Relevant bibliographies by topics / Islamic poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Islamic poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Islamic poetry"

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Yilmaz, Arif, and Mustafa Çiçek. "A Classification Essay on Islamic Poetry in New Turkish Literature." Revista de Gestão Social e Ambiental 18, no. 9 (2024): e06445. http://dx.doi.org/10.24857/rgsa.v18n9-008.

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Objectives: The objectives of this study are to define Islamic poetry, explore its analytical methodology, and provide examples that illustrate its thematic concepts within modern Turkish poetry. Methods: To achieve these objectives, the study employs the document analysis method, which is a qualitative research approach. The analysis focuses on modern Turkish poetry, examining examples across eight distinct categories of Islamic poetry. Results: The analysis of Islamic poetry within modern Turkish literature reveals its diverse manifestations across various thematic categories. These include
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Muna, Nailil, Idha Nurhamidah, and Mesut Idriz. "PLAGUE AND PESTILENCE IN THE EARLY ISLAMIC LITERATURE VIEWED FROM A CULTURAL RESILIENCE FRAMEWORK." Jurnal Lektur Keagamaan 20, no. 2 (2022): 319–50. http://dx.doi.org/10.31291/jlka.v20i2.1092.

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ABSTRACT Studies have found that engaging with poetry through poetry rea­ding helps individuals develop positive outlook in life and cope with difficult experience. Poetry has a unique ability to express complex emotions, making it useful for building resilience. This study aims to explore how poetry especially Islamic poetry could serve as a cultural resilience strategy during the pandemic. Cultural resilience refers to the unique way cultural backgrounds such as values, norms, supports, langu­age, and customs can help facilitate an individual or a community to overcome adversity (Clauss-Ehle
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Dashti, Mehdi, та Noor Aqa Neveesa. "شاخص‌های بیداری اسلامی در شعر خلیل‌الله خلیلی". ghalib quarterly journal 13, № 1 (2024): 65–89. http://dx.doi.org/10.58342/ghalibqj.v.13.i.1.4.

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Islamic awakening is a movement of vigilance and awareness among Islamic community, during which, after a prolonged period of Intellectual regression, declination, and imitation of West, Muslims renewed the thought and resisted to gain enormity and control over affairs of Islamic lands. Studying role of Khalilullah Khalili a contemporary poet from Afghanistan in Islamic awakening and investigation of such awakening indicators in his poems, show that Khalili had a dominant role in revival of religious thoughts, creation of unity, self-esteem, and spirit of Muslims’ return to their olden enormit
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Rabi, Rabi Mahmoud. "Goethe and Pre-Islamic Poetry." Journal of Social Sciences (COES&RJ-JSS) 10, no. 4 (2021): 389–408. http://dx.doi.org/10.25255/jss.2021.10.4.389.408.

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The hypothesis of this research is that the impact of Pre-Islamic poetry appeared early in the features of the German poet, Goethe, in contrast with the critics who studied this connection. This impact appears in his novel The Sorrows of Young Wrether, which is one of his early works (1774). The researcher thinks that Goethe was unintentionally influenced by Pre-Islamic poetry in general and by Tarafah Ibn Alabd (his life and his outstanding Mu'ullaqa, the Lameyah) in particular. The research tries to clarify similarities and convergences between the two poets along with the two texts (the nov
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Orwin, Martin, and Farouk Topan. "Islamic religious poetry in Africa." Journal of African Cultural Studies 14, no. 1 (2001): 5–6. http://dx.doi.org/10.1080/136968101750333932.

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Bano, Dr Najma, and Saeeda Bano. "Poetry in the light of Islamic law." Al Khadim Research journal of Islamic culture and Civilization 3, no. 1 (2022): 85–91. http://dx.doi.org/10.53575/arjicc.v3.01(22)a6.85-91.

