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Relevant bibliographies by topics / Israeli Films

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Academic literature on the topic 'Israeli Films'

Author: Grafiati

Published: 28 July 2024

Last updated: 30 July 2024

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Journal articles on the topic "Israeli Films"

1

Burstein, Janet Handler. "Performing Holocaust Memory: Judd Ne'eman's Zitra." AJS Review 36, no. 2 (November 2012): 323–36. http://dx.doi.org/10.1017/s0364009412000219.

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Memory and its representations can reveal as much about a culture's sense of itself as they do about its past. Israeli critics have traced the ways in which representations of the Holocaust in their country's films reflect, among many other issues, Israeli culture's preoccupation with the construction of Israeli identity. According to one critic, the Holocaust survivor in films of the 1940s and 1950s embodied weakness and passivity: “all the traits that Israeli identity [was] meant to contrast.” In the 1970s, another critic suggests, films “read” the Holocaust from a “nationalist perspective…highlighting heroic resistance….” Thus, within a few decades, Israeli cinema seems to have represented in radically different ways—through the lens of the Holocaust—the intricacies of Israeli identity formation: first, by shaping memory in terms of the putative weaknesses of diaspora Jews, contrasting them with the strengths of the “new” Israeli Jew; and later, by emphasizing characteristics that linked heroic resisters with heroic Israelis.

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Moshe, Mira, and Matan Aharoni. "The silent women: The representation of Israeli female soldiers in Israeli women’s films." Journal of Screenwriting 11, no. 3 (September 1, 2020): 313–29. http://dx.doi.org/10.1386/josc_00036_1.

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Since the establishment of the State of Israel in 1948, Israel has known seven wars, seven prominent violent operations and numerous military conflicts. During this period (1948–2019), 86 Israeli screen stories have engaged with the motif of Israel’s military/wars. However, only two of them were written by women and focused on the female Israeli soldier. The marginal position of screen stories based on Israeli women’s experience in the military presents a unique opportunity to unravel the notions female screenwriters have of women’s conduct in a patriarchal military culture. Our findings suggest that female Israeli screenwriters (a) propose a dual vision for women – on the one hand, they are portrayed as silenced, while on the other they use silence as a coping tactic; (b) represent the hegemonic male as silencing women’s voices even though in some cases women silence hegemonic men; and (c) depict military service as an opportunity for women to unravel their femininity.

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Goodman, Giora. "Censorship of Arab Cinema in the State of Israel, 1948-1967." Iyunim Multidisciplinary Studies in Israeli and Modern Jewish Society 39 (December 31, 2023): 199–224. http://dx.doi.org/10.51854/bguy-39a158.

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This article examines government censorship of Arab films in the first two decades of the State of Israel, through extensive archival use of documents of the Israeli Film and Theater Censorship Board. The state authorities had wanted to ban altogether the import of films made in Egypt, where the majority of Arab films were produced, but this was impossible due to the entertainment needs of the Arab minority in Israel, and of Jewish immigrants from Arab countries. The article sheds light on the government's efforts to restrict as much as possible the showing of Arab films and censor their content. The censorship's dual purpose was to prevent Arab films from awakening the national and political consciousness of the Arabs living in Israel, and to distance Jewish immigrants from their Arab culture, in order to promote their assimilation into hegemonic Israeli culture. However, the censorship's attempts at political control over Arabs and cultural control over Jews was doomed to failure due to the emergence of a new means of communication and entertainment in the Middle East – television. This ended the cinema theaters' monopoly over the consumption of Arab films, and thus the Film and Theater Censorship Board's ability to censor them.

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Nemer, Nassar Ali. "The Collective Memory of the Motherland in Palestinian and Israeli Cinema." Observatory of Culture 18, no. 6 (December 21, 2021): 662–68. http://dx.doi.org/10.25281/2072-3156-2021-18-6-662-668.

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The author examines the differences in the interpretation of historical events in the cinematography of the two opposing sides — Palestine and Israel, and the ways of forming a particular point of view by means of dramaturgy. This subject is relevant in the light of the growing information confrontation between different states, as well as political and social movements. The article analyzes the event context of the creation of Israel as a state in the view of Israeli and Palestinian filmmakers. The author considers samples of Israeli and Palestinian film production — feature films and documentaries, television series that reflect the transfer of Palestinian territory to the Israelis in 1948. The day of the Arabs’ exodus from Palestine in 1948 is considered tragic for the Palestinians and is known among them as “Nakba” (catastrophe, cataclysm), but at the same time it is the Independence Day for the Jews of Israel.The article demonstrates what plot devices and narrative techniques are used by directors to emphasize aspects of historical events that are beneficial to them, using cinematography as an instrument of ideological confrontation between the two peoples who have claims to the same land. Trying to have an impartial take, without siding with either of the conflicting parties, the author focuses exclusively on studying the means used by the creators of the films considered. This article can be useful for art historians, culturologists and sociologists dealing with issues of the Middle East, as well as for humanitarians whose research interests include theoretical understanding of ideology and propaganda without reference to specific epochs and regions (territories).

