Relevant bibliographies by topics / Irish question in motion pictures

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Irish question in motion pictures'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Irish question in motion pictures"

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Müller, Christian. "E.1027: murder and mystery of the camera Gems on the history of the house E.1027 created by Eileen Gray and Jean Badovici." Architectures of the Sun, no. 60 (2019): 71–76. http://dx.doi.org/10.52200/60.a.mnmurc5a.

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The bouquet of stories related to E.1027, the house built 1926–1929 by the Irish architect and furniture designer Eileen Gray with the support of Jean Badovici, is colorful and intriguing. In “E.1027: Murder and Mystery of the Camera”, gems on the history of the house, new research material and previously unpublished facts related to E.1027 are revealed. Above all, the search for an answer to the question “Which photo camera was used to take the original pictures of E.1027”.
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Geranfar, Babak. "The Malick Viewed." Conversations: The Journal of Cavellian Studies, no. 5 (February 27, 2018): 70–73. http://dx.doi.org/10.18192/cjcs.v0i5.2408.

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The question of the relation between Film and philosophy has been at the center of many intellectual debates since the foundation of cinema. It has been paraphrased and articulated in many disciplines such as Philosophy of Film, Film-Philosophy, Philosophy of Motion Pictures, Philosophy of Moving Images, even Film Theory. Nevertheless, as much as the technical aspects of the movies developed rapidly, the philosophical questions around it became more and more specific and the answers became more fallible by the end of the day. If you could agree before with some of the ontological conclusions o
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Hjort, Mette. "The public value of film: Moving images, health and well-being." Journal of Scandinavian Cinema 9, no. 1 (2019): 7–23. http://dx.doi.org/10.1386/jsca.9.1.7_1.

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Canvassing a variety of types of value, this article seeks to identify the promise of moving images for fields such as medical humanities, health humanities, critical public health studies and health and culture. The use of moving images for the intended purpose of effecting health outcomes is given priority, the emphasis being on immediate instrumental value. The value in question is seen as offering a neglected reason for claiming public value for moving images. Suggestive examples of interventions relating to authorship, genre, curatorial principles, the dynamics of reception and screens an
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Putri, Hellmy Nur Pratama Annuari, Ratih Niela Wulandari, Agnes Fitriana, and Sentot Kusairi. "The Comparison of High School Students’ Understanding of Kinematic Materials: Case of Question Representations." Jurnal Ilmiah Pendidikan Fisika Al-Biruni 9, no. 2 (2020): 241–49. http://dx.doi.org/10.24042/jipfalbiruni.v9i2.6032.

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This present study aimed to compare the understanding on kinematic concepts between public and private high school students in terms of the type of questions representation. Therefore, this quantitative and descriptive study applied survey methods in conducting the research. 190 students of private high school and 199 students of public high school were involved as the research subjects. The main instrument in this study was an isomorphic multiple-choice test which was developed into verbal representations, pictures and graphics. Specifically, this research instrument was adapted from Force Mo
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Žvirblytė, Milda. "JUDĖJIMO IDĖJA MODERNISTINĖJE TAPYBOJE." Religija ir kultūra 9 (January 1, 2011): 77–88. http://dx.doi.org/10.15388/relig.2011.0.2747.

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Straipsnyje susitelkiama į fenomenologijos diskurso taikymo Lietuvos XX a. antrosios pusės modernistinėje tapyboje problematiką siekiant paaiškinti judėjimo idėjos perteikimą tapybos kūrinyje. Tam analizuojami Kazimieros Zimblytės ir Eugenijaus Antano Cukermano abstraktūs paveikslai, sukurti aštuntajame–dešimtajame dešimtmečiuose. Abu menininkus domina abstrakčios plastinės idėjos – kaip sukurti paveikslo paviršiuje dėmės, plokštumos, fono judėjimo įspūdį. Straipsnyje keliamas klausimas: kaip vyksta judėjimas, slinktis paveiksluose, kas slenka, kaip tai atsiskleidžia pačiuose kūriniuose? Judėj
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Yusa, I. Made Marthana, and Ni Made Adi Sari Yati. "PENYAMPAIAN INFORMASI PENCEGAHAN KANKER SERVIKS MELALUI IKLAN LAYANAN MASYARAKAT BERUPA MOTION GRAPHIC." Jurnal Kreatif : Desain Produk Industri dan Arsitektur 2, no. 1 (2020): 15. http://dx.doi.org/10.46964/jkdpia.v2i1.102.

