Relevant bibliographies by topics / Islamic architecturens

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Islamic architecturens'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Islamic architecturens"

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Abu elreish, Azhari Ebeid, and Eka Cahya Prima. "The Role of Culture on Islamic Architecture." Jurnal Kajian Peradaban Islam 4, no. 1 (April 25, 2021): 30–34. http://dx.doi.org/10.47076/jkpis.v4i1.42.

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Islamic architecture is an ongoing argument for an extended period. Is it Islamic architecture, Muslim architecture, or architecture in Islam? Is it just visual elements or a way to use the inner space? Whatever the answer is, we will use the term Islamic architecture in this paper. To search and dig out the identities of so-called Islamics. This paper is seeking after these identities and their relations with Islamic culture to solve international architecture concepts without modifications or adaptation. The main goal is to extract the sociocultural aspects that define that architecture to be called Islamic Architecture. An analytical research method uses some attempts to interact the environmental conditions and social aspects with cultural and religious values to define Islamic architecture's identity. The study result and summary could be used to evaluate the satisfaction of the built environment of Muslims when and wherever they are. As a comprehensive result, Islamic Design Principles, Islamic Planning Principles, and Islamic Urban Design Principles could be extracted from Islamic sources and used everywhere at any time by anybody. These design principles may be used to upgrade the workability of the existing residential buildings simply by revising the opening's location, heights, and treatments. Architecture with that dynamic, flexible culture gives its identity a chance to compete globally to survive locally.
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Gaber, Tammy. "In Pursuit of “Islamic Art and Architecture”." American Journal of Islam and Society 26, no. 2 (April 1, 2009): 102–9. http://dx.doi.org/10.35632/ajis.v26i2.1410.

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Books Reviewed: Richard Yeomans. The Art and Architecture of IslamicCairo. United Kingdom: Garnet Publishing, 2006; Doris Behrens-Aboseif.Cairo of the Mamluks: A History of the Architecture and Its Culture. UnitedKingdom: I.B. Tauris, 2007. GeorgeMichell. The Majesty ofMughalDecoration:The Art and Architecture of Islamic India. New York: Thames andHudson, 2007.Many people take it for granted that the blanket term Islamic art and architectureis sufficient to convey the vast production carried out in the name ofIslam; however, they often have a limited vision of what this term actuallyentails. Islam’s time span (fourteen centuries and counting) and geography(historically ranging from Spain to China) simply means that the art andarchitecture produced in its name deserves a more detailed and accountablepresentation of fact. In other words, it would be unthinkable for scholars touse a term like Christian art and architecture instead of such specific termsas Byzantine, Romanesque, and Gothic, each of which relates to a specifictime and place. Thus, the vocabulary of understanding the production of artand architecture in Islam’s name requires the use and understanding of clearterms and deserves specific publication and study ...
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Blessing, Patricia. "Teaching Islamic Architecture." Journal of Medieval Worlds 2, no. 3-4 (2020): 124–33. http://dx.doi.org/10.1525/jmw.2020.2.3-4.124.

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Ali, Ayat, Nangkula Utaberta, Mastor Surat, and Maryam Qays Oleiwi. "Green Architecture and Islamic Architecture: The Islamic Arabic City and the Traditional Islamic House." Applied Mechanics and Materials 747 (March 2015): 24–27. http://dx.doi.org/10.4028/www.scientific.net/amm.747.24.

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The concept of sustainability or green architecture is not considered a new term, it is rather a concept embodied by the traditional architecture in different parts of the world since old ages via spontaneous and experimental compatibility. This compatibility is associated with the environment and with the efficient exploitation of the resources of the natural environment in accordance with the evolution of life and its means over the years. It is obvious to everyone the fact that the teachings of the Islamic religion include a lot of the principles of sustainability, which overlap with the social organization and behavior of the humanitarian community and are reflected on the production both at the level of urban planning standards for cities and urban agglomerations or the features of the traditional architecture. This paper is an attempt to define the concept of sustainability in the references of traditional Islamic architecture, in general and housing in particular, through a review of the relationship between man and the environment and its preservation within the Islamic perspective.
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Hashmi, Arsala. "Philosophy of Interior Design in Mughal Era Mosques of Lahore: A case study of Maryam Zamani and Wazir Khan Mosques." Journal of Art, Architecture and Built Environment 01, no. 02 (December 2018): 55–73. http://dx.doi.org/10.32350/jaabe.12.04.

