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Journal articles on the topic 'Italian literature – 19th century'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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1

D’Orazio, Dario, and Sofia Nannini. "Towards Italian Opera Houses: A Review of Acoustic Design in Pre-Sabine Scholars." Acoustics 1, no. 1 (2019): 252–80. http://dx.doi.org/10.3390/acoustics1010015.

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The foundation of architectural acoustics as an independent science is generally referred to Sabine’s early studies and their application. Nevertheless, since the 16th Century, a great number of authors wrote essays and treatises on the design of acoustic spaces, with a growing attention to the newborn typology of the Opera house, whose evolution is strongly connected to the cultural background of the Italian peninsula. With roots in the Renaissance rediscovery of Vitruvius’s treatise and his acoustic theory, 16th- to 19th-Century Italian authors tackled several issues concerning the construct

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2

Variano, Angelo. "Spigolature di anglicismi: a proposito di leggings e altri (recenti) forestierismi." Zeitschrift für romanische Philologie 134, no. 2 (2018): 568–79. http://dx.doi.org/10.1515/zrp-2018-0035.

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AbstractThe present article focuses on English-Italian language contact. In detail, we will show that supposedly recent borrowings such as leggings (GRADIT: 2004) or steward (1928) can already be observed in 19th-century Italian translations of English travel literature.

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3

Saranov, Serhiy. "The problem of creativity and scientific heritage of Machiavelli in the framework of the historiographical assessments of Francesco De Sanctis." SUMY HISTORICAL AND ARCHIVAL JOURNAL, no. 40 (2023): 49–57. http://dx.doi.org/10.21272/shaj.2023.i40.p.49.

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The article deals with the problem of creativity and scientific heritage of Niccolò Machiavelli in the system of historiographic assessments by Francesco De Sanctis (1817-1883). The author states the importance of addressing this issue in the era of globalization, since the era of the Italian Renaissance reflected cardinal changes in the interpretation of the historical process. In addition, in the era of globalization, the question of the system for forming the stages of historiographic assessments of Machiavelli's scientific heritage has significant methodological potential. Of particular in

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4

Palmarini, Luca. "Su alcuni metodi applicati a grammatiche di italiano per polacchi tra il XIX e il XX secolo." Romanica Cracoviensia 20, no. 4 (2020): 247–59. http://dx.doi.org/10.4467/20843917rc.20.024.13310.

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On some methods applied to Italian grammars for Poles between the 19th and 20th centuries The article aims to compare and analyse Italian grammars and manuals for Polish users published between the second half of the 19th century and the beginning of the 20th century. The purpose is to observe the general trends on the methods proposed, the changes taking place and the possible influences on teaching of Western languages as foreign languages in a historical moment when after the Third Partition Poland had ceased to exist as a sovereign state.

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5

Lemainque, Ingrid. "Les tableaux italiens du Settecento dans les ventes parisiennes au XVIIe siècle." Studiolo 2, no. 1 (2003): 138–66. http://dx.doi.org/10.3406/studi.2003.1118.

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Ingrid Lemainque, Italian paintings of the Settecento in 18th-century Parisian sales ; In 19th-century France, contemporary Italian painting seems to have been little valued, if one believes the artistic literature of the time. A statistical analysis based on the thorough survey of Parisian sales catalogues between 1730 and 1799 enables one to distinguish a different truth, the presence of a particular taste for Settecento Italian paintings and reveals the importance of landscape and the Venetian school in these sales, to the detriment of more conventional schools and artists.

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6

Yakushkina, Tatiana V. "Truth and money: Writing and payment for it in the perception of Italian writers of the 18th–19th centuries." Vestnik of Saint Petersburg University. Language and Literature 20, no. 3 (2023): 631–46. http://dx.doi.org/10.21638/spbu09.2023.314.

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The article, based on the Italian literature of the 18th–19th centuries, traces the relationship between the social status of the writer, his attitude to his work, on the one side, and the forms of remuneration for it, on the other. In contrast to the sociological approach, which considers the problem of “writer and money” mainly from the position of the reader, the author of the article, being a historian of literature, considers it from the position of the writer. The author shows that the attitude to literature as a way of earning money is a result of ideological shifts and changes in the w

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7

Damian, Otilia Ștefania. "Cooperative Learning of Italian Literature in the Post-Pandemic Era." Educatia 21, no. 23 (December 21, 2022): 17–27. http://dx.doi.org/10.24193/ed21.2022.23.02.

