Relevant bibliographies by topics / Italian medieval art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Italian medieval art'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 February 2023

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Journal articles on the topic "Italian medieval art"

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Malkiel, David. "Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in Sixteenth-Century Italy." AJS Review 37, no. 2 (2013): 333–70. http://dx.doi.org/10.1017/s0364009413000299.

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The acculturation Ashkenazic Jews in Italy is the focus of the present discussion. By 1500 Jews had been living in Padua for centuries, but their cemeteries were destroyed in the 1509. Four cemeteries remained with over 1200 inscriptions between 1530–1860. The literary features of the inscriptions indicate a shift from a preference for epitaphs written in prose, like those of medieval Germany, to epitaphs in the form of Italian Jewry's occasional poetry. The art and architecture of the tombstones are part and parcel of the Renaissance ambient, with the portals and heraldry characteristic of Pa
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Caskey, Jill. "Steam and "Sanitas" in the Domestic Realm: Baths and Bathing in Southern Italy in the Middle Ages." Journal of the Society of Architectural Historians 58, no. 2 (1999): 170–95. http://dx.doi.org/10.2307/991483.

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This study presents five little-known bathing chambers from the region of Amalfi in southern Italy. Dating from the thirteenth century, the baths define with remarkable consistency a type of structure that has not previously been identified or considered in histories of medieval architecture in the West. The study begins with an analysis of the five bathing chambers and their specific architectural features, technological remains, and domestic contexts. The diverse antecedents of the buildings, which appear in ancient Roman, medieval Italian, Byzantine, and Islamic architecture, are explored,
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Wehlau, Ruth. "Queen's University." Florilegium 20, no. 1 (2003): 106–8. http://dx.doi.org/10.3138/flor.20.030.

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The situation in the departments: Art History, Classics, English, French, German and Russian, History, Music, Spanish and Italian, and Philosophy all offer medieval courses, but the frequency with which these are offered varies. As a result of retirements, many of the smaller departments either have no medievalist or are unable regularly to offer courses in the medieval field.
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Harding, Catherine. "University of Victoria." Florilegium 20, no. 1 (2003): 51–53. http://dx.doi.org/10.3138/flor.20.012.

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The Medieval Studies program at the University of Victoria is an interdisciplinary unit whose members come from the Faculty of Humanities and the Faculty of Fine Arts. The idea of creating an undergraduate program in Medieval Studies was developed in 1986-87; since that date faculty members teaching in the Departments of English, French, Hispanic and Italian Studies, Greek and Roman Studies, History, Philosophy, Music, and History in Art have offered courses leading to a Major in Medieval Studies (The program began as a Minor and changed to a Major in 1994). Undergraduates are introduced to ke
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Grimbert, Joan Tasker. "The Arthur of the Italians: The Arthurian Legend in Medieval Italian Literature and Culture ed. by Gloria Allaire and F. Regina Psaki." Arthuriana 25, no. 2 (2015): 143–45. http://dx.doi.org/10.1353/art.2015.0032.

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Wilcox, Sherman. "Symbol and Symptom." Annual Review of Cognitive Linguistics 7 (November 16, 2009): 89–110. http://dx.doi.org/10.1075/arcl.7.04wil.

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This study examines the developmental routes by which gesture is codified into a linguistic system in the context of the natural signed languages of the deaf. I suggest that gestures follow two routes as they codify, and thus that signed languages provide evidence of how material which begins its developmental life external to the conventional linguistic system, as spontaneous or conventional gestures, is codified as language. The Italian Sign Language modal form ‘impossible’ is studied in detail, exploring the developmental route that led from Roman gestures, through liturgical gestures as de
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Sokolova, Alla. "The Court Culture in France, Italy and England in 16-17th Centuries: Interaction and Mutual Influence." Journal of History Culture and Art Research 9, no. 4 (2020): 134. http://dx.doi.org/10.7596/taksad.v9i4.2958.

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<p>The article examines the traditions of French court ballet, which are rooted in early medieval Italian musical and theatrical performances, as well as the traditions of the medieval carnival. The functional features of the French court ballet are revealed. French ballet is viewed through the prism of a synthesized art form: dance, music, poetry and complex scenography. It is specified that French ballet as an independent genre was formed in the era of Queen Catherine de Medici.</p><p>It was revealed that thanks to the skill and professionalism of choreographers of both Fre
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Jennings, Lauren. "Defining Italianness: Poetry, Music and the Construction of National Identity in Nineteenth- and Twentieth-Century Accounts of the Medieval Italian Lyric Tradition." Journal of the Royal Musical Association 142, no. 2 (2017): 257–76. http://dx.doi.org/10.1080/02690403.2017.1361173.

