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Dissertations / Theses on the topic 'Italian literature – 19th century'

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1

Pieri, Giuliana. "The influence of English Pre-Raphaelitism on 19th-century Italian art and literature." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313182.

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2

Mayo, James Oliver. "Images of Corsica in France: Travel Memoirs and 19th Century Writers." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1764.

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Considered an integral part of Metropolitan France, the island of Corsica is situated nonetheless on the very periphery of the modern state that claims it. Actually situated geographically closer to Italy than to any part of France, its culture and its people are likewise more closely related to their Italians neighbors than to the rest of what Corsicans term "Continental France." Following the acquisition of Corsica, both government officials and bourgeois travelers would seek to visit the island, often recording their findings and publishing these memoirs for others to know of their travels.
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3

Balletti-Thomas, Joanne. "Women's writing and the "anxiety of authorship" in nineteenth-century Italy : Bruno Sperani and others." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26718.

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As women's literature emerged in late nineteenth-century Italy, female authors encountered many obstacles. Foremost among them was the near-total absence of Italian female literary role models. Female writers often expressed ambivalence towards the writing of other women, which was considered inferior to male writing. However, their reverence for male writers revealed how conflictive their identities as writers were, and it was an impediment to the establishment of a serious women's literary tradition. In addition to such personal conflicts, these writers also faced the challenge of gaining ac
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4

Tsaturyan, Christina Ann. "Sport as Art: The Female Athlete in French Literature." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2347.

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The modern conception of organized, codified sport originated in Europe during the 19th century. At this time, instructors began to institute the practice of certain physical activities at school as a means of teaching morals, forming character, and initiating social exchange. Sport is particularly appropriate for forming men because of its public, physical nature. The values it instills—courage, strength, leadership—are also decidedly masculine. What, then, is made of the female athlete? Are the noble qualities that sports affirm inapplicable to women? In this thesis, I argue that female part
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5

Howard, Paul. "Casus Belli : Giuseppe Gioachino waging war between tradition and experimentation." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:eaa66fdb-827c-4c78-bc1d-190000f7d780.

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This thesis explores the notion of opposition in the Sonetti romaneschi by the Roman poet Giuseppe Gioachino Belli (1791-1863). It sees the poet as a warring rebel on the literary scene and examines his poetics and rhetoric of war through his choice of form (the hallowed sonnet structure), language (the ‘rotten’ vernacular) and subject (the downtrodden, previously voiceless underclass); it shows that these cornerstones of Belli’s opus are in polemical response to literary stimuli and intimately connected to the political, religious and sociological upheavals in and beyond Rome in the troubled
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6

Fonsato, Vanna Marisa. "Giudizi letterari di Isabella Teotochi Albrizzi nel carteggio inedito della Raccolta Piancastelli." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61287.

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The present work examines the literary criticism expressed by Isabella Teotochi Albrizzi in several of her unpublished letters.<br>The first part outlines the cultural and historical tradition of Venice during the Eighteenth Century. Particular attention is subsequently given to the intellectual role of women, their contribution to the literary salons of the time, and the neoclassical tradition. This first part is essential in that it supplies a valuable context to Isabella Teotochi Albrizzi's writings.<br>In the second part, I examine Isabella Teotochi Albrizzi's literary criticism of major E
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7

Squires, Michele B. "Marcel Schwob Digital Collection." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1355.

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This project outlines the discovery and digitization of previously unpublished correspondence composed by late 19th century author and literary critic, Marcel Schwob. Inspired by the inquiry of Bibliothèque Nationale Librarian Bernard Gauthier, Professor Daryl Lee alerted me to the presence of Marcel Schwob materials at BYU. I found that former BYU Professor John Green established a Marcel Schwob Memorial Collection and successfully published two books using the materials he gathered: Chroniques and Correspondance Inédite. After thoroughly researching the catalogued Schwob materials at BYU and
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8

Rouvier, Émilien. "«Ci vuole una testa quadrata più di quella d’un geometra !» Tradurre e ritradurre le opere liriche francesi in italiano nell'Ottocento." Electronic Thesis or Diss., Paris 3, 2024. http://www.theses.fr/2024PA030047.

