Log in

Relevant bibliographies by topics / Italian medieval art / Journal articles

To see the other types of publications on this topic, follow the link: Italian medieval art.

Journal articles on the topic 'Italian medieval art'

Author: Grafiati

Published: 4 June 2021

Last updated: 22 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Italian medieval art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Malkiel, David. "Renaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in Sixteenth-Century Italy." AJS Review 37, no. 2 (2013): 333–70. http://dx.doi.org/10.1017/s0364009413000299.

Full text

Abstract:

The acculturation Ashkenazic Jews in Italy is the focus of the present discussion. By 1500 Jews had been living in Padua for centuries, but their cemeteries were destroyed in the 1509. Four cemeteries remained with over 1200 inscriptions between 1530–1860. The literary features of the inscriptions indicate a shift from a preference for epitaphs written in prose, like those of medieval Germany, to epitaphs in the form of Italian Jewry's occasional poetry. The art and architecture of the tombstones are part and parcel of the Renaissance ambient, with the portals and heraldry characteristic of Pa

APA, Harvard, Vancouver, ISO, and other styles

2

Caskey, Jill. "Steam and "Sanitas" in the Domestic Realm: Baths and Bathing in Southern Italy in the Middle Ages." Journal of the Society of Architectural Historians 58, no. 2 (1999): 170–95. http://dx.doi.org/10.2307/991483.

Full text

Abstract:

This study presents five little-known bathing chambers from the region of Amalfi in southern Italy. Dating from the thirteenth century, the baths define with remarkable consistency a type of structure that has not previously been identified or considered in histories of medieval architecture in the West. The study begins with an analysis of the five bathing chambers and their specific architectural features, technological remains, and domestic contexts. The diverse antecedents of the buildings, which appear in ancient Roman, medieval Italian, Byzantine, and Islamic architecture, are explored,

APA, Harvard, Vancouver, ISO, and other styles

3

Wehlau, Ruth. "Queen's University." Florilegium 20, no. 1 (2003): 106–8. http://dx.doi.org/10.3138/flor.20.030.

Full text

Abstract:

The situation in the departments: Art History, Classics, English, French, German and Russian, History, Music, Spanish and Italian, and Philosophy all offer medieval courses, but the frequency with which these are offered varies. As a result of retirements, many of the smaller departments either have no medievalist or are unable regularly to offer courses in the medieval field.

APA, Harvard, Vancouver, ISO, and other styles

4

Harding, Catherine. "University of Victoria." Florilegium 20, no. 1 (2003): 51–53. http://dx.doi.org/10.3138/flor.20.012.

Full text

Abstract:

The Medieval Studies program at the University of Victoria is an interdisciplinary unit whose members come from the Faculty of Humanities and the Faculty of Fine Arts. The idea of creating an undergraduate program in Medieval Studies was developed in 1986-87; since that date faculty members teaching in the Departments of English, French, Hispanic and Italian Studies, Greek and Roman Studies, History, Philosophy, Music, and History in Art have offered courses leading to a Major in Medieval Studies (The program began as a Minor and changed to a Major in 1994). Undergraduates are introduced to ke

APA, Harvard, Vancouver, ISO, and other styles

5

Grimbert, Joan Tasker. "The Arthur of the Italians: The Arthurian Legend in Medieval Italian Literature and Culture ed. by Gloria Allaire and F. Regina Psaki." Arthuriana 25, no. 2 (2015): 143–45. http://dx.doi.org/10.1353/art.2015.0032.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Wilcox, Sherman. "Symbol and Symptom." Annual Review of Cognitive Linguistics 7 (November 16, 2009): 89–110. http://dx.doi.org/10.1075/arcl.7.04wil.

