Relevant bibliographies by topics / Islamic Geometric Pattern

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Islamic Geometric Pattern'

Author: Grafiati
Published: 5 June 2025
Last updated: 24 June 2025

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Journal articles on the topic "Islamic Geometric Pattern"

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Gaber, Tammy. "Islamic Geometric Design." American Journal of Islam and Society 32, no. 1 (2015): 126–30. http://dx.doi.org/10.35632/ajis.v32i1.963.

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The subject of Islamic geometric design has been described in numerous ways:Keith Critchlow’s Islamic Patterns and Syed Jan Abbas and Amer ShakerSalman’s Symmetries of Islamic Geometrical Patterns, both highly esotericinterpretations; Owen Jones’ Grammar of Ornament, Emile Prisse d’Avennes’L’Art arabe d’apres les monuments du Kaire, and Jules Bourgoin’s ArabicGeometrical Pattern and Design, all descriptions of drawing collections; andeven as a theme for countless “coffee table” books resplendent with glossyphotographs of exotic patterns and colors.Is it fair to evaluate this book without tending to imagine the previouscategories of this study? Years ago I led a course on this topic and desperatelytried to juggle the beautiful, historic, and hands-on practical manifestationsof the sacred through drawing particular geometric patterns over and over again. For this course I needed to select chapters, or portions of the abovementionedtexts in addition to the comprehensive works of K. A. Creswellin Early Muslim Architecture, Doris Behrens-Abou Seif’s Mamluks of Cairoand Minarets of Cairo, as well as other architectural studies, and interpretand reconstruct the designs in order to teach them. It was a research projectof sorts where the outcome was not textual but pedagogical.While reading this text by Eric Broug, I felt that he had gone through asimilar but far more prolonged process. His book stands alone for severalreasons: the author (1) weaves knowledge of the historical, recognition ofthe beautiful, and reconstruction of the practical regarding patterns. The succinctexplanatory text, incredible detailed photography in situ, and clear stepby-step diagrams converge to elucidate this rich material; (2) outlines theinfluence of other artistic traditions and the development of a clear type of“Islamic geometry” that is easily recognizable; and (3) concentrates on thedesign approach of craftspeople, which was separate and concurrent with thescientific study of geometry. This difference is important: craftspeople appliedgeometric patterns to various surfaces and were concerned with aestheticcompositions; whereas scientists contemplated the complex patternsin terms of mathematical geometries ...
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Lee, Jin-Young, Sung-Wook Kim, and You-Chang Jeon. "Study of the Control of Geometric Pattern Using Digital Algorithm (with Focus on Analysis and Application of the Islamic Star Pattern)." Advances in Materials Science and Engineering 2015 (2015): 1–14. http://dx.doi.org/10.1155/2015/950232.

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This paper presents a study to analyze and modify the Islamic star pattern using digital algorithm, introducing a method to efficiently modify and control classical geometric patterns through experiments and applications of computer algorithms. This will help to overcome the gap between the closeness of classical geometric patterns and the influx of design by digital technology and to lay out a foundation for efficiency and flexibility in developing future designs and material fabrication by promoting better understanding of the various methods for controlling geometric patterns.
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Аззаарі, Алі. "ГЕОМЕТРИЧНИЙ ОРНАМЕНТ В ІСЛАМСЬКОМУ МИСТЕЦТВІ: ТРАДИЦІЇ, ОСОБЛИВОСТІ, СКЛАДОВІ". Art and Design, № 4 (15 лютого 2021): 51–59. http://dx.doi.org/10.30857/2617-0272.2020.4.3.