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Many ways used by the government preventing the cervical cancer, especially to reduce victim from teenager. For instance, by using The Public Service Announcement – PSA. Sometimes, that existing media does not provide pictures or videos precisely. Then, it cause disconnected information. The government cannot deliver the message of Cervical Cancer to the people properly. It reflected the fact that lot of teenagers still doesn’t aware about reproductive health. Authors analyze this phenomena, then think that we need more interesting alternative media solutions for the youth. That alternative me
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Suhandi, Andi, and Muhamad Nur. "PENGARUH BUTIR SOAL DALAM FORMAT ANIMASI TERHADAP HASIL TES PEMAHAMAN KONSEP PEMBIASAN CAHAYA." Jurnal Pengajaran Matematika dan Ilmu Pengetahuan Alam 15, no. 1 (2015): 40. http://dx.doi.org/10.18269/jpmipa.v15i1.294.

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This study investigates the effect of computer animation on assessment of conceptual understanding in refraction phenomena. An instrument was developed by replacing static pictures and descriptions of ray motion on refraction phenomena with computer animations, a commonly used pencil and paper test. Both quantitative and qualitative data were collected. The animated and static versions of the test were given to students and the results were statistically analyzed. The questionnaire was also conducted to provide the student responses about using of animated version test on assessment of concept
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Deffenbacher, Kristina. "Mapping Trans-Domesticity in Jordan’s Breakfast on Pluto." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1518.

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Neil Jordan’s Breakfast on Pluto (2005) reconceives transience and domesticity together. This queer Irish road film collapses opposition between mobility and home by uncoupling them from heteronormative structures of gender, desire, and space—male/female, public/private. The film’s protagonist, Patrick “Kitten” Braden (Cillian Murphy), wanders in search of a loved one without whom she does not feel at home. Along the way, the film exposes and exploits the doubleness of both “mobility” and “home” in the traditional road narrative, queering the conventions of the road film to convey the desire a
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O'Boyle, Neil. "Plucky Little People on Tour: Depictions of Irish Football Fans at Euro 2016." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1246.

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I called your producer on the way here in the car because I was very excited. I found out … I did one of those genetic testing things and I found out that I'm 63 percent Irish … I had no idea. I had no idea! I thought I was Scottish and Welsh. It turns out my parents are just full of shit, I guess. But now I’m Irish and it just makes so much sense! I'm a really good drinker. I love St. Patrick's Day. Potatoes are delicious. I'm looking forward to meeting all my cousins … [to Conan O’Brien] You and I are probably related! … Now I get to say things like, “It’s in me genes! I love that Conan O’Br
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Carty, Breda. "Interpreters in Our Midst." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.257.

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When deaf people work in professional environments and participate in public events, we are often accompanied by sign language interpreters. This usually means wonderfully enhanced access – we can learn, participate and network in ways which are difficult if not impossible on our own. But while we often try to insist that our interpreters are ‘invisible’, that we are the ones learning, engaging in dialogue and consuming services, we are regularly bemused by the public fascination and focus on our interpreters – sometimes at the expense of their attention to us. When interpreters are in our mid
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Dissertations / Theses on the topic "Irish question in motion pictures"

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Macleod, Allison. "Spaces of collision : queer masculinities in recent Irish cinema." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/5246/.

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This thesis maps out and analyses images of queer masculinities in recent Irish cinema to investigate what forms of queerness are enabled through their intersections with national specificity. In recent years images of non-normative masculinities have become increasingly visible in Irish cinema. These images can be seen as resulting from economic, political and social changes taking place in Ireland and globally, as well as the Irish Film Board’s (IFB) revised mandate in 1993 of encouraging indigenous filmmakers to cater to international audiences and more mainstream appeal. Yet while non-norm
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Neely, Sarah. "Adapting to change in contemporary Irish and Scottish culture fiction to film /." Connect to e-thesis, 2009. http://theses.gla.ac.uk/757/.

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Thesis (Ph.D.) - University of Glasgow, 2003.<br>Ph.D. thesis submitted to the Department of English Literature and Department of Film and Television Studies, University of Glasgow, 2003. Includes bibliographical references. Print version also available.
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Mann, Erika Noelle. "Cinema's green is gold the commodification of Irishness in film /." CONNECT TO THIS TITLE ONLINE, 2008. http://etd.lib.umt.edu/theses/available/etd-05082008-102020/.