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ABSTRACTThis article explores the role of music in nineteenth- and twentieth-century accounts of medieval Italian literature and its relation to the construction of Italian national identity both during and long after the Risorgimento. Tracing music's role in the writings of Giosuè Carducci, Vincenzo De Bartholomaeis and Aurelio Roncaglia, it argues that music somewhat paradoxically became entangled with Italy's literary identity even as scholars worked to extricate the peninsula's most renowned poetry from its grasp. In the realm of ‘popular’ poetry, Italianness depends on the presence of mus
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Goldthwaite, Richard A. "The Economic and Social World of Italian Renaissance Maiolica*." Renaissance Quarterly 42, no. 1 (1989): 1–32. http://dx.doi.org/10.2307/2861915.

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Italian maiolica has a long history extending back into the Middle Ages. That history recounts a slow evolutionary process, with its main themes being: first, the importation of tin-glazed pottery from the Islamic world in the eleventh and twelfth centuries, which has survived primarily as architectural decoration (the bacini inserted into church façades); secondly, the development of the local production of ceramics with lead glazes and then improved tin glazes and with modest painted and incised decoration; thirdly, the diffusion of that production, presumably from Sicily and southern Italy,
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Ousterhout, Robert. "Eastern Medieval Architecture. Russia." Scientific and analytical journal Burganov House. The space of culture 17, no. 2 (2021): 10–27. http://dx.doi.org/10.36340/2071-6818-2021-17-2-10-27.

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We publish in this issue the continuation of the translation of the new book of the outstanding historian of the architecture of Byzantium professor of Penn University (USA) and professor honoris causa of the Moscow Institute for Architecture (State academy) “Eastern Medieval Architecture. The Building Traditions of Byzantium and Neibouring Lands (Oxford University Press, 2019). This part of the book of the scholar is devoted to the development of the Byzantine tradition in Russian postrenaissance architecture. The description of Robert Ousterhaut’s scholarly biography and his impact to the st
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Dissertations / Theses on the topic "Italian medieval art"

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Vülser, Ingrid. "The theme of death in Italian art : the triumph of death." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33944.

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This paper focuses on the evolution of the theme the Triumph of Death, the representation of the personification of death and the dead in the late Middle Ages. The first part of this thesis represents different points of view of art historians and historians concerning the death and the afterlife. There follows a short description and analysis of the cultural environment especially regarding literature which closely relates to the visual art and the representation of death. The last part describes three themes of death and the most important representations in frescoes, panels, bas-reliefs of
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Stowell, Steven. "The mystical experience of art : Medieval Christian themes in the literature on art of the Italian Renaissance." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517020.

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Botin-Sanz, de Sautuola Carolina. "The Spanish additions to the Avila Bible : a mid c12th giant Italian Bible in Madrid, (Bib.Nac.,Vitr.15-1)." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307160.

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Camporeale, Elisa. "Primitivi in mostra : eventi, studi e percorsi all'inizio del Novecento." Doctoral thesis, Scuola Normale Superiore, 2005. http://hdl.handle.net/11384/85758.

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Kouneni, Garyfallia. "Antiquity through medieval eyes : the appropriation of antique art in the Trecento." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/727.

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Lindsey, Renee J. "The Truth of Night in the Italian Baroque." UKnowledge, 2015. http://uknowledge.uky.edu/art_etds/10.

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In the sixteenth century, the nocturne genre developed in Italian art introducing the idea of a scene depicted in the darkness of night. This concept of darkness paired with intense light was adopted by Caravaggio in the late sixteenth century and popularized by himself and his followers. The seemingly sudden shift towards darkness and night is puzzling when viewed as individual occurrences in artists’ works. As an entire genre, the night scene bears cultural implications that indicate the level of influence culture and society have over artists and patrons. The rising popularity of the theate
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Phillips, Dianne Tisdale. "The Illustration of the Meditations on the Life of Christ| A Study of an Illuminated Fourteenth-Century Italian Manuscript at the University of Notre Dame (Snite Museum of Art, Acc. No. 85.25)." Thesis, Yale University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10160872.

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<p> For more than fifty years, the <i>Meditationes Vitae Christi (MVC) </i> and the most famous of its illustrated manuscripts (Paris, Biblioth&egrave;que nationale, Ms. ital. 115) have been employed by scholars to exemplify late medieval female spirituality. The mid-fourteenth century ilhuminated manuscript of the <i>Meditationes</i> in the Snite Museum of Art at the University of Notre Dame that is the subject of this dissertation provides valuable evidence of the popularity of the famous text originally written for a woman religious and its appropriation by urban laity. As an example of the
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Kuhn, Maria Diane. "Mother Mary Comes to Me: The Stylistic Shift in Portrayals of Mary and her Adoration in Medieval Italy." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619455685665479.

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Hayden, Margaret. "The Medici Example: How Power Creates Art and Art Creates Power." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/etd/3917.