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Purpose of the article аnalyze the features of Islamic geometric ornament as a historical and at the same time modern artistic phenomenon, its formation, development, traditional structural elements. Methodology. General scientific research methods, chronological and historical ‒ comparative, figurative-stylistic, semantic, and theoretical-art history analysis are applied. Results. The features of the historical development of geometric ornament in the countries of Islam, its national, historical, mental, figurative, artistic features are analyzed. Recognized in the world as a unique work of art, Islamic geometric ornament is known for its compositional construction which consists of simple elements (circle, square, triangle). Then by connecting and repeating the shapes according to a certain grid pattern, a complex pattern (hexagon, octagon, star pattern) is created. The richness of the artistic culture of Islam is embodied in the range of its variants. It was found that the geometric ornament, which is the main decorative element on numerous objects, embodies a deep spiritual content. Geometric Islamic ornament embodies thousands of years of creative practice that has become traditional in the Arab East. At the same time, in the modern world, Muslim ornamental traditions remain relevant and reveal opportunities for introducing the acquired artistic experience of the Arab countries into new creative practices, including graphic design. Scientific novelty consists in determining the place and significance of Islamic geometric ornament in modern cultural and historical processes, taking into account its traditional aesthetic, substantial, structural and compositional content. Practical significance. The proposed research expands the understanding of the possibilities of using the traditions of Islamic ornament in modern creative practices. The results can be used in design practice.
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Esfanjary, Eisa. "The longevity of Persian urban form: Maibud from late antiquity to the fifteenth century." Urban Morphology 19, no. 1 (2014): 57–71. http://dx.doi.org/10.51347/jum.v19i1.4024.

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Urban morphology has developed mainly in Europe, where a wealth of historical maps, plans and other records exist. Such documents are comparatively rare in most Iranian cities. But the history of these cities over thousands of years is embodied in their urban development. This paper explores the morphological development of the medium-sized Persian city of Maibud, giving particular attention to its street pattern. The types of street patterns are the twisting alley, the orthogonal pattern and the geometric system. Each is linked to a phase of history, and together they connect late antiquity to the early modern city. The overlapping of the first two of these types of patterns is where the Jami) mosque was erected and the early Islamic hub developed. This suggests a zone of transition between the pre-Islamic and Islamic periods. These street patterns are fundamental to the process of early Islamic development of the region.
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Hatice, Busra Sahin, and Seden Tapan Broutin Menekse. "Reconstruction of Five-Fold Patterns with the Concept of Key Length." Education Quarterly Reviews 5, no. 3 (2022): 534–49. https://doi.org/10.31014/aior.1993.05.03.565.

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Art, architecture, music and literature, which are thought to be far from mathematics, contain complex mathematics. The fact that Anatolian lands hosted many civilizations throughout history provided cultural richness including the relationship between mathematics and art and created Anatolian culture. Geometric patterns are frequently encountered in artistic and architectural works in Anatolian culture. Geometric patterns existing in Anatolian culture vary according to their fold. In this research, five-fold patterns have been explained mathematically by introducing the ‘Key Length’ concept. We developed a system that reconstructs an existing Islamic Geometric Pattern in the context of the girih mode that we presented verbally and visually in eleven steps. In addition, we introduced to the literature the concept of ‘Key Length’ which is used in the drawing process.
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Mahmoud, Heba-Talla Hamdy. "Geometric Patterns in Egyptian Architecture & Interior Design." Academic Research Community publication 1, no. 1 (2017): 11. http://dx.doi.org/10.21625/archive.v1i1.140.

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This study will examine the role of geometric patterns in selected examples of Egyptian architecture, interior architecture and art. Ancient Egyptian, Coptic, and Islamic periods are the selected historical ages from Egyptian heritage due to the abundance of different works and styles with geometric pattern characteristics during their periods. In addition to the historical periods, the study will demonstrate some selected models from Egyptian contemporary architecture and arts. These models include architectural projects, traditional craft products and artistic works with geometrical characteristics. The study aims, through the extracted information, to increase the awareness about the effective role of geometric patterns as an architectural and artistic capability and to clarify the degree of freedom, flexibility and functionality as an inherent feature through demonstrating the different practices, styles and materials.
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Lim, Teik-Cheng. "A perfect 2D auxetic sliding mechanism based on an Islamic geometric pattern." Engineering Research Express 3, no. 1 (2021): 015025. http://dx.doi.org/10.1088/2631-8695/abe7bf.