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Poetry is one of the oldest, most prestigious arts therefore there have been countless poets, critics and researchers on poetry across history, Arabic poetry has played a vital role in the Arabic culture and heritage, it has also passed by many changes throughout history until it reached in the form we see today, in this article we searched about the relation of Arabic poetry with the Islamic law and the influence it has on it as well as the part it plays in it, it is also a response to those who see poetry as a lost and dark art. However, the poetry concerned with the Islamic law has always b
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Rahman, Siti Hazwani binti Abd, Rahmah Binti Ahmad H. Osman, and Muhammad Asyraf bin Zaina. "The Poetic Style of Ka`b bin Zuhair and Its Role in the Islamization of Knowledge: Islamic Poetry as a Model." Al Hikmah International Journal of Islamic Studies and Human Sciences 5, no. 3 Special Issue (2022): 18–37. http://dx.doi.org/10.46722/hikmah.v5i3b.

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Kaab bin Zuhair has a high status in Arabic poetry and is a descendant of a family gifted with poetry. His father is the well-known pre-Islamic poet Zuhair bin Abi Salma. He was one of the famous poets in the pre-Islamic era even after the advent of Islam. It is worth noting that he plays an important role in preserving the message of Islam through his poems and poems. Likewise, there are many Islamic values and knowledge about Islam from the poetry of Ka`b bin Zuhair in the era of Islam. This research aims to know the poetic style of Kaab bin Zuhair in his Islamic poetry and to discover a rol
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Rehab AbdUlmohsen Al- Qurashi, Rehab AbdUlmohsen Al Qurashi. "The influence of Islam on forming images in the Umayyad poetry: أثر الإسلام في تشكيل الصور ومقاصد الشعر الأموي". المجلة العربية للعلوم و نشر الأبحاث 7, № 2 (2021): 53–41. http://dx.doi.org/10.26389/ajsrp.r070121.

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The research deals with the image in the Umayyad poetry and how these images embodied the Islamic spirit and how Islam influenced it. The inclusion of images in several topics and areas of the Umayyad poetry whether these topics were concerned with the traditional topics of the Arabic poetry that exist in the Pre- Islamic and Islamic poetry or the topics that clearly appeared in such literature such as polite love, political, religious sects and parties. I'll point out some samples of the Umayyad poetry with the Islamic image and the objectives of poetry and how these images can illustrate the
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Huwaida. "SPIRITUAL VALUES IN PRE-ISLAMIC ARABIC LITERATURE." FITRAH: International Islamic Education Journal 4, no. 1 (2022): 41–53. http://dx.doi.org/10.22373/fitrah.v4i1.1986.

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Poetry is an accumulation of beauty and imagination in the form of compositions that represent the subtlety of feelings and have messages that penetrate the recesses of the soul. Although the poetry comes from a time when there was not yet has a light of divine truth, there has been poetry with spiritual values touching the spiritual experiences. Therefore, this study aims to examine poetry that has spiritual value in pre-Islamic Arabic literature. Content-analysis is applied to find the spiritual values in a selected poetry. The result shows that spiritual values emerged such as kindness and
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Nawayseh, Abeer Jarad, and Mohammad Ibrahim Adayleh. "Death and Immortality Symbolism in Pre- Islamic Poetry." Dirasat: Human and Social Sciences 50, no. 4 (2023): 459–73. http://dx.doi.org/10.35516/hum.v50i4.5753.

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Objectives: The aim of this study is to unveil the vision and imagery of pre-Islamic poetry about death and immortality and how pre-Islamic poets expressed this phenomenon in their poetry. This is explored based on the vision of the nature of death, and thoughts and myths related to it, in the view of pre-Islamic people.
 Methods: The study followed the descriptive-analytical approach in tracking the idea of death and immortality in the poetry of the pre-Islamic era. 
 Results: It was found that the pre-Islamic poet held certain belief about death as an absolute destiny. Also, pre-Is
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Dissertations / Theses on the topic "Islamic poetry"

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Sayuti, Najmah. "The concept of Allāh as the highest God in pre-Islamic Arabia : a study of pre-Islamic Arabic religious poetry." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30215.

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The ancient Arabs used poetry not only to entertain themselves in the midst of their harsh life in the Arabian desert, but also to proclaim their cultural values, which were the moral-spiritual and material basis of their nomad society. Composing poetry therefore was almost a sacred rite for them. Its recitation in particular, was a main feature of certain ritual customs held annually during the aswaq (sg. suq , festival) season. The most common themes touched upon were the attributes of which a tribe may have been particularly proud, such as its victories and generosity to the vanquished, the
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Laycock, Rona. "Mindful of ghosts." Thesis, Swansea University, 2010. https://cronfa.swan.ac.uk/Record/cronfa42724.

