2 (2022). http://dx.doi.org/10.15826/qr.2022.2.689.

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This paper considers revolutionary festivities as one of the main manifestations of the Soviet culture of the 1917–1920s. Festivals varied in types and forms (mainly mass performances) and came to make part of the space of utopias in the first post-revolutionary decade. In this context, utopia is regarded as a cultural form of the sensual and rational comprehension of social reality. It produces ideas about happiness and harmony in response to the eternal human need both to foresee the future and to model it. According to recent findings in utopian studies (Ernst Bloch, Frederic Jameson, etc.)

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Hutcheon, Linda. "In Defence of Literary Adaptation as Cultural Production." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2620.

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   Biology teaches us that organisms adapt—or don’t; sociology claims that people adapt—or don’t. We know that ideas can adapt; sometimes even institutions can adapt. Or not. Various papers in this issue attest in exciting ways to precisely such adaptations and maladaptations. (See, for example, the articles in this issue by Lelia Green, Leesa Bonniface, and Tami McMahon, by Lexey A. Bartlett, and by Debra Ferreday.) Adaptation is a part of nature and culture, but it’s the latter alone that interests me here. (However, see the article by Hutcheon and Bortolotti for a discussi

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Levine, Michael, and William Taylor. "The Upside of Down: Disaster and the Imagination 50 Years On." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.586.

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IntroductionIt has been nearly half a century since the appearance of Susan Sontag’s landmark essay “The Imagination of Disaster.” The critic wrote of the public fascination with science fiction disaster films, claiming that, on the one hand “from a psychological point of view, the imagination of disaster does not greatly differ from one period in history to another [but, on the other hand] from a political and moral point of view, it does” (224). Even if Sontag is right about aspects of the imagination of disaster not changing, the types, frequency, and magnitude of disasters and their repres

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Jones, Timothy. "The Black Mass as Play: Dennis Wheatley's The Devil Rides Out." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.849.

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Literature—at least serious literature—is something that we work at. This is especially true within the academy. Literature departments are places where workers labour over texts carefully extracting and sharing meanings, for which they receive monetary reward. Specialised languages are developed to describe professional concerns. Over the last thirty years, the productions of mass culture, once regarded as too slight to warrant laborious explication, have been admitted to the academic workroom. Gothic studies—the specialist area that treats fearful and horrifying texts —has embraced the growi

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Tofts, Darren John. "Why Writers Hate the Second Law of Thermodynamics: Lists, Entropy and the Sense of Unending." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.549.

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If you cannot understand my argument, and declare “It’s Greek to me,” you are quoting Shakespeare.Bernard LevinPsoriatic arthritis, in its acute or “generalised” stage, is unbearably painful. Exacerbating the crippling of the joints, the entire surface of the skin is covered with lesions only moderately salved by anti-inflammatory ointment, the application of which is as painful as the ailment it seeks to relieve: NURSE MILLS: I’ll be as gentle as I can.Marlow’s face again fills the screen, intense concentration, comical strain, and a whispered urgency in the voice over—MARLOW: (Voice over) Th

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Rossiter, Ned. "Creative Industries and the Limits of Critique from." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2208.

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‘Every space has become ad space’. Steve Hayden, Wired Magazine, May 2003. Marshall McLuhan’s (1964) dictum that media technologies constitute a sensory extension of the body shares a conceptual affinity with Ernst Jünger’s notion of ‘“organic construction” [which] indicates [a] synergy between man and machine’ and Walter Benjamin’s exploration of the mimetic correspondence between the organic and the inorganic, between human and non-human forms (Bolz, 2002: 19). The logo or brand is co-extensive with various media of communication – billboards, TV advertisements, fashion labels, book spines,

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Al-Rawi, Ahmed, Carmen Celestini, Nicole Stewart, and Nathan Worku. "How Google Autocomplete Algorithms about Conspiracy Theorists Mislead the Public." M/C Journal 25, no. 1 (2022). http://dx.doi.org/10.5204/mcj.2852.

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Introduction: Google Autocomplete Algorithms Despite recent attention to the impact of social media platforms on political discourse and public opinion, most people locate their news on search engines (Robertson et al.). When a user conducts a search, millions of outputs, in the form of videos, images, articles, and Websites are sorted to present the most relevant search predictions. Google, the most dominant search engine in the world, expanded its search index in 2009 to include the autocomplete function, which provides suggestions for query inputs (Dörr and Stephan). Google’s autocomplete f

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Broussard, Anna Maria. "Barbieland." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3053.

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Greta Gerwig’s 2023 film Barbie presents Barbieland as a matriarchal society, and arguably as an asexual utopia where the various iterations of Barbie, Ken, and other Mattel dolls live in harmony. The movie critiques the system of compulsory sexuality that pushes a rejected Ken into his takeover of Barbieland. Further complicating this asexual reading of the Barbie is the history of the Mattel dolls as unsexed, a criticism that has been laid at the feet of many asexual individuals whose lack of sexual desire often renders them as inhuman. While the blossoming field of asexuality studies has so

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Busse, Kristina, and Shannon Farley. "Remixing the Remix: Fannish Appropriation and the Limits of Unauthorised Use." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.659.

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In August 2006 the LiveJournal (hereafter LJ) community sga_flashfic posted its bimonthly challenge: a “Mission Report” challenge. Challenge communities are fandom-specific sites where moderators pick a theme or prompt to which writers respond and then post their specific fan works. The terms of this challenge were to encourage participants to invent a new mission and create a piece of fan fiction in the form of a mission report from the point of view of the Stargate Atlantis team of explorers. As an alternative possibility, and this is where the trouble started, the challenge also allowed to

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