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Ito, Hiroshi. "Information hiding in geometric patterns and its application to fabric authentication." Impact 2019, no. 10 (2019): 96–98. http://dx.doi.org/10.21820/23987073.2019.10.96.

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Geometric patterns have been used since ancient times as a means of decoration in art and architecture, with distinctive styles demonstrated in Islamic and Japanese cultures. They are now also being used as communication media, allowing information embedded in the pattern to be imparted in applications such as barcodes. By combining simple graphical tiles into geometric patterns, Professor Hiroshi Ito, from Nihon University in Japan, believes that the interesting structure of such patterns may make them less obstructive when printed onto materials, therefore making them easier to use in broader applications. Ito's focus lies in information binding to geometric patterns that encompass results for patterns known as dragon curves as well as Penrose tiling. This builds on his previous work using serpentine patterns, which involves manipulating two cells to create repetitive patterns reminiscent of the undulation of a snake. In this latest study, Ito and his colleagues consider the use of these patterns combined with a filter for use in applications such as document authentication.
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Hajebi, Bita, and Pooya Hajebi. "Intelligent Restoration of Historical Parametric Geometric Patterns by Zernike Moments and Neural Networks." Journal on Computing and Cultural Heritage 14, no. 4 (2021): 1–27. http://dx.doi.org/10.1145/3459607.

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Historical Islamic ornaments include a fantastic treasury of geometric and mathematical algorithms. Inevitably, restoration of these ornaments in periodic patterns consisting of repeated elements has been faced following and substituting the other available similar ingredients instead of vanished parts. Still, the prediction of parametric, quasi, or non-periodic patterns, where components are not identical, needs to be carried out in a more challenging process than the periodic ones due to shape, scale, or angle of rotation alteration. Intelligent restoration could facilitate the forecasting of damaged parts in such geometric patterns that an algorithm has changed their geometric characteristics. In some architectural heritage, geometric patterns include a parametric algorithm like parametric patterns in the ceiling of Sheikh Lotfollahmosque in Isfahan, Iran, and the dominant structure of Persian domes Karbandi. In this article, the aim is to propose a new method for the smart restoration of the parametric geometric patterns in which, by having access to the image of the existing patterns, the vanished parts could be reconstructed spontaneously. Our approach is based on image processing by detecting boundaries of deterioration, finding every individual element, and extracting features of detected individual patterns via Zernike moments. The order of individual patterns starts from the farthest pattern to detected deterioration. Then by creating a time series, the Back-propagation neural network would be trained by extracted features, and the vanished patterns’ features could be predicted and reconstructed. Eventually, the reconstructed and real patterns are compared to determine differences between them by mean-squared error and to evaluate the performance of our method. To validate the process, a parametric geometric pattern is designed by the assumption that some parts are disappeared. The proposed method’s results, in this case, hold an efficient performance with the accuracy of 92.99%. Furthermore, Sheikh Lotfollah’s patterns and Naseredin Mirza mansion’s patterns as two real cases are tested by the proposed method, representing reliable and suitable performance results.
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Khalid, Zainab, Zaynab Radi Abaas, and Amal Fadhil. "Achieving urban sustainability by revitalizing the performance of Islamic geometric pattern on residential façades." Periodicals of Engineering and Natural Sciences (PEN) 9, no. 4 (2021): 729. http://dx.doi.org/10.21533/pen.v9i4.2393.

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Dissertations / Theses on the topic "Islamic Geometric Pattern"

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Al-Ainati, Maryam J. "Exploring Islamic Geometries." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/art_design_theses/120.