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This poetry collection explores the concept of memory as a function of identity and is based on the ten years or so that I spent living and working in Islamic countries during the 1970s and 1980s. It is an attempt to create a record of a life lived in unfamiliar territories where cultural and social norms are very different from those with which I was brought up. The collection comprises four sections, each having a distinct character, attributable in part to the use of poetic forms chosen to complement specific periods and places. I experimented with haibun, haiku and prose poetry as well as
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Ranne, Katriina. "Heavenly drops: the image of water in traditional Islamic Swahili poetry." Swahili Forum 17 (2010), S. 58-81, 2010. https://ul.qucosa.de/id/qucosa%3A11479.

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Iba Ndiaye Diadji, a Senegalese professor of aesthetics, sees water as intrinsic to African ontology. He also argues that water is the most important substance to inspire African artists. (Diadji 2003: 273–275.) Water certainly has a significant role in Swahili poetry, written traditionally by people living on the coast of the Indian Ocean. Swahili poems have used aquatic imagery in expressing different ideas and sensations, in different contexts and times. Water imagery can be found in hundreds of years old Islamic hymns as well as in political poetry written during the colonial German East A
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Shams-Esmaeili, Fatemeh. "Official voices of a revolution : a social history of Islamic republican poetry." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:b6f2561b-fd26-4064-88b8-f365d7abf2e4.

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This thesis is primarily concerned with the literary aspects of the Islamic Republic of Iran. Its immediate focus rests on the evolution of the Islamic republican poetic trend, encompassing both the disillusioned and conformist voices that rose to prominence in the course of the 1979 Revolution and their on-going engagement with the ruling political power. In this vein, this thesis investigates the various cultural policies of the state, as well as select political transformations of the past three decades, all of which played a pivotal role in this literary evolution. The thesis shows how the
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Sayuti, Najmah. "The concept of Allah as the highest God in pre-Islamic Arabia, a study of pre-Islamic Arabic religious poetry." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64191.pdf.

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Al-Mufti, Elham Abdul-Wahhab. "Shakwa in Arabic Poetry during the c Abbasid Period." Thesis, SOAS, University of London, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503481.

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Hines, Naseem Akhtar. "The Sufi elements in the Indo-Sufi masnavī, with specific reference to Maulana Daud's Cāndayān /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11140.

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AlFitouri, Suaad Ahmad Eltayef. "Aspects of the religious and mythological dimensions of pre-Islamic poetry with special reference to the mu'callaqat." Thesis, SOAS, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430804.

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Chiabotti, Francesco. "Entre soufisme et savoir islamique : l'oeuvre de ῾Abd al-Karīm al-Qushayrī (376-465 / 986-1072)." Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM3096.

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La présente étude veut représenter un essai de synthèse des aspects les plus remarquables de la production littéraire et du rôle dans l'histoire du soufisme du maître soufi et théologien khorassanien Abū l-Qāsim ῾Abd al-Karīm b. Hawāzin al-Qushayrī (376-465/ 986-1072). Trois axes principaux sont développés : la vie de Qushayrī et la dynamique de diffusion de son oeuvre, l'analyse du corpus qushayrien (étude des manuscrits et état de l'édition), les aspects les plus remarquables de sa doctrine. L'idée principale qui guide ce travail est la saisie de la relation qu'on aperçoit, dans l'oeuvre de
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Ruskin, McClatchy Jack. "Palestinian Memory and Identity." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1148.

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The 1948 Arab-Israeli War effectively destroyed Palestinian society. Hundreds of thousands of Palestinians fled their homes and sought refuge in foreign lands, where they attempted to reestablish their lives and culture. This thesis examines the role of memory in shaping a Palestinian diaspora identity and uses Mahmoud Darwish’s book The Buttefly’s Burden to identify important aspects of the collective Palestinian experience. As the Palestinian national poet, Mahmoud Darwish provides authentic representations of the Palestinian struggle to reconcile the loss of their homeland. Examining Darwis
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Books on the topic "Islamic poetry"

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Peiravi, Ali. An anthology of Islamic poetry. Anṣāriyān, 2004.

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Pinckney, Stetkevych Suzanne, ed. Early Islamic poetry and poetics. Ashgate/Variorum, 2009.

