Relevant bibliographies by topics / Italian Adventure stories

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Italian Adventure stories'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Italian Adventure stories"

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Vannucci, Alessandra. "The Italian mission: Stories of a generation of Italian film and theatre directors in Brazil (1946‐69)." Journal of Italian Cinema & Media Studies 10, no. 2 (2022): 187–202. http://dx.doi.org/10.1386/jicms_00121_1.

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The journey to Brazil undertaken by a generation of young Italian directors initiated a phase of artistic renewal in São Paulo during the 1950s. This article reveals the connections between the projects and theatre, television and cinema productions of some of the protagonists of that extraordinary adventure by tracing the power plays that marked the period. As they understood, it was a time when one would believe in the possibility of implementing a modern theatre supported by the state and an art cinema, expected to be adored by a public and which still had to be formed. These goals united a
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Arnaudo, Marco. "Against Chapter XXXVI: Sequels and Remakes of Collodi's Pinoccohio in Italian Literature." Forum Italicum: A Journal of Italian Studies 41, no. 2 (2007): 382–402. http://dx.doi.org/10.1177/001458580704100205.

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This article discusses the last chapter of Collodi's Pinocchio in its relationship with the rest of the novel, and analyzes how several other authors responded to the very content of that chapter. Many 20th-century authors have in fact noticed a deep discrepancy between the adventures contained in the body of the novel and the brusque, somehow extrinsic and unprepared happy ending. They have consequently created alternative versions of Pinocchio that end before Collodi's original ending, or that depart from the penultimate chapter of the novel to move in new directions. In other cases, authors
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Martin, Simon. "A ‘Boy's Own’ boy zone: The making of fascist men in Emilio De Martino's children's sporting novels." Literature & History 26, no. 1 (2017): 74–104. http://dx.doi.org/10.1177/0306197317695081.

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Sports editor of the Corriere della Sera, Emilio De Martino was one of Fascist Italy's most vitriolic sports journalists and prolific authors of sporting fiction. Analysis of his three novels for children published from 1941 to 1943 will consider how his works contributed, first, to the regime's attempt to forge and reinvent both real and imagined traditions through literature, and, second, to Fascism's drive to create a virile, physically and mentally strong youth. Offering a new perspective on Fascism's investment in and exploitation of sport, this article will reveal how a variety of the re
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Balajthy, Ágnes. "Az anya és a nyelv." Studia Litteraria 62, no. 1–2 (2023). http://dx.doi.org/10.37415/studia/2023/62/13468.

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Th“e third chapter of Kosztolányi’s volume of short stories is oŸften considered to be a coming of age story, in which the eighteen-year-old protagonist’s train journey symbolizes his transformation from a child into an autonomous and independent subject. My interpretation attempts to undermine this reading through exploring the various roles family relations play in the narrative. Although Esti leaves his biological mother behind in the beginning of his adventure, I argue that his story remains centred around the of image of the mother(s); he is surrounded by mother figures and figurations of
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Marazzi, Elisa. "Le livre de prix en Italie au XIXe siècle. Modèles étrangers pour un public nouveau." Publije, no. 3 (July 21, 2017). https://doi.org/10.63723/publije.20143056.

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The poster aims at showing how French literature entered Italy by means of the pedagogic tradition of giving books to pupils as an award. Since such prizes often represented the only book owned by a family, it was important to use them to educate people. As a matter of fact, Italian publishers still were not used to giving children their own proper literature, conceived and written for young readers. That is why educators, politicians and publishing houses looked abroad for some models and texts in order to make people more literate and to give a moral education to the new Italian citizens as
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"Emblematic journeys: Gianni Rodari in the USSR." Cognition, Communication, Discourse, no. 18 (2019). http://dx.doi.org/10.26565/2218-2926-2019-18-02.

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The article focuses on the success of the works of the Italian children’s writer Gianni Rodari in the Soviet Union. One of the reasons for Gianni Rodari’s success in his native Italy lies in his previous popularity in the Soviet Union, thanks to early translations of his works by Samuil Marshak and his numerous visits to the USSR beginning in the 1950s. A committed communist, Rodari wanted to get a better understanding of the country that he admired so much. However, his political attitude was not narrow-minded; he investigated the Soviet education system and style of upbringing and communicat
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Siemienowicz, Rochelle. "Diary of a Film Reviewer." M/C Journal 8, no. 5 (2005). http://dx.doi.org/10.5204/mcj.2409.

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 All critics declare not only their judgment of the work but also their claim to the right to talk about it and judge it. In short, they take part in a struggle for the monopoly of legitimate discourse about the work of art, and consequently in the production of the value of the work of art. (Pierre Bourdieu 36).
 