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Islamic design is a rich art form with spiritual and meditative meaning expressed through its infinite pattern. The iterative process of creating pattern, unified yet diverse, is an intri-cate geometric path conveying conceptual exploration. Process of form development in Is-lamic patterns defines its growing design, seeking explicit relationships between unity and multiplicity. As the grid expands and patterns unfold, new concepts are introduced for pat-tern exploration and formation. Reoccurring focal points of the Islamic geometries mark significant moments in which these patterns take form. By fusing traditional Islamic design fundamentals with contemporary concepts for interiors, I expand the realm of this rich art form from a two dimensional form to a three dimensional structure.
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Harrison, Tracy Elizabeth. "Visualizing Complexity : A Spatial Analysis of Decorative Geometric Pattern in the Islamic World, 900-1400 AD." PDXScholar, 2005. https://pdxscholar.library.pdx.edu/open_access_etds/2434.

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This study explores how the use of complex decorative geometric patterns in Islamic architecture spatially relates to advances in the fields of science and philosophy in the Islamic world between the ninth and fourteenth centuries. This project examines hypotheses developed by vario~s scholars on the forces that shaped the use of these patterns (known as the geometric mode) in Islamic architecture. The prevailing assumption that advances in mathematics contributed to the use of the geometric mode is used as a starting point for subsequent analysis. For this study, two spatial databases were created. One contains over two hundred and twenty monuments of Islamic architecture exhibiting the geometric mode, while the other contains over one hundred records of activity in the sciences and philosophy. From these databases, decorative geometric pattern types were classified and ranked, and scholarly activities were classified. Density maps were developed from these classes and ranks for each century, and were compared in a series of analytical overlay maps. Each map depicts the spatial relationships of the activities in question over a span of three centuries, enabling a spatio-temporal analysis of the connections between disciplines within the context of the broader cultural elements at work. These maps allow for examination of these disciplines in a new way; there has never been a spatial analysis testing the existing hypotheses until now. The density overlay maps show that some of the prevailing hypotheses are partially supported by the data, but the primary hypothesized relationship-that activity in mathematics prompted use of the geometric mode-is not applicable to all regions of the Islamic world during this time period. The spatial analysis exposes the previously overlooked possibility that the geometric mode could have influenced activity in the sciences and philosophy. This study provides tools to better understand the complex relationships among art, science, and philosophy: two spatial databases, a geographic information systems (GIS) model, and resulting analytical overlay maps. The maps produced in this project reveal examples where the quality of contact among disciplines in these very specific times and places is worth examining in greater detail.
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Aghabayli, Aydan. "Geometric patterns in islamic decoration." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2016. http://hdl.handle.net/10400.5/18002.