Full text

Abstract:

This study examines the developmental routes by which gesture is codified into a linguistic system in the context of the natural signed languages of the deaf. I suggest that gestures follow two routes as they codify, and thus that signed languages provide evidence of how material which begins its developmental life external to the conventional linguistic system, as spontaneous or conventional gestures, is codified as language. The Italian Sign Language modal form ‘impossible’ is studied in detail, exploring the developmental route that led from Roman gestures, through liturgical gestures as de

APA, Harvard, Vancouver, ISO, and other styles

7

Sokolova, Alla. "The Court Culture in France, Italy and England in 16-17th Centuries: Interaction and Mutual Influence." Journal of History Culture and Art Research 9, no. 4 (2020): 134. http://dx.doi.org/10.7596/taksad.v9i4.2958.

Full text

Abstract:

<p>The article examines the traditions of French court ballet, which are rooted in early medieval Italian musical and theatrical performances, as well as the traditions of the medieval carnival. The functional features of the French court ballet are revealed. French ballet is viewed through the prism of a synthesized art form: dance, music, poetry and complex scenography. It is specified that French ballet as an independent genre was formed in the era of Queen Catherine de Medici.</p><p>It was revealed that thanks to the skill and professionalism of choreographers of both Fre

APA, Harvard, Vancouver, ISO, and other styles

8

Jennings, Lauren. "Defining Italianness: Poetry, Music and the Construction of National Identity in Nineteenth- and Twentieth-Century Accounts of the Medieval Italian Lyric Tradition." Journal of the Royal Musical Association 142, no. 2 (2017): 257–76. http://dx.doi.org/10.1080/02690403.2017.1361173.

Full text

Abstract:

ABSTRACTThis article explores the role of music in nineteenth- and twentieth-century accounts of medieval Italian literature and its relation to the construction of Italian national identity both during and long after the Risorgimento. Tracing music's role in the writings of Giosuè Carducci, Vincenzo De Bartholomaeis and Aurelio Roncaglia, it argues that music somewhat paradoxically became entangled with Italy's literary identity even as scholars worked to extricate the peninsula's most renowned poetry from its grasp. In the realm of ‘popular’ poetry, Italianness depends on the presence of mus

APA, Harvard, Vancouver, ISO, and other styles

9

Goldthwaite, Richard A. "The Economic and Social World of Italian Renaissance Maiolica*." Renaissance Quarterly 42, no. 1 (1989): 1–32. http://dx.doi.org/10.2307/2861915.

Full text

Abstract:

Italian maiolica has a long history extending back into the Middle Ages. That history recounts a slow evolutionary process, with its main themes being: first, the importation of tin-glazed pottery from the Islamic world in the eleventh and twelfth centuries, which has survived primarily as architectural decoration (the bacini inserted into church façades); secondly, the development of the local production of ceramics with lead glazes and then improved tin glazes and with modest painted and incised decoration; thirdly, the diffusion of that production, presumably from Sicily and southern Italy,

APA, Harvard, Vancouver, ISO, and other styles

10

Ousterhout, Robert. "Eastern Medieval Architecture. Russia." Scientific and analytical journal Burganov House. The space of culture 17, no. 2 (2021): 10–27. http://dx.doi.org/10.36340/2071-6818-2021-17-2-10-27.

Full text

Abstract:

We publish in this issue the continuation of the translation of the new book of the outstanding historian of the architecture of Byzantium professor of Penn University (USA) and professor honoris causa of the Moscow Institute for Architecture (State academy) “Eastern Medieval Architecture. The Building Traditions of Byzantium and Neibouring Lands (Oxford University Press, 2019). This part of the book of the scholar is devoted to the development of the Byzantine tradition in Russian postrenaissance architecture. The description of Robert Ousterhaut’s scholarly biography and his impact to the st

APA, Harvard, Vancouver, ISO, and other styles

11

West, Michael. "Spenser's Art of War: Chivalric Allegory, Military Technology, and the Elizabethan Mock-Heroic Sensibility." Renaissance Quarterly 41, no. 4 (1988): 654–704. http://dx.doi.org/10.2307/2861885.