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The paper analyses how cooperative learning can be used in teaching literature, specifically 19th century Italian literature. It presents the results of group activities carried out in October 2022 by students from the Faculty of Letters of the “Babes-Bolyai” University of Cluj-Napoca, with specialisation in Italian A and B. These are students attending the Italian Literature II course, taught in Italian. The participants returned to university (face-to-face didactic activities) only in the spring of 2022, in the second semester of their first year of study at a university level. They spent mo

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8

Munari, Alessandra. "The double nature of ‘source criticism’: Between philology and intertextuality." Forum Italicum: A Journal of Italian Studies 53, no. 1 (2019): 27–52. http://dx.doi.org/10.1177/0014585818813894.

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This article analyzes so-called ‘source criticism’, and it observes how this discipline historically and conceptually developed into the theory of intertextuality. This research traces the steps of source criticism from the end of the 19th century and through the 20th century, paying special attention to Italian literature; it deals with texts by critics Pio Rajna, Renato Serra, Ernst Robert Curtius, Gian Biagio Conte, Ezio Raimondi and Giuseppe Velli.

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9

Benardelli, de Leitenburg Mainardo. "Geopolitica della lingua italiana." FUTURIBILI, no. 2 (September 2009): 139–61. http://dx.doi.org/10.3280/fu2008-002015.

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- Language is one of the most widely discussed questions in Italian social and literary history, and Italian has recently been dropped from the list of official languages in the European Community. The author presents a historical overview starting from the 13th century, which saw the beginning of popular literature in poetry, and comprising the development of written and spoken Italian from traditional regional literature to the evolution of the dolce stilnovo, the appearance in the 19th century of the language of Manzoni and his antagonists, the composition of the first Dictionary of the Ita

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10

Toroš, Ana. "Auto-stereotypes and Hetero-stereotypes in Slovene and Italian Poetry About Trieste From the First Half of the 20th Century." Interlitteraria 21, no. 2 (2017): 290. http://dx.doi.org/10.12697/il.2016.21.2.10.

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This article brings to light the socio-political conditions in the Triestine region, at the end of the 19th century and in the fi rst half of the 20th century. Th ese conditions infl uenced the formation of stereotypical, regionally coloured perceptions of Slovenes and Italians in the Slovene and Italian poetry about Trieste from the fi rst half of the 20th century, which were specific to the Triestine area or rather the wider region around Trieste, where the Slovene and Italian communities cohabited. This article also points out that these stereotypes are constructs. The Italian Triestine lit

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11

Dundua, Natia. "NOTES ON LITERATURE TRANSLATED FROM PERSIAN ATTESTED IN THE 19THE CENTURY MANUSCRIPT (A-1448)." Near East and Georgia 14 (December 15, 2022): 17–25. http://dx.doi.org/10.32859/neg/14/17-25.

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The manuscript preserved at the Korneli Kekelidze Georgian National Centre of Manuscripts is a collection compiled by Taras Alexi-Meskhishvili (1793–1874). This manuscript includes a list of books translated from Persian, Greek, Armenian, Russian, Latin, and Italian into Georgian, which were known in 19th-century Georgia. Some of these texts were likely housed in the library of the Kvatakhevi Monastery. This paper analyzes the works translated from Persian that are documented in the manuscript. These include: *Kilila and Damana,* *Amirnasariani* (also known as "The Story of Amirnasar"), *Ayat,

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12

Banjanin, Ljiljana. "AN ITALIAN TRAVELLER DISCOVERING BOSNIA." Филолог – часопис за језик књижевност и културу 14, no. 28 (2023): 20–33. http://dx.doi.org/10.21618/fil2328020b.

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The theme of this paper is the image of Bosnia by Luchino Dal Verme (1838- 1911), a politician, diplomat, geographer and traveller, who in 1903 set off from Italy on a journey across the Adriatic Sea and on to Bosnia. He left a testimony of his experience in the text ‘An Excursion to Bosnia’, published in the Nuova Antologia in 1903. The aim of the paper is to identify odeporic elements in a text of a hybrid nature with elements of geography, history and literature and to show that the perception of this region of the Balkans changed at the beginning of the 20th century. From the wild, p

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13

Uccello, Iris. "Crossing Cultural Boundaries: The First Translation of Crime and Punishment in Italy." Translation Studies: Theory and Practice 4, no. 1(7) (2024): 74–83. https://doi.org/10.46991/tstp/2024.4.1.074.

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Indirect translation, criticized for impurity, played a pivotal role in introducing Russian literature to fin-de-siècle Italy. Initial Italian translations of Russian classics stemmed from French translations, with France serving as a key hub for Russian literary reception in Europe. This article delves into the first Italian translation of "Crime and Punishment" to explore the nuances of this process. It examines the trade-offs—what was lost in translation—and highlights how the mediation through French translation paradoxically aided the reception of Dostoevsky in late 19th-century Italy.