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En mettant l’accent, dans une première partie, sur l’analyse du contexte de production des traductions italiennes d’opéras français, cette thèse s’attache d’abord à faire émerger une « pragmatique » plutôt qu’une poétique de la traduction, en identifiant les conditionnements externes pesant sur la technique des traducteurs et leur évolution. Le système productif est étudié en passant du général au particulier : de la codification internationale du droit d'auteur et ses retombées pratiques à l’analyse sociologique et micro-historique de la figure du traducteur d’opéra, en passant par l’examen (
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9

Del, grande Giulia. "Dinamiche di comunicazione culturale italiana in Francia fra Ottocento e Novecento : il caso di Salvatore Farina." Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20105.

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La recherche vise à comprendre les dynamiques de diffusion de la littérature de Salvatore Farina à l’étranger et plus particulièrement en France. L’écrivain, né à Sorso en 1846 et décédé à Milan en 1918, est un des écrivains italiens le plus prolifique du XIXème siècle, ayant publié en quarante ans de carrière plus d’un roman par an, parmi lesquels certains ont été traduits en 11 langues. Dans la première partie de la recherche nous mettrons en lien les thèmes clés de son activité narrative en Italie avec ses œuvres principales qui le rendront célèbre à l’étranger comme « l’humoriste italien »
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10

Brambilla, Alberto. "Edmondo De Amicis et la France (1870-1883) : contacts et échanges entre littérature italienne et littérature française à la fin du XIXe siècle." Phd thesis, Université de Franche-Comté, 2011. http://tel.archives-ouvertes.fr/tel-00951573.

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Le travail s'insère dans la vaste perspective des études sur les rapports entre la culture italienne et la culture française dans la seconde moitié du XIX siècle. En particulier nous avons pris en examen la période 1870-1883, c'est-à-dire les années de la conclusion de la guerre franco-prussienne, jusqu'à la crise diplomatique de Tunis (1881) et au passage de l'Italie à l'alliance politique et militaire avec l'Autriche et l'Allemagne. (1886). Dans la vaste production littéraire de De Amicis (connu presque seulement pour la publication de son roman Cuore), la France joue un rôle non secondaire,
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11

Malone, Hannah Olivia. "Nineteenth-century Italian cemeteries : the social and political basis of funerary architecture." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648217.

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12

Ertz, Matilda Ann Butkas 1979. "Nineteenth-century Italian ballet music before national unification: Sources, style, and context." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11296.

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xxiv, 603 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>Though not widely acknowledged, ballet and its music were important to the nineteenth-century Italian theatre-goer. While much scholarship exists for Italian opera, less study is made of its counterpart even though the ballet was an important feature of Italian theatre and culture. This dissertation is the first in-depth survey of the music for Italian ballets from 1800-1870, drawing from the hundreds of ballet scores in two import
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13

Hanes, Stacie L. "The sense and sensibility of the 19th century fantastic." Thesis, Kent State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3618887.

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<p> While studies of fantastic literature have often focused on their structural and genre characteristics, less attention has been paid to the manner in which they address social issues and concerns. Drawing on theoretical, taxonomic, and historical approaches, this study argues that 19th-century England represented a key period of transformation during which fantastic literature evolved away from its folkloristic, mythic, and satirical origins and toward the modern genres of science fiction, feminist fantasy, and literary horror. </p><p> The thesis examines the subversive and transformati
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14

Mazhar, Noor Giovanni. "Catholic attitudes to evolution in ninteenth century Italian literature." Thesis, University of Liverpool, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304808.

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15

Heath, Veronica. "Tradition and innovation : Proust and 19th century English literature." Thesis, University of Reading, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327883.

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16

Szabo, Anna Marieke. "19th century girls' literature stories of empowerment or limitation? /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/456299126/viewonline.

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17

Ben-Sira, Tallya. "Representation of motherhood in 19th and 20th century texts." Thesis, Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262312.

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18

Martin, Michael Sean. "Imaginative Thanatopsis: Death and the 19th-Century American Subject." Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/41295.

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English<br>Ph.D.<br>In my dissertation, I intend to focus on the way that supernaturalism was produced and disseminated as a cultural category in 19th-century American fiction and non-fiction. In particular, my argument will be that 19th-century authors incorporated supernaturalism in their work to a large degree because of changing death practices at the time, ranging from the use of embalming to shifts in accepted mourning rituals to the ability to record the voices of the dead, and that these supernatural narratives are coded ways for these authors to rethink and grapple with the complexiti
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19

Caldwell, Dorigen Sopie. "The sixteenth century Italian impresa : studies in theory and practice." Thesis, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298349.

