Relevant bibliographies by topics / Italian artist

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Italian artist'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Italian artist"

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Temel, Özge Parlak. "THE EAST PERCEIVED THROUGH WESTERN PERSPECTIVE: FAUSTO ZONARO AND ISTANBUL." Socialis Series in Social Science 6 (March 15, 2024): 110–24. http://dx.doi.org/10.20319/socv6.110124.

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For many centuries, Istanbul, as a city of culture, has been a source of inspiration for artists from many different countries. Italian artists were especially influenced by the Eastern world and reflected this influence in their work in almost every era. When we talk about "Western Orientalists on Ottoman lands", we doubtlessly first think of Italian Orientalists such as Gentile Bellini, Fausto Zonaro, Leonardo de Mango, Amadeo Preziosi, Salvatore Valeri, Luigi Acquarone, Raimondo D'Aronco, whose paths crossed through the Ottoman Empire, and who built bridges between these foreign cultures by
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Ginzburg, G. N. "What should be the specifi city of the works of quantum artists?" Voprosy kul'turologii (Issues of Cultural Studies), no. 9 (September 30, 2024): 808–10. http://dx.doi.org/10.33920/nik-01-2409-05.

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In this article, the author relies on the provisions of the Quantum Art Manifesto, created in 2008 by Roberto Denti, an Italian theorist, architect, artist, computer graphic artist and designer. The ideas of the Manifesto were logically continued in the creation of the International Group of Artists Quantum Movement in 2012, which was then transformed into the International Academy of Arts and Quantum Science IAMAQ-Italy in 2020.
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Stakhevych, Halyna, and Natalia Kokhan. "Creativity of female artists in Italian fine arts of XV–XVII centuries." Culturology Ideas, no. 22 (2'2022) (2022): 46–62. http://dx.doi.org/10.37627/2311-9489-22-2022-2.46-62.

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The article provides an overview and reveals the features of the professional formation, development and social status of female artists’ creativity in the Italian fine arts of the XVI-XVII centuries. The value of their artistic heritage for future generations has been established. It was stated that the role of a female artist in society was influenced by both social and gender factors, in particular, the fact that the profession of a master artist was assigned to men, and the teaching of art to girls was related to obligatory household chores or hobbies. It has been proven that already in th
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Churga, Yu. "THE INFLUENCE OF ANTHROPOCENTRISM ON THE WORK OF ARTISTS OF THE HIGH RENAISSANCE." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 148 (2021): 71–74. http://dx.doi.org/10.17721/1728-2640.2021.148.12.

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The article describes a number of factors that influenced the work of artists of the High Renaissance, in particular the philosophical thought of this period and changes in the worldview of people of this era. The article focuses on the origins of anthropocentrism in the intellectual sphere. The author outlines how Italy became the center of new ideas and the center of their implementation. This article was conducted to explore the impact of the philosophy of anthropocentrism on the work of Italian artists (their goals, means and evolution of the concept of "artist"). In conclusion, we can obs
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Biancoshock, Biancoshock, and Fiona Cashell. "Challenging Art: An Interview with Italian Artist, Biancoshock." Studies in Arts and Humanities 2, no. 2 (2016): 57–61. http://dx.doi.org/10.18193/sah.v2i2.79.

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Mazzitello, Pantalea. "The Intellectual Education of the Italian Renaissance Artist." Italica 99, no. 4 (2022): 581–83. http://dx.doi.org/10.5406/23256672.99.4.14.

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Sanesi, Irene. "Visibility in the Italian Art World: How Far Along We Are." International Journal of Economics, Finance and Management Sciences 12, no. 5 (2024): 284–92. http://dx.doi.org/10.11648/j.ijefm.20241205.16.

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Even though the concept of “nationality” when we talk about an internationally acclaimed artists is more and more blurred and has little to do with the importance of the artworks, it is evident how small the Italian art presence in great international art manifestations is, sometimes almost negligible. It is then necessary to understand the causes of this situation, to draw a map of the current state of the contemporary Italian scene and state some resolutions from it. The first 2022 Report “How (well) known is Italian art abroad?” by BBS-Lombard Benefit Corporation, together with Arte General
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Malița, Ramona. "The Masks of the Commedia Dell’arte Depicted in the Paintings of Arcimboldo and Tiepolo." Analele Universității de Vest. Seria Științe Filologice 60, no. 60 (2022): 25–41. http://dx.doi.org/10.35923/autfil.60.02.