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14

PAGLIARDINI, Angelo. "LETTERATURA ITALIANA E COSTRUZIONE DELL’IDENTITÀ NAZIONALE NELL’OTTOCENTO." Analele Universității București. Limba și literatură română 73, no. 1/2024 (2024): 109–33. http://dx.doi.org/10.62229/aubllrlxxiii/24/7.

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In this article we are commenting the weak points of the Italian literary canon built during the 19th century, which was, at that time, linked to the legitimating of national identity and independence. The idea that an Italian literary canon existed, even in the absence of a national state, had been discussed by Foscolo, Nievo, and Leopardi, and became a central point in Francesco de Sanctis’ History of Italian Literature. De Sanctis describes the evolution of Italian literature seen as a coherent pattern, starting with the Middle Ages and Dante Aligheri who is presented as a national poet. Bu

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15

Miroliubova, А. Yu. "«Italian Mark» in the Russian Literary Translations of the First Quarter of 19th Century." Russkaya Literatura 2 (2019): 51–68. http://dx.doi.org/10.31860/0131-6095-2019-2-51-68.

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16

KILIBARDA, Vesna. "LAZAR TOMANOVIĆ AS AN ITALIANIST." Lingua Montenegrina 5, no. 1 (2010): 251–62. https://doi.org/10.46584/lm.v5i1.146.

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The paper deals with the “Italianistic” work of Lazar Tomanović, the less known sides of his intellectual profile enlightening his translations of the Italian poets and texts about Italian literature written before and after his coming to Montenegro, in the context of his private life and professional works at the same time. This introduction to his work on the strengthening of the cultural and literary relationships between two people, divided by the Adriatic sea is defined as a contribution to the reconstruction of the Montenegrin reality within the period between the end of the 19th and the

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17

Carli, Alberto. "Between the inkwell and the scalpel: Italian literary transfigurations in medicine and anatomy from the 19th to the 21st century." Forum Italicum: A Journal of Italian Studies 54, no. 3 (2020): 707–20. http://dx.doi.org/10.1177/0014585820925469.

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Arrigo Boito, author of Lezione di anatomia ( Anatomy Lesson), was able to sum up the deepest cultural theme of the 19th century in Italy using one single verse (‘Son luce e ombra’). Notably, the development of the dialogue between natural sciences, literature, anatomy and art illuminates the mixture of sincere admiration and fear felt by writers and poets like Igino Ugo Tarchetti, Emilio Praga and Carlo Dossi. The mood of Positivism, which could be found even in Fine Arts Academies, was the perfect backdrop and the very root of many ‘clinical details’ in the first examples of Italian mass lit

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18

Matrisciano, Sara, and Franz Rainer. "Origine et diffusion des expressions romanes du type jaune paille." Romanische Forschungen 133, no. 1 (2021): 3–27. http://dx.doi.org/10.3196/003581221831922391.

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All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the ri

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19

Krasovets, Aleksandra. "Literary Multilingualism in the Slovenian and Austrian Context / Eds.: Alenka Koron and Andrey Leben. Ljubljana. ZRC Publishing House. 2020. 324 p." Stephanos Peer reviewed multilanguage scientific journal 56, no. 6 (2022): 149–55. http://dx.doi.org/10.24249/2309-9917-2022-56-6-149-155.

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The scientific monograph “Literary Multilingualism in the Slovenian and Austrian Context” (2020) is a collective work of nineteen researchers from five countries. The subject of their analysis was the theoretical, methodological and contextual aspects of literary multilingualism within the framework of the concept of a “supra-regional sphere of literary interaction”. They were regarded through the prism of small, immigrant, transcultural literatures and literature of national minorities. Among them are the Slovenian minority in Austrian Carinthia and Italy, the Italian minority in Croa- tian a

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20

Borzęcka-Wojciechewicz, Kinga. "Cyprian Norwid a Ugo Foscolo. Próba zbliżenia." Przegląd Humanistyczny 61, no. 4 (459) (2018): 151–61. http://dx.doi.org/10.5604/01.3001.0012.0673.

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The work is devoted to the comparative presentation of Ugo Foscolo and Cyprian Norwid – two outstanding representatives of the 19th-century Polish and Italian literature, respectively. Despite the obvious differences between them, such as belonging to different literary generations and the ideological and national entanglements of their lives and work, significant similarities between the artists (in the aspect of their works, biographical models and a similar individual stigma) are thought-provoking. Moreover, the ambiguity of assigning Norwid and Foscolo to one literary period still inspires

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21

Dolinin, Alexander. "Итальянские мотивы в поэме Пушкина «Анджело» [Italian Motifs in Pushkin’s Poem _Andzhelo_]". Slavica Revalensia 8 (2021): 289–302. http://dx.doi.org/10.22601/sr.2021.08.10.