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A great reflection and convergence of Persian, Turkish and Indian architecture is observed in Mughal architecture, which is known as a remarkably symmetrical and decorative amalgamation of these architectures. Muslim and non-Muslim scholars of history have appreciated, identified and recognized the extremely attractive Mughal signs, decorations and beautifications. It has been observed that Mughal architecture is not limited and specified to mosques only but has been used in all other Islamic buildings including their gardens. These signs and decorations have combined different features, elements and components of Islamic architecture and art together. Mughal era has been known as the greatest era which defined the splendid and extravagant phase of Islamic architecture. Therefore, the basic purpose of this paper is to find out how these features and decorations of Mughal architecture used in mosques stem from Islamic principles. The basic aim is to conduct the semiotic analysis of two mosques of Mughal era which have been selected for examination and identification. Hence, this study outlines the importance and scope of Mughal mosque architecture. It examines the decorative style used in this architecture by scrutinizing the basic characteristics of its structure. Moreover, it discovers the real purpose and spiritual meaning of these mosques. The spiritual values are considered significant as they influence the spirit that brings harmony in life. Throughout the Islamic world, this spiritual aspect has been observed as the most dominant factor and element which gives an important underlying message to all Islamic art. Mughals have played a significant role in Islamic art which cannot be ignored and avoided. The findings indicate that the typical Mughal mosques are not just mere representation of religious buildings or places for worship, instead they are something more than that. These mosques have their spiritual connection with art and architecture which cannot be ignored. Their color, shape, volume, texture, and designs all offer the fundamental message of Islam, the incarnation of “peace” and “submission” from which Mughal mosques derive their uniqueness in architecture.
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Sembiring, Sri Gunana, and Hastari Furqani. "Islamic Center Design with Islamic Architecture Design Approach." International Journal of Architecture and Urbanism 5, no. 2 (August 26, 2021): 182–92. http://dx.doi.org/10.32734/ijau.v5i2.6838.

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At the time of the Prophet, the mosque was a center for worship activities and economic activities, learning, socio-politics, etc. From this mosque environment, great figures in Islam were born who were not only strong in religion but also intellectually and mentally. However, the mosque has decreased in function now so that it is only a place of prayer. This phenomenon also occurs in the city of Medan, which is one of the largest cities in Indonesia, with the majority of the population being Muslim. Therefore, Medan often becomes the center of various activities, including Islamic religious activities in the area. Unfortunately, Medan does not yet have adequate facilities that can accommodate various Islamic religious activities, so it needs an activity center known as an Islamic center. The design of the Islamic center in the city of Medan solves design problems with an approach methodology ranging from literature studies, site surveys, and design concept analysis. This Islamic center applies a design concept by taking Islamic values ​​that are not indifferent to the surrounding environment so that elements of the local culture are still considered. It is hoped that this Islamic center will not only be able to become a center of activity, especially Islamic religious activities in Medan, but also an area of ​​learning about Islamic and local values ​​in its design
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Reza, Shojaifard, and Zahra Sajadi. "A study of Islamic leaders' strategic role in Islamic architectures." Kom : casopis za religijske nauke 8, no. 3 (2019): 81–97. http://dx.doi.org/10.5937/kom1903081r.

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Wazeri, Yehia Hassan. "Architecture in the Islamic Vision." Journal of Islamic Architecture 6, no. 1 (June 9, 2020): 1–6. http://dx.doi.org/10.18860/jia.v6i1.7867.

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The Qur’an contains about eighteen verses that refer to the architecture of the earth. Nearly two hundred elements (terminologies) of architecture and town planning have been mentioned in the Quran. This paper aims to present examples from the Quran to shed light on the Islamic vision of architecture and art. It uses content analysis method to achieve the objective of the research. The analysis is done by studying and discussing verses of the Holy Quran, which is related to architecture and urbanism. One of the most important results of this research is to give distinct architectural and urban examples, include the following: building materials, environmental architecture, houses of insects, visual illusions in architecture, and the centrality of Mecca to the world. All of them is explained in the Qur’an verses, such as Al-Baqarah, An-Naml, An-Nahl, Al-Kahf, and Al-Fajr.
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Saljuqi, Ahmad Shoaib, and Abdul Naser Sawaby. "Decorative elements in Islamic architecture." International Journal of Advanced Academic Studies 2, no. 3 (July 1, 2020): 340–44. http://dx.doi.org/10.33545/27068919.2020.v2.i3e.173.