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This interdisciplinary study (literature – painting) focuses on Italian carnival masks. As objectives, we propose a) to illustrate the aesthetic connection between the characters of the Commedia dell’arte and the allegorical portraits made by Arcimboldo and the painters of the Tiepolo artistic dynasty, and b) to highlight the dramatic character of the figures depicted in Mannerist paintings. We have identified some features of the carnivalesque character behind the mask, such as social and professional type, satirized human defects, and moral and physical qualities. Our critical working hypoth
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Vacchelli, Carlotta. "The Intelligible Book: Timothy Ely's and Luigi Serafini's Book Arts." Italica 96, no. 2 (2019): 281–302. http://dx.doi.org/10.5406/23256672.96.2.05.

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Abstract Italian artist Luigi Serafini and American bookbinder Timothy Ely share the same aesthetics of communication in book art. Both authors conceive their works as a book format, producing a clash between the unreadable content of the books – otherworldly images combined with invented indecipherable codes – and their intelligible material and visual characteristics, that imitate existing artefacts. This study draws a comparison between these two artists’ book production. It is my conviction that the books by Ely and Serafini convey the idea of a universal readability and can be interpreted
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Katmakov, A. "М. Фуко и Дж. Агамбен: философия киников и роль художника в культуре". Studia Culturae, № 55 (30 червня 2023): 150. http://dx.doi.org/10.31312/2310-1245-2023-55-150-165.

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What can be common between a politician, a philosopher and an artist? The French philosopher and culturologist Michel Foucault, based on a thorough and detailed analysis of ancient culture, identified several significant problems for European culture: ethics of telling the truth, the meaning of philosophy, the style of existence and the form of subjectivation, which are illustrated by the example of the ancient Socratic philosophical school of the Cynics. Michel Foucault himself suggested that perhaps this philosophical school laid the «matrix of the ethical experience» of European man. The au
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Dissertations / Theses on the topic "Italian artist"

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Hudson, Hugh. "Paolo Uccello : the life and work of an Italian Renaissance artist /." Connect to thesis, 2005. http://eprints.unimelb.edu.au/archive/00002997.

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Cazzato, Elisa. "An Italian Artist in Paris: The career and designs of Ignazio Degotti (1758–1824)." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/18587.

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This thesis aims to explore the ways in which, through a community of Franco-Italian artists, a tradition of innovative stage design took root in France in the late eighteenth century, transforming the scenic ambitions of official theatre. By reconstructing the career of the Italian designer Ignazio Degotti, and his little-known vicissitudes, my thesis investigates how stage design found new ambition and purpose both in the theatre and in the culture of French ‘Revolution’ and ‘Empire.’ Degotti completed his apprenticeships in the later eighteenth century in the court and civic theatres of met
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Pesce, Amanda-Josephine Michelle. "Rogier van der Weyden: A Netherlandish Artist and the Ferrarese Court." Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/416615.

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Art History<br>M.A.<br>Northern European and Italian Renaissance art have tended to be treated art historically as two opposing styles. Rooted in statements by artists such as Michelangelo and Leon Battista Alberti, it has become a common misconception that Italians did not hold Northern European art in high regard during the late fifteenth and early sixteenth centuries. This thesis seeks to complicate and critique this conventional understanding by looking at the similarities and transalpine exchanges between the artistic styles and practices of Rogier van der Weyden (c. 1400-1464) of Brussel
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Dunn, D. F. "Prometheus, artist of the ages : Prometheus' function in ekphrastic contexts in Latin literature and North Italian Renaissance stanzini." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1415830/.

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This thesis is concerned with how the myths of Prometheus came to function within ekphrastic contexts from Latin literature to Renaissance Italian art. Prometheus had many guises: the trickster that stole fire and triggered the end of the Golden Age, the keeper of a secret, the sculptor of man. Previous scholarship has tended to ignore, in particular, Prometheus’ connection to the Golden Age. After drawing fresh attention to the earliest sources in which this connection was explored, I illustrate how a development in writers’ characterisation of the god helped give rise to the idea of Promethe
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McHale, Katherine Jean. "Ingenious Italians : immigrant artists in eighteenth-century Britain." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/13854.

