Relevant bibliographies by topics / Isenheim Altar (Grünewald, Matthias)

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  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Isenheim Altar (Grünewald, Matthias)'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Isenheim Altar (Grünewald, Matthias)"

1

Frankemölle, Hubert. "Johannes der Täufer und Jesus im Matthäusevangelium: Jesus Als Nachfolger des Täufers." New Testament Studies 42, no. 2 (1996): 196–218. http://dx.doi.org/10.1017/s0028688500020701.

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Das traditionelle christliche Bild des Täufers ist geprägt durch religiöse Volkskunde und Feömmigkeitsgeschichte, die aufgrund der unseligen ‘Zergegnung’ zwischen Christen und Juden durch die Jahrhunderte hindurch bis zum Holocaust von antijüdischen Stereotypen bestimmt sind. Je ausgeprägter die Christologie, um so unmiβverständlicher ist die theologische Degradierung oder Enterbung in Form der Vereinnahmung, etwa wenn man Johannes den Täufer aufgrund von Mt 11.11 (‘Amen, das sage ich euch: Unter alien, die von einer Frau geboren sind, trat keiner auf, der gröβer ist als Johannes der Täufer’)
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2

Marquard, Reiner. "Karl Barth, das Manifest der 93 und der Isenheimer Altar. Ingolf U. Dalferth in Dankbarkeit!" Evangelische Theologie 80, no. 2 (2020): 113–28. http://dx.doi.org/10.14315/evth-2020-200206.

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Abstract Without the contemplation of the Isenheim Altar, Karl Barth would not have achieved a certain theological breakthrough in this radical and precise manner. It can be assumed that his theological linguistic doctrine for the turn from the first to the second version of the Commentary on the Letter to the Romans was promoted by the pictorial contemplation of the Isenheim Altar (caused by the disappointment about his theological teachers). The thesis is that Barth presented his theological metaphor of the ›death line‹ (17 October 1920) in derivation of the ›death wall‹ (17 April 1920) of t
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3

Fontoura, Pablo, Anna Miscenà, Michel Menu, and Jean-Marie Schaeffer. "Painting Restoration and the Eye of the Beholder: A Mobile Eye-Tracking Study at the Unterlinden Museum." Art & Perception, June 2, 2023, 1–25. http://dx.doi.org/10.1163/22134913-bja10048.

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Abstract Art historical literature has often discussed the impact of painting restorations on viewers. Although many theoretical hypotheses have been proposed regarding the effect of restoration on the beholder’s eye, little empirical research has addressed this topic. This study aimed to fill this gap by investigating whether painting restoration has a meaningful influence on the visual perception of art viewers at the eye-movement level. Specifically, the study designed a mobile eye-tracking study in an ecologically valid setting — the art museum — to investigate the effects of restoration o
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Dissertations / Theses on the topic "Isenheim Altar (Grünewald, Matthias)"

1

Ritchie, Jennifer Ann. "The Nativity Panel of Isenheim Altarpiece and its Relationship to the Sermo Angelicus of St. Birgitta of Sweden." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2702/.

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This thesis explores the relationship of the Sermo Angelicus of St. Birgitta of Sweden, written in the fourteenth century, with the Nativity/Concert of Angels panel of the Isenheim Altarpiece, painted by Matthias Grunewald in 1514 for a hospital and monastery run by the Antonite Order. Taking into consideration the context of the altarpiece, this thesis analyzes its iconography in relation to specific passages from the Sermo Angelicus, suggesting that the text was a possible source used by the Antonites in the Nativity/Concert of Angels panel. By doing so, parallel themes of salvation in
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2

Anderson, Katherine Lena. "The Birth of Sacrifice: Iconographic Metaphors for Spiritual Rebirth in Master Matthias' Isenheim Altarpiece." BYU ScholarsArchive, 2006. https://scholarsarchive.byu.edu/etd/1027.

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While little is known concerning the events surrounding the commission of the Isenheim Altarpiece or of the artist known to us as Master Matthias Grünewald, much can be ascertained about the message of the Altarpiece through careful study of the socio-historical-religious context from which the work was commissioned and iconographic analysis of the images portrayed by Master Matthias. This thesis explores iconographic metaphors for birth and sacrifice, metaphors which work to create a theological dialogue about Christian redemption within the nine painted panels and the underlying sculpture th
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3

Slabbert, Carmen A. "'n Ondersoek na die bronne wat Matthias Grünewald gebruik het vir die skilder van die Isenheim-altaarstuk : die Kruisigingstoneel." Diss., 2015. http://hdl.handle.net/2263/48951.

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Using the Bible as inspiration for paintings was popular during the Middle Ages. External factors also influenced the artists’ life. Matthias Grünewald is one of the artists inspired by the Bible and external factors. This study attempts to determine what possible sources the painter, Matthias Grünewald,used for the painting of the crucifixion scene of the Isenheim altar. It will also look at the life and works of Matthias Grünewald. Matthias Grünewald's life is as much a mystery as William Shakespeare's life. There are few records of his life available and he used his wife's maiden n
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Books on the topic "Isenheim Altar (Grünewald, Matthias)"

1

Gottfried, Richter. The Isenheim altar: Suffering and salvation in the art of Grünewald. Floris Books, 1998.

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2

Grünewald im Dialog: 500 Jahre Isenheimer Altar in Kunst, Literatur und Musik. Schnell + Steiner, 2016.

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3

Richter, Gottfried, and Matthias Grunewald. The Isenheim Altar: Suffering and Salvation in the Art of Grunewald. Floris Books, 1999.

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