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Pappé, Ilan. "The Post-Zionist Discourse in Israel: 1990–2001." Holy Land Studies 1, no. 1 (September 2002): 9–35. http://dx.doi.org/10.3366/hls.2002.0002.

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This essay describes the development of the Post-Zionist critique within Israeli society, from the late 1980s, when it first appeared in academic works, and follows its dissemination into other areas of cultural activity (theatre, newspapers, films, TV and radio). It assesses the overall impact of post-Zionism on Israeli society, with particular stress on the way the recent Intifada (begun in September 2000) has influenced its fortunes in Israel, and raised some fears for the immediate future.

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Goodman, Giora. "Film Censorship in Israel and the Cold War, 1948-1967." IYUNIM Multidisciplinary Studies in Israeli and Modern Jewish Society 37 (July 15, 2022): 121–46. http://dx.doi.org/10.51854/bguy-37a135.

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The article examines the impact of the Cold War on film censorship in Israel during the first two decades of the state and sheds light on the Israeli Film Censorship Board’s collaboration with other government bodies, above all the Foreign Ministry in the censorship of western anti-communist films, and to a lesser extent, Soviet anti-American films. Such Cold War-related film censorship was carried out in response to domestic criticism but also to prevent any possible damage to Israel's diplomatic relations, particularly with the Soviet Bloc, owing to the large number of films imported from the United States. In addition to discussing film censorship policies and practices, the article demonstrates the crucial impact of Cold War culture on the political world in Israel, particularly during the early years of the state. The article's main argument is that the diplomatic impetus for censoring Cold War films attests to Israel’s insecurity vis-à-vis its international status prior to the 1967 War as well as to the ultimately unsuccessful attempt by the government to preserve what was left of its deteriorating relations with the Soviet Bloc.

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Yin, Tianqi. "Destined Failure of Interactions between Israeli-Arabs and Jews— An Analysis on Creative Works’ Presentation of Issues from the Jewish Side." International Journal of Language, Literature and Culture 2, no. 5 (2022): 24–27. http://dx.doi.org/10.22161/ijllc.2.5.5.

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Sociological research have investigated factors to account for the ethnographic conflicts between Jews and Arabs in Israel. Different from previous studies, this paper inquires the factors on the Jewish side that prevent successful interaction between the two ethnographic groups by looking at crucial scenes in creative works of books and films produced by Israeli authors/directors. The first scene is from the Jewish perspective in Amos Oz’s memoir A Tale of Love and Darkness, in which young Oz, a Jewish boy, attempts to interact with Aisha, a young Israeli-Arab girl, but eventually failed because of an accident. The second scene is from a short Israeli film Bus Station which, from an outsider perspective, depicted a brief encounter between an Arab woman and a Jewish woman in Jerusalem. The third scene is the initially successful yet eventually failed relationship between Eyad, a Palestinian boy, and Naomi, a Jewish girl, in an elite Israeli high school from the 2014 film A Borrowed Identity, which is depicted through Eyad’s Arab perspective. Through the analysis of these three narratives, this paper argues that the burden of national responsibility, family influences, and Israeli government’s discriminatory policies are the three main factors on the Jewish side, in ascender order of importance, that make Arab-Jewish interaction hard in Israel.

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Simoni, Marcella. ""Spara e prega!". Il cinema israeliano a trent'anni dalla guerra del Libano." PASSATO E PRESENTE, no. 88 (February 2013): 111–30. http://dx.doi.org/10.3280/pass2013-088006.

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The first decade of the new century has seen the appearance of numerous Israeli films by different directors, and at least one fiction book, who addressed various aspects of the Israeli involvement in Lebanon in some of its phases: the 1982 Lebanon War, the occupation of Beaufort and the evacuation from the so-called Security Zone (2000). Using these movies and the book as a sources - and framing them in the critical literature on the subject - this article discusses if such a cultural production gave rise to a public or political debate in Israel, or if they just responded to the individual needs of the directors who filmed them.

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Rosen. "National Fears in Israeli Horror Films." Jewish Film & New Media 8, no. 1 (2020): 77. http://dx.doi.org/10.13110/jewifilmnewmedi.8.1.0077.

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Rosen, Ido. "National Fears in Israeli Horror Films." Jewish Film & New Media: An International Journal 8, no. 1 (March 2020): 77–103. http://dx.doi.org/10.1353/jfn.2020.0003.

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Dissertations / Theses on the topic "Israeli Films"

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Kedem, Eldad Meshulam. "The kibbutz and Israeli cinema deterritorializing representation and ideology /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2007. http://dare.uva.nl/document/53284.

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Shefrin, Elana. "Re-Mediating the Israeli-Palestinian Conflict: The Use of Films to Facilitate Dialogue." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04202007-154957/.

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Thesis (Ph. D.)--Georgia State University, 2007.
Title from file title page. M. Lane Bruner, committee chair; David Cheshier, Ted Friedman, Gayle Nelson, Leonard Teel, committee members. Electronic text (360 p.) : digital, PDF file. Description based on contents viewed Oct. 24, 2007. Includes bibliographical references (p. 300-335).