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Abdullah Y. Al-Tayib, Dr, and Wissam M. Y. Al-Shaikh Essa. "Rhythmic Structure in Islamic Architecture." AL-Rafdain Engineering Journal (AREJ) 13, no. 4 (December 28, 2005): 78–88. http://dx.doi.org/10.33899/rengj.2005.46187.

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Dissertations / Theses on the topic "Islamic architecturens"

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Farzanyar, Hamid Reza. "The spirituality of Islamic architecture : symbolism and meaning in the traditional buildings of Islam." Thesis, University of Birmingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423887.

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Omar, Mona A. E. "Translation of Islamic culture into Arabian architecture." Curtin University of Technology, School of Architecture, Construction and Planning, 2000. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=10038.

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In the past, researchers in the field of art and architecture have searched for a definition of Islamic architecture, its history and its social meaning. This study focuses on the Islamic culture of the Arab world and its influences on the architecture of the region, giving an overview of contemporary architecture in the Arab world, its situation, cultural crisis and hope for the future.This research aims to identify the principal characteristics of Islamic architecture, which embody the needs and demands of Muslims according to their Islamic teachings. Muslims form one of the biggest communities in the world, which is suggested to be more than one fifth of the world's population, about one and half billion.This community has special architectural needs related to their religious teachings, traditions and culture, because Islam is not only a religion, it is a complete way of life, which covers all social, political, economic, educational, cultural, hygienic, and behavioural aspects.For a great number of people, the concept of Islamic architecture denotes tangible characteristics of some architectural features like Mashrabiah, arch, dome, or any other architectural pattern that distinguishes this typical style of architecture. But, Islamic architecture is more than just a spectacle of domes and minarets; it is a deep expression of a rich culture that has unified countries across the globe.In the last fifty years, contemporary architecture of the Muslim world in general, and the Arab world in particular, has been exposed to several outside influences that have eventually caused it to be alienated from its particular sense of identity and, thus, to lose its character. It is believed that such matter requires immediate attention towards attempting a "revival process" by uncovering the bases and principles of Islamic architecture, as manifested throughout Islamic history. ++
These principles could be integrated and molded into the contemporary architecture of the Arab world, which reflects a rather complicated and, sometimes, contradicting set of values.The aim of this study is to develop an appropriate definition for Islamic architecture of the Arab world in terms of Islamic teachings and doctrine.Associated with this aim, this research will include within its scope:Understanding Arabian Islamic culture, traditions and environment and how they have affected architectural design.Translating some principles from Islamic doctrine, which can be applied to architectural practice, and to recognize Muslims' architectural needs and demands, according to Islamic teachings.Developing architectural standards that satisfy Muslims architectural needs and a definition of what, in an Islamic context, could be considered as successful Arabian Islamic architecture.Analyzing to what extent contemporary architecture meets Muslims' needs, according to their Islamic teachings by undertaking a Case Study of pre-Modern and contemporary architecture in Egypt.
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Chinchilla, Najahyia L. "Converging identities Islamic architecture in Detroit /." College Park, Md.: University of Maryland, 2007. http://hdl.handle.net/1903/7140.

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Thesis (M. Arch.) -- University of Maryland, College Park, 2007.
Thesis research directed by: School of Architecture, Planning and Preservation Architecture . Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Anisi, Alireza. "Early Islamic architecture in Iran (637-1059)." Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/3474.