 
 As it becomes blindingly obvious that ‘cultural production’, including the cinema, now underpins an economy every bit as brutal in its nascent state as the Industrial Revolution was for its victims 200 years ago, both critique and cinephilia see
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Franks, Rachel. "Cooking in the Books: Cookbooks and Cookery in Popular Fiction." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.614.

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Introduction Food has always been an essential component of daily life. Today, thinking about food is a much more complicated pursuit than planning the next meal, with food studies scholars devoting their efforts to researching “anything pertaining to food and eating, from how food is grown to when and how it is eaten, to who eats it and with whom, and the nutritional quality” (Duran and MacDonald 234). This is in addition to the work undertaken by an increasingly wide variety of popular culture researchers who explore all aspects of food (Risson and Brien 3): including food advertising, food
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Brien, Donna Lee. "Why Foodies Thrive in the Country: Mapping the Influence and Significance of the Rural and Regional Chef." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.83.

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Introduction The academic area known as food studies—incorporating elements from disciplines including anthropology, folklore, history, sociology, gastronomy, and cultural studies as well as a range of multi-disciplinary approaches—asserts that cooking and eating practices are less a matter of nutrition (maintaining life by absorbing nutrients from food) and more a personal or group expression of various social and/or cultural actions, values or positions. The French philosopher, Michel de Certeau agrees, arguing, moreover, that there is an urgency to name and unpick (what he identifies as) th
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Dissertations / Theses on the topic "Italian Adventure stories"

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Poitrenaud-Lamesi, Brigitte. "« Pinocchio, un enfant parallèle » : La question du père et du fils dans l’œuvre de Carlo Collodi (1826-1890)." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040233.

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Écrivain dramatique, romancier, nouvelliste et conteur, Carlo Collodi (1826-1890), à sa mort, est avant tout reconnu comme un journaliste de talent, auteur apprécié de livres pour enfants. Paradoxalement, l’œuvre de Collodi, sous la plume de ses biographes les plus célèbres, devient ensuite celle d’un seul livre : Le avventure di Pinocchio. Storia di un burattino (1883), un chef-d’œuvre isolé « écrit par hasard » (selon l’expression de P.Pancrazi). La recherche récente de type philologique – en particulier les travaux de Daniela Marcheschi – réinsère Pinocchio dans un ensemble littéraire faisa
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Books on the topic "Italian Adventure stories"

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Pratt, Hugo. Corto Maltese. Denoël, 2002.

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2

Anderlini, Luigi. Caro Luca: Romanzo. Newton Compton, 1994.

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3

Salgari, Emilio. Le meraviglie del Duemila: Avventure. A. Viglongo & C., 1995.

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Salgari, Emilio. Il corsaro nero. Einaudi, 2000.

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Salgari, Emilio. Romanzi di giungla e di mare: Le tigri di Mompracem, I misteri della giungla nera, Un dramma nell'Oceano Pacifico. G. Einaudi, 2001.

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Salgari, Emilio. Il corsaro nero. A.Mondadori, 1995.

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7

Gonzato, Silvino. Emilio Salgari: Demoni, amori e tragedie di un capitano che navigò solo con la fantasia. N. Pozza, 1995.

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8

Caruso, Alfio. Affari riservati. Rizzoli, 1995.

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9

Pazienti, G. I comics italiani d'avventura durante il fascismo. Comic Art, 1986.

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10

Caleb, Carr. The Italian secretary: A further adventure of Sherlock Holmes. St. Martin's Griffin, 2009.

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Book chapters on the topic "Italian Adventure stories"

1

Bonsaver, Guido. "The Craze for American Literature and Comics, and the Plight of the English Language." In America in Italian Culture. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198849469.003.0008.

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Abstract Chapter 7 concentrates on the circulation of American literature and comics magazines in Fascist Italy. The first section lays important groundwork by returning to the topic of foreign-language teaching, addressing the 1923 reform of state education by Mussolini’s minister and neo-idealist philosopher Giovanni Gentile. The second section concentrates first on the popularity of American middlebrow literature in the 1920—the adventure stories of Jack London being a prime example—and then looks at the so-called mito americano, which, in the late 1930s, brought American literature to the
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2

Glazzard, Andrew. "Oaths and Secrets." In The Case of Sherlock Holmes. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474431293.003.0020.

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Organised criminality and violence appear frequently in the Holmes stories. A Study in Scarlet imagines Brigham Young’s nascent Mormon state as a tightly knit conspiratorial organisation, exerting uncompromising control over its membership even beyond its notional borders. An ideological conspiracy of a very different kind lies behind the surreal menace of ‘The Five Orange Pips’, in which the Ku Klux Klan enforces its organisational rules through fear-inducing symbols, followed by swift and merciless punishment. The clues in this story reveal the organisation’s global reach: at their home in H
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