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Pushkin’s poem Andzhelo (1833) is based on the plot of Shakespeare’s Measure for Measure (1623). However, Pushkin changed the location from Vienna to “happy Italy,” and the article offers some explanations of the change. Besides the location and names of characters, the poem has no Italian ethnographic details but instead includes several allusions to Dante absent in Shakespeare. It seems that through them Pushkin amalgamated Dante and Shakespeare, providing an intertextual substitute for the Italian couleur locale. Keywords: 19th-Century Russian Literature, Alexander Pushkin (1799—1837), Andz

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22

Barthels, Sofie. "Incitare l'Italia preunitaria all'insurrezione. Le strategie di Giuseppe Ricciardi per aggirare la censura (1832-1861)." Aura, no. 2 (December 30, 2024): 41–51. https://doi.org/10.5281/zenodo.15109696.

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This article investigates the dissemination strategies adopted by Giuseppe Ricciardi, a republican patriot and democratic writer, with the objective of ensuring that his oeuvre reached pre-unified Italy in order to encourage popular insurrections against Austrian domination. Due to the vehement political denunciations contained within his work, Ricciardi was compelled to exhibit both considerable inventiveness and persistence in reaching his readership and audience, despite the pervasive censorship prevailing in Italy. Through an analysis of 19th-century periodicals, the author’s publica

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23

Girod, Alberto, Simone Cianfanelli, Italo Biddittu, Barbara Wilkens, and Marco Bodon. "The presence of Pseudunio auricularius (Spengler, 1793) in Italy from the Pleistocene to the 20th century." Bollettino Malacologico 61, no. 1 (2025): 99–125. https://doi.org/10.53559/bollmalacol.2025.01.

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The purpose of this research is to gather and review all historical and recent information regarding the distribution of Pseudunio auricularius (Spengler, 1793) in Italy, and organize them in a comprehensive framework. The lack of data in the European literature concerning the presence of this freshwater bivalve species in the Italian territory prompted a critical review of information from 19th century authors to the present, as well as data related to specimens of P. auricularius found in private collections and various Italian and foreign museums. Nearly fifty collection sites are considere

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24

Vannucci, Alessandra. "A pátria no palco: mobilização política e construção de uma identidade nacional nos clubes recreativos italianos em São Paulo (1870-1920) / Motherland on Stage: Political Mobilization and Construction of a National Identity in Italian Philodramatic” Societies in São Paulo (1870-1920)." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 3 (2019): 41. http://dx.doi.org/10.17851/2358-9787.28.3.41-64.

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Resumo: O ensaio analisa a atividade dos clubes recreativos italianos em São Paulo, a partir do final do século XIX, quando a cidade se transforma de vila colonial em metrópole industrial e sofre o impacto das grandes migrações. A fuga dos trabalhadores das plantações para a cidade, onde conseguem articular formas de resistência à exploração através do associacionismo voluntário (jornais, sindicatos e teatro) alimenta um clima de discriminação, culminando em perseguição racial. A emancipação política é conquistada através da arte, principalmente nos palcos. Nas peças deste repertório, os valor

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25

Samir, Aseel, and Rabie Salama. "Struttura e narratore ne I Promessi Sposi di Alessandro Manzoni." Romanica Silesiana 17 (June 29, 2020): 138–50. http://dx.doi.org/10.31261/rs.2020.17.11.

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In the early 19th century, the Italian literature did not have a mature novel, as is known today. The Italian novelist, Manzoni, and his masterpiece The Betrothed, set a solid basis for the contemporary Italian novel; thanks to its’ narrative characteristics that helped the novelist in achieving different reformative goals, woven stupendously with fictional, historical and realistic threads. The main purpose of this study is to apply an analytical and thematic approach on the structure and narrator of the novel. Furthermore, the research aims to distinguish the main artistic characteristics ad

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26

Antonov, Nikolay K. "A review of research literature on the topic of the priesthood in the works of st. Gregory the Theologian." Issues of Theology 3, no. 2 (2021): 177–208. http://dx.doi.org/10.21638/spbu28.2021.204.