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Lee, Hanny. "Kicking All Odds." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500075/.

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The Middle East conflicts between Palestine and Israel are long-term, ongoing and wide-ranging. Kicking All Odds is an observational documentary that explores women football players from Palestine – both Christian and Muslim girls – who play together and forge a team despite all the hardships they face.

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Wiener, Sarah. "Les représentations du conflit israélo-arabe-palestinien dans des films réalisés par des cinéastes européens et américains (1948-1994)." Paris 8, 2001. http://www.theses.fr/2001PA082046.

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Cette thèse examine et analyse les points de vue des réalisateurs américains et européens sur l'histoire dramatique de deux peuples au "Proche Orient", l'israélien et le palestinien, luttant pour prendre possession de la même terre, la "Terre promise", tels qu'ils sont représentés dans quelques films emblématiques. . .

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Blab, Danielle E. "Israeli Identity in Crisis: Cinematic Representations of the 1982 Lebanon War." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23113.

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This thesis engages with the relationship between national identity, security-based narratives, and foreign policy. It focuses on the 1982 Lebanon War as the most controversial in Israel's history because it violated the Israeli societal norm of only fighting wars of self-defence (when there is no alternative to war). Through an examination of Israeli films about the 1982 war – Ricochets, Time for Cherries, Cup Final, Waltz with Bashir and Lebanon – this thesis studies the identity crisis experienced by Israelis after the invasion of Lebanon and the coping mechanisms that helped Israeli society reconcile the war with the security-based narratives that inform collective identity in Israel.
Cette thèse a pour objet la relation entre l’identité nationale, les récits sécuritaires et la politique étrangère. Elle se base sur la Guerre du Liban de 1982 en tant que guerre la plus controversée des guerres israéliennes en raison de sa contradiction avec la norme israélienne de seulement mener des guerres de légitime défense (à savoir lorsqu'il n'y a aucun autre recours que la guerre). À travers un examen des films israéliens qui traitent de la guerre de 1982 – Ricochets, Time for Cherries, Cup Final, Waltz with Bashir et Lebanon – cette thèse discute de la crise identitaire vécue par les Israéliens à la suite de l'invasion du Liban et s’intéresse aux stratégies d'adaptation qui ont aidé la société israélienne à réconcilier la guerre avec les récits sécuritaires qui font partie de la construction de l'identité collective israélienne.

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Har-Gil, Amir. "'Good Morning Israel 1985-1995' : analyzing the production of a documentary film." Thesis, Northumbria University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367409.

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Abernathey, Samantha. "A New Battleground." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/603.

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"A New Battleground" looks into the variety of on-campus opinions regarding the Israeli-Palestinian conflict. This film is short documentary style, with filmed interviews of students and teachers, imparting an educational message meant to inform others of the complexity of this highly topical issue.

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Kouts, Aurite. "Silence on tourne! Incidences des interactions entre acteurs dans le cadre d'un processus creatif." Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0032.

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La présente thèse se propose d’étudier les ressorts d’un tournage d’un long métrage de fiction sous l’angle des interactions de ses participants dans un contexte particulier : celui du cinéma israélien. Ma thèse s’inscrit dans la continuité des travaux des sociologues de l’école interactionniste au sens large tels que Howard S. Becker ou Erving Goffman Elle se base sur une enquête de terrain de plusieurs mois en observation participante d’un tournage d’un long métrage de fiction israélien contemporain tourné majoritairement à Jérusalem et une trentaine d’entretiens qui apportent un éclairage inédit sur la manière de faire des films dans le pays.Le tournage est une étape d’action collective intense où différents agents interagissent ensemble dans un processus de création. Il est donc le centre d’interactions sociales riches et particulières dont l’analyse permet de mettre à jour leur influence sur la fabrication du film. La thèse montre également les spécificités d’un tournage d’un long métrage de fiction dans une ville, Jérusalem, où la religion et le contexte géopolitique altèrent l’organisation codifiée du plateau
This thesis studies the nuts and bolts of the filming of a feature film through the interactions of the people working on the set in the particular context of Israeli cinema. My thesis follows the works of sociologists of the broader interactionist school of thought such as Howard Becker or Erving Goffman. The thesis is based on several months of fieldwork as a participant observer on the film set of a contemporary Israeli feature film filmed mostly in Jerusalem as well as thirty interviews which bring an unprecedented overview of the way films are made in the country. Principal photography is the stage of intense collective action during which different agents interact together in a creative process. Thus, the film set is at the center of rich and particular social interactions. By analyzing those interactions, one can uncover their influence on the making of the film. The thesis also demonstrates the peculiarities of filming a feature film in a city, Jerusalem, where religion and the geopolitical context affect the codified organization of the film set

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Klages, Imme. "Nach dem Krieg war vor dem Krieg. Fred Zinnemanns Film „The Search“ (1948) und sein nicht realisiertes Folgeprojekt in Israel." HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2015. https://slub.qucosa.de/id/qucosa%3A34932.

