Academic literature on the topic 'Islamic architecture – Designs and plans'
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Journal articles on the topic "Islamic architecture – Designs and plans"
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Arnold, Felix. "Mathematics and the Islamic Architecture of Córdoba." Arts 7, no. 3 (August 8, 2018): 35. http://dx.doi.org/10.3390/arts7030035.
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In 10th-century Córdoba, mathematics—and particularly geometry—was applied to architectural design in new ways, constituting a “mathematical turn” of Islamic architecture. In the mosque of Córdoba and in the palaces of Madīnat al-Zahrāʾ, geometry was employed in the design of ground plans, elevations, decorative patterns, and even to measure the human view. While Roman architects like Vitruvius had used mathematics to place each element of a building in its appropriate relation to all other elements of a building, the architects at Córdoba employed geometry to create a spatial web in which all parts are equal to each other and part of a single, unified space. The architects of Córdoba thus pointed the way to new possibilities of designing architecture, possibilities which were to be tested further by architects of Gothic and Renaissance architecture, though to different ends.
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Babangida, Hamza, and Halima Sani Katsina. "INTEGRATING ISLAMIC DESIGN PRINCIPLES FOR ACHIEVING FAMILY PRIVACY IN RESIDENTIAL ARCHITECTURE." Journal of Islamic Architecture 5, no. 1 (June 21, 2018): 9. http://dx.doi.org/10.18860/jia.v5i1.4407.
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<p>Islamic Design Principles (IDP) are general guides in the context of the Islamic legal system (Sharia) abstracted for application in the management of the existing Muslim built environment and which could be used for the designing new buildings. Accordingly, they were developed from various Sharia sources among which include the Qur'an and the Hadith, as primary sources. The aim of this paper is to identify Islamic Design Principles which apply to architecture and to use same to demonstrate how they could be applied to achieve family privacy in residential design of the Muslim faithful. The research methodology involved literature search on extant works which identified Islamic Principles and their relevance to residential architecture on one hand and documentation of floor plans of existing houses designed for and occupied by Muslims in Nigeria. A four bedroom duplex among the documented houses was used to demonstrate how family privacy could be achieved using the Islamic Design Principles (IDP) at various design stages such as spatial rearrangement, reorientation, and reconfiguration of functional spaces without compromising global design criteria. In the redesigned floor plans, the design elements that were integrated include those which affected bedrooms, living rooms and other spaces for family interactions to reflect family privacy needs. Overall, the outcome of this paper adds to our understanding of the role the Islamic Design Principles (IDP) could play in no distant future on novel design approaches that support the use of new structural forms, shape and design elements which provides to privacy needs of Muslim faithful as well as satisfy universal design requirements. This paper will find practical implication if it is used as theoretical as well practical support to professionals in designing residences which address specific spiritual values of residents </p>
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Abu-Hussein, Mohammed. "The Genesis of Schools and its Architecture in The Arab-Islamic Civilization." Academic Perspective Procedia 1, no. 1 (November 9, 2018): 1232–42. http://dx.doi.org/10.33793/acperpro.01.01.194.
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This research aims to determine the genesis of the schools in the Arab Islamic civilizations and how the educational function has separated from the mosque. Also highlighted the historical, religious, architectural conditions that led to school's emergence. Then, aims to study the different architectural styles of schools across the whole region of Islamic world through studying the architectural plans and forms in order to understand the functions of the spaces and the multi-functional spaces feature. In addition to present an understanding vision for the educational system and discuss its religious specialist , and give a definition for the educational role of the mosque and the continuity of this role in the light of having a new building for education. Though, mention the architectural roots which have various design styles and forms such as residential , religious or the charitable building, even the defensible architectural building like (fortresses,ribat). The conclusion for this research was oriented toward the architecture of school from the functional, the structural wise and discussing its architectural elements to show the aesthetical and artistic value for this architecture and discuss its major role in the urban fabric which is the most important goal for the research.
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Mafakheri, H. R., A. H. Hejazi, and M. Dashti. "Design of the Administrative Building of Kuhsar City under a Sustainable Architecture Concept Approach." Engineering, Technology & Applied Science Research 6, no. 4 (August 26, 2016): 1080–83. http://dx.doi.org/10.48084/etasr.723.