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Italian artists working in eighteenth-century Britain played a significant role in the country's developing interest in the fine arts. The contributions of artists arriving before mid-century, including Pellegrini, Ricci, and Canaletto, have been noted, but the presence of a larger number of Italians from mid-century is seldom acknowledged. Increasing British wealth and attention to the arts meant more customers for immigrant Italian artists. Bringing with them the skills for which they were renowned throughout Europe, their talents were valued in Britain. Many stayed for prolonged periods, ra
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Fusaro, Martina <1991&gt. "OLTRECONFINE. Artisti italiani al Salon d'Automne 1903-1912." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6831.

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Il lavoro compiuto si configura come un’analisi storico-artistica degli artisti italiani che negli anni tra il 1903 ed il 1912 esposero nelle sale del Salon d’Automne a Parigi. La ricerca ha preso le mosse dallo studio della situazione politica ed economica dell’Italia di fine Ottocento per spiegare i movimenti migratori che spinsero molti compatrioti a stabilirsi Oltralpe entrando in contatto con la realtà sociale parigina e diventandone parte integrante. Un primo grande evento grazie al quale i nostri artisti si interfacciarono all’arte europea di inizio secolo fu la grandiosa Esposizione U
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Veronesi, Matteo <1975&gt. "Il critico come artista dall'Estetismo agli Ermetici." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2005. http://amsdottorato.unibo.it/2275/1/Tesi_Veronesi_Matteo.pdf.

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Veronesi, Matteo <1975&gt. "Il critico come artista dall'Estetismo agli Ermetici." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2005. http://amsdottorato.unibo.it/2275/.

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Collier, Carly Elizabeth. "British artists and early Italian art c. 1770-1845 : the pre Pre-Raphaelites?" Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/62965/.

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This thesis examines the hitherto largely-overlooked multifarious response by British artists to early Italian art which pre-dated the activity of the Pre-Raphaelites and their greatest champion, John Ruskin. The title of this thesis does not endeavour to claim that the artists under examination consciously formed or naturally constituted a group with clearly defined common interests and aims, as was the case with their aforementioned successors. Rather, the collective ‘pre’ Pre-Raphaelites is intended to demonstrate that, contrary to the impression given by the standard scholarship on this ar
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MCMANUS, KEVIN. "ARTISTI ITALIANI NELLE UNIVERSITA' AMERICANE: IL CASO DI HARVARD (1954-1970)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1851.

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La ricerca analizza l’attività didattica degli artisti italiani Costantino Nivola (1954-57, poi 1970), e Mirko Basaldella (1957-69) presso la Graduate School of Design della Harvard University, focalizzandosi in particolare sul Design Workshop, fondato nel 1956 anche grazie al contributo di Nivola, suo primo direttore, e poi coordinato da Basaldella fino alla sua morte nel 1969. Il caso particolare di due artisti così legati a forme archetipiche equidistanti tra astrazione e figurazione, ma spinti dal metodo dell’università americana a tenere corsi legati al concetto di “design”, impone di pre
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Books on the topic "Italian artist"

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Carpenter, Bruce W. Emilio Ambron: An Italian artist in Bali. Archipelago Press, 2001.

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Megan, Martin, and Historic Houses Trust of New South Wales, eds. Augusto Lorenzini: Italian artist decorator in Victorian Sydney. Historic Houses Trust of New South Wales, 2001.

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Andrea, Pomella, ed. Caravaggio: An artist through images. ATS Italia, 2005.

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Nascimento, Márcia, and Nuno Costa, eds. Käräjäkivet 14: The Light of Shadow: Three Pastels and Ten Engravings, 1975-2014. Käräjäkivet, 2022.

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John, Richards. Altichiero: An artist and his patrons in the Italian trecento. Cambridge University Press, 2000.

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Gandolfi, Mauro. Mauro in America: An Italian artist visits the new world. Yale University Press, 2003.

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Fane, Lawrence. M.T./L.F.: A sculptor's dialogue with Mariano Taccola, fifteenth-century Italian artist-engineer : an artist book. Pont La Vue Press, 2006.

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translator, Taçi Durim, ed. Renzo Collura: Një artist i humbur në Shqipëri = un artista disperso in Albania. Botimet Fishta, 2020.

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Sohm, Philip L. The artist grows old: The aging of art and artists in Italy, 1500-1800. Yale University Press, 2007.