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Dreyer, Sylvain. "L' engagement critique et la Révolution des autres textes et films, des années 60 aux années 80." Paris 7, 2007. http://www.theses.fr/2007PA070075.

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Nous proposons dans ce travail de comparer les stratégies respectives de l'écriture et du cinéma qui apparaissent au sein d'œuvres qui portent sur les luttes révolutionnaires des années 60 aux années 80, essentiellement la révolution cubaine, la guerre du Vietnam et la résistance palestinienne. Notre corpus est constitué par ce que nous proposons d'appeler les « œuvres engagées critiques » : les textes de Genêt et les films de Godard, Varda et Marker. Nous abordons aussi des œuvres de fiction qui manifestent une pente documentaire, en particulier les films de Godard de la seconde moitié des années soixante et certaines pièces de Gatti. Nous évoquons également certains documents réalisés à des fins informatives ou militantes (articles, reportages, essais, films) qui revendiquent un regard subjectif (Henri Alleg, Pierre Guyotat, Michèle Ray), qui refusent le dogmatisme (Sartre) ou qui s'attachent à des aspects non directement politiques des pays visités (Madeleine Riffaud). Quelle est la spécificité des « œuvres engagées critiques » ? Celles-ci s'emparent d'un conflit (fonction de l'engagement) tout en incluant une dimension critique et artistique ; critique dans la mesure où elles s'interrogent sur les possibilités et les propriétés du discours idéologique, interrogation qui passe par l'examen des productions idéologiques des pays du tiers-monde, et artistique dans la mesure où elles manifestent une intention de renouvellement des représentations. Notre travail propose trois moments : les caractéristiques du témoignage critique, la rhétorique de la critique, et l'invention d'une poétique politique
We suggest in this work to compare the respective strategies of the writing and the cinema which appear within works concerning the revolutionary fights, from the 60s to the 80s, mostly the Cuban revolution, the war of Vietnam and the Palestinians resistance. Our corpus is composed by what we call the "critical commitment works": the texts of Jean Genet and the films of Jean-Luc Godard, Agnès Varda and Chris Marker. We also approach works of fiction which show a documentary slope, in particular the films of Godard of the second half of the sixties and some theatre plays by Armand Gatti. We evoke also certain documents realized for informative or militant purpose (articles, reports, essays, films), which claim a subjective glance (Henri Alleg, Pierre Guyotat, Michèle Ray), which refuse the dogmatism (Sartre) or which emphasize aspects who are not directly political (Madeleine Riffaud). What is the specificity of the "critical commitment works" ? These seize a conflict or a war in a purpose of commitment, while including a critical and artistic dimension: critical as far as they question the possibilities and the properties of the ideological speech, by examining texts and movies of the fighting countries, and artistic as far as they show an intention of renewing the representations. Our work proposes three moments: the characteristics of the critical testimony, the rhetoric of criticism, and the invention of a political poetics

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Books on the topic "Israeli Films"

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Israel) Makhon Yiśreʼeli le-ḳolnoʻa (Tel Aviv. Israeli films 1991-1993. Tel-Aviv: Israel Film Institute, 1993.

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Dafnah, Raz, ed. גיתאי. Tel Aviv: Resling, 2007.

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Perlov, David. Daṿid Perlov: Rishumim, tatslumim, seraṭim = David Perlov : drawings, photographs, films. ʻEn-Ḥarod: Mishkan le-omanut ʻEn-Ḥarod, 2014.

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Gitai, Amos. Yoman sadeh: Field diary. Chicago, Ill: Facets Video, 2006.

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Levron, Merav Alush. Le-neged ʻenayim Mizraḥiyot: Zehut ṿe-yitsug ʻatsmi be-ḳolnoʻa tiʻudi Yiśreʼeli = Under easteren eyes : identity and self representation in Israeli documentary cinema. Tel Aviv: Hotsaʼat ʻAm ʻoved, 2020.

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Mounayer, Mouna, Nabil Issa, and Najat Rizk. The Living martyr: Hizbollah unveiled. Princeton, N.J: Films for the Humanities & Sciences, 2003.

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Ne'eman, Judd. ha-Petsaʻ matnat ha-milḥamah: Śedot ha-ḳerav ba-ḳolnoʻa ha-Yiśreʼeli = The wound : gift of war : battlefields of Israeli cinema. Tel Aviv: ʻAm ʻoved, 2018.

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Barbeau-Lavalette, Anaïs, Luc Dery, and Kim McCraw. Inch'allah. Port Washington, NY: Eone Films, 2013.

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Gal, Dani, Mika Hayashi Ebbensen, and Ilze Mueller. An elaborate gesture of pastness: Three films by Dani Gai. [Vienna]: Blood Mountain Projects, 2021.

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Altschuler, Nugit. Ḳarnaval ṿe-hipukho: ʻal ha-ḳolnoʻa ha-ʻamami ha-Yidi ṿeha-Yiśreʼeli = Carnival and vice versa : on Yiddish and Israeli popular cinema. Tel Aviv: Resling, 2020.