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This thesis discusses the architecture of early Islamic Iran (16-450/637-1059). To better understand the architectural history of this period, it is necessary to specify in detail how it took shape and to describe its features. Hitherto, no fully comprehensive study has been carried out on this subject. Most of the earlier attempts in that direction are the products of Western scholars. Few of these can be regarded as fully comprehensive - however worthy they were in their own time - in the light of the huge amounts of information now available. This mass of new material, a good deal of it unearthed in the decades since the Islamic Revolution, at last makes it possible to outline in detail the architectural characteristics of this early period. The proposed study will build on the work done by earlier scholars in the field, both western and Iranian, among which two lengthy studies are of particular value. Mehrdad Shokoohy in his unpublished Ph. D. thesis, Studies in the early mediaeval architecture of Iran and Afghanistan (Edinburgh, 1978), describes twelve buildings in 2 Iran and Afghanistan which he dates to the early mediaeval period. This research - some of which has been published in article form1- introduces some monuments that are little known, but there is still ample room for more detailed conclusions and analysis to clarify the evolution of Iranian architecture in this period. The latest study, Frühe Iranische Moscheen (Berlin, 1994), has been carried out by Barbara Finster. This book explains the different types of early mosques in Iran, with much material from literary sources to supplement the author’s own fieldwork. Since the Islamic revolution in Iran (1357/1979), Iranian specialists have carried out some significant architectural and archaeological research; some of this work has not been published yet while other work has been published only in Persian and is difficult of access. In the course of restoration operations in key historical monuments much new and important material has been assembled, though much of this has not been reported yet. To gather together and to order all of this new information is one of the most important aims of my study. Its primary aim is to understand the characteristics and the underlying principles of early Islamic Iranian architecture. In what follows, I shall try to explain how and why this early (and neglected) period holds the key to understanding the Islamic architecture of Iran. It is essentially a transitional period, a time of laying the foundations for what was to come. It documents the earlier experiments in building types, structural techniques and architectural decoration. We see here the earliest attempt of Islamic architecture in Iran to find a distinctive voice. Only few buildings survive – thought it is very likely that more will be 3 found in years to come - but their wide range of form, style, material and decoration reveals a national tradition that – even thought it was still in the process of tradition that was already, in key ways, different from that of the other Islamic lands. The thesis tries to explain how the heritage of pre-Islamic Iranian architecture evolved and how it laid the foundations for Iranian, and especially Saljuq, architecture. Thus, to create a solid base for studying the later period is an important supplementary aim of this thesis.
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Curreem, Hassan Abdul. "An islamic centre." Thesis, Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25945816.

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Parker, Mughsin. "Islamic social centre : an Islamic architecture based on social-value expressed in the prophetic tradition." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/16355.

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The influential role Islam as a religion has on its architecture has not been a recent interest of mine, but as a born Muslim, it has always been an area of research I wished to explore. The content of this paper is therefore not based only on theoretical research done, but also on a personal religious belief system. As the Quran and Hadith (prophetic tradition) plays an integral role in the life of a Muslim, the architecture we inhabit is a vital element in achieving an environment conducive to the practice of an Islamic lifestyle. As it is understood that Islam is a 'way of life', the intention of my research was not aimed at the design proposal of a religious institution such as the Mosque, but rather the idea of an Islamic Social Centre. The purpose of such a centre would not only be to serve the Muslim community, but also to engage the broader Muslim and non-Muslim community in creating a platform for the exchange of knowledge under the banner of Islam. The number of Muslims in South Africa, according to a recent survey, is approximately two million people, (MJC: 2005). Although it is not easy in a South African society, most of these Muslims adhere to a strict Islamic lifestyle. Given that leisure and recreation is a human necessity, South African Muslims are faced with a challenge. The challenge arises in the fact that current places of leisure or social activity do not cater for Muslims' needs, governed by Islamic Law. An example of this need would be the separation of the sexes in order to create an acceptable Islamic environment that would cater for religiously orientated activities. The requirement is thus for a place that would facilitate the needs of the contemporary Muslim while adhering to the conditions set out by Islamic Law. The preceding research documents involved the study of Islam in relation to the spatial implications it has on the lifestyle of a Muslim. This document shall clarify the impact Islam has on the design of the building by explaining its architectural relevance to the design thesis. The criteria that the design of the building will be checked against is the Quran and Hadith while making sure that the two sources do not contradict, which if be the case, the Quran shall take precedence. While the intention is not to design a Mosque, it is important to note that a Mosque should form part of the facility I propose in the design thesis, as it is integral in creating an Islamic environment.
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Ridge, Kristin. "The American Islamic Cultural Center." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1495807156023029.