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This study investigates a sustainable approach in the design of the administrative building of the municipality and Islamic council of Kuhsar city, Iran. The initial design is inspired by a flower bud and the various stages of the design are described using actual images, 2-D plans and 3-D models. An extra focus is given to sustainable elements. Overall the design aims to deliver an energy sufficient yet aesthetically pleasing building.
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Mohd Razali, Noorul Huda, and Anuar Talib. "The Privacy Aspects in the Malay Dwelling." Asian Journal of Behavioural Studies 3, no. 11 (May 20, 2018): 157. http://dx.doi.org/10.21834/ajbes.v3i11.111.
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The Malay dwelling (MD) in Melaka demonstrated the Malay cultural norms, religious beliefs and the basic requirements of privacy in Islam. Privacy needs of the family members and the non-mahram visitor is determinant for designing the space planning in MD. Different types of dwelling size were selected in order to investigate the concept of privacy. Research methodology was designed on occupant observation, layout plan measurement and in-depth interviews. The results affect the privacy provisions and behaviors of MD occupants. Moreover, these findings assist to produce new design recommendations of layout plans, to achieve the privacy level from Islamic perspective.Keywords: Privacy; Malay dwelling; floor space planning; Islamic perspectives of privacyeISSN 2398-4295 © 2018. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. http://dx.doi.org/10.21834/ajbes.v3i11.111
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Bloom, Jonathan M. "On the Transmission of Designs in Early Islamic Architecture." Muqarnas 10 (1993): 21. http://dx.doi.org/10.2307/1523168.
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Bloom, Jonathan M. "ON THE TRANSMISSION OF DESIGNS IN EARLY ISLAMIC ARCHITECTURE." Muqarnas Online 10, no. 1 (1992): 21–28. http://dx.doi.org/10.1163/22118993-90000291.
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Singleton, Rebecca. "Architecture and intellectual property." Architectural Research Quarterly 15, no. 3 (September 2011): 294–96. http://dx.doi.org/10.1017/s1359135511000893.
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For architects, intellectual property (IP) law is vital. Without it plans, building designs and models would have no value as others could copy them without payment. But what are an architect's rights and how are those rights retained in order to avoid commercial exploitation?The legislation for this area of law comes from the Copyright, Designs and Patents Act 1988 (CDPA), the Registered Designs Act 1949, the Trade Marks Act 1994 and the Patents Act 1977. IP itself is divided into those rights that are registrable at the Intellectual Property Office (IPO) and those that are not. Rights that must be registered before the work is protected include trademarks, patents and registered designs; IP rights that cannot be registered include copyright and unregistered design rights.
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Ghasemzadeh, Behnam, Atefeh Fathebaghalli, and Ali Tarvirdinassab. "SYMBOLS AND SIGNS IN ISLAMIC ARCHITECTURE." Revista Europeia de Estudos Artisticos 4, no. 3 (September 30, 2013): 62–78. http://dx.doi.org/10.37334/eras.v4i3.86.
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Throughout history, Islamic signs and signification were recognized and appreciated by both Muslim and Non-Muslim scholars. The Islamic style of architecture is not only used in mosques, but also in other Islamic buildings and even in gardens. The architecture encompasses both secular and religious artistic styles. The aim of this study is to contextualize the concept of Islamic architecture. It seeks to make the readers appreciate the heritage of Islamic architecture, and to clarify on misconceptions about Islamic architecture. This study examines various types of Islamic architecture and conducts a semiotic analysis of these works. The study defines the meaning and scope of Islamic architecture. It highlights the qualities and characteristics that make it unique and distinctive from other forms of architecture. It looks into the meanings and characteristics of the structures and explores the decorative styles used. Further, it explores the concept of Islamic architecture and analyses the meaning of some of the signs and significations. The findings indicate that the most common styles are calligraphy, geometry and floral designs. The study also finds that Islamic architecture encompasses both secular and religious artistic styles and has been influential in designing, constructing and decorating buildings in other cultures during both the ancient times and in the present day.
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Imaduddin, Muhamad. "INFUSING ISLAMIC VALUES AND SUSTAINABLE DEVELOPMENT INTO CHEMISTRY FOR PRE-SERVICE ISLAMIC ELEMENTARY SCHOOL TEACHERS." JURNAL PENDIDIKAN SAINS (JPS) 7, no. 1 (April 9, 2019): 47. http://dx.doi.org/10.26714/jps.7.1.2019.47-54.