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Book chapters on the topic "Israeli Films"

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Morag, Raya. "‘Roadblock’ Films, ‘Children’s Resistance’ Films and ‘Blood Relations’ Films: Israeli and Palestinian Documentary Post-Intifada II." In The Documentary Film Book, 237–46. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92625-1_27.

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Galor, Katharina. "Marriage and Divorce in Israeli Film." In Jewish Women, 213–72. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003440499-5.

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Burnat, Emad. "1925 Broken Cameras: A Film for Peace." In Peacemakers in Israel-Palestine, 192–94. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003262817-18.

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Morag, Raya. "The New Religious Wave in Israeli Documentary Cinema." In A Companion to Contemporary Documentary Film, 366–83. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118884584.ch17.

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Bresheeth, Haim. "Radical cinema in Israel and Palestine after Oslo." In Contemporary Radical Film Culture, 113–24. London ; New York : Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9781351006385-10.

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Abdel-Malek, Kamal. "Reel Encounters: Palestinian Arabs and Israeli Jews in Film." In The Rhetoric of Violence, 115–41. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-06667-1_8.

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Kaufmann, Dan, and Tamar Yinon. "Generic R&D Collaboration Between Firms: The Israeli Experience." In Technological Infrastructure Policy, 247–67. Dordrecht: Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-015-8739-6_9.

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Duvdevani, Shmulik, and Raz Yosef. "Witnessing the perpetrator: testimony and accountability in current Israeli documentary film." In The Representation of Perpetrators in Global Documentary Film, 39–51. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003436904-3.

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Brittain, Victoria. "The Israelis and My Home—Nablus and Shatila: Under the Rubble (1983); Children of Fire (1990)." In Love and Resistance in the Films of Mai Masri, 19–32. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-37522-5_2.

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"MIZRAHI SELF-REPRESENTATION FILMS." In Israeli Bourekas Films, 58–86. Indiana University Press, 2023. http://dx.doi.org/10.2307/j.ctv31xf5kv.8.

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Conference papers on the topic "Israeli Films"

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Bouhnik, Dan, Yahel Giat, and Issachar Zarruk. "The Informing Needs of Procurement Officers in Israel." In InSITE 2017: Informing Science + IT Education Conferences: Vietnam. Informing Science Institute, 2017. http://dx.doi.org/10.28945/3686.

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Aim/Purpose: [This Proceedings paper was revised and published in Informing Science: the International Journal of an Emerging Transdiscipline (InfoSci)] To develop and introduce a questionnaire that investigates the informing needs, information-seeking behavior, and supplier selection of procurement officers in Israel. The questionnaire’s internal consistency reliability is given. Additionally, we describe the demographic description of the procurement officers in Israel. Background: Procurement science is an important field that affects firms’ profits in the private sector and is significant to growth, innovation, sustainability, and welfare in the public sector. There is little research about the informing needs of procurement officers in general and particularly in Israel. Methodology: A quantitative questionnaire that is sent to all the procurement officers in Israel’s purchasing and logistics managers association. Contribution: The questionnaire that is developed in this paper may be used by other researchers and practitioners to evaluate the informing needs of procurement officers. Findings: The typical procurement officer is male, with a bachelor degree and is digitally proficient. Recommendations for Practitioners: The procuring side can use the questionnaire to develop better tools for obtaining information efficiently. The supplying side can use this knowledge to improve its exposure to potential customers and address its customer’s needs better. Recommendation for Researchers: The questionnaire can address theoretical questions such as how digital literacy affects the procurement process and provide empirical findings about active research areas such as supplier selection and information-seeking behavior. Future Research: Future research will examine the relationship between the various variables and demographic features to understand why specific informing needs and information-seeking behaviors arise.

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Zipin, Hedva, Orna Marcovitch, Y. Refaeli, Yigal Yadin, and Zeev Klein. "Ion-assisted deposition of oxide films." In 8th Meeting in Israel on Optical Engineering, edited by Moshe Oron, Itzhak Shladov, and Yitzhak Weissman. SPIE, 1993. http://dx.doi.org/10.1117/12.151104.

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Wilke, Ingrid, Dominique B. Moix, W. Herrmann, and Fritz K. Kneubuehl. "Submicron thin-film metal-oxide-metal infrared detectors." In Israel - DL tentative, edited by Moshe Oron and Itzhak Shladov. SPIE, 1991. http://dx.doi.org/10.1117/12.49047.

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Pintilie, Lucian, Ioana Pintilie, D. Petre, T. Botila, E. Pentia, and Cristiana E. A. Grigorescu. "Field-effect-controlled photoconduction in PbS thin films." In 10th Meeting on Optical Engineering in Israel, edited by Itzhak Shladov and Stanley R. Rotman. SPIE, 1997. http://dx.doi.org/10.1117/12.281342.

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Klebanov, Matvei, S. Shtutina, Illana Bar, Victor Lyubin, Salman Rosenwaks, and V. Volterra. "Films of chalcogenide glasses as perspective materials for optical information recording." In Optical Engineering in Israel: 9th Meeting, edited by Itzhak Shladov, Yitzhak Wiessman, and Natan Kopeika. SPIE, 1995. http://dx.doi.org/10.1117/12.211190.

