Academic literature on the topic 'Irish Psychological fiction'

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Journal articles on the topic "Irish Psychological fiction"

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Fernández, Richard Jorge. "Guilt, Greed and Remorse: Manifestations of the Anglo-Irish Other in J. S. Le Fanu’s “Madame Crowl’s Ghost” and “Green Tea”." Atlantis. Journal of the Spanish Association for Anglo-American Studies 42, no. 2 (2020): 233–51. http://dx.doi.org/10.28914/atlantis-2020-42.2.12.

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Monsters and the idea of monstrosity are central tenets of Gothic fiction. Such figures as vampires and werewolves have been extensively used to represent the menacing Other in an overtly physical way, identifying the colonial Other as the main threat to civilised British society. However, this physically threatening monster evolved, in later manifestations of the genre, into a more psychological, mind-threatening being and, thus, werewolves were left behind in exchange for psychological fear. In Ireland, however, this change implied a further step. Traditional ethnographic divisions have tend
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Brakovska, Jelena. "JOSEPH SHERIDAN LE FANU: METAMORPHOSES AND INNOVATIONS IN GOTHIC FICTION." CBU International Conference Proceedings 1 (June 30, 2013): 182–87. http://dx.doi.org/10.12955/cbup.v1.32.

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Notwithstanding the fact that the Anglo-Irish writer Joseph Sheridan Le Fanu was one of the most popular writers of the British Victorian era, his name and most of his works are not well-known to a common reader. The present research investigates how the author inventively modifies traditional Gothic elements and penetrates them into human’s consciousness. Such Le Fanu’s metamorphoses and innovations make the artistic world of his prose more realistic and psychological. As a result, the article presents a comparative literary study of Le Fanu’s text manipulations which seem to lead to the crea
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Sharkey, Rodney. "‘Local’ Anaesthetic for a ‘Public’ Birth: Beckett, Parturition and the Porter Period." Journal of Beckett Studies 21, no. 2 (2012): 193–222. http://dx.doi.org/10.3366/jobs.2012.0046.

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This essay proposes that psychological difficulties experienced by Beckett in the early 1930s led him to study psychology texts that were then incorporated into his fiction at both a manifest and latent level. It argues that the manifest material is used as part of a parody of psychoanalytic discourse, but also as part of a complex semiotic in which Beckett attempts to overcome his own birth trauma by displacing the maternal imago onto the Irish public house. This in turn gives rise to latent unconscious impulses which function as signs of both wombing and weaning in Beckett's early fiction. I
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Rangarajan, Padma. "“With a Knife at One’s Throat”." Nineteenth-Century Literature 75, no. 3 (2020): 294–317. http://dx.doi.org/10.1525/ncl.2020.75.3.294.

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Padma Rangarajan, “‘With a Knife at One’s Throat’: Irish Terrorism in The O’Briens and the O’Flahertys” (pp. 294–317) Sydney Owenson, Lady Morgan’s The O’Briens and the O’Flahertys (1827) is a silver-fork novel edged in steel: a portrait of aristocratic 1790s Dublin society that doubles as anti-imperialist jeremiad. It is also one of the earliest pieces of fiction to explicitly identify terrorism as an inevitable consequence of colonial conquest. In this essay, I demonstrate how Morgan’s novel upends the standard definition of terrorism as a singular historical rift and rewrites it as a condit
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Rangarajan, Padma. "“With a Knife at One’s Throat”." Nineteenth-Century Literature 75, no. 3 (2020): 294–317. http://dx.doi.org/10.1525/ncl.2020.75.3.294.

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Padma Rangarajan, “‘With a Knife at One’s Throat’: Irish Terrorism in The O’Briens and the O’Flahertys” (pp. 294–317) Sydney Owenson, Lady Morgan’s The O’Briens and the O’Flahertys (1827) is a silver-fork novel edged in steel: a portrait of aristocratic 1790s Dublin society that doubles as anti-imperialist jeremiad. It is also one of the earliest pieces of fiction to explicitly identify terrorism as an inevitable consequence of colonial conquest. In this essay, I demonstrate how Morgan’s novel upends the standard definition of terrorism as a singular historical rift and rewrites it as a condit
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Swettenham, Neal. "Irish Rioters, Latin American Dictators, and Desperate Optimists' Play-boy." New Theatre Quarterly 21, no. 3 (2005): 241–54. http://dx.doi.org/10.1017/s0266464x0500014x.

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The narrative process is inherently selective and consequently open to distortion and falsification. J. M. Synge humorously illustrated this in The Playboy of the Western World, in which his central character, Christy Mahon, reinvents himself through the telling and retelling of his own story. Play-boy, a much more recent performance work created by Desperate Optimists, takes as its opening gambit the riots that accompanied the first performances of this controversial Irish classic and adds a bewildering variety of other narrative materials to the mix—providing, as it does so, a tongue-in-chee
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Abdulaziz, Hanan Talib, and Luma Ibrahim Shakir. "Voluntary Exile and Deportation in Sebastian Barry's On Canaan's Side." JOURNAL OF LANGUAGE STUDIES 6, no. 2 (2023): 89–102. http://dx.doi.org/10.25130/jls.6.2.7.

