Academic literature on the topic 'It happened here (Motion picture)'
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Journal articles on the topic "It happened here (Motion picture)"
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Valegård, P. G., L. B. F. M. Waters, and C. Dominik. "What happened before?" Astronomy & Astrophysics 652 (August 2021): A133. http://dx.doi.org/10.1051/0004-6361/202039802.
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Context. Planets form in circumstellar disks around pre-main-sequence stars. A key question is, how do the formation and evolution of protoplanetary disks depend on stellar mass? Studies of circumstellar disks at infrared and submillimeter wavelengths around intermediate-mass Herbig Ae/Be stars have revealed disk structures such as cavities, gaps, and spiral arms. The Herbig Ae/Be stars represent an older population of intermediate-mass pre-main-sequence stars. Since these evolve toward the main sequence on timescales comparable to those of typical disk dissipation, a full picture of disk dispersal in intermediate-mass pre-main-sequence stars must include the intermediate-mass T Tauri (IMTT) stars. Aims. We seek to find the precursors of the Herbig Ae/Be stars in the solar vicinity within 500 pc from the Sun. We do this by creating an optically selected sample of IMTT stars from the literature, here defined as stars of masses 1.5 M⊙≤ M*≤ 5 M⊙ and with a spectral type between F and K3. Methods. We used literature optical photometry (0.4–1.25 μm) and distances determined from Gaia DR2 parallax measurements together with Kurucz stellar model spectra to place the stars in a HR diagram. We employed Siess evolutionary tracks to identify IMTT stars from the literature and derived masses and ages. We used Spitzer spectra to classify the disks around the stars into Meeus Group I and Group II disks based on their [F30/F13.5] spectral index. We also examined the 10 μm silicate dust grain emission and identified emission from polycyclic aromatic hydrocarbons (PAH). From this, we built a qualitative picture of the disks around the IMTT stars and compared this with available spatially resolved images at infrared and submillimeter wavelengths to confirm our classification. Results. We find 49 IMTT stars with infrared excess. The identified disks are similar to the older Herbig Ae/Be stars in disk geometries and silicate dust grain population. The detection frequency of PAHs is higher than from disks around lower mass T Tauri stars but less frequent than from Herbig Ae/Be disks. Spatially resolved images at infrared and submillimeter wavelengths suggest gaps, and spirals are also present around the younger precursors to the Herbig Ae/Be stars. Conclusions. Comparing the timescale of stellar evolution toward the main sequence and current models of protoplanetary disk evolution, the similarity between Herbig Ae/Be stars and the IMTT stars points toward an evolution of Group I and Group II disks that are disconnected and represent two different evolutionary paths.
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Naimark, Michael. "Two Unusual Projection Spaces." Presence: Teleoperators and Virtual Environments 14, no. 5 (October 2005): 597–605. http://dx.doi.org/10.1162/pres.2005.14.5.597.
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Two immersive projection environments, both unconventional, both exploring different methods of 3D and panoramic imaging, and both produced as art installations, are described. Displacements (1980–1984) recreated an interior living space using a panoramic motion picture method and relief projection. Be Now Here (1995–1997) recreated outdoor public plazas using a panoramic motion picture method, stereopsis, and four channel sound. Both installations were unusual in that no intentions existed for anything more general or useful than the installations themselves as individual artworks.
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Parhi, S., B. P. Pandey, M. Goossens, and G. S. Lakhina. "Numerical Simulation of Twisted Solar Corona." Symposium - International Astronomical Union 185 (1998): 467–68. http://dx.doi.org/10.1017/s0074180900239235.
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The solar corona supports a variety of waves generated by convective upwelling motion in the photosphere. In order to explain the observed coronal temperature profile, resonant absorption of MHD waves by coronal plasma (Goossens et al, 1995) has been proposed as a possible candidate. The physical picture is that the footpoint motion in the photosphere constantly stirs the coronal plasma leading to the MHD wave generation which is then resonantly absorbed producing the enhanced heating of the corona. Here we consider the problem of MHD wave propagation in a twisted solar corona.