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Reisfeld, Renata, Marek Eyal, Valery Eyal, Valery Chernyak, and Rivka Zusman. "Luminescent Solar Concentrators Based On Dyes Incorporated In Thin Polymer Films." In 6th Mtg in Israel on Optical Engineering, edited by Rami Finkler and Joseph Shamir. SPIE, 1989. http://dx.doi.org/10.1117/12.951098.

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Tamir, Shoshana, S. Berger, Kopel Rabinovitch, Mordechai Gilo, and Reuben Dahan. "Laser-induced chemical vapor deposition of optical thin films on curved surfaces." In 10th Meeting on Optical Engineering in Israel, edited by Itzhak Shladov and Stanley R. Rotman. SPIE, 1997. http://dx.doi.org/10.1117/12.281399.

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Berkovic, Garry, Rami Cohen, Ariela Donval, Barak Lavi, and Ruth Yam. "Symmetry breaking and creation of second-order optical nonlinearity in polymer films by charge injection." In Optical Engineering in Israel: 9th Meeting, edited by Itzhak Shladov, Yitzhak Wiessman, and Natan Kopeika. SPIE, 1995. http://dx.doi.org/10.1117/12.211208.

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Rabinovitch, K. "The Application Of Thin Films Technique To Compensate Polarization Effects On Total Internal Reflection." In 6th Mtg in Israel on Optical Engineering, edited by Rami Finkler and Joseph Shamir. SPIE, 1989. http://dx.doi.org/10.1117/12.951070.

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Panasiuk, Lev M., Igor V. Ciapurin, Miron Tuval, Gersh Roshkovan, and Benjamin Bernfeld. "Method of optical enhancement during the exposure process on thin films of vitreous chalcogenide semiconductors." In 10th Meeting on Optical Engineering in Israel, edited by Itzhak Shladov and Stanley R. Rotman. SPIE, 1997. http://dx.doi.org/10.1117/12.281368.

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Reports on the topic "Israeli Films"

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Bregman, Arie, Melvyn Fuss, and Haim Regev. High Tech Firms in Israeli Industry. Cambridge, MA: National Bureau of Economic Research, May 1989. http://dx.doi.org/10.3386/w2969.

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Gorodnichenko, Yuriy, Rafi Melnick, and Ari Kutai. Information and the Formation of Inflation Expectations by Firms: Evidence from a Survey of Israeli Firms. Cambridge, MA: National Bureau of Economic Research, July 2023. http://dx.doi.org/10.3386/w31507.

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Finkelstain, Israel, Steven Buccola, and Ziv Bar-Shira. Pooling and Pricing Schemes for Marketing Agricultural Products. United States Department of Agriculture, August 1993. http://dx.doi.org/10.32747/1993.7568099.bard.

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In recent years there has been a growing concern over the performance of Israel and U.S. agricultural marketing organizations. In Israel, poor performance of some marketing institutions has led to radical reforms. Examples are the two leading export industries - citrus and flowers. In the U.S., growth of local market power is eliminating competitive row product prices which served as the basis for farmer cooperative payment plans. This research studies, theoretically, several aspects of the above problem and develops empirical methods to assess their relative importance. The theoretical part deals with two related aspects of the operation of processing and marketing firms. The first is the technological structure of these firms. To this end, we formalize a detailed theory that describes the production process itself and the firm's decision. The model accounts for multiple products and product characteristics. The usefulness of the theory for measurement of productivity and pricing of raw material is demonstrated. The second aspect of the processing and marketing firm that we study is unique to the agricultural sector, where many such firms are cooperatives. In such cooperative an efficient and fair mechanism for purchasing raw materials from members is crucial to successful performances of the firm. We focus on: 1) pricing of raw materials. 2) comparison of employment of quota and price regimes by the cooperative to regulate the quantities, supplied by members. We take into consideration that the cooperative management is subject to pressure from member farmers. 3) Tier pricing for raw materials in order to ensure efficiency and zero profits at the cooperative level. This problem is examined in both closed and open cooperatives. The empirical part focuses in: 1) the development of methodologies for estimating demand for differentiated products; 2) assessing farmers response to component pricing; 3) measurement of potential and actual exploitation of market power by an agricultural marketing firm. The usefulness of the developed methodologies are demonstrated by several application to agricultural sub-sectors, including: U.S. dairy industry, Oregon wine industry, Israeli Cotton industry and Israeli Citrus industry.

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Sanguinetti, Pablo. Innovation Policy for Development: An Overview by Manuel Trajtenberg: Comments. Inter-American Development Bank, November 2005. http://dx.doi.org/10.18235/0006863.