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This paper discusses the designs in infusing Islamic values and sustainable development and how challenges must be faced in the training for pre-service Islamic elementary school teachers. The subjects of this study consisted of 77 primary school educational candidates who contracted "Simple Chemistry" lectures The instrument was The Chemical Essay Test Integrated Sustainable Development Aspects (CET-SD) containing Islamic discourse. Based on pedagogical planning, lesson plans are divided into four stages, consisting of (1) phase of contact; (2) phase of curiosity and planning; (3) phase of elaboration; and (4) phase of deepening and networking. The link between Islamic values and chemistry and the environment was well understood by pre-service teachers. Some challenges in teaching chemical content were found regarding with (1) difficulties with the relation between macro domain and submicro domain; (2) difficulties with the relation between symbolic domain and macro or submicro domain; (3) difficulties with models.
Dissertations / Theses on the topic "Islamic architecture – Designs and plans"
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Curreem, Hassan Abdul. "An islamic centre." Thesis, Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25945816.
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To, Kin-chung Frank, and 杜建宗. "Mosque & Muslim community centre in the New Territories." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985452.
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Abdul-mehsen, Abdullah. "Patterns of continuity: revitalizing the underlying principles of Kuwaiti traditional architecture and applying them to a contemporary community." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/53248.
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This thesis describes an approach to the planning and design of a Kuwaiti community that fosters a return to the value system established by past generations but being neglected in current planning and design concepts. This design approach focuses the specific environmental factors that exist in Kuwait, as well as being concerned with the values of the community.
Islamic teachings are built on the concept of unity in creation and purpose. All creatures are created by One and are linked in worshiping the Creator. In the design, all the housing units in the community and the souq develop from the principles of geometry and are linked by unity of purpose.
Contemporary architecture and urban structures in Kuwait should not only rely on local physical materials, but also express the valuable principles of Islamic culture. Islam considers each community to be one family, the relationship Islamic community's between architectural individuals.Master of Architecture
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Qallaf, Saleh H. "Salmiya civic center." Thesis, Virginia Polytechnic Institute and State University, 1987. http://hdl.handle.net/10919/53155.
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The richness of my culture is deeply rooted in its history. Its forms change and develop according to the needs of time and place...but its essence is always the same.
Its spaces are all defined and limited by boundaries that hold society together and allow development within sets of rules which maintain the general character and the cultural framework of the environment.Master of Architecture
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Rao, Mala R. "An experience in learning: design of a multi-disciplinary university at Timbuktu, Mali." Thesis, Virginia Polytechnic Institute and State University, 1987. http://hdl.handle.net/10919/53157.
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Timbuktu is a city in Mali, North Africa. lt has been a real and legendary city, and the Islamic center of North Africa. The program proposes a major international, multi-disciplinary University which will focus the world’s attention to the problems prevalent in that area and address them.
If Islamic is not an adjective defining a religious quality, should it be understood as a word that identifies a special kind of Architecture, that of a civilization reflecting or determined by special qualities inherent in Islam as a cultural phenomenon?
The design is an attempt in discussing the spatial elements in Islamic architecture which appear to be typical and an attempt is made to explain those elements as expressions of culture created by Islam. The design solution is an expression of the place incorporating those elements of Islamic architecture which are still prevalent and which address the ecological, cultural, and social issues endemic to Timbuktu.Master of Architecture
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Subandi, Setyo Nugroho. "Islamic center." Virtual Press, 1990. http://liblink.bsu.edu/uhtbin/catkey/722224.
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In the United States, Mosques and Islamic centers have existed for many decades to meet the social and religious needs of Muslims. However, since Muslims are a minority in this country, they still face some problems since the practice of various Islamic laws and prohibitions sometimes are inappropriate with the Western way of life. Assessing Muslims in the American context, a key issue to consider is the degree to which Muslims may become socially integrated into the American culture. Here the role of the Islamic center, as an institution, is significant in helping Muslims to meet each other and to adjust to the realities of life in America.In general, an Islamic center involves a concentration of facilities for activities which have the characteristic of Islam. Therefore, there is no basic difference in function between a Mosque and an Islamic Center, since the Mosque traditionally is not only a house of worship, but is also the center of Islamic society and culture. The term Islamic center is used in this study to emphasize the interest in the social side of Mosque activities, in addition to religious functions, that might be more appropriate with Muslims life in the American context.The purpose of the Islamic center is to promote a better understanding of Islam and greater acceptance and appreciation of its truth, culture, and contribution to human civilization. As we know, the ethos of Islam lies not only in the connection of individual with God, but also with human relations in the social order.Department of Architecture
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Markussen, Erika L. "Objects of architecture." Thesis, Virginia Polytechnic Institute and State University, 1993. http://hdl.handle.net/10919/53353.