Full text

Abstract:

In the medieval romances single combat was the knightly norm. The Italian chivalric epics sought to adapt this convention to the ideals of the Renaissance courtier. In Il Cortegiano, Frederico Fregoso explains “that where the Courtyer is at skirmishe, or assault, or battaile upon the land, or in such other places of enterprise, he ought to worke the matter wisely in seperating himself from the multitude, and undertake his notable and bould feates which he hath to doe, with as little company as he can.“’ But such displays of panache had little place in the massed infantry tactics that dominated

APA, Harvard, Vancouver, ISO, and other styles

12

Kauffmann, C. M. "Otto Kurz (1908-1975)." Art Libraries Journal 38, no. 4 (2013): 25–28. http://dx.doi.org/10.1017/s0307472200018769.

Full text

Abstract:

Otto Kurz was justly renowned on three accounts, as a scholar, a librarian and a human being. His publications and lectures ranged from ancient and medieval Near Eastern art and culture to Italian baroque painting; he built up the internationally renowned library of the Warburg Institute after the war and, as a human being, he was a role model to those who knew him, devotedly dedicated to his family in difficult circumstances and generously helpful to all.

APA, Harvard, Vancouver, ISO, and other styles

13

Smith, A. Mark. "THE LATIN SOURCE OF THE FOURTEENTH-CENTURY ITALIAN TRANSLATION OF ALHACEN'S DE ASPECTIBUS (VAT. LAT. 4595)." Arabic Sciences and Philosophy 11, no. 1 (2001): 27–43. http://dx.doi.org/10.1017/s0957423901001035.

Full text

Abstract:

That the medieval Latin version of Ibn al-Haytham's Kitāb al-Manā[zdotu]ir was translated into Italian in the fourteenth century has been known for well over a century. Recent studies have shown that this translation, which is contained in Vat. Lat. 4595, was instrumental in the composition of Lorenzo Ghiberti's Commentario terzo on art. Some eight years ago, the author of the present article tentatively identified the actual manuscript-source of that translation as MS Royal 12.G.7, which is currently held in the British Library. This study establishes beyond reasonable doubt that his tentativ

APA, Harvard, Vancouver, ISO, and other styles

14

Hodne, Lasse. "Light Symbolism in Gentile da Fabriano’s Vatican Annunciation." Eikon / Imago 3, no. 2 (2014): 33–50. http://dx.doi.org/10.5209/eiko.73395.

Full text

Abstract:

Gentile da Fabriano’s Annunciation in the Vatican Pinacoteca is one of the clearest and most interesting visualizations of a famous metaphor from Medieval hymn literature that compares Mary’s hymen to the glass of a window. The painting uniquely combines three elements: rays of light, a Gothic tracery window, and the shape of the window impressed on the Virgin’s body. Gentile’s painting is the culmination of a development in Tuscan art that can be traced back at least until about 1370. This makes it part of an Italian tradition of visualizing the so-called ut vitrum metaphor that must antedate

APA, Harvard, Vancouver, ISO, and other styles

15

Hansen, Maria Fabricius. "Motivstudier. Kontinuitet og fornyelse i ornamentale hybridformer fra antikken til ca. 1600." K&K - Kultur og Klasse 45, no. 123 (2017): 109–34. http://dx.doi.org/10.7146/kok.v45i123.96832.

Full text

Abstract:

Representations of hybrids of human figures, plants, and animals were prolific in all media in sixteenth-century Italian art. The motif is known back from Greek and Roman antiquity, both in poetry and visual art, which the artists of the sixteenth century – or the renaissance – claimed to revive. Yet the representations of hybrids from these two periods within the history of art differ remarkably. And at the same time they belong to an iconographic tradition that did not disappear in the medieval period, an observation which blurs the picture of these ornaments as rediscovered and revived in t

APA, Harvard, Vancouver, ISO, and other styles

16

Brodie, Nicholas. "The Works of Mercy in Italian Medieval Art (c. 1050–c. 1400) by Federico Botana." Parergon 30, no. 1 (2013): 228–29. http://dx.doi.org/10.1353/pgn.2013.0043.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Dominioni, Lorenzo, and Antranik Balian. "The Medieval Armenian Symbol of Eternity in the Art of the Twelfth-Century Italian Sculptor Nicholaus." Journal of the Society for Armenian Studies 28, no. 2 (2021): 265–85. http://dx.doi.org/10.1163/26670038-12342764.