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This presentation comments on Manuel Trajtenberg¿s paper Innovation Policy for Development. The purpose of that paper includes discussing innovation policy guidelines for developing countries and employing the Israeli experience to derive lessons for growth-promoting innovation policies, among others. Comments arise from the main issues introduced by the paper and are organized as follows: 1. What is the scope of innovation in developing economies: R&D vs. other innovation activities. Distribution across firms and sectors; 2. Evidence on how partial appropriability and credit market problems affect innovation decisions; 3. Policy instruments: how government support schemes have worked in developing countries vis-a-vis developed ones. This presentation was created for the Second LAEBA Annual Meeting, held at Buenos Aires, Argentina, on November 28-29, 2005.

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Galili, Naftali, Roger P. Rohrbach, Itzhak Shmulevich, Yoram Fuchs, and Giora Zauberman. Non-Destructive Quality Sensing of High-Value Agricultural Commodities Through Response Analysis. United States Department of Agriculture, October 1994. http://dx.doi.org/10.32747/1994.7570549.bard.

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The objectives of this project were to develop nondestructive methods for detection of internal properties and firmness of fruits and vegetables. One method was based on a soft piezoelectric film transducer developed in the Technion, for analysis of fruit response to low-energy excitation. The second method was a dot-matrix piezoelectric transducer of North Carolina State University, developed for contact-pressure analysis of fruit during impact. Two research teams, one in Israel and the other in North Carolina, coordinated their research effort according to the specific objectives of the project, to develop and apply the two complementary methods for quality control of agricultural commodities. In Israel: An improved firmness testing system was developed and tested with tropical fruits. The new system included an instrumented fruit-bed of three flexible piezoelectric sensors and miniature electromagnetic hammers, which served as fruit support and low-energy excitation device, respectively. Resonant frequencies were detected for determination of firmness index. Two new acoustic parameters were developed for evaluation of fruit firmness and maturity: a dumping-ratio and a centeroid of the frequency response. Experiments were performed with avocado and mango fruits. The internal damping ratio, which may indicate fruit ripeness, increased monotonically with time, while resonant frequencies and firmness indices decreased with time. Fruit samples were tested daily by destructive penetration test. A fairy high correlation was found in tropical fruits between the penetration force and the new acoustic parameters; a lower correlation was found between this parameter and the conventional firmness index. Improved table-top firmness testing units, Firmalon, with data-logging system and on-line data analysis capacity have been built. The new device was used for the full-scale experiments in the next two years, ahead of the original program and BARD timetable. Close cooperation was initiated with local industry for development of both off-line and on-line sorting and quality control of more agricultural commodities. Firmalon units were produced and operated in major packaging houses in Israel, Belgium and Washington State, on mango and avocado, apples, pears, tomatoes, melons and some other fruits, to gain field experience with the new method. The accumulated experimental data from all these activities is still analyzed, to improve firmness sorting criteria and shelf-life predicting curves for the different fruits. The test program in commercial CA storage facilities in Washington State included seven apple varieties: Fuji, Braeburn, Gala, Granny Smith, Jonagold, Red Delicious, Golden Delicious, and D'Anjou pear variety. FI master-curves could be developed for the Braeburn, Gala, Granny Smith and Jonagold apples. These fruits showed a steady ripening process during the test period. Yet, more work should be conducted to reduce scattering of the data and to determine the confidence limits of the method. Nearly constant FI in Red Delicious and the fluctuations of FI in the Fuji apples should be re-examined. Three sets of experiment were performed with Flandria tomatoes. Despite the complex structure of the tomatoes, the acoustic method could be used for firmness evaluation and to follow the ripening evolution with time. Close agreement was achieved between the auction expert evaluation and that of the nondestructive acoustic test, where firmness index of 4.0 and more indicated grade-A tomatoes. More work is performed to refine the sorting algorithm and to develop a general ripening scale for automatic grading of tomatoes for the fresh fruit market. Galia melons were tested in Israel, in simulated export conditions. It was concluded that the Firmalon is capable of detecting the ripening of melons nondestructively, and sorted out the defective fruits from the export shipment. The cooperation with local industry resulted in development of automatic on-line prototype of the acoustic sensor, that may be incorporated with the export quality control system for melons. More interesting is the development of the remote firmness sensing method for sealed CA cool-rooms, where most of the full-year fruit yield in stored for off-season consumption. Hundreds of ripening monitor systems have been installed in major fruit storage facilities, and being evaluated now by the consumers. If successful, the new method may cause a major change in long-term fruit storage technology. More uses of the acoustic test method have been considered, for monitoring fruit maturity and harvest time, testing fruit samples or each individual fruit when entering the storage facilities, packaging house and auction, and in the supermarket. This approach may result in a full line of equipment for nondestructive quality control of fruits and vegetables, from the orchard or the greenhouse, through the entire sorting, grading and storage process, up to the consumer table. The developed technology offers a tool to determine the maturity of the fruits nondestructively by monitoring their acoustic response to mechanical impulse on the tree. A special device was built and preliminary tested in mango fruit. More development is needed to develop a portable, hand operated sensing method for this purpose. In North Carolina: Analysis method based on an Auto-Regressive (AR) model was developed for detecting the first resonance of fruit from their response to mechanical impulse. The algorithm included a routine that detects the first resonant frequency from as many sensors as possible. Experiments on Red Delicious apples were performed and their firmness was determined. The AR method allowed the detection of the first resonance. The method could be fast enough to be utilized in a real time sorting machine. Yet, further study is needed to look for improvement of the search algorithm of the methods. An impact contact-pressure measurement system and Neural Network (NN) identification method were developed to investigate the relationships between surface pressure distributions on selected fruits and their respective internal textural qualities. A piezoelectric dot-matrix pressure transducer was developed for the purpose of acquiring time-sampled pressure profiles during impact. The acquired data was transferred into a personal computer and accurate visualization of animated data were presented. Preliminary test with 10 apples has been performed. Measurement were made by the contact-pressure transducer in two different positions. Complementary measurements were made on the same apples by using the Firmalon and Magness Taylor (MT) testers. Three-layer neural network was designed. 2/3 of the contact-pressure data were used as training input data and corresponding MT data as training target data. The remaining data were used as NN checking data. Six samples randomly chosen from the ten measured samples and their corresponding Firmalon values were used as the NN training and target data, respectively. The remaining four samples' data were input to the NN. The NN results consistent with the Firmness Tester values. So, if more training data would be obtained, the output should be more accurate. In addition, the Firmness Tester values do not consistent with MT firmness tester values. The NN method developed in this study appears to be a useful tool to emulate the MT Firmness test results without destroying the apple samples. To get more accurate estimation of MT firmness a much larger training data set is required. When the larger sensitive area of the pressure sensor being developed in this project becomes available, the entire contact 'shape' will provide additional information and the neural network results would be more accurate. It has been shown that the impact information can be utilized in the determination of internal quality factors of fruit. Until now,