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Gedal, Khairie. The Islamic Nashid book: Islamic songs for children in English. Rabab, 1997.

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Nourallah, Riad. Loving letters: An Islamic alphabet. Amana Publications, 1995.

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1950-, Sperl Stefan, and Shackle C, eds. Qasida poetry in Islamic Asia and Africa. E.J. Brill, 1996.

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Nourallah, Riad. The messenger: A verse narrative in fifteen parts. University Press of Maryland, 1998.

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Gulānnabi. Mēlukolupu: Islāṃ śaṅkhārāvamu, padya kāvyamu. Ilāhiya Pablikēṣans, 1988.

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Hayward, Joel S. A. Splitting the moon: A collection of Islamic poetry. Kube Pub., 2012.

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Ashraf, Ibn ʻAbd al-Raḥīm, ed. Tawḍīḥ al-Kāfiyah al-shāfiyah fī al-intiṣār lil-firqah al-nājiyah li-Ibn Qayyim al-Jawzīyah. Aḍwāʼ al-Salaf, 2000.

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Ibn ʻAqīl, Abū ʻAbd al-Raḥmān, Yūsuf Muḥammad Khayr Ramaḍān, ʻAskar, ʻAbd al-Muḥsin ibn ʻAbd al-ʻAzīz та Sulaymān ibn Saḥmān, 1849 or 50-1930, ред. Ibn Saḥmān, Sulaymān ibn Saḥmān ibn Muṣliḥ al-Khathʻamī al-ʻAsīrī al-Najdī, 1266-1349 H: Tārīkh ḥayātihi wa-ʻilmihi wa-taḥqīq shiʻrih. Maktabat al-Rushd Nāshirūn, 2006.

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Book chapters on the topic "Islamic poetry"

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Na’Allah, Abdul-Rasheed. "Performance, poetry, and oral traditions overview." In Yoruba Oral Tradition in Islamic Nigeria. Routledge, 2019. http://dx.doi.org/10.4324/9780429295164-2.

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Na’Allah, Abdul-Rasheed. "Politics, partisanship, and traditional oral poetry." In Yoruba Oral Tradition in Islamic Nigeria. Routledge, 2019. http://dx.doi.org/10.4324/9780429295164-6.

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Leaman, Oliver. "Poetry and the Emotions in Islamic Philosophy." In Classic Issues in Islamic Philosophy and Theology Today. Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-90-481-3573-8_8.

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"ARABIAN POETRY." In Studies: Indian and Islamic. Routledge, 2013. http://dx.doi.org/10.4324/9781315011738-5.

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Shams, Fatemeh. "Rethinking the Islamic Republican Canon." In A Revolution in Rhyme. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198858829.003.0002.

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The opening chapter tackles the problematic aspects of literary canonization, with specific reference to the complex process of literary de-canonization and re-canonization in the wake of 1979 revolution. It introduces, for the first time, the work and lives of two generations of poets who belong to the Islamic Republic’s canon of poetry, their approach to, and relationship with, the Persian poetic tradition. The reader thus begins the book grounded in the foundations of a poetic trend in modern Iran that was sponsored and promoted by the establishment following the 1979 revolution. While introducing the ‘key figures’ of the Islamic Republic’s official canon of poetry, the chapter throws light on the complex and multilayered process of reshaping the pre-revolutionary poetry canon in years preceding and following the 1979 revolution
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Webb, Peter. "Pre-Islamic ‘Arabless-ness’: Arabian Identities." In Imagining the Arabs. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474408264.003.0003.

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Developing Chapter 1’s findings on pre-Islamic Arabian society, this chapter proposes a new origin point for Arab communal consciousness. Chapter 2 seeks the first groups of people who called themselves ‘Arabs’ and explores how those people can be identified from historical records. We begin by appraising the evidence about Arabic language: when and where did it evolve and to what extent does Arabic-language use delineate Arab communal identity? We evaluate the surprising paucity of pre-Islamic Arabic records, and next turn to pre-Islamic poetry to examine its citation of the word ‘Arab’ alongside the senses of community the poets articulate. Pre-Islamic poetic reference to ‘Arabs’ is also almost non-existent, whereas alternative forms of communal identity are clearly expressed, in particular, a people known as Maʿadd. Marshalling theories of ethnogenesis to interpret the evidence, this chapter sheds new light on pre-Islamic Arabia’s fragmented communal boundaries. Chapter 2 closes with early Islamic-era poetry where poets first begin to call themselves ‘Arabs’, suggesting that Arab ethnogenesis was a result, not a cause of the rise of Islam.
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"The Islamic panegyric." In Mannerism in Arabic Poetry. Cambridge University Press, 1989. http://dx.doi.org/10.1017/cbo9780511563577.002.