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Chiara, Bertola, Di Pietrantonio Giacinto, Vettese Angela, and Fondazione scientifica Querini Stampalia, eds. Talent/um, tolerare: Giovani artisti italiani = young italian artists. Charta, 2000.

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Book chapters on the topic "Italian artist"

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Storchi, Simona. "The Artist-Officer: War, Beauty, and the Nation in Ardengo Soffici’s Kobilek." In Italian and Italian American Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-57161-0_12.

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Kaborycha, Lisa. "An artist seeks employment at court." In Voices from the Italian Renaissance. Routledge, 2024. http://dx.doi.org/10.4324/9781003284284-39.

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Kaborycha, Lisa. "An artist fleshes out religious doctrine." In Voices from the Italian Renaissance. Routledge, 2024. http://dx.doi.org/10.4324/9781003284284-32.

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Kaborycha, Lisa. "Poet, artist, and scientist explore the Moon." In Voices from the Italian Renaissance. Routledge, 2024. http://dx.doi.org/10.4324/9781003284284-84.

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Simoni, Paolo, and Mirco Santi. "Amateur/Experimental. The Restoration of Italian Experimental and Artist Cinema." In Experimental Film and Artists’ Moving Image. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-77896-4_14.

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Catanese, Rossella. "Italian Film Artisans Today: Contemporary Artist-Run Labs and Analog Filmmakers." In Experimental Film and Artists’ Moving Image. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-77896-4_15.

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Buongiorno, Federica. "Reduction in Computer Music." In The Case for Reduction. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-25_09.

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In the age of pervasive computing the way our body interacts with reality needs to be reconceptualized. The reduction of embodiment is a problem for computer music since this music relies heavily on different layers of (digital) technology and mediation in order to be produced and performed. The article shows that such a mediation should not be conceived of as an obstacle but rather as a constitutive element of a permanent, complex negotiation between the artist, the machinery, and the audience, aimed at shaping a different temporality for musical language (as the Italian artist Caterina Barbi
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Campagnaro, Marnie. "Chapter 6. “A successful photograph is worth as much as a story”." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.06cam.

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Bruno Munari was an Italian artist, graphic designer, and illustrator who combined art and design to great effect in his visual art and books. During his long, interdisciplinary career, Munari experimented with many artistic possibilities: painting, illustration, sculpture, design, graphics, teaching, poetry, and writing. He also cultivated a peculiar relationship with photography. This chapter investigates photography’s influence on Munari’s poetics, from Futurism and other Avant-garde movements to the Bauhaus and László Moholy-Nagy’s work, graphic design experimentation, and collaborations w
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Arnell, Malin. "In the Beginning There Is an End." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_16.

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In this fifteen-minute lecture-performance, Malin Arnell presents her dialogue with the work of French-Italian artist Gina Pane (1939–1990). Oriented around textual and visual traces of Pane and Arnell’s historical intra-action, this ongoing dialogue explores performance art documentation and historical narratives. The project interrogates the operations of archives, asking: ‘How do queer feminist performance archives make you vulnerable, how do they make you feel, act, react?’ ‘Whose bodies remain present, and which bodies are lost?’ The framework of the work — its repetition with variations
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Tarasov, Oleg. "3. The New Museum of Medieval Icons." In How Divine Images Became Art, translated by Stella Rock. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0378.03.

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This chapter is devoted to the creation of private museums of medieval icons and ‘primitives’ in Russia and Western Europe at the start of the twentieth century. One of these museums belonged to a famous Russian collector and artist, Ilya Ostroukhov (1858–1929). Ostroukhov shared a similar appreciation for ‘primitives on a gold background’ with the American art historian, art dealer and collector Bernard Berenson (1865–1959), a taste that Berenson had started to cultivate by the end of the nineteenth century. Taking as examples Russian, Italian and American collections of ancient icons, this c
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Conference papers on the topic "Italian artist"

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Bandalo, Visnja. "ECDOTIC APPROACH TO INTERDISCIPLINARY ANNOTATED EDITIONS IN THE CONTEMPORARY ITALIAN PANORAMA." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs10.22.

