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Books on the topic 'ISM koden'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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1

Ise monogatari no Edo: Koten imēji no juyō to sōzō. Tōkyō: Shinwasha, 2001.

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2

Hakohen, Mordekhai Amyas. Sefer Doresh ṭov le-ʻamo: Derushim ; Ṿe-ʻarakh ha-kohen : maʻarkhot halakhah. ha-Ish Mordekhai : toldot ha-gaʼon R. Mordekhai Amyas ha-Kohen, z. ts. ṿe-ḳ.l., rosh rabane Tunisyah. [Netivot: B.R. Kohen, 1988.

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3

Kook, Ẓevi Judah ben Abraham Isaac. Ḳovets le-zikhro shel maran ha-Rav Tsevi Yehudah ha-Kohen Ḳuḳ, zatsal: Toldotaṿ ṿe-leḳeṭ mi-tokh ketavaṿ : eshnav le-hakarat ha-ish u-mishnato. Yerushalayim: Mekhon netivah ṿa-or, 1993.

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4

Kook, Ẓevi Judah ben Abraham Isaac. Ḳovets le-zikhro shel maran ha-Rav Tsevi Yehudah ha-Kohen Ḳuḳ, zatsal: Toldotaṿ ṿe-leḳeṭ mi-tokh ketavaṿ : eshnav le-hakarat ha-ish u-mishnato. Yerushalayim: Mekhon netivah ṿa-or, 1993.

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5

Ṭeller, Shemuʼel Shelomoh. Ish ḥasid ḥayah: Ḳorot yeme ḥayaṿ shel ziḳnene ha-ṛ. he-̣ḥ. mo. ha-R. Avraham ha-Kohen Glantser : ṿe-gam le-rabot toldot avotaṿ, z.y. ʻa. a. [New York State]: Daniyel Yudah Hirsh, 2011.

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6

Noʻam, Shulamit. Ṿeha-ish Mosheh: Ḳaṿim li-demuto, le-hanhagato ṿela-halikhotaṿ ba-ḳodesh ... shel ... Rabi Mosheh ha-Kohen Darihem ... rav ṿe-dayan be-G'erba uve-ʻi. ha-ḳ. Ṭeverya ... [Yerushalayim: ḥ. mo. l.], 2001.

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7

Gaast, Koen, Machiel Keestra, Laura Koenders, Steph Menken, and Ger Post. Chapters on Interdisciplinary Research and Research Skills. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463728256.

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This book is a special edition, compiled for to the MSc Course Research Methodologies as taught at the Faculty of Aerospace Engineering at Delft University of Technology. It is a compilation of useful chapters from several sources on how to structure, set up, carry out and write up your (thesis) research to aid you in writing your research plan. Next to that it acts as a companion during your thesis research. After introducing you to the philosophy of scientific research, subsequent chapters each contribute to the different phases of your research. The book uniquely allows for the often multi- or interdisciplinary research many of you carry out, based on the established Dutch university tradition of (semi-)independent student research, creating a thread through the process for you to follow. This edition is a collection of chapters from An Introduction to Interdisciplinary Research (2016), edited by Steph Menken and Machiel Keestra, and Academic Skills for Interdisciplinary Studies. Revised edition (2019), by Koen van der Gaast, Laura Koenders and Ger Post, published by Amsterdam University Press.
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8

Shouraqui, Itshak. Masoret ba-ʻidan ha-moderni: Ḥakhamim Sefaradim ba-dorot ha-aḥaronim : Eliyahu ben Amozeg, Yosef Ḥayim ("Ben Ish Ḥai"), Mosheh Kalfon ha-Kohen, Ben-Tsiyon Meʼir Ḥai ʻUziʼel, Yosef Meśaś, Ḥayim Daṿid ha-Leṿi, Yehudah Leʼon Ashkenazi ("Maniṭo"). Tel-Aviv: Yediʻot aḥaronot, 2009.

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9

Masoret ba-ʻidan ha-moderni: Ḥakhamim Sefaradim ba-dorot ha-aḥaronim : Eliyahu ben Amozeg, Yosef Ḥayim ("Ben Ish Ḥai"), Mosheh Kalfon ha-Kohen, Ben-Tsiyon Meʼir Ḥai ʻUziʼel, Yosef Meśaś, Ḥayim Daṿid ha-Leṿi, Yehudah Leʼon Ashkenazi ("Maniṭo"). Tel-Aviv: Yediʻot aḥaronot, 2009.