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Knight, Arthur. "Spotlight on Film: All the World's a Stage." Media Information Australia 43, no. 1 (February 1987): 9–11. http://dx.doi.org/10.1177/1329878x8704300103.
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One phenomenon dominates the history of motion pictures: at one time or another, a single country has emerged as the most creative and vital source of film making on the international scene. It is almost as if a spotlight moved across the stages of the world, pausing now here, now there, to illuminate the work of an entire group of artists. This was perhaps understandable in the Soviet Union during the mid-Nineteen-Twenties, when a new government actively encouraged experimentation in all the arts, and particularly the art of the motion picture.
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Häusler, Christian O., and Michael Hanke. "An annotation of cuts, depicted locations, and temporal progression in the motion picture "Forrest Gump"." F1000Research 5 (September 8, 2016): 2273. http://dx.doi.org/10.12688/f1000research.9536.1.
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Here we present an annotation of locations and temporal progression depicted in the movie “Forrest Gump”, as an addition to a large public functional brain imaging dataset (http://studyforrest.org). The annotation provides information about the exact timing of each of the 870 shots, and the depicted location after every cut with a high, medium, and low level of abstraction. Additionally, four classes are used to distinguish the differences of the depicted time between shots. Each shot is also annotated regarding the type of location (interior/exterior) and time of day. This annotation enables further studies of visual perception, memory of locations, and the perception of time under conditions of real-life complexity using the studyforrest dataset.
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Adams, Stefan, Nicolas Dirr, Mark Peletier, and Johannes Zimmer. "Large deviations and gradient flows." Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences 371, no. 2005 (December 28, 2013): 20120341. http://dx.doi.org/10.1098/rsta.2012.0341.
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In recent work we uncovered intriguing connections between Otto’s characterization of diffusion as an entropic gradient flow on the one hand and large-deviation principles describing the microscopic picture (Brownian motion) on the other. In this paper, we sketch this connection, show how it generalizes to a wider class of systems and comment on consequences and implications. Specifically, we connect macroscopic gradient flows with large-deviation principles, and point out the potential of a bigger picture emerging: we indicate that, in some non-equilibrium situations, entropies and thermodynamic free energies can be derived via large-deviation principles. The approach advocated here is different from the established hydrodynamic limit passage but extends a link that is well known in the equilibrium situation.
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Sofi, Mohammad Dawood. "Rethinking the Root Causes of The Tunisian Revolution and its Implications." Contemporary Arab Affairs 12, no. 3 (September 2019): 41–64. http://dx.doi.org/10.1525/caa.2019.123003.
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What happened within and beyond Tunisia in 2010–11 has been told repeatedly from a number of perspectives, each putting a greater or a lesser emphasis on one or several variables ranging from society, politics, economics, to religion or the involvement of external dynamics. An exploration of the causes of the Arab Spring and the factors that shaped its outcome is critical when answering several frequently raised questions, some of which are highlighted here. This article provides a concise picture of the Arab Spring and its consequences for the Middle East and North Africa (MENA). It defines the meaning of revolution by examining various explanations and interpretations provided by several theorists and shows which explanation(s) best fits the Tunisian case. Moreover, the study explains how multiple factors, such as social and economic injustice, authoritarian rule, the internet, and social media have played a role in enabling the Tunisian Revolution to happen.
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Shlomai, Hadar, David S. Kammer, Mokhtar Adda-Bedia, and Jay Fineberg. "The onset of the frictional motion of dissimilar materials." Proceedings of the National Academy of Sciences 117, no. 24 (June 1, 2020): 13379–85. http://dx.doi.org/10.1073/pnas.1916869117.