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Schmidt, Laura Lee. "Islamic automata in the absence of wonder." Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/59207.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2010.
Includes bibliographical references (p. 151-154).
This thesis looks at the interpretive difficulties posed by the Islamic automata, or hiyal manuscript--an ingenious genre of medieval illustrated manuscripts that describes and depicts mechanical devices such as water clocks, trick vessels, and automata. I choose to focus on the ways in which the automata manuscript has been viewed by scholars, rather than providing a history of the manuscripts themselves, precisely because this latter effort is complicated by a scholarly anxiety with what, exactly, Islamic automata manuscripts are, how they were used, or if (and how) they are valuable. This anxiety reveals not only a deeply subjective discontent with our totalizing "bourgeois" notion of technology - one that claims that we progress only by perfecting our implements - but also points to an inability to overcome this discontent. The way that this discontent is revealed through automata is that this "bourgeois" notion is not only totalizing, but also European. Automata scholarship thus allows us to see how European technology itself can be totalizing. The thesis reviews interpretive trends of this literature: The art historical origins of automata scholarship; mid century scholarship that touted the functional principles of the devices, and today's framework, which places automata in a linear technological evolution towards robotics, cybernetics, and advancement of human self-reproduction. Automata scholarship throughout has maintained a sterile distance from the historical context of the automata production. To close this gap, I argue, the ideological character of the Islamic automata manuscript must be revealed and its problematical relationship to technology disenchanted at every step.
by Laura Lee Schmidt.
S.M.
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Mostafa, Heba Mohamed Hosam Al Din Mohamed. "Religio-political authority and the formation of Islamic architecture." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610479.

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Hirsch, Phoebe. "Islamic architecture in the Cape South Africa, 1794-2013." Thesis, SOAS, University of London, 2016. http://eprints.soas.ac.uk/23644/.

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Books on the topic "Islamic architecturens"

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Asya merkezi mekan geleneği. Ankara: Kültur Bakanlığı, 1990.

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Islamic architecture. London: Faber, 1987.

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Islamic architecture. Lahore: Ferozsons, 2000.

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Islamic architecture. New York: Rizzoli, 1987.

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Rethinking Islamic architecture. Petaling Jaya: Strategic Information and Research Development Centre, 2010.

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Islamic art and architecture. London: Thames and Hudson, 1999.

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Persian Gulf Islamic architecture. Tehran: Rahnama Press, 2009.

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Anne, Stierlin, ed. Islamic art and architecture. London: Thames & Hudson, 2002.

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Petersen, Andrew. Dictionary of Islamic Architecture. London: Taylor & Francis Group Plc, 2004.

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Islamic architecture in Egypt. [Cairo]: Foreign Cultural Information Dept., 2001.

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Book chapters on the topic "Islamic architecturens"

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Shaw, Wendy M. K. "Islamic Art in Islamic Lands." In A Companion to Islamic Art and Architecture, 1150–71. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119069218.ch44.

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Northedge, Alastair. "Early Islamic Urbanism." In A Companion to Islamic Art and Architecture, 155–76. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119069218.ch6.

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Hassan, Abul, and Sabur Mollah. "Rich Architecture: Briefing on Shari’ah-Compliant Corporate Governance." In Islamic Finance, 295–99. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91295-0_22.

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Steinhardt, Nancy S. "Islamic Architecture and Ornament in China." In A Companion to Islamic Art and Architecture, 616–35. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119069218.ch24.

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Leube, Georg. "Islamic Architecture in Pre-colonial Africa." In The Palgrave Handbook of Islam in Africa, 281–302. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45759-4_16.

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Salama, Ashraf M., and Marwa M. El-Ashmouni. "Sustainable architecture and ecological infrastructure." In Architectural Excellence in Islamic Societies, 117–54. Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351057493-4.

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Vernoit, Stephen. "Islamic Art in the West." In A Companion to Islamic Art and Architecture, 1172–95. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119069218.ch45.

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al-Asad, Mohammad. "Architecture in Islam." In Encyclopedia of Sciences and Religions, 125–30. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_75.

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Salama, Ashraf M., and Marwa M. El-Ashmouni. "Reinstating the enduring values of architecture." In Architectural Excellence in Islamic Societies, 22–71. Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351057493-2.

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"Architecture." In The Islamic World, 464–92. Routledge, 2013. http://dx.doi.org/10.4324/9780203019139-47.

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Conference papers on the topic "Islamic architecturens"

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Sarudin, Anida, Mazura Mastura Muhammad, Muhamad Fadzllah Zaini, Husna Faredza Mohamed Redzwan, and Siti Saniah Abu Bakar. "The Relationship between Astronomy and Architecture as an Element of Malay Intelligentsia." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.11-4.