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10

Ṿeṭenshṭain, Yehuda Ary. Marʼeh Khohen: Toldot u-masekhet ḥayaṿ shel avinu ha-rav ha-muvhaḳ be-Yiśraʼel ha-aluf ha-gadol ba-Torah ish ḥayil ṿe-rav poʻalim ha-rav ha-gaʼon Ḥanany. Dov ha-Kohen Ḳohn, zatsal, r.a.b.d. Budapesṭ ṿe-aḥ. k. Bruḳlin. Bruḳlin: Yehuda Ary. Ṿeṭenshṭain, 772 [2012], 2012.

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11

Ise to Genji: Monogatari honbun no juyo (Koten koen shirizu). Rinsen Shoten, 2000.

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12

Ise monogatari to koten bungaku. Kazama Shobo, 2000.

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13

Yūko, Tsushima. Ise monogatari ; Tosa nikki (Koten no tabi). Kodansha, 1990.

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14

Yokomichi, Mario. No, kyogen: Nihon koten geino to gendai (ISB). Iwanami Shoten, 1996.

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15

Taketori monogatari: Ise monogatari (Shin Nihon koten bungaku taikei). Iwanami Shoten, 1997.

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16

Tomoshige, Sanji. Koten e no izanai, Ise Tsurezure Saikaku o yomu. Bunrikaku, 1989.

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17

Fishbane, Eitan P. Shabbat and Sacred Time in Later H ̣ asidic Mysticism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198796497.003.0009.

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This chapter demonstrates that the Sabbath was conceived to be the paradigmatic state of sacred time; it was understood to be a fundamental pillar of the religious life. It focuses on three prominent representations of hasidic thought—R. Ẓadoq ha-Kohen of Lublin (1823–1900), R. Yehudah Aryeh Leib of Ger (1847–1905), and R. Shalom Noaḥ Barzofsky (1911–2000). Through the Sefat ʾEmet, it shows a conception of Shabbat as a temporal dimension that inherently facilitates human access to the sacred; a realm in time that is timeless, that transcends all earthly time and space. Finally, in S. N. Barzofsky’s Netivot Shalom, Shabbat is presented as the means by which the Jew is liberated from the harsh realities of physical life; the holy day is the conduit for the climactic state of devequt between human being and Divinity.
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18

Bergé, Pieter, ed. Dies irae. Leuven University Press, 2021. http://dx.doi.org/10.11116/9789461664303.

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Het requiem (of de dodenmis) is een van de oudste en langst overlevende genres uit de westerse muziekgeschiedenis. Honderden jaren heeft het enkel bestaan in zijn oorspronkelijke gregoriaanse gedaante, maar vanaf ca. 1450 hebben heel wat grote componisten zich laten inspireren tot het schrijven van magistrale nieuwe dodenmissen. Dies Irae laat de lezer op toegankelijke wijze kennismaken met deze meesterwerken zonder dat muzikale voorkennis vereist is. Na een inleiding over de betekenis en structuur van de tekst en muziek van de aloude Latijnse dodenmis, volgt een kroniek in drie delen die de lezer door de geschiedenis van het requiem gidst. In aparte hoofdstukken komen alle grote en bekende requiems aan bod (onder meer van Mozart, Brahms, Verdi, Fauré, Britten en Webber), evenals enkele minder populaire maar minstens even aangrijpende werken (zoals de requiems van Ockeghem, Schütz, Weill, Ligeti, Stravinsky en Zimmermann). Elk requiem wordt volgens een vast stramien besproken, zodat de lezer vrijelijk kan grasduinen door verschillende perioden en composities: eerst wordt ieder werk muziekhistorisch gesitueerd, daarna volgt een korte bespreking van elk deel afzonderlijk. Door de besprekingen te koppelen aan één referentieopname per werk, kan de lezer de uitleg meteen ook aan de luisterpraktijk toetsen. Onder de leiding van Pieter Bergé, en met medewerking van Jan Christiaens werden alle bijdragen aan Dies Irae. Kroniek van het requiem geschreven door auteurs die als docent, onderzoeker of alumnus verbonden zijn aan de onderzoekseenheid Musicologie van de K.U.Leuven.
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