Full text

Abstract:

Abstract The medieval Armenian symbol of eternity – a whirl sign – is engraved in the forehead of five bull sculptures dated to the first half of the twelfth century, attributable to the workshop of the Italian sculptor Nicholaus. The whirl is an ancient sacred symbol associated with eternal life, not specific to any religion or culture, that has persisted for millennia. The following carvings display a closely resembling geometric whirl engravure: in the apse frieze of Koenigslutter Kaiserdom (Lower Saxony), in the pulpit of Sacra di Carpi (Modena), in the “Creation of animals” panel of S. Ze

APA, Harvard, Vancouver, ISO, and other styles

18

Alkholy, Inas. "The Presence of Secular Books: In Raphael’s Fresco: The School of Athens." Comparative Islamic Studies 2, no. 1 (2008): 51–65. http://dx.doi.org/10.1558/cis.v2i1.51.

Full text

Abstract:

This paper studies the presence of the secular book in visual art during the Italian Renaissance. It is the age of humanism, in which the image of the book was changed to be a symbol of secular knowledge. For more than twelve centuries, the book was present in art to represent the Holy Bible. It was utilized in Early Christian, Byzantine and Medieval art to show the sacred principles and the power of the church in people’s lives.  Although the Arabs began translating the classical works of Plato, Aristotle and others as early as the eighth century, their role in European Renaissanc

APA, Harvard, Vancouver, ISO, and other styles

19

Salvador González, José María. ""Flos campi et lilium convallium". Third Interpretation of the Lily in the Iconography of The Annunciation in Italian Trecento Art from Patristic and Theological Sources." Eikon / Imago 3, no. 1 (2014): 75–96. http://dx.doi.org/10.5209/eiko.73389.

Full text

Abstract:

This paper (which complements two previous works of our authorship) proposes to interpret the bouquet of lilies in medieval images of The Annunciation in two essentially intertwined dogmatic meanings, related to Christology and Mariology. Contradicting conventional “explanations” of such flower in this Marian scene, we found our proposal in many and consistent testimony of some prestigious Church Fathers and medieval theologians, glossing the biblical sentence Ego sum flos campi et lilium convallium. Such lyrical expression is seen by those authors as a clear metaphor that identifies Christ, t

APA, Harvard, Vancouver, ISO, and other styles

20

Frugoni, Chiara. "Lisbeth Castelnuovo-Tedesco et Jack Soultanian, Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters." Cahiers de civilisation médiévale, no. 240 (October 1, 2017): 386–87. http://dx.doi.org/10.4000/ccm.5635.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Katz, Dana. "Barbarism Begins at Home: Islamic Art on Display in Palermo's Museo Nazionale and Sicilian Ethnography at the 1891‐92 Esposizione Nazionale." International Journal of Islamic Architecture 9, no. 1 (2020): 91–117. http://dx.doi.org/10.1386/ijia_00005_1.

Full text

Abstract:

Abstract In the last quarter of the nineteenth century, Palermo's Museo Nazionale (National Museum) displayed one of the earliest institutional collections of Islamic art in Western Europe. The museum's director, Antonino Salinas, exhibited objects demonstrating the island's material heritage, including its two-and-a-half centuries of rule by North African dynasties during the medieval period. The prevailing perception elsewhere in post-unification Italy ‐ that Sicily was ungovernable and barbaric in nature ‐ heightened the display's significance. Another exhibition that many Italians would ha

APA, Harvard, Vancouver, ISO, and other styles

22

Schulte-Umberg, Ulf. "Langobardia maior et minor: indagini sul legame tra la scultura altomedievale e i capitelli campani." Fenestella. Dentro l'arte medievale 2 (December 28, 2021): 1–38. http://dx.doi.org/10.54103/fenestella/15778.