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Frictional motion between contacting bodies is governed by propagating rupture fronts that are essentially earthquakes. These fronts break the contacts composing the interface separating the bodies to enable their relative motion. The most general type of frictional motion takes place when the two bodies are not identical. Within these so-called bimaterial interfaces, the onset of frictional motion is often mediated by highly localized rupture fronts, called slip pulses. Here, we show how this unique rupture mode develops, evolves, and changes the character of the interface’s behavior. Bimaterial slip pulses initiate as “subshear” cracks (slower than shear waves) that transition to developed slip pulses where normal stresses almost vanish at their leading edge. The observed slip pulses propagate solely within a narrow range of “transonic” velocities, bounded between the shear wave velocity of the softer material and a limiting velocity. We derive analytic solutions for both subshear cracks and the leading edge of slip pulses. These solutions both provide an excellent description of our experimental measurements and quantitatively explain slip pulses’ limiting velocities. We furthermore find that frictional coupling between local normal stress variations and frictional resistance actually promotes the interface separation that is critical for slip-pulse localization. These results provide a full picture of slip-pulse formation and structure that is important for our fundamental understanding of both earthquake motion and the most general types of frictional processes.
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Bai, Chen, and Arieh Warshel. "Revisiting the protomotive vectorial motion of F0-ATPase." Proceedings of the National Academy of Sciences 116, no. 39 (September 11, 2019): 19484–89. http://dx.doi.org/10.1073/pnas.1909032116.
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The elucidation of the detailed mechanism used by F0 to convert proton gradient to torque and rotational motion presents a major puzzle despite significant biophysical and structural progress. Although the conceptual model has advanced our understanding of the working principles of such systems, it is crucial to explore the actual mechanism using structure-based models that actually reproduce a unidirectional proton-driven rotation. Our previous work used a coarse-grained (CG) model to simulate the action of F0. However, the simulations were based on a very tentative structural model of the interaction between subunit a and subunit c. Here, we again use a CG model but with a recent cryo-EM structure of cF1F0 and also explore the proton path using our water flooding and protein dipole Langevin dipole semimacroscopic formalism with its linear response approximation version (PDLD/S-LRA) approaches. The simulations are done in the combined space defined by the rotational coordinate and the proton transport coordinate. The study reproduced the effect of the protomotive force on the rotation of the F0 while establishing the electrostatic origin of this effect. Our landscape reproduces the correct unidirectionality of the synthetic direction of the F0 rotation and shows that it reflects the combined electrostatic coupling between the proton transport path and the c-ring conformational change. This work provides guidance for further studies in other proton-driven mechanochemical systems and should lead (when combined with studies of F1) to a complete energy transduction picture of the F0F1-ATPase system.
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Schwartz, Charles. "An approach for modeling tachyons with gravitation." International Journal of Modern Physics A 34, no. 19 (July 10, 2019): 1950103. http://dx.doi.org/10.1142/s0217751x19501033.
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This work expands previous efforts, within the classical theories of Special and General Relativity, to include tachyons (faster-than-light particles) along with ordinary (slower-than-light) particles at any energy. The objective here is to construct a Hamiltonian that includes both the particles and the gravitational field that they produce. We do this with a linear approximation for the Einstein field equations; and we also assume a time-independent gravitational metric implied by a static picture of the particles’ motion. The resulting formulas will allow serious modeling to test the idea that cosmic background neutrinos may be tachyons, which can produce the observed gravitational effects now ascribed to some mysterious Dark Matter.
Dissertations / Theses on the topic "It happened here (Motion picture)"
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Wolgelerenter, Debbie. "Can't get there from here /." 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29638.
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Thesis (M.F.A.)--York University, 2007. Graduate Programme inTypescript. Includes bibliographical references (leaves Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29638
Books on the topic "It happened here (Motion picture)"
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What just happened?: Bitter Hollywood tales from the front line. New York: Bloomsbury, 2002.
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What just happened?: Bitter Hollywood tales from the front line. New York: Bloomsbury, 2002.
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What just happened?: Bitter Hollywood tales from the front line. London: Bloomsbury, 2003.