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Neuwirth, Angelika. "The Qur’an and Poetry." In The Qur'an and Late Antiquity, translated by Samuel Wilder. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199928958.003.0013.

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This chapter discusses the relationship of the Qur’an to poetry, both in terms of poetry as a broader interpretive category and, in specific, in relation to pre-Islamic Arabic poetry, in which poetry is associated with prophecy. Specific Qur’anic statements in relation to poetry are discussed, but the broader relevance of the function of poetry in the pre-Islamic Arabian context is also brought to bear on the historical interpretation of the function of the Qur’an in the lives of its first recipients. The Qur’anic text actively counters negative associations with poets and seers in pre-Islamic Arabic culture, distancing the proclaimer from charges of ecstatic possession.
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Majeed, Javed. "Islamic Hellenism, Selfhood and Poetry." In Muhammad Iqbal. Routledge India, 2020. http://dx.doi.org/10.4324/9780367818647-7.

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"1: Pre-Islamic Bedouin Poetry." In Goethe and the Poets of Arabia. Boydell and Brewer, 2014. http://dx.doi.org/10.1515/9781782043256-005.

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Conference papers on the topic "Islamic poetry"

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MEHMETALI, Bekir. "THE RULE OF POETIC NECESSITY IN CONTEMPORARY POETRY." In III. International Research Congress ofContemporary Studiesin Social Sciences. Rimar Academy, 2021. http://dx.doi.org/10.47832/rimarcongress3-10.

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Poetry flowed from the tongue of the Arab poets in a natural flow in the early days of his era, and it preceded its cradle in the pre-Islamic era, and accordingly the saliqa and innate nature took place. Classical Arabic in which he produced his poetry, in rules and linguistic laws, and by analogy with them, his poetry will be studied in meaning and structure, and that he will be mistaken in saying this, and the linguist will seek to find linguistic ways to penetrate the poet into the Arab rule that was made by the grammatical extrapolation. Hence the term poetic necessity, which is to find a
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Ahmed SHAKIR, Mahmood. "THE ROLE OF DR. SAMY MAKY AL_A'ANY IN TERMS OF THE ISLAMIC POETRY." In I V . I N T E R N A T I O N A L C O N G R E S S O F L A N G U A G E A N D L I T E R A T U R E. Rimar Academy, 2022. http://dx.doi.org/10.47832/lan.con4-15.

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Samy Maki Al_A' ni, the Academic, Iraqi researcher, who had studied in the University of Harvard 1956-1957 A.C. He had participated in establishing the British Encyclopedia and Al_Ma'arif Department. He contributed in publishing many books such as (Dumiet Al_Qasr Wa Ussrat A'hl Al_A'ssr), (Asha'r Al_Nisa' Lil Mizrbany), (Ka'ab bin Malik Al_A'nsary (the poet of Islamic faith)), (Dirasaat fi Al_A'dab Al_Islamy), (Islam and the poetry) and (Nadhrat fi sha'r Sadr Al_Islam). The professor had gained the king Faisal's reward in 1989 A.C. He made a documentary study of the Islamic stanzas poems. With
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MEHMETALI, Bekir. "THE ARAB-TURKISH BROTHERHOOD IN MODERN ARABIC POETRY." In VI. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress6-3.