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20

Celati, Marta Bianca Maria. "The theme of conspiracy in fifteenth-century Italian humanist literature." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:62330794-9b1a-4eb7-b468-7f6d685e6182.

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This study investigates fifteenth-century Italian humanist literature that deals with the topic of conspiracy, focusing on the most important texts that contain accounts of political plots. This thesis identifies for the first time a 'thematic genre' of monographic works devoted to this specific political theme: an output that consists of texts belonging to different literary genres and that enjoyed widespread diffusion in the second half of the Quattrocento, when the development of this strand of literature proves to be closely connected with the emergence of a centralized political ideology
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21

Binetti, Vincenzo Antonio. "Mito e letteratura : il romanzo sociale e lo scrittore borghese nella prima metà dell'Ottocento italiano." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29186.

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L'obiettivo che qui ci si propone, è quello di cercare di delineare le caratteristiche essenziali di un genere letterario nuovo, il romanzo sociale, attraverso l'analisi particolareggiata di alcuni scrittori 'impegnati' della prima metà dell'Ottocento. II presente lavoro esaminerà, quindi, l'evolversi complesso e, a volte, contraddittorio, di questo prodotto letterario che, nonostante i suoi limiti artistici, si inserì - sulle orme del romanzo storico - nella vicenda culturale del momento, ne assorbì comuni caratteristiche sociali, didascaliche e ideologiche, fino a diventarne un fatto a sè,
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22

Bauer, Petra. "The reception of E.T.A. Hoffmann in 19th century Britain." Thesis, Keele University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301193.

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23

Bouagada, Habib. "Orientalism in translation: The one thousand and one nights in 18th century France and 19th century England." Thesis, University of Ottawa (Canada), 2005. http://hdl.handle.net/10393/26857.

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The objective of this study is to show how translation contributes to the "Orientalist" project and to the past and present knowledge of the Orient as it has been shaped by different disciplines such as anthropology, history and literature. In order to demonstrate this, I have decided to compare the Arabic text Alf Leyla wa Leyla (The One Thousand and One Nights) with the French translation by Antoine Galland (1704-1706) and the English translation by Sir Richard Burton (1885). According to Edward Said, the Orientalist project or Orientalism is mainly a French and British cultural enterprise t
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24

Fung, Kit-ting. "Decolonizing fictions : the subversion of 19th century realist fiction /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23473010.

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25

Fresco, Gabriella Petrone. "Shakespeare's reception in 18th century Italy : the case of Hamlet." Thesis, University of Warwick, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357494.

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26

Roach, Katherine. "Between magic and reason : science in 19th century popular fiction." Thesis, University of Nottingham, 2011. http://eprints.nottingham.ac.uk/13687/.

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The scientist in fiction is much maligned. The mad, bad scientist has framed much of the debate about literary representations of science and with good reason since he is a towering icon of popular culture. Yet, I will propose that an equally preeminent figure provides an alternative model of science in fiction. This is the detective. Links between developing scientific disciplines and the emerging genre of detective fiction have been well described to date. Yet the history of the detective as scientific icon has not been told, particularly not as it engages with the history of the mad scienti
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27

Feltrin-Morris, Marella. "Hanging by a thread marionette figures in twentieth-century Italian literature /." Diss., Online access via UMI:, 2005.

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28

Baldridge, Kalyn Rochelle. "L'auguste Autrichienne| Representations of Marieantoinette in 19th Century French Literature and History." Thesis, University of Missouri - Columbia, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10629008.

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<p> Maria Antonia Josepha Joanna, or as she is most well-known, Marie-Antoinette (1755-1793) spent her entire life under the watchful eye of many. Fashioned from birth as an Austrian aristocrat, she was transported to France at age fourteen to meet and marry the future king of France. From the onset of her arrival, French writers made attempts to capture what they observed. However, personal bias, political leanings, and accepted rumor led them to do more than record what they saw. Rather than simply narrate a scene, these early witnesses of Marie-Antoinette became the interpreters of her thou
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29

Kim, Hyowon. "Adopted colors identity, race, and the passion for other people's nationalism ; George Eliot, Elizabeth Barrett Browning, and imagining kinship in 19th century nation-building." Saarbrücken VDM Verlag Dr. Müller, 2007. http://d-nb.info/991276604/04.