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Architecture has meaning and purpose when it is seen not as something that firmly must exist, but as the possibilities that a situation creates. I have not yet found that which is concretely architecture, but I can say that which is concretely architecture, but I can say that which could exist as beauty in this world. The design of everyday objects becomes architecture to me, whether it be of a building, a piece of jewelry, or a piece of pottery.
My undergraduate thesis was a study of the interaction of a curved wall and a straight wall, as autonomous elements. I proposed not only the spacial design but also how it is affected and changed by the site; namely the repetition and orientation.
In my graduate work, I undertook an investigation of the connection between old and new. My thesis suggests, in the form of three schemes or plans, what that connection could be and how it creates and affects architecture.Master of Architecture
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Long, Richard C. "Resort architecture : the architecture of leisure." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/22355.
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De, Moya Francisco Vicente. "Architecture: as a matter of fact." Thesis, Virginia Polytechnic Institute and State University, 1988. http://hdl.handle.net/10919/52063.
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As reality continues to shift from the made fact to the idea: We conclude that creativity is a state of mind; measured by what is made. It is only when extended beyond oneself that an idea can become real to more than one. We Extend thru our talents and skills. The significance of that made is its Presence measured in timeMaster of Architecture
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Stodghill, Kathleen. "Architecture as narrative." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/52105.
Full textBooks on the topic "Islamic architecture – Designs and plans"
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Ṭarrāḥī-i pāydār bar mabnā-yi iqlīm-i garm va marṭūb: Hurmuzgān. [Bandar ʻAbbās]: Dānishgāh-i Āzād-i Islāmī, Vāḥid-i Bandar ʻAbbās, 2006.
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Bunce, Fredrick W. Islamic tombs in India: The iconography and genesis of their design. New Delhi: D.K. Printworld, 2004.
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Mahnāz, Raʼīsʹzādah, and Mufīd Ḥusayn, eds. Iḥyā-yi hunarhā-yi az yād raftah: Mabānī-i miʻmārī-i sunnatī dar Īrān. Tihrān: Mawlá, 1995.
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Nath, R. Mysteries and marvels of Mughal architecture. Gurgaon, India: Shubhi Publications, 2009.
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Nath, R. Mysteries and marvels of Mughal architecture. Gurgaon, India: Shubhi Publications, 2009.
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Michell, George. Mughal architecture & gardens. Mumbai: Shoestring Publisher, 2011.
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Michell, George. Mughal architecture & gardens. Mumbai: Shoestring Publisher, 2011.
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Nath, R. Mysteries and marvels of Mughal architecture. Gurgaon, India: Shubhi Publications, 2009.
Find full textBook chapters on the topic "Islamic architecture – Designs and plans"
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Stangl, Paul. "City Plans." In Risen from Ruins. Stanford University Press, 2018. http://dx.doi.org/10.11126/stanford/9781503603202.003.0003.
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Between 1945 and 1949 a series of modernist plans were developed for Berlin. In this time of political turmoil, planners and politicians projected a broad range of meanings onto the plans. After the founding of the East German state, Lothar Bolz orchestrated the adoption of socialist realism as state policy, requiring a return to traditional urban design. This theory included a range of tenets guiding planning, but Walter Ulbricht intervened to assure that planning would be dominated by a concern for parade routes leading to an immense square in the city center. In response to West Berlin’s international building exhibition, the German Democratic Republic held their own design competition for a “socialist” city center in 1958. The recent introduction of industrialized building, along with uncertainty and debate over the nature of “socialist” architecture, was evident in designs with a range of influences, including international modernism, midcentury modernism, and socialist realism.
