Relevant bibliographies by topics / Isenheim Altarpiece

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Isenheim Altarpiece'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Isenheim Altarpiece"

1

HENNING, UTA. "Grunewald's Isenheim altarpiece." Early Music XXIX, no. 4 (2001): 667—a—667. http://dx.doi.org/10.1093/earlyj/xxix.4.667-a.

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Fleming, M. "Grunewald's Isenheim altarpiece." Early Music XXX, no. 2 (2002): 313–16. http://dx.doi.org/10.1093/em/xxx.2.313.

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Scillia, Diane G., and Andree Hayum. "The Isenheim Altarpiece. God's Medicine and the Painter's Vision." Sixteenth Century Journal 22, no. 2 (1991): 411. http://dx.doi.org/10.2307/2542785.

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Davis, Lanta. "Redemptive Suffering in the Isenheim Altarpiece and Bernard MacLaverty's Cal." New Hibernia Review 22, no. 3 (2018): 81–95. http://dx.doi.org/10.1353/nhr.2018.0032.

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5

Mellinkoff, Ruth. "The Devil at Isenheim: Reflections of Popular Belief in Grunewald's Altarpiece." Journal of Aesthetics and Art Criticism 47, no. 3 (1989): 300. http://dx.doi.org/10.2307/431020.

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Smith, Jeffrey Chipps, Ruth Mellinkoff, and Christian Heck. "The Devil at Isenheim: Reflections of Popular Belief in Grunewald's Altarpiece." Sixteenth Century Journal 21, no. 3 (1990): 483. http://dx.doi.org/10.2307/2540285.

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Shackelford, Jole. "The Isenheim Altarpiece: God's Medicine and the Painter's Vision. Andree Hayum." Isis 82, no. 1 (1991): 131. http://dx.doi.org/10.1086/355674.

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8

Cusack, Carole. "The Isenheim altarpiece: God's medicine and the painter's vision (review)." Parergon 12, no. 2 (1995): 178–79. http://dx.doi.org/10.1353/pgn.1995.0100.

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Kablitz, Andreas. "Die Provokation der Bildwissenschaft." Poetica 49, no. 3-4 (2019): 285–336. http://dx.doi.org/10.30965/25890530-04903004.

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Gerhard Regn zum 75. GeburtstagAbstractThe emergence of the so called Bildwissenschaft in recent humanities constitutes a major challenge to philology, as this newly established branch of art studies claims that images have a potential of generating meaning that is equivalent to, yet independent from, any linguistic means of producing semantics. Linguistics as well as literary studies have hardly reacted to this challenge until now. Therefore, the first part of this article proposes a comparative analysis of the procedures of generating meaning in images and in language, exploring their differ
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10

Beattie, Tina. "Insight Beyond Sight: Sacramentality, Gender and the Eucharist with reference to the Isenheim Altarpiece." New Blackfriars 88, no. 1014 (2007): 170–86. http://dx.doi.org/10.1111/j.1741-2005.2006.00142.x.

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Dissertations / Theses on the topic "Isenheim Altarpiece"

1

Anderson, Katherine Lena. "The Birth of Sacrifice: Iconographic Metaphors for Spiritual Rebirth in Master Matthias' Isenheim Altarpiece." BYU ScholarsArchive, 2006. https://scholarsarchive.byu.edu/etd/1027.

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While little is known concerning the events surrounding the commission of the Isenheim Altarpiece or of the artist known to us as Master Matthias Grünewald, much can be ascertained about the message of the Altarpiece through careful study of the socio-historical-religious context from which the work was commissioned and iconographic analysis of the images portrayed by Master Matthias. This thesis explores iconographic metaphors for birth and sacrifice, metaphors which work to create a theological dialogue about Christian redemption within the nine painted panels and the underlying sculpture th
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2

Ritchie, Jennifer Ann. "The Nativity Panel of Isenheim Altarpiece and its Relationship to the Sermo Angelicus of St. Birgitta of Sweden." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2702/.

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This thesis explores the relationship of the Sermo Angelicus of St. Birgitta of Sweden, written in the fourteenth century, with the Nativity/Concert of Angels panel of the Isenheim Altarpiece, painted by Matthias Grunewald in 1514 for a hospital and monastery run by the Antonite Order. Taking into consideration the context of the altarpiece, this thesis analyzes its iconography in relation to specific passages from the Sermo Angelicus, suggesting that the text was a possible source used by the Antonites in the Nativity/Concert of Angels panel. By doing so, parallel themes of salvation in
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Books on the topic "Isenheim Altarpiece"

1

The Isenheim altarpiece: God's medicine and the painter's vision. Princeton University Press, 1989.

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2

Hayum, Andree. The Isenheim Altarpiece: God's medicine and the painter's vision. Princeton U.P., 1994.

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3

Hayum, Andree. The Isenheim altarpiece: God's medicine and the painter's vision. Princeton University Press, 1993.

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4

Roberts, Karen Barbara. The influence of the rosary devotion on Grünewald's Isenheim Altarpiece [microform]. University Microfilms International, 1985.

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5

The devil at Isenheim: Reflections of popular belief in Grünewald's altarpiece. University of California Press, 1988.

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6

Der Sternenhimmel und der Isenheimer Altar. Mayer, 2005.

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7

Gottfried, Richter. The Isenheim altar: Suffering and salvation in the art of Grünewald. Floris Books, 1998.

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8

Das Evangelium des Malers Mathis: Betrachtungen zum Isenheimer Altar. R. Brockhaus, 1985.

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9

Hayum, Andree. The Isenheim Altarpiece. Princeton University Press, 1993.

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10

The Isenheim Altarpiece: History - Interpretation - Background. SteinerBooks, 2018.

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Book chapters on the topic "Isenheim Altarpiece"

1

Bruhn, Siglind. "Aesthetic Symbiosis and Spiritual Quest: Grünewald’s Isenheim Altarpiece in Hindemith’s Opera Mathis Der Maler." In The Orchestration of the Arts — A Creative Symbiosis of Existential Powers. Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-017-3411-0_3.

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2

"Opening: The Isenheim Altarpiece or “The Taking on Board of Suffering”." In The Guide to Gethsemane. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823281985-003.

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