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30

Neal, Allison Jayne. "(Neo-)Victorian impersonations : 19th century transvestism in contemporary literature and culture." Thesis, University of Hull, 2012. http://hydra.hull.ac.uk/resources/hull:7208.

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31

Kent, Neil. "Light and nature in late 19th century nordic art and literature /." Uppsala : Universitätet, 1990. http://catalogue.bnf.fr/ark:/12148/cb35408280q.

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32

Giuliana, Chiara. "Negotiating home spaces : spatial practices in Italian postcolonial literature." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/9764.

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33

Schrag, Mitzi. "Rei(g)ning mediums : spiritualism and social controls in 19th-century American literature /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/9321.

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34

Garske, Kevin T. "Society and Suffering: City as Character in 19th Century Realism." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1219.

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The aim of this thesis is to investigate the relationship between the city and the individual in literature, thereby acknowledging the anthropomorphic qualities we endow with our cities and in turn, how these qualities consolidate into the trope of the city character. We build this understanding by discussing the social, moral, political, literary, etc. associations of the city, and how these lend themselves to expressions of human energy or reflections of human character. These understandings are then given form through close readings of Gustave Flaubert’s Sentimental Education and Fyodor Dos
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35

Newman, Danny Lawrence. "19th-century Tunisian travel literature on Europe : vistas of a new world." Thesis, SOAS, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401764.

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36

Mills, Andrew Joseph. "Escaping satisfaktion dueling violence and the German literary canon of the long 19th century /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3378372.

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Thesis (Ph.D.)--Indiana University, Dept. of Germanic Studies, 2009.<br>Title from PDF t.p. (viewed on Jul 7, 2010). Source: Dissertation Abstracts International, Volume: 70-10, Section: A, page: 3870. Adviser: William Rasch.
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Hanes, Stacie L. "The Sense and Sensibility of The 19th-Century Fantastic." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1382975086.

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38

Abraham, Adam. "Spurious Victorians : imitation and the nineteenth-century novel." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:cbf24b85-cc63-42be-ba84-2f065942c4d8.

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In 'A Critique of Modern Textual Criticism', Jerome J. McGann writes, '[A]n author's work possesses autonomy only when it remains an unheard melody'. For the published and successful writer in the nineteenth century, such autonomy was often unattainable. Publications such as The Pickwick Papers inspired an array of opportunistic successors, including stage plays, unauthorized sequels, jest books, song books, and shilling and penny imitations. Despite the proliferation, this strain of writing is rarely studied. This thesis recovers ephemeral, scurrilous texts, often anonymous or pseudonymous, a
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39

Piantanida, Cecilia. "Classical lyricism in Italian and North American 20th-century poetry." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4422c01a-ba88-4fe0-a21f-4804e4c610ce.

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This thesis defines ‘classical lyricism’ as any mode of appropriation of Greek and Latin monodic lyric whereby a poet may develop a wider discourse on poetry. Assuming classical lyricism as an internal category of enquiry, my thesis investigates the presence of Sappho and Catullus as lyric archetypes in Italian and North American poetry of the 20th century. The analysis concentrates on translations and appropriations of Sappho and Catullus in four case studies: Giovanni Pascoli (1855-1912) and Salvatore Quasimodo (1901-1968) in Italy; Ezra Pound (1885-1972) and Anne Carson (b. 1950) in North A
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Hiller, Jonathan Robert. "Bodies that tell physiognomy, criminology, race and gender in late nineteenth- and early twentieth-century Italian literature and opera /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835144651&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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41

Alzati, Valentina. "Les contes de Mme d’Aulnoy et leur fortune en Europe (France ; Italie ; Grande-Bretagne ; Allemagne)1752-1935." Thesis, Université Paris-Saclay (ComUE), 2018. http://www.theses.fr/2018SACLV050/document.