Find full textBook chapters on the topic "It happened here (Motion picture)"
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Shulman, Terry Chester. "Here Lies the Mick." In Film's First Family, 195–202. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178097.003.0024.
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Maurice retires to the Motion Picture Country Home, where he will spend the rest of his life. After her father is awarded custody, Deirdre is shuffled around before being reunited with her mother at the Wolff Sanitarium. In October 1950, Maurice suffers a massive heart attack, from which he never entirely regains consciousness. He dies in the hospital the morning of the 29th. Vruwink is fed up with Dolores’s drinking and moves out. After a brief reconciliation he leaves again and she files for divorce. Following a short-lived attempt at stage acting, she retreats to an empty house and the relative solace of her drinking.
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Marzola, Luci. "Between the Lines." In Engineering Hollywood, 73–102. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190885588.003.0004.
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The film technicians who used and managed the technology within the Hollywood studios themselves, such as cameramen and electricians, take center stage in this chapter, focusing on how the technical work of motion picture production was understood, managed, and promoted within the new “factory” system of Hollywood. The primary case study here is the cameramen, who used their organization, the American Society of Cinematographers, and its publication, American Cinematographer, to establish their status as the chief technicians in motion picture production in the silent period, often by resisting unionization and by touting their special knowledge of the tools of the trade. The cinematographers positioned themselves as “engineers” within the studio, a position that the incursion of trained sound engineers into Hollywood challenged.
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Khanikar, Santana. "Bearing Witness." In State, Violence, and Legitimacy in India, 184–217. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199485550.003.0008.
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This chapter discusses conflict and violence in Lakhipathar, over a period of two decades, drawing on oral histories from the people of Lakhipathar. Listening to the narratives of past sufferings here has worked not merely a tool to know what happened to the narrators in the past but it also gives a key to analyse why and how they live in the present. Apart from offering evidence towards the larger argument of the work, this part of the book has also aimed towards opening a conversation on some buried and forgotten moments in the history of the Indian state that resemble what could be called an Agambenian ‘state of exception’. The dense narratives give a picture of the collaboration and deceit, revenge and violence, suspicion and fear in war-torn Lakhipathar and how the common people negotiated their ways through these.
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Steel, Duncan G. "The Density Matrix: Bloch Equations." In Introduction to Quantum Nanotechnology, 314–28. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895073.003.0018.
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One of the most powerful tools for calculating quantum device performance is based on the density matrix operator. The operator is unique because it is time dependent in the Schrödinger picture. The approach is quite general, but in the systems of interest here, the Hilbert space of the operator includes both the quantum system such as a nano-vibrator or two-level system and the quantized vacuum radiation field. The equation of motion follows from the time dependent Schrödinger equation. It is possible, as we show, to include the generation of spontaneous emission in this system and then, because observables of interest do not depend on the vacuum field, trace over the vacuum field to create a new density matrix called the reduced density matrix. The resulting equations of motion are the Bloch equations. We use these equations to analyze several problems involving two- and three-level systems.
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Falk, Oren. "Chronicling a Blood-spattered Isle." In Violence and Risk in Medieval Iceland, 55–111. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198866046.003.0003.
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This chapter implements the general model of violence on case studies from the history of medieval Iceland, especially the Battle of Helgastaðir (1220) and other episodes from the life of Guðmundr Arason, Bishop of Hólar (r.1203–37). It also establishes how structural analysis of sagas—using the concepts of récit, histoire, and uchronia—nuances the picture of history reconstructed from such sources, tracing the transformation of occurrences (what happened) into events (experienced manifestations of meaning). Guðmundar saga A, the main textual source consulted here, demonstrates how uchronia, the ideology of the past, enabled texts to function autonomously of authorial intent: uchronic texts may reveal truths their authors were ignorant of, let alone truths they wished to suppress. By unpacking the ways brute force inflects both the historical social contests recorded in the saga and the narrative tensions of the recording process itself, this chapter highlights the necessity of examining violence in terms of a complex negotiation of power, signification, and risk. In the course of this investigation, various details of medieval Icelandic history are filled in, deepening and qualifying the general portrayal offered in the Introduction. Readers with little background in Icelandic history are familiarized with the contours of this history, while experts find some of its truisms (such as the categorical distinction between farmers and chieftains, or the supposed uniqueness of Iceland in high medieval Europe) re-examined
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Lupack, Barbara Tepa. "Introduction." In Silent Serial Sensations, 1–13. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748189.003.0001.