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Hendriok, Alexandra Michaela Petra. "Myth and identity in twentieth century Irish fiction and film." Thesis, [n.p.], 2000. http://library7.open.ac.uk/abstracts/page.php?thesisid=17.

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Jack, Jeffrey K. "Irish representations in the films of Jim Sheridan and Neil Jordan." Huntington, WV : [Marshall University Libraries], 2005. http://www.marshall.edu/etd/descript.asp?ref=587.

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Theses (M.A.)--Marshall University, 2005.<br>Title from document title page. Includes abstract. Document formatted into pages: contains iii, 54 p. Films of Neil Jordan: p. 52-53. Films of Jim Sheridan: p. 54. Works cited: P. 47. Bibliography: p. 48-51.
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Neely, Sarah. "Adapting to change in contemporary Irish and Scottish culture : fiction to film." Thesis, University of Glasgow, 2003. http://theses.gla.ac.uk/7486/.

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This thesis examines the relationship of Irish and Scottish literature and film comparatively. The field of adaptation has traditionally centred around classical literary adaptations and the heritage film. Considering the increasing frequency with which contemporary novelists are adapted to film, it comes as a surprise that very little analysis has extended beyond the pages of the general media. Recent Irish and Scottish films in particular have relied upon the popularity of their literary exports in order to boost their indigenous filmmaking ventures. While generally considering the dialogic
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Gustafsson, Fredrik. "Hasse Ekman : a question of authorship in a national context." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3421.

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This thesis takes a historical approach to its subject and focuses on Swedish cinema of the 1940s and 1950s. The thesis argues that Swedish cinema experienced a renaissance in the 1940s, lasting approximately from 1940 to 1953. It further suggests that one of the most important filmmakers in this renaissance was Hasse Ekman. By focussing upon Ekman and this renaissance, a much-needed contextualisation of Ingmar Bergman will be achieved. Ingmar Bergman is one of the most well-known and well-researched filmmakers of all time, but there are still gaps in the material surrounding him, and one such
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Hopper, Keith. "Imagining otherwise : Neil Jordan's counter-narratives." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669873.

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Wardell, Kathryn Brenna. "The rake's progress: Masculinities on stage and screen." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11457.

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viii, 261 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>My dissertation analyzes the rake, the libertine male, a figure whose liminal masculinity and transgressive appetites work both to stabilize and unsettle hegemony in the texts in which he appears. The rake may seem no more than a sexy bad boy, unconnected to wider social, political, and economic concerns. However, my project reveals his central role in reflecting, even shaping, anxieties and desires regarding gender and sexuality, race and ethnicity.
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Moody, Kyle Andrew. ""Why so serious?" comics, film and politics, or the comic book film as the answer to the question of identity and narrative in a post-9/11 world /." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1249507295.

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Books on the topic "Irish question in motion pictures"

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Censoring Irish nationalism: The British, Irish, and American suppression of Republican images in film and television, 1909-1995. McFarland, 1997.

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The IRA on film and television: A history. McFarland & Company, Inc., Publishers, 2012.

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La cuestión irlandesa y el IRA: Una visión a través del cine. Fancy Ediciones, 2003.

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hÉireann, Bord Scannán na. [List of Irish films]. Bord Scannán na hÉireann, 1998.

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The myth of an Irish cinema: Approaching Irish-themed films. Syracuse University Press, 2008.

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McIlroy, Brian. Irish cinema: An illustrated history. Anna Livia Press, 1988.

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Directory of Irish and Irish-related films. Flicks Books, 1989.

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Historical dictionary of Irish cinema. Scarecrow Press, Inc., 2008.

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Still Irish: A century of the Irish in film. Red Mountain Press, 1995.

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Irish Postgraduate Film Research Seminar (2006 University of Ulster). Irish films, global cinema. Edited by McLoone Martin, Rockett Kevin, and Irish Postgraduate Film Research Seminar (2007 : Trinity College). Four Courts Press, 2007.

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Book chapters on the topic "Irish question in motion pictures"

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Gunning, Tom. "The Question of Poetic Cinema." In The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_24.

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