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Bonfil, David J., Daniel S. Long, and Yafit Cohen. Remote Sensing of Crop Physiological Parameters for Improved Nitrogen Management in Semi-Arid Wheat Production Systems. United States Department of Agriculture, January 2008. http://dx.doi.org/10.32747/2008.7696531.bard.

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To reduce financial risk and N losses to the environment, fertilization methods are needed that improve NUE and increase the quality of wheat. In the literature, ample attention is given to grid-based and zone-based soil testing to determine the soil N available early in the growing season. Plus, information is available on in-season N topdressing applications as a means of improving GPC. However, the vast majority of research has focused on wheat that is grown under N limiting conditions in sub-humid regions and irrigated fields. Less attention has been given to wheat in dryland that is water limited. The objectives of this study were to: (1) determine accuracy in determining GPC of HRSW in Israel and SWWW in Oregon using on-combine optical sensors under field conditions; (2) develop a quantitative relationship between image spectral reflectance and effective crop physiological parameters; (3) develop an operational precision N management procedure that combines variable-rate N recommendations at planting as derived from maps of grain yield, GPC, and test weight; and at mid-season as derived from quantitative relationships, remote sensing, and the DSS; and (4) address the economic and technology-transfer aspects of producers’ needs. Results from the research suggest that optical sensing and the DSS can be used for estimating the N status of dryland wheat and deciding whether additional N is needed to improve GPC. Significant findings include: 1. In-line NIR reflectance spectroscopy can be used to rapidly and accurately (SEP <5.0 mg g⁻¹) measure GPC of a grain stream conveyed by an auger. 2. On-combine NIR spectroscopy can be used to accurately estimate (R² < 0.88) grain test weight across fields. 3. Precision N management based on N removal increases GPC, grain yield, and profitability in rainfed wheat. 4. Hyperspectral SI and partial least squares (PLS) models have excellent potential for estimation of biomass, and water and N contents of wheat. 5. A novel heading index can be used to monitor spike emergence of wheat with classification accuracy between 53 and 83%. 6. Index MCARI/MTVI2 promises to improve remote sensing of wheat N status where water- not soil N fertility, is the main driver of plant growth. Important features include: (a) computable from commercial aerospace imagery that include the red edge waveband, (b) sensitive to Chl and resistant to variation in crop biomass, and (c) accommodates variation in soil reflectance. Findings #1 and #2 above enable growers to further implement an efficient, low cost PNM approach using commercially available on-combine optical sensors. Finding #3 suggests that profit opportunities may exist from PNM based on information from on-combine sensing and aerospace remote sensing. Finding #4, with its emphasis on data retrieval and accuracy, enhances the potential usefulness of a DSS as a tool for field crop management. Finding #5 enables land managers to use a DSS to ascertain at mid-season whether a wheat crop should be harvested for grain or forage. Finding #6a expands potential commercial opportunities of MS imagery and thus has special importance to a majority of aerospace imaging firms specializing in the acquisition and utilization of these data. Finding #6b on index MCARI/MVTI2 has great potential to expand use of ground-based sensing and in-season N management to millions of hectares of land in semiarid environments where water- not N, is the main determinant of grain yield. Finding #6c demonstrates that MCARI/MTVI2 may alleviate the requirement of multiple N-rich reference strips to account for soil differences within farm fields. This simplicity will be less demanding of grower resources, promising substantially greater acceptance of sensing technologies for in-season N management.

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