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The article examines the tradition of research on the topic of the priesthood in the legacy of St. Gregory the Theologian from the 19th century to 2020. The review includes general monographs on both the formation of the episcopate in Late Antiquity and specifically the legacy of Nazianzen, dissertations, publications in periodicals, dictionaries and encyclopedias on this topic, as well as on a wide range of related topics, key publications and translations of the Apology on his Flight — St. Gregory’s central text on the priesthood — in English, Russian, German, French and Italian. The followi

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27

Mejdanija, Mirza. "UGO FOSCOLO IZMEĐU NEOKLASICIZMA I PREDROMATNIZMA / UGO FOSCOLO BETWEEN NEOCLASSICISM AND PREROMANTISM." SOPHOS: A Young Researchers’ Journal, no. 15 (October 3, 2022): 90–102. http://dx.doi.org/10.46352/18403867.2022.90.

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By the end of the 18th century, Italy was under Napoleon’s dominance. It was the time when centuries-long European values were being changed due to the Industrial, but also French revolution. The outcome of these enormous changes was an emergence of two artistic movements – neoclassicism and preromanticism that co-existed in Italy at the time. The most renowned Italian author of the 19th century, Ugo Foscolo, is a representative of both of these movements in the Italian literature. Neoclassicism and preromanticism emerged in the attempt to find an alternative to the same issues and, therefore,

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Klepitskij, I. A. "Causality in Italian Criminal Law." Actual Problems of Russian Law 19, no. 7 (2024): 138–46. http://dx.doi.org/10.17803/1994-1471.2024.164.7.138-146.

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Modern Italian criminal law doctrine is dominated by the concept of equivalence of conditions as interpreted in the context of «scientific theory» developed in German theory in the 19th century. It is believed that when establishing a causal relationship, it is necessary to use the method of exclusion, focusing primarily on data from the natural sciences, then on data from other sciences and the maxims of general experience. When establishing a causal relationship, the determining factor is the probability of the occurrence of a consequence, while the question of the degree of probability rema

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29

Berti, Francesco. "Reflecting on Pipes’s and Brzeziński’s works: Vittorio Strada and the nature of totalitarian dictatorships." Studia nad Autorytaryzmem i Totalitaryzmem 44, no. 3 (2023): 7–15. http://dx.doi.org/10.19195/2300-7249.44.3.1.

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Vittorio Strada, one of the most distinguished Italian scholars of 19th- and 20th-century Russian literature and political history, formulated his final interpretation of the Russian revolution and its internal stages, the relationship between Marx, Lenin and Stalin’s thought, the concept of totalitarianism and the troublesome comparison between Nazism and communism between the 1980s and the 1990s. Expanding upon Richard Pipes’s thesis about the preservation of a czarist, authoritarian spirit and corresponding institutions in the Soviet state and Brzeziński’s and Friedrich’s refinement of the

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Antonelli, Valerio, Raffaele D'Alessio, and Emanuela Mattia Cafaro. "Auditing Practices from a Historical Perspective: The Case Study of an Italian Railroad Company in the Mid-19th Century." Accounting Historians Journal 44, no. 1 (2017): 17–34. http://dx.doi.org/10.2308/aahj-10515.

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ABSTRACT From a historic perspective, the origin and evolution of auditing in the private sector is extremely interesting, especially in regard to 19th-century railroad companies. This paper concerns the auditing practices of the Leopolda Railroad Company, which operated in the Grand Duchy of Tuscany, Italy (1841–1860). Through the use of mainly primary sources, we describe how auditors were selected and hired; their procedures, recommendations, and meetings; and the contents of their reports. This paper makes three contributions to the international literature in accounting history: (1) it is

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31

Grassi, Evelin. "Memorie Sadriddin Ajnī (Italian translation by Evelin Grassi)." Oriente Moderno 93, no. 1 (2013): 212–38. http://dx.doi.org/10.1163/22138617-12340010.

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Abstract This is the first Italian translation of some selections from the Ëddoštho* “Reminiscences” of Sadriddin Ajnī (Bukhara 1878—Dushanbe 1954), the author commonly regarded as the leading representative of modern Tajik literature. Ajnī’s Reminiscences, divided into four parts and published between 1948 and 1954, are a collection of lively short-stories where the author described his childhood spent in two villages near Bukhara, as well as his youth and schooldays at the madrasa in the last two decades of the 19th and the beginning of the 20th century. Parts I and II were more often transl

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Persiyanova, Svetlana G., and Evgeniya G. Rostova. "FORMATION OF PROFESSIONAL (LINGVOCULTURAL) COMPETENCE OF ITALIAN STUDENTS0CULTUROLOGISTS." RUDN Journal of Language Studies, Semiotics and Semantics 10, no. 1 (2019): 177–86. http://dx.doi.org/10.22363/2313-2299-2019-10-1-177-186.

