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1

Sabino, Osvaldo R. Luisa Mercedes Levinson: Revolución, redención y la madre del nuevo Mesías : alusión mítica y alegoría política en La isla de los organilleros. Bs. As. [i.e. Buenos Aires]: Corregidor, 1993.

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2

Vázquez, Florencio. Los organilleros asesinos. [Montevideo, Uruguay]: Signos, 1989.

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3

ill, Kleven Elisa, ed. Isla. New York: Dutton Children's Books, 1995.

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4

Antillón, Juan. Isla. Ciudad Universitaria Rodrigo Facio [Costa Rica]: Editorial Universitaria Centroamericana, 1988.

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5

Sánchez-Gallinal, Margarita. Gloria Isla. La Habana, Cuba: Editorial Letras Cubanas, 2001.

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6

Ressia, Luis O. La isla. Buenos Aires, R. Argentina: Ediciones La Lámpara Errante, 1989.

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7

Pusterla, Fabio. Isla Persa. 3rd ed. Locarno: "IL salice", 1998.

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8

Marín, Juan Luis. Isla perpetua. Málaga: Sepha, 2013.

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9

Isla Grande. Tucson, Ariz: Silver Mountain Press, 1994.

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10

Cantizani, Lara. Isla desierta. Sevilla [Spain]: Fundación Genesian, 2001.

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11

Riestra, Blanca. Isla Decepción. Madrid: Fundación de los Ferrocarriles Españoles, 1998.

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12

Martín, Rafael San. La isla. Buenos Aires: Nuevohacer Grupo Editor Latinoamericano, 1999.

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13

Lorenzo, Francisco. Isla Fortuna. Barcelona: Llibres de l'Index, 1998.

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14

Antonio, Larrea, ed. Isla Negra. [Santiago, Chile]: Pehuén, 1994.

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15

Caballero, Manuel María. La isla. Santa Cruz, Bolivia: Fondo Editorial Gobierno Municipal Santa Cruz de la Sierra, 1996.

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16

Isla 10. 2nd ed. Santiago [Chile]: Pehuén, 1988.

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17

Peraita, Graciano. Isla ensoñada. La Laguna, Tenerife: Centro de la Cultura Popular Canaria, 1992.

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18

Martín, Rafael San. La isla. La Habana: Ediciones Unión, 2003.

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19

Isla decepción. Valencia: Pre-Textos, 2010.

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20

Lobo, Ramón. Isla África. Barcelona: Seix Barral, 2001.

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21

Dorros, Arthur. La isla. New York: Dutton Children's Books, 1995.

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22

Prieto, Antonio. Isla Blanca. Barcelona: Seix Barral, 1997.

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23

Lobo, Ramón. Isla Africa. Barcelona: Seix Barral, 2001.

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24

Marchand, Leda. Isla paraiso. [Chile: s.n.], 1985.

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25

Cantizani, Lara. Isla desierta. Sevilla: Fundación Genesian, 2001.

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26

La isla. Buenos Aires, República Argentina: Bajo La Luna, 2010.

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27

García-Viñó, Manuel. Isla Mayor. Madrid: Ibérico Europea de Ediciones, 1990.

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28

Huxley, Aldous. La isla. Argentina: Sudamericana, 1988.

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29

Rosasco, José Luis. Pascua: La isla más isla del mundo. Santiago de Chile: Editorial Kactus, 1991.

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30

Cuentos de la isla: Isla del Vizcaíno. Montevideo, Uruguay: Melibea Ediciones, 2001.

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31

De una isla a otra isla: Antología personal. Anzoátegui, Venezuela: Fondo Editorial del Caribe, 2005.

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32

Gómez-Alonso, Alicia. La isla mágica. Madrid: Editorial Catoblepas, 1985.

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33

Montana, Estro. La última isla. Madrid: Libertarias/Prodhufi, 1993.

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34

Mendoza, Eduardo. La isla inaudita. Barcelona: Seix Barral, 1989.

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35

Pedrero, Paloma. La isla amarilla. Ciudad Real, España: Ñaque Editora, 1995.