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Dans cette thèse, on examine les différents aspects de la réception et de la fortune des contes de la baronne d’Aulnoy à la fin du XIXe siècle, permettant d’enrichir les analyses critiques à propos des contes de fées classiques et de leur perception en époque moderne. L’étude porte, en un premier temps, sur le domaine de nouvelles éditions des contes qui voient le jour à partir de premières années du XIXe siècle, jusqu’aux premières années du XXe. La composition des volumes et la forme des textes permettent de comprendre comment c’est uniquement à la fin du XIXe siècle que Mme d’Aulnoy commenc
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Jones, D. Michael. "The Byronic Hero and the Rhetoric of Masculinity in the 19th Century British Novel." Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/1476662282/.

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From action movies to video games to sports culture, modern masculinity is intrinsically associated with violent competition. This legacy has its roots in the 19th-century Romantic figure of the Byronic hero--the ideal Victorian male: devoted husband, sexual revolutionary and weaponized servant of the state. His silhouette can be traced through the works of authors like Lord Byron, Jane Austen, Sir Arthur Conan Doyle, Rudyard Kipling and Oscar Wilde. More than a literary genealogy, this history of the Byronic hero and his heirs follows the changes that masculinity has undergone in response to
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43

Hines, Chad Allen. "Evolutionary landscapes: adaptation, selection, and mutation in 19th century literary ecologies." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/514.

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How can a literary theorist account for unselected texts and narratives, and measure the importance of voices no longer audible to readers today? The following dissertation uses various, and variously successful 19th century literary texts as a point of departure for considering the complex forces affecting the fragment of texts selected over time from within a wider field of anonymous and unwritten narratives. Bridging literary theory and Darwinian science, "Evolutionary Landscapes" argues that concepts of mutation, replication and selection can provide a framework for thinking about how narr
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Langford, Charles K. "Le utopie rinascimentali : esempli moderni di polis perfetta." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102806.

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The citizens of utopian Renaissance cities have in common the confidence in the power of reason and moral virtues. The purpose of the thesis is to prove that, in spite of the imaginative and unreal aspects of these utopian societies, they contain the prodroms of the modern societies.<br>The utopias of the Renaissance are projects of a new commonwealth, based on justice and education. The Italian peninsula of the XVI and early XVII century spawned several works belonging to this literary genre, inspired by Plato's Republic and initiated in England with Thomas More's Utopia (1516). Those conside
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Wilkinson, Myler 1953. "The dark mirror : American literary response to Russia, 1860-1917." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70290.

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This thesis is an intercultural and intertextual study of the ways in which an American literary identity has emerged out of an intense imaginative and political dialogue with Russian culture. Early portions of this study trace the historical connections which have drawn American writers into the orbit of Russian literature and culture during the period, 1860-1917. A theoretical chapter attempts to explain the intensity of this dialogue on several related levels: the figural relationship between two literatures which constantly transform each other; the psychic experience of an otherness betwe
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Downing, Lisa Michelle. "Desire and immobility : situating necrophilia in nineteenth-century French literature." Thesis, University of Oxford, 1999. http://ora.ox.ac.uk/objects/uuid:ccbb5b9e-58da-4d36-901b-bd71112f3c05.

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47

White, Claire. "Work and leisure in late nineteenth-century French literature and visual culture." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610774.

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48

Schuman, Samuel A. "Representation, Narrative, and “Truth”: Literary and Historical Epistemology in 19th-Century France." Oberlin College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1621948796558803.

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49

Possehl, Suzanne René. "A women's journal, or, The birth of a Cosmo girl in 19th-century Russia /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20175.

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This thesis examines the role nineteenth-century women's literary journals, specifically Ladies' Journal (1823--1833), played in the development of Russian literature. The longest-lived and most-circulated of the pre-Soviet women's literary journals, Ladies' Journal was well-positioned to have contributed to the on-going formation of a national literature through its influence on the Russian woman writer and reader. Ladies' Journal served as a forum for new Russian women writers and translators. It also promoted the discussion of women's issues. However, Ladies' Journal had a contradictory edi
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50

Davies, Martin Charles. "Friends and enemies of Poggio : studies in Quattrocento humanist literature." Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:d9b0db71-a5ec-426f-8ddf-ba7d05a15ab7.

Full text
Abstract:
The last chapter does not directly concern Poggio, but publishes letters between two of his most bitter enemies, Niccolo Perotti and Lorenzo Valla. They date from the period of the protracted polemics exchanged between them and him (1451-54). An effort is made to characterise the scribe of these letters, and to place him in the context of humanist education. New information on Valla and Perotti is also integrated into their biographies.
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