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Islam has been very influential in shaping societal developments in the Malay world. Such an influence manifests in various aspects of their lives, one of which can be clearly seen in several influential works carried out by Malay intellectuals in a number of fields. Old Malay manuscripts that deal with many Islamic aspects of knowledge has become a great legacy left by esteemed Malay religious scholars and intellectuals that serves as a testimony of the spread of Islam to the Malay world. Against such a backdrop, this study was carried out to examine the positive (good) and negative (bad) signs associated with Islamic months that helped Malays decide the appropriate months in which houses should be built. The study was based on a mixed-method approach based on a quantitative method and a qualitative method to help yield empirically reliable findings. The corpus-based analysis was the main analysis used by focusing on significant lexical values and concordant synthesis to highlight the good and bad signs associated with Islamic months. The researchers selected five (5) manuscripts that belonged to a corpus called Petua Membina Rumah. The analysis showed 50% of the Islamic months had negative signs while 42% of such months had positive signs. The remaining 8% had a mix of positive and negative signs. In addition, there were some instances involving a combination of positive and negative signs. Such occurrences provide an interesting view of the impact of signs on the Malay society, especially on its civilization. These significant findings highlight not only the Islamic months deemed suitable for building houses but also the thinking of Malay scholars in shaping the civilization of the Malay world.
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Collado-Espejo, Pedro Enrique, Juan Fernández-del-Toro, Josefina García-León, and Vincenzina La-Spina. "Análisis integral, reconstrucción 3D y propuesta de musealización de la muralla medieval de Mula (Región de Murcia, España)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11433.

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Integral analysis, 3D reconstruction and proposed musealization of the medieval wall of Mula (Region of Murcia, Spain)The city of Mula (Region of Murcia, Spain), still retains important canvases of the medieval wall of the three enclosures (Alcazaba, Albacar and Medina) that shaped the urban layout from the twelfth century (Muslim domain), until the end of the fifteenth century (Christian Reconquest). Currently, the Albacar site is the most complete. On the Islamic Alcazaba was built, in the sixteenth century, the Castle and the wall of the Medina, only a few sections remain. Until now, the medieval wall was a great unknown. The historical landmark of the city has always been the castle. The communication focuses on exposing the exhaustive historical analysis, material, constructive and the state of conservation carried out of the medieval wall of Mula and, especially, of Albacar (the best preserved site). In addition, there has been a virtual volumetric recomposition, in 3D, of the entire Islamic walled complex (walls, towers, entrance doors to the Medina and cistern of Albacar). Also, the musealization of the Albacar site and the recovery of the volume of the cistern has been projected. This work is contributing to the recognition and social awareness of the heritage importance of the Islamic walls of Mula, being a guarantee for its restoration and conservation as a cultural reference of the city.
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ELMASRY, SARAH KHALIL. "ISLAMIC ARCHITECTURE IN DUBAI: RENEWAL AND CONTEMPORANEITY." In ISLAMIC HERITAGE 2018. Southampton UK: WIT Press, 2018. http://dx.doi.org/10.2495/iha180191.

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DURAI, SHARMILA. "THE AMALGAMATION OF INDO-ISLAMIC ARCHITECTURE OF THE DECCAN." In ISLAMIC HERITAGE 2018. Southampton UK: WIT Press, 2018. http://dx.doi.org/10.2495/iha180221.

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Khan, Sabariah Ahmad. "Allegorical narratives: redefining the evolution of ornamented aesthetic principles of Langkasukan art of the Malay Peninsula, Malaysia." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160011.

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Aziz, A. A. "Execution of contemporary Islamic architecture through design: the Cyberjaya Green Platinum Mosque Project in Malaysia." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160021.

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Sanusi, K. "Encountering globalisation: the work of Sulaiman Esa from the 1950s to 2011." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160031.

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Al-Mosawi, A. "Toward an analytical approach to studying the design characteristics of heritage buildings: a comparative analytical study of dome characteristics among the Islamic regions." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160041.

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Mahmoud, M. F., and M. I. Elbelkasy. "Islamic architecture: between moulding and flexibility." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160051.

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Tawfik, M. "The concept of sustainable architecture and urbanization in Dakhla and Kharga Oases in Egypt." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160061.

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