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The article deals with the problem of the formation of the professional (linguistic and cultural) competence of Italian students-culturologists, specializing in the study of Russian culture in its synchronic and diachronic examination. The authors offer a description and analysis of the program implemented by the Pushkin State Russian Language Institute together with the Milan State University. The program includes courses: “History of Russian Culture”, “Modern Russian Literature”, “Language and Culture”. The article focuses on the original course “Language and Culture”, which is part of the p

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33

Tik, Natalia A. "The First Translations of Aleksandr Pushkin’s Eugene Onegin Into Italian." Imagologiya i komparativistika, no. 17 (2022): 60–78. http://dx.doi.org/10.17223/24099554/17/3.

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The article analyses two early translations of Aleksandr Pushkin’s Eugene Onegin into Italian. The first Italian critics of Eugene Onegin in the 19th century (Cesare Boccella, Enrico Montazio, Carlo Tenca) were convinced that the novel was weak and did not deserve to be translated. However, two translations appeared in the 19th century. The first translation of 1856 belongs to Louis Delatre, a Frenchman who assimilated in Italy. Delatre visited Russia, where he met Pyotr Vyazemsky, whose stories about Pushkin inspired Delatre to translate five of Pushkin’s works, including Eugene Onegin. The s

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Mori, Pierluigi. "Brevi cenni sul rapporto tra turismo e letteratura italiana." Studia Universitatis Babeș-Bolyai Historia 65, no. 2 (2021): 135–55. http://dx.doi.org/10.24193/subbhist.2020.2.08.

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"Brief notes on the relationship between tourism and Italian literature. Using literary sources, the essay covers three points in the relationship between Italians and holidays: the first is the transition from vacation to tourism; the second from summer vacation as a moment of rest (mainly in the countryside) to vacation as an opportunity for fun (mostly at the seaside). In addition to these two, we have a third point: in the second half of the Twentieth century, holidays become a mass phenomenon, no longer elitist as they had been until the first half of the same century. They become somethi

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Закутня, А. Ю. "Printed advertising of the end of the 19th — the first half of the 20th centuries in the context of a search of a source basis for a detailed description of the Ukrainian urban koine of this period." Studia Philologica, no. 10 (2018): 39–52. http://dx.doi.org/10.28925/2311-2425.2018.10.6.

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The city as a peculiar form of social organization is interesting for the representatives of many trends of scientific research: economists, sociologists, culturologists, historians, linguists. The subject of our interest is the functioning of the Ukrainian language in the cities of Bukovyna and Galicia at the end of the 19th century — the first half of the 20th century, in the urban environment of the Ukrainian diaspora settlement. Historical and socio-political conditions of the formation of the Ukrainian city koinй as one of the preconditions for the development of Ukrainian literature (par

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Grigor’eva, Nadezhda Ia. "Critique of the new hero in cinema (L.Visconti) and literature (F.M.Dostoevsky)." Vestnik of Saint Petersburg University. Language and Literature 18, no. 3 (2021): 444–59. http://dx.doi.org/10.21638/spbu09.2021.302.

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The article examines the philosophical basis of the figure of a new hero in literature and film. “New heroes” in selected literary and cinema works are compared within the context of existentialist philosophy and “philosophical anthropology”. Material for the comparative intertextual and intermedial analysis is the novel Demons by Fyodor Mikhailovich Dostoevsky and Luchino Visconti’s late films The Damned, Ludwig and Conversation Piece. The article attempts to broaden the intertextual horizon of research on Visconti by drawing new parallels between his films and Dostoevsky’s work. The work arg

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Padrielli, L. "Women in Astronomy - Italy." Highlights of Astronomy 10 (1995): 95–97. http://dx.doi.org/10.1017/s1539299600010388.

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Let me start with a short historical excursion, taking the Bologna University as an example. The Bologna University was founded in 1088, but only at the beginning of 1700, when a deep transformation in the tradition and female behaviour model occurred, women started to approach the academic life mostly in humanities. There were also examples of scientist women, often without a real academic title working side by side with men (generally fathers or husbands).During the 19th century the female presence in the italian universities slowly increased, becoming a reality at the beginning of the 20th

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Colta, Elena Rodica. "L’érudition et le plaisir de la lecture à Arad au début du XIXe siècle." Études bibliologiques/Library Research Studies 2, no. 2 (2020): 91–98. http://dx.doi.org/10.33993/eb.2020.06.