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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.<br>Portugal e o Azerbaijão tiveram uma forte influência islâmica no passado. Mesmo hoje em dia, podemos experimentar sinais desse património cultural e do impacto tangível e intangível em ambos os países. É perceptível em muitas áreas da mesma forma na arquitetura. Em Portugal, apesar de muitos exemplos de influência da herança islâmica terem sido perdidos ou destruídos, ainda existem em algumas cidades em particular um notável legado de arquitectura e ornamentação. Por outro lado, a situação no Azerbaijão é ligeiramente diferente devido ao fato de que a maioria da população do Azerbaijão é muçulmana. Portanto, ainda existem muitos exemplos vivos de motivos geométricos islâmicos na arquitetura e, eventualmente, uma tradição viva. A presente dissertação é parte de um projeto de pesquisa em andamento intitulado “Biomédica e Morfogênese Digital”, inscrito no Centro de Pesquisa CIAUD da Faculdade de Arquitetura da Universidade de Lisboa. O foco principal deste trabalho será dado a girih - um padrão geométrico específico utilizado na decoração islâmica, que pode ser encontrado em uma ampla área de Portugal para o Azerbaijão. Os padrões geométricos em Portugal foram usados ​​principalmente em azulejos, alfarge e algumas obras de estuque, enquanto no Azerbaijão, eles são empregados em diferentes maneiras de projetar principalmente decorações de pedra e decorações de vidro em "shebeke" (uma arte de criar janelas consistindo de de vidro colorido e pequenos detalhes de madeira presos sem cola ou unhas usando). No entanto, todos os elementos decorativos utilizados utilizam uma gama de simetrias que agora foram classificadas como pertencentes a grupos matemáticos distintos. Mas a sutileza e a beleza dos designs são incomparáveis ​​no pensamento e design matemáticos modernos. Assim, o nosso objetivo é tentar estabelecer uma relação entre os exemplos de pesquisa de padrões geométricos islâmicos em Portugal e no Azerbaijão; montar um paralelo entre esses elementos decorativos em ambos os países; e tentar estabelecer se existem algumas conexões, semelhanças e os níveis de correspondência.<br>ABSTRACT: Portugal and Azerbaijan had a strong Islamic influence in the past. Even nowadays, we can experience signs of this cultural heritage, and the tangible and intangible impact in both countries. It is noticeable in many areas likewise in architecture. In Portugal, despite many examples of Islamic heritage influence have been lost or destroyed, there still are in some particular cities a remarkable architecture and ornamentation legacy. On the other hand, the situation in Azerbaijan is slightly different due to the fact that the majority of Azerbaijan’s population is Muslim. Therefore, there are still many living examples of Islamic geometric motifs in architecture and eventually, a living tradition.The present dissertation is part of an ongoing research project entitled “Biomimetics and Digital Morphogenesis” enrolled at the CIAUD Research Centre of the Faculty of Architecture of the University of Lisbon. The main focus of this work will be given to girih - a particular geometric pattern used in Islamic decoration, which can be found in a wide area from Portugal to Azerbaijan. The geometric patterns in Portugal were used mainly in “azulejos”, "alfarge" and some stucco works, while in Azerbaijan, they are employed in different manners of designing mainly stone decorations and glass decorations on "shebeke" (an art of creating windows consisting of colorful glass and small wooden details attached without glue or nail using). Nevertheless, all of the decorative elements deployed use a range of symmetries that have now been classified as belonging to distinct mathematical groups. But the subtlety and beauty of the designs are unparalleled in modern mathematical thinking and design. Thus, our goal is to try to establish a relationship between the survey examples of Islamic geometric patterns in Portugal and Azerbaijan; to assemble a parallel between those decorative elements in both countries; and try to establish if there are some connections, similarities and the levels of correspondence.<br>N/A
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Salman, Amer Shaker. "Computer graphics studies of Islamic geometrical patterns and designs." Thesis, Bangor University, 1991. https://research.bangor.ac.uk/portal/en/theses/computer-graphics-studies-of-islamic-geometrical-patterns-and-designs(4141ebc4-aa5c-4d06-9e07-e68bd63ce88a).html.

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This thesis results from the following work: (1) We have carried out a comprehensive study of Islamic geometrical patterns. More then 300 patterns have been studied. We have given a critique of the work of previous authors on this subject and have discussed our own Ideas on the evolution of Islamic geometrical designs. (2) We have performed symmetry analysis on the patterns and classified them according to their symmetry groups. (3) We have extracted numerical data for efficient generation of the patterns based on the analysis In (2). The data for more than 300 patterns Is provided on the disk. (4) We have developed a mathematical formalism based on group theory and constructed algorithms suitable for the generation of the patterns using computer graphics. (5) the algorithms have been proved by writing an Interactive computer graphic program called Islamic Geometrical Patterns ' IGP'. A library of geometric Islamic patterns has been constructed. (6) At Lite end of this thesis, In an Appendix, we have provided suggestions for further extension of this work.
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Al, Ajlouni Rima Ahmad. "Development and evaluation of a digital tool for virtual reconstruction of historic Islamic geometric patterns." Texas A&M University, 2005. http://hdl.handle.net/1969.1/2519.