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36

Verne, Jules. La isla misteriosa. Arganda del Rey (Madrid), Spain: Edimat Libros, 2007.

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37

E. Rosamonde Ellis Van Miert. Isla de Eliza. Bellingham, Wash: Van Miert, 2007.

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38

Yebra, Ana María Romero. Isla de Brétema. Madrid: Ediciones Torremozas, 1985.

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39

Lalo, Eduardo. La isla silente. San Juan, P.R: Isla Negra Editores, 2002.

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40

Isla de edición. Buenos Aires: Paradiso, 2011.

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41

Revolucion Y Redencion En "La Isla De Los Organilleros. Corregidor, 1993.

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42

Llano, Samuel. The Persecution of Organilleros. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0009.

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This chapter provides an account of how, from the 1860s on, organilleros challenged some of the foundations of a middle-class lifestyle in Madrid, including comfort and aural hygiene. For that reason, city authorities intensified the legal and police persecution of these musicians toward the end of the nineteenth century. In 1889, the media orchestrated a campaign against organilleros in which they were accused of committing a crime that was never verified. This frame-up mobilized public opinion against organilleros and paved the way for the string of legal measures that targeted them from the 1890s on. While not all the media and residents in Madrid agreed that this persecution was fair, most of them celebrated it for bringing peace to Madrid, an attitude that illustrates how comfort prevailed over social justice.
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43

Llano, Samuel. The Demise and Enshrining of Organilleros. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0011.

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This chapter describes how the modernization and cultural transformation of Madrid and Spain during the First World War raised fears among conservative social critics and journalists that Spanish traditions and identity would be wiped out. These critics ascribed organilleros the same function as flamenquismo, that is, that of serving as bulwarks against the influence of jazz and modern “foreign” culture. Once seen as one of Madrid’s foremost public enemies, organilleros now started to be regarded with nostalgia and as a symbol of national identity. This new perception was reinforced as the organilleros’ reputation for harassing women was compared with that of Don Juan. Don Juan was not only one of Spain’s foremost literary myths, but his importance grew in the 1920s as debates about sexuality in Spain used Don Juan as a prism to analyze the sexual mores of Spanish society.
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44

Llano, Samuel. A New Order? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0010.

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This chapter describes how organilleros, in spite of all the nuisance that they caused, played a key role in the formation of a middle-class lifestyle in Madrid. Organilleros represented everything that the rising middle classes rejected, such as coarseness and lack of refinement. The middle classes used organilleros as an Other against which to define themselves. Parallel to the legal persecution of organilleros in the 1890s, the press circulated news of crimes and murders allegedly committed by organilleros. There was a common narrative structure in all these news, namely, one in which an organillero killed his partner in a fit of jealousy. The media accused organilleros of misappropriating the centuries-long honor code that was endorsed in the 1870 Penal Code and that provided legitimacy for males to use violence against their wives to restore honor damaged through adultery.
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45

César, Rodríguez Placeres, Sosa Díaz Remedios, and Centro de la Cultura Popular Canaria., eds. Canarias isla a isla. Gran Canaria: Centro de la Cultura Popular Canaria, 2000.

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46

Dorros, Arthur. Isla. Tandem Library, 1999.

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47

Dorros, Arthur. Isla. Puffin, 1999.

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48

Llano, Samuel. A Public Nuisance. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199392469.003.0007.

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This chapter documents the early presence of organilleros in the streets of Spanish cities from the 1860s on and analyzes their impact on Madrid’s society during the ensuing decades. Considered an exotic amusement during the 1860s, organilleros came to be seen as sources of “noise” and social disorder soon after. Although the information available on organilleros makes it hard to describe their social background accurately, it is likely that some of them were rural immigrants who took up organ grinding intermittently when other sources of income failed. Their impact on the public sphere raised awareness about the effects of sound and prompted legal measures that could be considered as the first attempts to spread an “aural” hygiene in Madrid. For this reason, organilleros played a key role in the modernization of this city.
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49

When Isla Meets Luke Meets Isla. Bloomsbury UK, 2003.

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50

(Translator), Sandra Marulanda Dorros, ed. Isla, La. Dutton Juvenile, 1995.

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