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This introductory chapter provides an overview of the serial motion picture. Typically two-reel action-packed films that ran for ten, fifteen, or more installments, serials often ended with a cliffhanger and a promise “to be continued next week.” Episodically structured and suspensefully plotted, they not only served as the precursors of the popular installment dramas and crime procedurals that have become staples of modern network and cable television programming; they also anticipated the extended incremental storytelling methods and “thrilling episodes of inescapable fatality and hair-breath escapes” that later filmmakers would exploit in commercial blockbusters such as the Star Wars series and the Indiana Jones and Marvel movie franchises. Moreover, serials helped to forge a strong link between the print and the film industries. The chapter then traces the evolution of the serial form, looking at an early twelve-part Edison production, What Happened to Mary, whose first installment was released on July 26, 1912. It also describes the serial The Perils of Pauline (released beginning March 23, 1914), which not only heightened interest in the genre; it also immortalized its star, Pearl White, and became the most famous of all the early chapter plays. However, it was the pioneering serials produced by filmmakers Ted and Leo Wharton that would have the most profound and sustained impact on the genre.
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Rode, Alan K. "A Loving Collaboration." In Michael Curtiz. University Press of Kentucky, 2017. http://dx.doi.org/10.5810/kentucky/9780813173917.003.0011.
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Curtiz wooed Bess Meredyth, who became both his lover and his collaborator. A biographical profile of Meredyth is provided. A charter member of the Motion Picture Academy, who began with D. W. Griffith and who had a résumé that included The Red Lily (1924) and Ben Hur (1925), she insinuated Curtiz into her circle of high-powered intimates that included Louella Parsons, Frances Marion, and Gene Fowler.She also helped Curtiz master reading and speaking English, with mixed success. His lifelong struggle with English was eventually turned to his advantage by a clever PR campaign of “Curtiz spoken here.” The couple marriedon December 7, 1929.Curtiz inherited a stepson, John Meredyth Lucas, whose memoir is an invaluable resource about his formative years with the director-as-stepfather.As Curtiz settled into a comfortable social and professional life in Hollywood, Warner Bros. revolutionized the film industry with sound when The Jazz Singer premiered.Curtiz was in the vanguard of the transition with Tenderloin (1928), which included several talking Vitaphone sequences.He finally was given the green light by the Warners to make his epic Noah’s Ark.
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"Rigorous theories." In The Quantum Classical Theory, edited by Gert D. Billing. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780195146196.003.0006.
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In this chapter we discuss theories which are rigorous in their formulation but which in order to be useful need to be modified by introducing approximations of some kind. The approximations we are interested in are those which involve introduction of classical mechanical concepts, that is, the classical picture and/or classical mechanical equations of motion in part of the system. At this point, we wish to distinguish between “the classical picture,” which is obtained by taking the classical limit ħ → 0 and the appearance of “classical equations of motion.” The latter may be extracted from the quantum mechanical formulation without taking the classical limit—but, as we shall see later by introducing a certain parametrization of quantum mechanics. Thus there are two ways of introducing classical mechanical concepts in quantum mechanics. In the first method, the classical limit is defined by taking the limit ħ → 0 either in all degrees of freedom (complete classical limit) or in some degrees of freedom (semi-classical theories). We note in passing that the word semi-classical has been used to cover a wide variety of approaches which have also been referred to as classical S-matrix theories, quantum-classical theories, classical path theory, hemi-quantal theory, Wentzel Kramer-Brillouin (WKB) theories, and so on. It is not the purpose of this book to define precisely what is behind these various acronyms. We shall rather focus on methods which we think have been successful as far as practical applications are concerned and discuss the approximations and philosophy behind these. In the other approach, the ħ-limit is not taken—at least not explicitly— but here one introduces “classical” quantities, such as, trajectories and momenta as parameters, and derives equations of motion for these parameters. The latter method is therefore one particular way of parameterizing quantum mechanics. We discuss both of these approaches in this chapter. The Feynman path-integral formulation is one way of formulating quantum mechanics such that the classical limit is immediately visible [3]. Formally, the approach involves the introduction of a quantity S, which has a definition resembling that of an action integral [101].