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For the purpose of cultural heritage preservation, the task of recording and reconstructing visually complicated architectural geometrical patterns is facing many practical challenges. Existing traditional technologies rely heavily on the subjective nature of our perceptual power in understanding its complexity and depicting its color differences. This study explores one possible solution, through utilizing digital techniques for reconstructing detailed historical Islamic geometric patterns. Its main hypothesis is that digital techniques offer many advantages over the human eye in terms of recognizing subtle differences in light and color. The objective of the study is to design, test and evaluate an automatic visual tool for identifying deteriorated or incomplete archaeological Islamic geometrical patterns captured in digital images, and then restoring them digitally, for the purpose of producing accurate 2D reconstructed metric models. An experimental approach is used to develop, test and evaluate the specialized software. The goal of the experiment is to analyze the output reconstructed patterns for the purpose of evaluating the digital tool in respect to reliability and structural accuracy, from the point of view of the researcher in the context of historic preservation. The research encapsulates two approaches within its methodology; Qualitative approach is evident in the process of program design, algorithm selection, and evaluation. Quantitative approach is manifested through using mathematical knowledge of pattern generation to interpret available data and to simulate the rest based on it. The reconstruction process involves induction, deduction and analogy. The proposed method was proven to be successful in capturing the accurate structural geometry of the deteriorated straight-lines patterns generated based on the octagon-square basic grid. This research also concluded that it is possible to apply the same conceptual method to reconstruct all two-dimensional Islamic geometric patterns. Moreover, the same methodology can be applied to reconstruct many other pattern systems. The conceptual framework proposed by this study can serve as a platform for developing professional softwares related to historic documentation. Future research should be directed more towards developing artificial intelligence and pattern recognition techniques that have the ability to suplement human power in accomplishing difficult tasks.
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Sayed, Zahra, Hassan Ugail, Ian J. Palmer, J. Purdy, and Carlton Reeve. "Parameterized Shape Grammar for n-fold Generating Islamic Geometric Motifs." 2015. http://hdl.handle.net/10454/8221.

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No<br>The complex formation of Islamic geometric Patterns (IGP) is one of the distinctive features in Islamic art and architecture. Many have attempted to reproduce these patterns in digital form, using various pattern generation techniques. Shape grammars are an effective pattern generation method, providing good aesthetic results. In this paper we present a novel approach in generating 3D IGP using an extended shape grammar: Parametrized Shape Grammar (PSG). PSG allows a user to generate both original and novel forms of Islamic geometric motifs (a repeated unit of a pattern). PSG is generalized to generate n-fold Islamic geometric motifs in a 3D environment, practically implemented as a 3D modeling tool within Autodesk Maya. The parametrization within each grammar rule is the key to generating numerous original and novel Islamic geometric motifs.
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Sayed, Zahra, Hassan Ugail, Ian J. Palmer, J. Purdy, and Carlton Reeve. "Auto-Parameterized Shape Grammar for Constructing Islamic Geometric Motif-Based Structures." 2016. http://hdl.handle.net/10454/8771.

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Yes<br>The complex formation of Islamic Geometric Patterns (IGP) is one of the distinctive features in Islamic art and architecture. Many have attempted to reproduce these patterns in digital form, using various pattern generation techniques, in 2D. Shape grammars are an e ective pattern generation method, providing good aesthetic results. In this pa- per we describe a novel approach in generating 3D IGP using the shape grammar method. The particular emphasis here is to generate the motifs (repeated units with the pattern) in 3D using parameterization. These can then be manipulated within the 3D space to construct architec- tural structures. In this work we have developed two distinctive Shape Grammars in 3D namely Parameterized Shape Grammar (PSG) and Auto-Parameterized Shape Grammar (APSG). Here the PSG generates the motifs and the APSG enables construction of the structures using the generated motifs. Both grammars are practically implemented as a 3D modelling tool within Autodesk Maya. The parameterization within each grammar is the key to generate both Islamic geometric motifs and Islamic geometric motif-based structures.
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Books on the topic "Islamic Geometric Pattern"

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Bonner, Jay. Islamic Geometric Patterns. Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4419-0217-7.