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This project looks at two members of Florence’s Medici family, Cosimo il Vecchio (1389-1464) and Duke Cosimo I (1519-1574), in an attempt to assess how they used the patronage of art to facilitate their rule. By looking at their individual political representations through art, the specifics of their propagandist works and what form these pieces of art came, it is possible to analyze their respective rules. This analysis allows for a clearer understanding of how these two men, each in very different positions, found art as an ally for their political endeavors. While they were in power only on
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CASERO, ANDREA LUIGI. "Giusto de' Menabuoi in Lombardia." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1064.

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La ricerca prende in considerazione il periodo di attività in Lombardia di Giusto de’ Menabuoi, pittore del XIV secolo di origine fiorentina e noto soprattutto per le opere realizzate a Padova, dove lavorò dal 1370 fino alla morte avvenuta prima del 1391. Tra il 1348 e il 1367 circa lavorò anche in Lombardia ma su questo periodo le certezze sono molto poche. Sono state quindi prese in esame le opere date al pittore in questo periodo (affreschi di Viboldone e di Brera, polittico del 1363 e trittico del 1367), cercando di precisare meglio la possibile datazione e di rendere più sicura l’attribuz
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Books on the topic "Italian medieval art"

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Kaftal, George. Saints in Italian art. Sansoni, 1985.

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Arte medievale in Italia meridionale. Liguori, 2007.

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Pederiali, Giuseppe. Il cavaliere di pietra. Touring club italiano, 1996.

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Le culture artistiche del Medioevo in Costa d'Amalfi. Centro di cultura e storia amalfitana, 2003.

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Storia dell'arte medievale in Sardegna: Introduzione allo studio. CUEC, 2008.

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Philip, Horne, and Giraldi Giambattista Cinzio 1504-1573, eds. Epizia: An Italian Renaissance tragedy. Edwin Mellen Press, 1996.

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Gardner, Julian. Patrons, painters, and saints: Studies in medieval Italian painting. Variorum, 1993.

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Giuseppe, Muollo, ed. Arte medievale in Irpinia. Artemide, 2013.

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Cook, William R. Images of St. Francis of Assisi: In painting, stone, and glass : from the earliest images to ca. 1320 in Italy : a catalogue. L.S. Olschki, 1999.

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G, Wilkins David, ed. History of Italian renaissance art: Painting, sculpture, architecture. 5th ed. Prentice Hall, 2003.

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Book chapters on the topic "Italian medieval art"

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Shoaf, Matthew G. "Voice and Wisdom in Early Italian Art." In Voice and Voicelessness in Medieval Europe. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1007/978-1-137-39706-5_13.

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De Angelis, Gianmarco, and Francesco Veronese. "Episcopal authority and networks in Carolingian times: recent approaches and perspectives." In Reti Medievali E-Book. Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-623-0.02.

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This paper introduces the volume, aiming first of all at presenting the historiographical framework in which the collected essays are placed and the common questions around which they revolve, with particular regard to typologies, characteristics, extension of the social and cultural networks that the Italian bishops built around themselves, and to their effects on the integration of the regnum in the Carolingian political structures.
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Carocci, Sandro. "Tipologie amministrative della signoria in Italia fra medioevo ed età moderna." In Reti Medievali E-Book. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-423-6.02.

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Lordship management is a broad subject scarcely treated by historians; even when analysed, it has never been the object of exhaustive reconstructions and systematic surveys. The article provides a first, provisional overview of the main forms of lordship administration that changed depending on the period, region, lordship, type of revenue and many other factors. The Weberian notion of ideal type is particularly helpful in order to try to master the multiplicity and variety of forms of administration used in practice. On its basis, the essay identifies two basic ideal types, ‘Direct Management’ and ‘Indirect Management’, which are in turn divided into five sub-ideal types. Lastly, it questions the economic and social effects of each form of management, and the possibility of identifying, depending on the period and region, a more or less extensive diffusion of lordships attributable to the different ideal types.
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Rao, Riccardo. "La commercializzazione del vino e dell’olio in Italia settentrionale attraverso lo studio dei daziari tardomedievali." In Reti Medievali E-Book. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-423-6.16.

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The contribution reconstructs the wine and oil trade in Northern Italy, starting from the analysis of late medieval tariff books. The tariff books of the major cities are characterised by a wide range of wine products, which included Greek wines, but also wines traded regionally. Olive oil together with linseed oil constitutes the most important variety among cooking oils.
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García Portilla, Jason. "Culture, Religion, and Corruption/Prosperity (A), (B), (C), (1), (2)." In “Ye Shall Know Them by Their Fruits”. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78498-0_10.