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Bitaraf, Ehsan, Maryam Jafarpour, Vajiheh Jami, and Fatemeh Sarani Rad. "The Iranian Integrated Care Electronic Health Record." In Studies in Health Technology and Informatics. IOS Press, 2021. http://dx.doi.org/10.3233/shti210252.
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E-health plays a crucial role in E-government by proposing healthcare services based on information technology. However, the way to administer these services by using E-health solutions is one of the challenging issues. One of these significant challenges is how one integrates heterogeneous healthcare information of the different point of care systems. This paper introduces the Iranian integrated care electronic health record using the information gathered from several point-of-care systems in healthcare enterprises in Iran. This service-oriented architecture has a remarkable characteristic – its accessibility to medical knowledge and medical concepts through archetypes and ontology, respectively. The Ministry of Health and Medical Education of the Islamic Republic of Iran has designed and implemented this national architecture.
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Yarrow, Thomas. "Everyday Possibilities." In Architects, 239–40. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501738494.003.0054.
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I have attempted to describe what happens in an architectural practice as faithfully as possible. Focusing on the transformations that take place from an idea, to a design, to a set of plans, and then to a building, my aim has been to show the complexity, difficulty, and interest of this endeavor. I hope these descriptions suggest parallels and differences: with other people, other places, other processes. I do not offer any ultimate answer to the question of how designs, ideas, inspiration, buildings, or for that matter architects are produced. There is no proposal for how architecture might be done better or differently. I want instead to highlight that even as these architects’ themselves acknowledge the problems inherent in the professional contexts they face, there are also possibilities. Focusing on these everyday practical entanglements makes this evident in ways that are less obvious in generalized accounts of the profession and discipline....
Conference papers on the topic "Islamic architecture – Designs and plans"
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Kucuk, Ezgi, and Ayşe Sema Kubat. "Rethinking Urban Design Problems through Morphological Regions: Case of Beyazıt Square." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6179.
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Rethinking Urban Design Problems through Morphological Regions Ezgi Küçük¹, Ayşe Sema Kubat² ¹Urban Planning Coordinator, Marmara Municipalities Union ²Prof., Dr., Istanbul Technical Univercity, Faculty of Architecture, Department of City and Regional Planning E-mail: ezgikucuk89@gmail.com, kubat@itu.edu.tr Keywords: the Historical Peninsula, morphological regions, urban blocks, urban design, Beyazıt Square Conference topics and scale: Urban form and social use of space The concept of urban square is a debated issue in the context of urban design practices in Islamic cities. Recognizing the relation between urban morphology and urban design studies in city planning and urban design practices is highly vital. Beyazıt Square, which is the center of the city of Istanbul, could not be integrated to the other parts of the city either configurationally or socially although many design projects have been previously planned and discussed. In this study, the Historical Peninsula of Istanbul is observed as an essential unit of the traditional path reflecting each civilization, namely Roman, Byzantium, Ottoman and Republic of Turkey that have been settled in the region. Transformations in urban blocks in Beyazıt region are elaborated through a series of morphological analyses based on the Conzenian approach of urban morphology. Morphological regions of the Historical Peninsula are identified and Beyazıt region is addressed in detail in terms of the transformations in urban block components, that are; street, plot and buildings. The effects of surrounding units which are the mosque, university buildings, booksellers and Grandbazaar on Beyazıt Square are discussed according to the morphological analyses that are applied to the region. Previous design practices and the existing plan of the area are observed through the analyses including town plan, building block, and land use and ownership patterns. It is revealed that existing design problems in Beyazıt Square come from the absence of urban morphological analyses in all planning and design practices. Through morphological regions as well as the conservation plans, urban design projects can be reconsidered. References Baş, Y. (2010) ‘Production of Urbanism as the Reproduction of Property Relations: Morphologenesis of Yenişehir-Ankara’, PhD thesis, Middle East Technical University. Barret, H.J. (1996) ‘Townscape changes and local planning management in city conservation areas: the example of Birmingham and Bristol’, PhD thesis, University of Birmingham. Bienstman, H. (2007) ‘Morphological Concepts and