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Metropolitan Museum of Art (New York, N.Y.) and Metropolitan Museum of Art (New York, N.Y.). Education Dept., eds. Islamic art and geometric design: Activities for learning. Metropolitan Museum of Art, 2004.

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Issam, El-Said. Islamic art and architecture: The system of geometric design. Edited by El-Bouri Tarek, Critchlow Keith, and Damlūji Salmá Samar. Garnet Pub., 1993.

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Hach-Ali, Purificación Fenoll. Simetria en la Alhambra: Ciencia, belleza e intuición = Symmetry in the Alhambra : science, beauty and intuition. Universidad de Granada, Consejo Superior de Investigaciones Científicas, 2003.

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Art, Moutaleb Islamic. Pattern Islamic Coloring Book: Draw Islamic Geometric Star Patterns, Patterns from Islamic Art and Architecture, Pattern Mandala Geometric. Independently Published, 2020.

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Art, Moutaleb Islamic. Pattern Islamic Coloring Book: Draw Islamic Geometric Star Patterns, Patterns from Islamic Art and Architecture, Pattern Mandala Geometric. Independently Published, 2020.

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Mirosław Majewski. Practical Geometric Pattern Design: Geometric Patterns from Islamic Art. Independently Published, 2020.

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Books, Holly. Islamic Geometric Patterns: Geometric Shapes and Patterns Coloring Book, Arabic Geometrical Pattern and Design, Draw Islamic Geometric Star Patterns, Geometric Patterns from Islamic Art and Architecture. Independently Published, 2020.

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Bouchahoua, Kabil. Pattern Islamic Coloring Book: Mandala and Pattern Geometric. Independently Published, 2020.

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Islamic Coloring Book : Mandala and Pattern Geometric: Amazing Islamic Coloring Book with Perfect Islamic Geometric Patterns and Mandalas. Independently Published, 2020.

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Book chapters on the topic "Islamic Geometric Pattern"

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Bonner, Jay, and Craig S. Kaplan. "4 Computer Algorithms for Star Pattern Construction." In Islamic Geometric Patterns. Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4419-0217-7_4.

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Amin, Rahman, and D’zul Haimi Md Zain. "Islamic Geometric Pattern Within the Molecular Structure." In Proceedings of the 2nd International Colloquium of Art and Design Education Research (i-CADER 2015). Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0237-3_66.

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Rahim, Mohd Idzham Che, Marzuki Ibrahim, Mohd Zamani Daud, and Nur Syafinaz M. Anuar. "The Development of Islamic Geometric Pattern in Jewellery Product Design." In Contemporary Issues and Development in the Global Halal Industry. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-1452-9_21.

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Bonner, Jay. "1 The Historical Antecedents, Initial Development, Maturity, and Dissemination of Islamic Geometric Patterns." In Islamic Geometric Patterns. Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4419-0217-7_1.

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Bonner, Jay. "2 Differentiation: Geometric Diversity and Design Classification." In Islamic Geometric Patterns. Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4419-0217-7_2.

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Bonner, Jay. "3 Polygonal Design Methodology." In Islamic Geometric Patterns. Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4419-0217-7_3.

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Lim, Teik-Cheng. "Metamaterials and Islamic Geometric Patterns." In Mechanics of Metamaterials with Negative Parameters. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-6446-8_20.

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Aljamali, Ahmad M., and Ebad Banissi. "Grid Method Classification of Islamic Geometric Patterns." In Geometric Modeling: Techniques, Applications, Systems and Tools. Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-94-017-1689-5_13.