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The presentation aims to focus from an ecdotic perspective, and from unexplored hermeneutic angles, on potentially prominent features of the annotated editions in which are brought together those genologically varied literary-type writings that are correlated with the analogous artistic fields, such as the visual arts, architecture or music, starting from relevant concrete examples in the Italian cultural landscape. Furthermore, attention will be drawn to how to make an edition of a philological character, scientifically grounded, in which a literary transposition of the philosophical content
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Süleymanov, Mehman. "Şah İsmayılın xarici görünüşü." In 1st International Shah Ismail Khatai Symposium. Namiq Musalı, 2024. https://doi.org/10.59402/ees02202408.

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The article is dedicated to the physical and external appearance of Shah Ismail Safavi, who founded the Safavid state of Azerbaijan. There is no extensive information about this topic in the sources. That is why the appearance of Shah Ismail Safavi arouses legitimate interest in readers and researchers. It is known that Shah Ismail (Ismail Mirza) took part in battles from a very young age and fought against his enemies together with his warriors. If Shah Ismail did not have enough physical strength, he could not have won these battles. There are also precious images about this in oriental mini
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Tomassoni, Rosella, Valentina Coccarelli, and Francesco Spilabotte. "GIAN CARLO RICCARDI�S SCULPTURE: BRIEF PSYCHOLOGICAL REFLECTIONS ON �ROOMS�." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs08.12.

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This research aims to study the sculptures and installations of the Italian multimedia and avant-garde artist Gian Carlo Riccardi (1933-2015). Our psychological study will particularly consider the �rooms�, installations created by the artist with simple objects and recycled materials such as paper, cardboard, plexiglass and predominantly iron and wood using the logic of the ready-made. The artist's sculptures and installations are constructed and represented through painted and coloured walls depicting abstract representations and through the use of everyday objects. This work intends to show
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Tomassoni, Rosella, Valentina Coccarelli, and Francesco Spilabotte. "CREATION AND DESTRUCTION: SOME PSYCHOLOGICAL REFLECTIONS IN THE PAINTINGS OF GIAN CARLO RICCARDI." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. http://dx.doi.org/10.35603/sws.iscah.2024/fs10.20.

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The aim of this study is to analyse some paintings by the Italian, multimedia and avantgarde artist Gian Carlo Riccardi (1933-2015), in which the concept of creation and destruction, or rather, as Freud would say, Eros and the destructive drive, predominate at the same time. Our study will focus in particular on the execution of these works, leading to a kind of �creative destruction�. This work intends to show how Gian Carlo Riccardi uses heterogeneous and salvaged materials to create pictorial works in which contamination, manipulation and non-sense are the result of a creative action. The o
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Benvenuto, Melissa. "THE ITALIAN PROVINCE AND THE AVANT-GARDE IN ART. THE CASE OF FROSINONE AND THE �CONTROAVANGUARDIA�." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs07.09.

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Introduction: The present research takes shape from the increasingly strong need to methodically probe the facts, the creators, the productions, the exhibitions and the editorial and press activities in the period between 1958 and 1968 in the province of Frosinone. Materials and Methods: The analysis is made by comparing the phenomenon under study within the broader national scenario. The importance of the topic lies in the dynamics of development that it assumes in close relation to the changed social values and customs of 1968 (Sessantotto) and how these represent the reasons underlying the
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Гришин, Р. В., and Д. А. Гребенникова. "THE MEANING OF LIGHT IN THE WORKS OF MICHELANGELO MERISI DA CARAVAGGIO." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.62.

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Свет в творчестве Караваджо традиционно воспринимается как образно- пластическое средство. В результате же настоящего исследования обнаруживается философскоэстетическая нагрузка света в работах итальянского художника, реформатора европейской живописи XVII в., основателя реализма в живописи, одного из крупнейших мастеров барокко. С помощью хронологического метода выявлены предпосылки формирования художественного языка Караваджо, проработана проблема интерпретации света. Light in Caravaggio’s work is traditionally perceived as a figurative and plastic means. As a result of this research, the phi
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Tomassoni, Rosella, Valentina Coccarelli, and Francesco Spilabotte. "THE CRISIS OF THE EGO IN THE PAINTINGS AND DRAWINGS OF GIAN CARLO RICCARDI: BRIEF PSYCHOLOGICAL REFLECTIONS." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.10.