Landscape Management: The Cases of Alkmaar and Bromsgrove’, PhD thesis, University of Birmingham. Conzen, M.R.G. (1960) Alnwick Northumberland: a study in town-plan analysis, Institute of British Geographers, London. Conzen, M.R.G. (2004) Thinking About Urban Form: papers on urban morphology 1932-1998, Peter Lang, Bern. Çelik, Z. (1993) The Remaking of Istanbul: Portrait of an Ottoman City in the Nineteenth Century, University of California Press, Berkeley. Günay, B. (1999) Property Relations and Urban Space, METU Faculty of Architecture Press, Ankara. Kubat, A.S. (1999) ‘The morphological history of Istanbul’, Urban Morphology 3.1, 28-41. Noziet, H. (2008) ‘Fabrique urbaine: a new concept in urban history and morphology’, Urban Morphology, 13.1, 55-56. Panerai, P., Castex, J., Depaule, J. C. and Samuels, I. (2004) Urban Forms: The Death and Life of the Urban Block, Architectural Press, Oxford. Tekeli, İ. (2010) Türkiye’nin Kent Planlama ve Kent Araştırmaları Tarihi Yazıları, (Articles of Turkey’s History of Urban Planning and Urban Studies), Tarih Vakfı Yurt Yayınları, Istanbul. Whitehand, J.W.R. (2001) ‘British urban morphology: the Conzenian tradition’, Urban Morphology 5.2, 3-10. Whitehand, J.W.R. (2009) ‘The structure of urban landscapes: strengthening research and practice’, Urban Morphology 13.1, 5-22.
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Liu, Rui. "A Novel Edge Computing Based Architecture for Intelligent Tool Condition Monitoring." In ASME 2020 15th International Manufacturing Science and Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/msec2020-8499.
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Abstract Edge computing has been recognized as a potential solution to enable intelligent manufacturing in the machining industry, especially for the small and medium-sized manufacturers. However, while various research studies have proposed their edge-based architectures for intelligent systems, there still exists a lack of practical and affordable technological plans that can be applied to complex machining process designs in actual production scenario. The objective of this research is to realize the tool condition monitoring (TCM) in machining by the edge computing based architecture for actual mass production. This study creatively proposes a calibration-based TCM system to monitor the cutting tool conditions in repetitive machining operations by comparing the characteristic signals generated by the reference cutting tools in the calibration procedure with the signal generated by the cutting tool in production through a concise similarity analysis, which can be easily integrated into typical cyber-psychical systems to realize the edge computing in a very efficient and flexible way. To validate the performance of the proposed architecture, a case study is demonstrated for tool wear monitoring of repetitive milling operations with a complex machining process design. Experimental validation has shown that the proposed edge-based TCM system can effectively monitor the tool wear progression which is in good agreement with actual wear measurements.
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Goldsmith, Matthew James. "Advancing Effective Response Technology to Manage Containment of High Pressure, High Temperature Well." In Offshore Technology Conference. OTC, 2021. http://dx.doi.org/10.4043/31125-ms.
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Abstract Deepwater well containment capabilities were born out of necessity – over the last 10 years the industry has innovated and improved upon capabilities and is currently focused on developing the systems required for, new high pressure, high temperature (HPHT) wells scheduled to be drilled in the 2021 timeframe. As industry plans for drilling at deeper depths and higher temperatures – an organization's ability to keep pace with ever-changing needs is critical. That means continuing to enhance capabilities and technology to ensure well containment resources for the deepwater U.S. Gulf of Mexico are available. MWCC is the first in industry to add High Pressure (20k psi) and High Temperature (400°F) technology to its portfolio. The development of this advanced technology presented many challenges both technical and non-technical. A shift from ram-based capping stack designs for well pressures up to 15K psi and temperatures up to 350F to valve-based designs rated for up to 20K and 400°F was necessary but presented technical challenges. An extended flowback response to a HPHT well may requires additional supportive equipment to assure successful containment of well fluids. MWCC delivered novel technology in 2020 designed to cool well temperatures in order to continue use of conventional subsea architecture and systems. Regulatory approval for HPHT source control technology is different from conventional technology. The approval of standard containment technologies is straightforward and well understood in industry; HPHT technology requires additional verification and approval. MWCC will address the process of obtaining approval for the use of HPHT containment equipment in an incident response.
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Dumont d'Ayot, Catherine. "Machines à exposer." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1025.