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AbstractThis chapter characterises the relations between culture, religion, and corruption/prosperity. It advances the explanations of the prosperity–religion nexus from the perspective of cultural attributes (e.g. trust, individualism, familialism) by comparing Roman Catholic and Protestant theologies.Protestant denominations have mostly relinquished their founding principles, while “Rome never changes” as per the Italian saying. Despite the progress after Vatican II, Roman Catholicism has not markedly altered its beliefs and practices or its institutional founding principles (i.e. Canon Law) since medieval times. The political repercussions of an ecumenism in “Rome terms” are beyond its theological or religious implications.Liberation theology urged the Latin American Roman Church to break away from its imperialist origins and favouritism for landlords, industrialists, and power elites. However, liberation theology never became the mainstream or hegemonic Catholic theology in Latin America.Distinct Protestant theologies and organisational forms have led to distinct outcomes. New forms of Protestantism (i.e. Pentecostalism) placing less emphasis on education are less likely to have a positive social impact than previous (historical) Protestant versions. Some Protestant denominations still adhere to intertextual historicist biblical interpretation and hold the belief that the papacy continues to be “Satan’s synagogue” today.The heavily criticised Prosperity Gospel (PG) movement has syncretic roots in Pentecostalism, New Thought, and African American religion, and is composed mainly of the middle classes and blacks.While syncretism has been a natural process in all religions, Jews and historical Protestants have tended to be more anti-syncretic given their Scriptural base of beliefs. In turn, the importance of traditions, in Roman Catholicism for instance, has led to include more non-orthodox rituals in its practice.
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"The Preacher Saint in Late Medieval Italian Art." In Preacher, Sermon and Audience in the Middle Ages. BRILL, 2002. http://dx.doi.org/10.1163/9789047400226_009.

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BOTANA, FEDERICO. "VISUAL RELIGIOUS EDUCATION IN LATE MEDIEVAL FLORENCE:." In Late Medieval Italian Art and its Contexts. Boydell & Brewer Ltd, 2022. http://dx.doi.org/10.2307/j.ctv134vnfg.20.

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CORNELISON, SALLY J. "SAINTS AND STATUS IN LATE MEDIEVAL AND EARLY RENAISSANCE FLORENCE." In Late Medieval Italian Art and its Contexts. Boydell & Brewer Ltd, 2022. http://dx.doi.org/10.2307/j.ctv134vnfg.21.

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"Front Matter." In Late Medieval Italian Art and its Contexts. Boydell & Brewer Ltd, 2022. http://dx.doi.org/10.2307/j.ctv134vnfg.1.

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"SELECT BIBLIOGRAPHY." In Late Medieval Italian Art and its Contexts. Boydell & Brewer Ltd, 2022. http://dx.doi.org/10.2307/j.ctv134vnfg.22.

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Conference papers on the topic "Italian medieval art"

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Rozestraten, Artur Simões. "Considerações sobre a figura portando o modelo de arquitetura na arte medieval." In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3911.

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Esta pesquisa em andamento, que conta com o apoio da FAPESP, concentra-se sobre o motivo artístico da figura portando o modelo de arquitetura relacionando-o à arquitetura real e à história do projeto de arquitetura na época para construir novas hipóteses sobre a questão da modelagem tridimensional na arquitetura. O procedimento metodológico identifica, descreve, analisa e interpreta um corpus iconográfico das representações mais significativas do motivo artístico em foco produzidas na Europa e no Oriente Próximo, entre a queda do Império Romano do Ocidente (séc. V) e o Quattrocento italiano.
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Toscano, Maurizio, and Giuseppe Romagnoli. "Atlante dei siti fortificati della provincia di Viterbo, Italia (X-XV secolo). Fonti e metodi per la ricostruzione della rete insediativa bassomedievale." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11545.

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Atlas of fortified settlements in the province of Viterbo, Italy (tenth-fifteenth centuries). Sources and methods for the reconstruction of the late-medieval settlement networkThis study addressed the historical phenomenon known as incastellamento, in the area of the current province of Viterbo, from a quantitative and geographical perspective. The time period considered was the tenth-fifteenth century. The paper describes the documentary sources, historical maps, aerial images, past studies and archaeological sources that are available to researchers, and which have been used, in good measure
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Camiz, Alessandro. "Diachronic transformations of urban routes for the theory of attractors." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5639.

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Alessandro Camiz ¹ ¹ Department of Architecture, Girne American University, Cyprus, Association for Historical Dialogue and Research, Home for Cooperation (H4C), 28 Marcou Dracou Street, Nicosia, Cyprus, 1102. E-mail: alessandrocamiz@gau.edu.tr Keywords (3-5): urban tissues, urban morphology, urban routes, theory, history Conference topics and scale: Tools of analysis in urban morphology Recent urban morphology studies consider urban tissues as living organisms changing in time (Strappa, Carlotti, Camiz, 2016), following this assumption the theory should examine more analytically what Muratori
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