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The interest in secular literature in Arad County manifested itself from the second half of the 18th century, when two booksellers from Budapest began to sell books at local fairs and when two libraries in Arad and Maria Radna were established by the Conventual Franciscans. In addition to the need to buy, own and read various books, at the beginning of the 19th century in the city of Arad appeared – as a late manifestation of the Enlightenment - a desire to produce, with dedication, small-sized books, on leaflets, and to give them to those attending public readings. At the same time, with this

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Thériault, Patrick. "Bolzoni, Lina et Alina Payne, éds. The Italian Renaissance in the 19th Century. Revision, Revival, and Return." Renaissance and Reformation 43, no. 2 (2020): 354–56. http://dx.doi.org/10.33137/rr.v43i2.34837.

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Guastini, Riccardo. "Legal Realism as a Positivistic Theory of Law." Isonomía - Revista de teoría y filosofía del derecho, no. 53 (October 31, 2020): 127–37. http://dx.doi.org/10.5347/isonomia.v0i53.452.

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Since the Sixties, following Norberto Bobbio, everyone is (or should be) used to distinguish among methodological, theoretical, and ideological legal positivism (LP). By the way, in Italian legal-philosophical literature, LP is often opposed to legal realism (LR). One has to wonder, however: what kind of LP and what kind of LR are we talking about? (i) As to LR, those scholars who oppose realism and positivism have in mind most of all Scandinavian Realism, especially Olivecrona and Ross. (ii) As to LP, those scholars who oppose realism and positivism have in mind either the 19th century prevai

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Valvassori, Mita. "Leer a Manzoni en el siglo XXI: los caminos ecogóticos de Renzo y Lucía." Alabe Revista de Investigación sobre Lectura y Escritura 31, no. 31 (2025): 209–30. https://doi.org/10.25115/alabe31.10067.

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This work begins from the concept of Ecogothic, which combines the characteristics of the Gothic genre with the growing contemporary concern about the environmental crisis. From this perspective, it proposes a re-reading of Manzoni’s The Betrothed, focused on the most prominent gothic scenes of the work from an ecocritical and ecofeminist perspective, highlighting the value these have in the transformative journey experienced by the protagonists, Renzo and Lucia. The conclusions suggest that the sinister and threatening elements of the natural environment can be interpreted as a critique of tr

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Jauković, Desanka. "THE LAST LETTERS OF JACOPO ORTIS IN EUROPEAN CONTEXT – THE FIRST EPISTOLARY NOVEL OF THE ITALIAN LITERARY TRADITION." Folia linguistica et litteraria XII, no. 34 (2021): 149–67. http://dx.doi.org/10.31902/fll.34.2021.9.

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The subject of this paper is the analysis of the first epistolary novel of the Italian literary tradition, The Last Letters of Jacopo Ortis by Ugo Foscolo, work which, thanks to its polyvalent character, both in content and form, occupies a significant place in the rich European literary context. The genre debut of the Italian literary tradition is positioned in a very complex literary panorama in the beginning of the 19th century, as a follower of Rousseau's The New Eloise, Richardson's Pamela, and above all Goethe's The Sorrows of Young Werther, a work that is its closest European reference

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Tagliaferri, Filomena Viviana. "Domesticating the Turks, Staging Otherness. The Tradition of Embodying the Turks, the Parata dei Turchi of Potenza and Its Narration in 20th-Century Folkloric Descriptions." Oriente Moderno 101, no. 3 (2021): 371–96. http://dx.doi.org/10.1163/22138617-12340268.

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Abstract The aim of the essay is to analyse the presence of Oriental characters in the patron saint’s Feast of San Gerardo, taking place in the city of Potenza on 29 May. After offering an insight into the integration of Oriental characters into Italian early modern culture, the paper will first focus on the ‘historicity’ of the Parata dei Turchi and its carnivalesque function. It will then move to the way in which the Turks were represented between the 19th and 20th centuries — that is, the period from which sources present it as an already long-established tradition — seeking to offer a cont

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Vargová, Zuzana, and Michal Krauter. "Genius loci of the city of Padua in the context of Slovak travelogues of the 19th century." Journal of Infrastructure, Policy and Development 8, no. 11 (2024): 9024. http://dx.doi.org/10.24294/jipd.v8i11.9024.

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The authors’ decision to “read” and semiotically analyse the city’s text based on travelogues stems from their aesthetic, historical and informational value, the possibility of incorporating them “into the network” of other texts about Padua, thus shaping city image. The authors’ research on Slovak literature and culture also determined the choice. As a time frame, the nineteenth century is not accidental; the Slovak cultural environment (the territory of present-day Slovakia) witnessed the development of the travelogue genre and journeys to Italy. By interpreting and semiotic analysis of the

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Valriu Llinàs, Caterina. "Les rondalles del tipus <i>The Wise Brothers</i> (ATU 655) i la seva projecció en tres obres de literatura culta." Zeitschrift für Katalanistik 35 (July 1, 2022): 155–80. http://dx.doi.org/10.46586/zfk.2022.155-180.