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Résumé: Ateliers d’artistes, appartements et villas de collectionneurs, pavillons, scénographies et musées : l’exposition est un fil rouge de l’œuvre de Le Corbusier. Le rapport que l’homme entretient à l’œuvre d’art et les modalités de ce rapport sont des éléments fondateurs de son architecture et occupent une position primordiale dans sa vision de la ville. De la ziggourat du Musée mondial en 1929, jusqu’aux projets des années 1960 comme le Centre d’Art international à Erlenbach ou le Musée du XXe siècle pour Nanterre, les musées sont des pièces incontournables des ses grands plans d’urbanisme. Les projets de musées et de pavillons d’exposition entre 1929 et 1965 et les concepts des différentes expositions qu’il organise évoluent en parallèle de sa manière d’envisager le rapport à l’œuvre, que ce soit celui de l’artiste, du spectateur initié ou du novice. Les esquisses préparatoires des différents projets de musées et de pavillons retracent cette évolution. La critique du projet du Mundaneum par Karel Teige assume un rôle clé dans la transformation décisive du concept du musée qui a lieu entre le Musée Mondial en 1929 et le projet de Le Corbusier pour le Musée à croissance illimitée en 1930. C’est un changement séminal qui est décisif pour les projets futurs. L’architecture et la relation à l’œuvre d’art ne sont plus déterminées par le recours à une forme, mais par un mécanisme fonctionnel et organique: la croissance, à la fois image et symbole de l’évolution positiviste de l’humanité. Abstract: Exhibitions, museums, pavilions, artist ateliers, apartments and collectors’ villas: exposition runs like a red thread through Le Corbusier’s work. Man’s relationship to art is a fundamental element of architectural dispositifs. Art influences his vision of society as a whole, and museums are central to his major urban plans, from the ziggurat of the Musée Mondial in Geneva, to the museums in Ahmadabad, Tokyo or Chandigarh, to projects he realized in the late 1960s, such as the Museum of the 20th Century in Nanterre. The evolution of museum design between 1929 and 1965 and of the concepts Le Corbusier developed for the different exhibitions of his own œuvre are in keeping with his way of understanding the relationship to works of art, whether by the artist, a knowledgeable public or those encountering art for the first time. The sketches for the different museums and pavilions retrace this evolution. Karel Teige’s critique of the Mundaneum project assumes a key role in the transformation of the museum concept that occurred between the Musée Mondial of 1929 and Le Corbusier’s first designs for a Museum with Unlimited Growth in 1930. The architecture and the place for art in society are no longer determined by the use of a form but through a functional mechanism. Growth is understood as an image of the positive evolution of mankind. This seminal change is a key to the later projects.Mots clés: musée, exposition, fonctionnalisme. Keywords: museum, exhibition, functionalism. DOI: http://dx.doi.org/10.4995/LC2015.2015.1025
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Iribarne, Jorge. "The essential purpose of any Urban Project is to define Public Space." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6233.
Full textAbstract:
In that aspect, buildings role, no matter their architectural qualities, is to shape that void and give it character. If one asks people about their remembrances of cities they have visited, they usually mention places and the activities that took place there. Architecture, great or bad is the referente of Architects. Only some monuments –Eiffel Tower or Sidney´s Opera- which act as the city´s image are worth recalling. The failure of CIAM´s urbanism was not its lack of quality, even vition, as some of Le Corbusier designs clearly demostrate, but its disregard of public space, merely a left over spread between isolated building blocks and highways. A good instrument to understand this fact are the Figure/ Ground plans, in which the basic shape of buildings and voids are drawn in black and white. In the tradicional city renders, the public spaces have a clear definition, a presence of its own. In any CIAM project –mostly- or construction, the public realm is the shapless space left over by buildings, with no hint about use or limits. A clear demonstration is the no-space around the Philarmonic, the National Library and the Art Gallery in Berlin. This knowlege is sufficiently incorporated into the practice of most Western Designers, but two perverse conditions are part of the everyday´s life of entire populations in the World: In poor Countries there is an urgent need to incorporate slums to the city structure, culture and services.In Asian Cities, mainly in China, inmense areas are demolished overnight and its tradicional fabric replaced by endless rows of anonymous high rise blocks amid a maze of transport elevated structures, with no place left for pedestrians. An old text advices not to let the urgent erase the important. In today´culture both conditions are unfortunately simultaneous.