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Thomson, Peter. "The Earth Splits, Water Rushes In." In Sacred Sea. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780195170511.003.0010.
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Siberia is huge, but it isn’t greedy. Of all the colors in the universe’s paint box, it asks for only a few shades of green to have its massive portrait painted. The picture starts with a ragged band of soft sage, the treeless tundra of the Arctic and subarctic. Through the middle, a thick swath of deep emerald, the taiga forest that stretches from the Pacific to the Urals and beyond to Scandinavia. Finally, in the far lower left corner, a wedge of soft yellowish green, Siberia’s share of the fertile Eurasian steppe. From a distance, this rough canvas is a study in chlorophyll, with just a single, stark break in the color scheme—a thin blue crescent slicing through the lower middle of the emerald taiga. It’s almost as if the same gigantic hand that wielded the paintbrush then picked up a monstrous stiletto and in an impulsive Dadaist gesture cut a gigantic gash into the taut canvas, which pulled open and filled up with cobalt paint. And I suppose if you believed in such things, you could say that’s actually what’s happened here, that the hand was God’s and that after the earth was sliced open, the gash grew ever wider and filled up with more and more blue water. Earth’s surface has been torn apart here, and water has been flowing into the gash for eons. A lake is a simple thing, really—just a big hole in the ground filled with water. And our restless planet finds all kinds of ways to make them. The earth is constantly reshaping itself, through processes great and small—from the epochal smashing and tearing of crustal plates, to the periodic growth and recession of glaciers, to the daily flow of wind, water, and sediment. As long as water flows and the earth moves, lakes will continue to be born, grow, and die. Lakes can be formed in the buckling and cracking seams between the earth’s tectonic plates, as with the Great Lakes of East Africa. They can be formed in the wake of receding glaciers, which leave long grooves, moraines, and kettle holes.
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Jutz, Gabriele. "Cinematography’s Blind Spots: Artistic Exploitations of the Film Frame." In Cinematic Intermediality, 136–49. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474446341.003.0010.
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This chapter discusses filmic and photographic works that focus on isolated film frames, whether extracted from the continuum of a film strip, as in Slide Movie (Gebhard Sengmüller, 2007) and Und ich blieb stehen. (Thames, London) (Susanne Miggitsch, 2017), or captured photographically from a book or a viewing table, as in Motion Picture (La Sortie des Ouvriers de l’Usine Lumière à Lyon) (Peter Tscherkassky, 1984/2008) and Précis de decomposition (Éric Rondepierre, 1993–1999). Usually rendered invisible during projection, a single frame represents the ‘blind spot’ of cinematography. An explicitly ideological perspective was offered in 1971 by French film critic Sylvie Pierre Ulmann, who distinguished between the use of extracted frames (or ‘photograms’) and idealized still photographs produced on a film set. These ‘parasitic photographs’ no longer bear traces of the material state of a given film copy; they look flawless and perfectly meet ideological requirements of ‘legibility’ and ‘beauty’. The examples presented here bypass ideological claims, because, on the one hand, their dissected frames belong to the same order as the film they are taken from, and, on the other, they result in varying forms of ‘illegibility’.