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Since ancient times, Arabic poetry has been a depiction of everything that is happening in the Arab environment that surrounds the poet wherever he is, and his igniting flame has not been extinguished in their souls, despite the subjugation of the Arab world to the rule of non-Arabs after Islam. It is known that the Arab Muslims set out from the Arabian Peninsula as conquerors and heralds of the serious Islamic religion, and as a result of this the entry of nonArabs into Islam that enlightened the darkness of their hearts, so the Persians, Romans, Copts, Abyssinians, Turks, and others will be
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Mehmetali, Doç Dr Bekir. "THE USE OF ARABIC WORDS IN CONTEMPORARY TURKISH POETRY.THE POEM (WORDS OF KILIS) BY THE POET MUSTAFA ALPAYDIN IS AN EXAMPLE." In I. International Dubai Social Sciences and Humanities Congress. Rimar Academy, 2024. http://dx.doi.org/10.47832/dubaicongress1-1.

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The languages with which God has honored His servants, believers and non-believers, are all one of His signs and one of His effects. It is natural for human languages to borrow words from each other due to several factors, including religion, juxtaposition, mixing, and so on. The Turkish language borrowed many words from the Arabic language, and the Islamic religion was the main factor in this borrowing. Through this research, I wanted to show a small amount of contemporary Turkish poetry’s borrowing of Arabic words that the poet used in his poetic experience. The choice fell on the poet Musta
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Ulya, C., and N. Wardani. "The Islamic Symbols in Indonesian Anti-Corruption Poetry." In First International Conference on Advances in Education, Humanities, and Language, ICEL 2019, Malang, Indonesia, 23-24 March 2019. EAI, 2019. http://dx.doi.org/10.4108/eai.23-3-2019.2284911.

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Radhia, Dr LARKEM. "THE POETICS OF DIALOGUE IN THE VISION OF ABU FIRAS AL-HAMDANI." In I. International Century Congress for Social Sciences. Rimar Academy, 2024. http://dx.doi.org/10.47832/soci.con1-19.

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In ancient Arabic poetry, dialogue is an artistic technique that adds a narrative feature to its poetic texts. Its methods and formulas have varied in these poetic texts, given that dialogue raises the curtain on the positions, feelings, and secrets of the interlocutors, their ideas, and their experiences, whatever their type. Poets have used dialogue in their poems for various poetic purposes and topics since the pre-Islamic era, and this continued until the Abbasid era and beyond. Its methods and characteristics developed, and it became a means for the poet to express his feelings that he re
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Davronova, Zarnigor. "CHARACTERISTICS OF THE ANTHROPONYMS MENTIONED IN "BABURNAMA"." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/uubs9677.

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It is known from history that Central Asia has given the world many thinkers, poets and generals. Zahiriddin Muhammad Babur Mirza, one of the most complex, most attractive and greatest figures of our history, a unique person, took a proud place in world history during his short life of only forty-seven years. What Zahiriddin Muhammad Babur saw and experienced from the day he ascended the throne to his death is "Vaqoye" (this work is also called "Vaqeoti Baburiy", "Tuzuki Baburiy", "Tawarikhi Baburiy", "Baburiyya" in other sources. Later it was called "Baburnoma" saying is written in ) which ha
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MEHMETALI, Bekir. "The manifestations of the meanings of grammatical construction in selected verses from the Mu'allaqa Amr bin Kulthum." In V. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress5-2.

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Poetry has been since pre-Islamic times, and continues to this day to be of great importance to scholars, researchers, specialists, and others. These were made available to poets in later literary ages, and the mu’allaqat came at the forefront of these monuments. The introduction to these pendants is such that over time they became the pride of the Taghlib tribe, which distinguished it from others that its poet was a master of his tribe, and that his tribe was the greatest of the Arab tribes, and that the reason for its organization was unique, which is the killing of the poet by an unjust kin
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Sarikose, Mehmet. "PERSONAGES IN THE DIVAN OF BABUR." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/hryx7126.

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Classical Turkish literature is a literary tradition of approximately six centuries, within the general development of Turkish literature, whose theoretical and aesthetic principles were formed within the circle of Islamic civilization and shaped especially by the influence of Arabic and Persian literature. Classical Turkish literature, which is based on religious, historical, mythological and folklore foundations, also serves as a historical source with the "human" element it contains. Its’ statesmen, scholars, philosophers, poets, religious and sufi elders, legendary heroes and similar figur
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Ahmad, Nur, and Akhmad Junaidi. "The Unity of Culture: A New Reading in Javanese Traditional Poetry." In Proceedings of the First International Conference on Islamic History and Civilization, ICON-ISHIC 2020, 14 October, Semarang, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.14-10-2020.2303823.

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