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Khamjane, Aziz, Zouhair Ouazene, Abderrazak Taime, Imad Badi, Khalid El Fazazy, and Rachid Benslimane. "The Polygonal Technique for Constructing Islamic Geometric Patterns." In Digital Technologies and Applications. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-29860-8_53.

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Ait Lahcen, Yassine, Abdelaziz Jali, Ahmed El Oirrak, and Youssef Aboufadil. "Computing Technologies to Construct an Islamic Geometric Patterns Respecting the “Hasba” Method." In Emerging Trends in ICT for Sustainable Development. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-53440-0_27.

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Conference papers on the topic "Islamic Geometric Pattern"

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Ahadian, Maryam, and Azam Bastanfard. "Classification of Islamic Geometric Pattern Images Using Zernike Moments." In 2011 Eighth International Conference on Computer Graphics, Imaging and Visualization (CGIV). IEEE, 2011. http://dx.doi.org/10.1109/cgiv.2011.11.

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Ismail, Norlis, and Farah Nabila Hamdan. "Islamic Geometric Pattern Design Of State Mosque In Malaysia." In Proceedings of the 8th UPI-UPSI International Conference 2018 (UPI-UPSI 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/upiupsi-18.2019.27.

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NASRI, MOHAMAD. "THE VOCABULARY OF PERCEPTION AND DESIGN OF ISLAMIC GEOMETRIC PATTERNS." In ISLAMIC HERITAGE 2018. WIT Press, 2018. http://dx.doi.org/10.2495/iha180121.

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Wichmann, Brian. "Tilingsearch.org: A searchable repository of Islamic geometric patterns." In Proceedings of EVA London 2020. BCS Learning and Development Ltd, 2020. http://dx.doi.org/10.14236/ewic/eva2020.41.

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Aljamali, Ahmad M. "Classification and Design of Islamic Geometric Patterns Using Computer Graphics." In 2009 Second International Conference in Visualisation (VIZ). IEEE, 2009. http://dx.doi.org/10.1109/viz.2009.46.

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Aoulalay, Ayoub, Abderrahim El Mhouti, and Mohammed Massar. "Classification of Islamic Geometric Patterns based on Machine Learning Techniques." In 2022 2nd International Conference on Innovative Research in Applied Science, Engineering and Technology (IRASET). IEEE, 2022. http://dx.doi.org/10.1109/iraset52964.2022.9737839.

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Khamjane, Aziz, Abderazzak Taime, Zouhair Ouazene, and Rachid Benslimane. "Computer Graphics for Generating Islamic Geometric Periodic and Quasi-periodic Patterns." In 2019 International Conference on Intelligent Systems and Advanced Computing Sciences (ISACS). IEEE, 2019. http://dx.doi.org/10.1109/isacs48493.2019.9068879.

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Jowers, Iestyn, Miquel Prats, Hesham Eissa, and Ji-Hyun Lee. "A study of emergence in the generation of Islamic geometric patterns." In CAADRIA 2010: New Frontiers. CAADRIA, 2010. http://dx.doi.org/10.52842/conf.caadria.2010.039.

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Agirbas, Asli, and Elif Feyza Basogul. "Structural Performance of Reciprocal Structures formed by using Islamic Geometrical Patterns." In eCAADe 2021: Towards a New, Configurable Architecture. eCAADe, 2021. http://dx.doi.org/10.52842/conf.ecaade.2021.2.391.

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Refalian, Ghazal, Eloi Coloma, and Joaquim Moya. "From Sacred Traditions to Digital Syntax: Navigating Formal Grammar's Role in Modelling Contemporary Islamic Geometric Patterns." In XXVII International Conference of the Ibero-American Society of Digital Graphics. Editora Blucher, 2024. http://dx.doi.org/10.5151/sigradi2023-26.

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Reports on the topic "Islamic Geometric Pattern"

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Harrison, Tracy. Visualizing Complexity : A Spatial Analysis of Decorative Geometric Pattern in the Islamic World, 900-1400 AD. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2431.

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