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The main purpose of this study is to analyse and examine some of the paintings of the Italian avant-garde artist Gian Carlo Riccardi. Our work will focus in particular on a psychological study of the paintings and drawings realised by the artist. Our study basically focuses on the compositions created between the 1980s and 1990s and the graphic works executed in the 2000s. The first category examines certain works characterised by intense abstractionism. The pictorial material used by Gian Carlo Riccardi is manipulated, contaminated and destroyed, leaving only �relics�, symbolising a crisis of
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Pskhu, R. V., P. M. Barmina, E. Yu Lotova, and Z. V. Murga. "BEAUTY IN COLOR: BLUE ON RAFFAELLO�S CANVASES." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs03.04.

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Color has always been an important component of a person's perception of the overall picture � this applies to art, religion, and individual worldviews. In different epochs and cultures, different, but always important meanings were conveyed with color, certain colors were associated with what was most significant and valuable for a people or a representative of a religious tradition. The blue color is exceptional in this sense � for a long time it was not paid attention at all, but once appearing on the canvases of Renaissance artists, it spread its influence on the culture, art, and social l
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Iblova, Radmila. "LANDSCAPE OF HUMANISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. http://dx.doi.org/10.35603/sws.iscah.2024/fs06.16.

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The place to live and the living space fundamentally shape each person and the possibilities of their own existence. The landscape of humanism defines an environment where the unique local landscape and architecture inspire people to free their minds from the principles and rules that protect the supremacy of the powerful in a way that invites new exploration. The landscape of humanism, as conceived in my work, begins to be born during the early 13th century in central Italy. The progenitor who initiated this transformation by his life example is Saint Francis of Assisi. The life of this man s
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Rocco, Renata Dias Ferraretto Moura. "As obras de Gino Severini na coleção do Museu de Arte Contemporânea da Universidade de São Paulo." In Encontro da História da Arte. Universidade Estadual de Campinas, 2011. http://dx.doi.org/10.20396/eha.7.2011.4166.

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Esta pesquisa de mestrado se insere no campo de estudo da historiografia da arte brasileira e italiana, e tem como questão principal a investigação sobre as pinturas do artista italiano Gino Severini (Cortona, 1883 – Paris, 1966), presentes no acervo do Museu de Arte Contemporânea da Universidade de São Paulo (MAC USP). Neste texto serão apresentados os primeiros resultados e reflexões da pesquisa em andamento.
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Reports on the topic "Italian artist"

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Grazia Mattei, María. Art and New Media in Italy. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0006628.

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Angel, Félix, and Cristina Rossi. Latin American Artists of Italian Descent. Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0006441.

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This catalogue belongs to the exhibit that celebrates the 150th Anniversary of Italy's Unification. The exhibition includes a selection of art works by Latin American artists of Italian descent that constitutes a symbolic yet significant exploration of the Italian cultural presence and its influence in Latin America. Among the artists included are: Héctor Borla, Sergio Camporeale, Ricardo Crivelli, Eduardo Medici, Emilio Pettoruti, and Rogelio Polesello (Argentina), Lyria Palombini (Brazil), Roberto Sebastián Matta (Chile), Umberto Giangrandi (Colombia), Francisco Amighetti (Costa Rica), Javie
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Stumpo, Sergio. The Sustainability of Urban Heritage Preservation: The Case of Siracusa, Italia. Inter-American Development Bank, 2010. http://dx.doi.org/10.18235/0006914.

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This paper analyzes the city of Siracusa, Italy, and in particular the Historic Center of Ortigia. Siracusa and the rocky Necropolis of Pantalica (in the Cassaro, Ferla, and Sortino areas) were inscribed on UNESCO's World Heritage List in 2005, an event that may be considered the official recognition of the beauty and uniqueness of their historical, artistic, architectonic, and natural patrimony.
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Primer concurso y exposición de videoarte de América Latina y El Caribe. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0006123.

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Una exhibición de videoarte de América Latina y el Caribe, primera en su género presentada en Washington, D.C., mostró 53 videos, de menos de cinco minutos cada uno, seleccionados por un jurado internacional, de un total de 235 videos provenientes de 21 países. Los videos también se proyectaron en el Istituto Italo-Latinoamericano (IILA) de Roma, Italia y luego comenzarán un ciclo itinerante por varios museos internacionales. Se otorgaron dos primeros premios, cuatro menciones honoríficas y 5 premios por votación popular a artistas de Brasil, Colombia, Costa Rica, México, Panamá, Perú y Venezu
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