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Summary: The article analyses the relationship between folktales of the ATU 665 type such as The Wise Brothers, specifically between three Majorcan oral versions collected towards the end of the 19th century, and three works of learned written literature from different countries and periods: The Catalan novel Tirant lo Blanc by Joanot Martorell (15th c.), the French novel Zadig by Voltaire (18th c.) and the Italian novel Il nome della rosa by Umberto Eco (20th c.). From a narrative with the same origin in folklore, which develops a plot based on the hero’s extraordinary capacity for deductive

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TYMOFIEIEVA, Yulia. "TRANSFRONTALITY OF LITERARY IMAGES: EXTRAPOLATION OF THE ITALIAN PUPPET HERO PULCINELLA." 7, no. 7 (December 26, 2022): 86–107. http://dx.doi.org/10.26565/2521-6481-2022-7-05.

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The article concerns one of the most important characters of national Italian puppet theatre, the marionette Pulcinella, and its influence on the images of folk heroes of puppet and drama theaters, street performances and literary works in European countries. National invariants of this character in the theaters and literatures of Western and Central Europe from the time of the appearance of this character to the beginning of the twentieth century are highlighted. Due to the expansion of economic and political ties, from the beginning of the 17th century, Pulcinella, together with itinerant ar

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Kubiček, Andrej. "Rasijalističko tumačenje „kriminaliteta Romaˮ Čezara Lombroza". Zbornik instituta za kriminološka i sociološka istraživanja XLI, № 2/3 (2022): 101–13. http://dx.doi.org/10.47152/ziksi2022037.

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Prejudices about Roma and their ancestors as delinquents are still present in various genres of racist narratives, from everyday speech, through media reports to political performances. Reading several works of the founder of criminology, Cesare Lombroso, reveals that an elaborate antigypsyist discourse was also present in scientific literature in the past. The analysis of this specific form of racism shows a wider ideological framework in which the fantasies about the Roma were shaped - as a dark reflection of the progress of the 19th century and the rise of the bourgeois class. The compariso

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Sordo, Carlotta del, Massimo Fornasari, and Rebecca L. Orelli. "Power and Discipline: The Role of Accounting in the Monte di Pietà of Ravenna between 18th and 19th Centuries." International Journal of Business and Management 14, no. 7 (2019): 93. http://dx.doi.org/10.5539/ijbm.v14n7p93.

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This paper aims to fill a gap in the scant literature on accounting practices in non-Anglo-Saxon countries in under- researched periods by exploring the Monte di Piet&agrave; of Ravenna, an Italian non-profit institution. The research draws upon original 18th and 19th century documents found in the Monte di Piet&agrave; of Ravenna and offers an internal perspective of the development of accounting technology before and after an &lsquo;intacco&rsquo; episode, thus attempting to shed light on the significance of accounting in that context. The originality of the Ravenna episode,

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Toporkov, Andrey L. "“Dream of the Virgin” in Russian Handwritten and Folklore Traditions (17th – the Beginning of the 21st Century)." Studia Litterarum 8, no. 2 (2023): 268–87. http://dx.doi.org/10.22455/2500-4247-2023-8-2-268-287.

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“The Dream of the Virgin” is one of the most widespread Christian Apocrypha. It is known among many European peoples, mainly Orthodox and Catholic, namely Belarusians, Bulgarians, Bosnians, Gagauz, Greeks, Irish, Spaniards, Italians, Macedonians, Germans, Poles, Portuguese, Romanians, Russians, Serbs, Slovenes, Ukrainians, French, Croats, etc. The “Dream of the Virgin” is most widely represented in the folk traditions of Eastern, Southern, Central and Western Europe. Some countries have an old scholarly tradition of studying this plot. Such well-known philologists as Alexander Veselovsky in Ru

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Al-Dabbagh, Abdulla. "The anti-romantic reaction in modern(ist) literary criticism." Acta Neophilologica 47, no. 1-2 (2014): 55–67. http://dx.doi.org/10.4312/an.47.1-2.55-67.

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While the antagonism of modernism to realism has often been commented upon, its equally vehement rejection of romanticism has not been as widely discussed. Yet, if modernism compromised at times with realism or, at least, with a "naturalistic" version of realism, its total antipathy to the fundamentals of romanticism has been absolute. This was a modernist trend that covered both literature and criticism and a modernist characteristic that extended from German philosophers, French poets to British and American professors of literature. Names as diverse as Paul Valery, Charles Maurras and F.R.

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