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In recent times, exile and deportation have shaped the insights and works of many authors, because the current era is the era of political crises and immigration in which people migrate voluntarily or forcibly. Exile is often framed by the idea of disconnect. Thus, one of the key ideas that the study tries to prove is exile conceived as a connection rather than a separation. The experiences of voluntary exile and deportation, for political reasons, influence the human psyche and change the way humans perceive life. Therefore, the study sheds light on the psychological effects of these confusin
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Glinka, N. V. "The linguistic and cultural context of the concept CRIME in the narrative (based on the material of J. O’Connor’s novel “Star of the Sea”)." MESSENGER of Kyiv National Linguistic University. Series Philology 27, no. 2 (2025): 65–74. https://doi.org/10.32589/2311-0821.2.2024.323964.

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The article explores the linguistic and cultural context of the concept CRIME in the postmodern narrative, focusing on the actualization and verbalization of its central elements. The concept CRIME is a universal category representing cognitive mechanisms of interaction with various concepts and national features of worldviews, cultural specificity, individual psychological experience and behavioral adaptation. This study examines the linguistic and cultural aspects of the concept CRIME based on the the novel “Star of the Sea. Farewell to Old Ireland” (2002) by contemporary Irish writer Joseph
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Syed Musharaf Hussain Shah, Qudsia Ansar, and Dr. Sajid Ali. "State Surveillance & Familial Resistance: A Dystopian Analysis of Prophet Song by Paul Lynch." Journal of Arts and Linguistics Studies 3, no. 1 (2025): 1285–304. https://doi.org/10.71281/jals.v3i1.276.

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This study examines the devastating impact of state surveillance on familial bonds and the enduring strength of resistance in oppressive regimes as depicted in Lynch’s (2023) Prophet Song. It employs Foucault’s (1975/1977) notions of Panopticism taken from his book Discipline and Punish: The Birth of the Prison to analyze the psychological and social repercussions of state control as presented in Prophet Song. Foucault’s concept of Panopticism posits that surveillance induces self-regulation through the perception of constant observation. The study employs close textual analysis method to expl
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Trukhan, Oksana. "THE LATE XXth AND EARLY XXIst CENTURY WORLD LITERATURE AS A FACTOR IN SHAPING THE HISTORICAL MEMORY OF FUTURE TEACHERS." Mountain School of Ukrainian Carpaty, no. 26 (April 26, 2022): 58–61. http://dx.doi.org/10.15330/msuc.2022.26.58-61.

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It is noted that fiction for various reasons loses its educational role among future teachers, and a certain educational potential of modern world literature is virtually unfamiliar to students. It has been proved that modern foreign literature, which actualizes Ukrainian issues, can become an effective means of educating spirituality, national-patriotic feelings and historical memory in future teachers. The interest of foreign authors in Ukraine, its historical past, raising of important issues of national identity, historical memory of Ukrainians is a stimulus for students to get acquainted
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Books on the topic "Irish Psychological fiction"

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Dougherty, Monica. Rose's ring: An Irish story of love and redemption. Sunstone Press, 2013.

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Lordan, Beth. But Come Ye Back. HarperCollins, 2007.

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Kelly, Cathy. Someone like you. Poolbeg, 2000.

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Joseph, Conrad. Heart of darkness and selected short fiction. Edited by Matin A. Michael and Stade George. Barnes & Noble Classics, 2003.

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McLoughlin, Jane. Coincidence. Virago, 1992.

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McLoughlin, Jane. Coincidence. Virago, 1993.

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Hardy, Robert. Psychological and religious narratives in Iris Murdoch's fiction. Edwin Mellen Press, 2000.

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Barry, Sebastian. The whereabouts of Eneas McNulty. Thorndike Press, 1999.

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Irish Credo. Chalmers, John, 2008.

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James, Joyce. Ulysses Annotated Psychological Fiction Book. Independently Published, 2020.

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Book chapters on the topic "Irish Psychological fiction"

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Morrissey, Kathleen. "Debility as Disability." In Joyce Writing Disability. University Press of Florida, 2022. http://dx.doi.org/10.5744/florida/9780813069135.003.0005.

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As disability scholars have identified, modernist fiction represents a shift towards normalizing the representation of disability. James Joyce’s fiction, in particular, contains many physically disabled characters. Maren Linett argues that Joyce’s representation of these figures challenges political and bodily conformity, which was heavily enforced in his time. Now that disability is expanding further to consider various psychological conditions, it is valuable to examine how modernists like Joyce may have represented such psychological experiences in their rejections of normativity. This essa
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Rowe, Anne. "Writing the Landscape: The Island of Spells and the Sacred City." In Iris Murdoch. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9780746312162.003.0006.

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This chapter discusses the two geographical environments that predominantly shape Iris Murdoch’s identity and her fiction: Ireland, her birthplace, the ‘island of spells’, and London, the city in which she spent much of her life and spoke of as ‘sacred’. It first explores Murdoch’s often tortuous relationship with her homeland and the political upheavals that engulfed it during her lifetime, then moves on to illustrate how this ambivalence is reflected in a number of her Irish characters and the metaphorical fogs and mists that characterise her two ‘Irish’ novels The Unicorn and The Red and Th
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Vadde, Aarthi. "Alternating Asymmetry." In Chimeras of Form. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231180245.003.0003.

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Chapter two reconfigures the opposition between modernism’s aesthetic individualism and postcolonialism’s political collectivism by analyzing what I call, borrowing from Walter Benjamin, Joyce’s mediated solidarity with the Irish people. Mediated solidarity entails a critique but not an outright rejection of solidarity, both national and international, particularly when expressions of solidarity rely on rather than contest practices of self-deception. Joyce treated the self-deceptions of individual desire and collective national fantasies as chimeras with the potential to deflate the grandiose
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