Full text

Abstract:

Langobardia maior et minor: indagini sul legame tra la scultura altomedievale e i capitelli campani. Within the southern Italian city of Capua – in the 10th and 11th century ruler's residence of the Lombard principality of Benevento and capital of Langobardia minor – a group of early medieval capitals has survived, which can be divided into three closely related types. On the basis of type I, which is bound to the corinthian capital, an examination will be made regarding to what extent relationships can be verified with the architectural sculpture of the older Lombard kingdom in northern Italy

APA, Harvard, Vancouver, ISO, and other styles

23

Kloppmann, W., L. Leroux, P. Bromblet, et al. "Competing English, Spanish, and French alabaster trade in Europe over five centuries as evidenced by isotope fingerprinting." Proceedings of the National Academy of Sciences 114, no. 45 (2017): 11856–60. http://dx.doi.org/10.1073/pnas.1707450114.

Full text

Abstract:

A lack of written sources is a serious obstacle in the reconstruction of the medieval trade of art and art materials, and in the identification of artists, workshop locations, and trade routes. We use the isotopes of sulfur, oxygen, and strontium (S, O, Sr) present in gypsum alabaster to unambiguously link ancient European source quarries and areas to alabaster artworks produced over five centuries (12th–17th) held by the Louvre museum in Paris and other European and American collections. Three principal alabaster production areas are identified, in central England, northern Spain, and a major

APA, Harvard, Vancouver, ISO, and other styles

24

Ivanytska, L. "LIFE PATH AND CREATIVITY OF PROPERZIA DE ROSSI IN THE CYCLE OF CONCEPTS “MEDIEVAL WOMAN”, “ART”, “SOCIETY”." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 139 (2018): 35–41. http://dx.doi.org/10.17721/1728-2640.2018.139.06.

Full text

Abstract:

The article raises questions about the role and place of women in medieval society and the artistic space. The possibilities for realizing the artistic potential of female artists and female sculptors are explored. The historiography of the outlined problem is analyzed. It is noted that the main obstacles to full creative self-realization of the female artists were numerous social stereotypes, limited access to professional artistic education and artistic practice, lack of social and economic independence, social discrimination and harassment in the process of becoming part of the androcentric

APA, Harvard, Vancouver, ISO, and other styles

25

Kravchenko, Marta. "Why we should teach the History of Ukrainian art to students of Art Schools." Text and Image: Essential Problems in Art History, no. 2 (2022): 39–43. http://dx.doi.org/10.17721/2519-4801.2022.2.04.

Full text

Abstract:

This essay is a response to the «Reflections on the teaching of the arts in art schools. A lecture delivered on January 4, 1966» by E.H. Gombrich. It reviews his own methods of teaching art history, as well as encouraging the student to learn. I have been teaching the history of Ukrainian art at the Lviv Academy of Arts for more than 10 years, primarily for art critics (“mysteztvoznavtzi”). This year I taught it to students from creative industries (artists) for the first time and it made me rethink the way I have been doing it and adjust it. In order to motivate artists to study art history,

APA, Harvard, Vancouver, ISO, and other styles

26

Hughes, Andrew. "Centre For Medieval Studies Middle Eastern and Islamic Influence on Western Art & Liturgy." American Journal of Islam and Society 21, no. 2 (2004): 149–52. http://dx.doi.org/10.35632/ajis.v21i2.1811.

Full text

Abstract:

Central to the conference, held during March 5-6, 2004, at Trinity College,University of Toronto (Canada), was the desire of its organizer, AndrewHughes, to find analogies in other disciplines to his speculation that theEuropean plainsong (liturgical chant) of the Middle Ages was performed in a manner similar to that of Middle Eastern music (“Continuous Music:Natural or Eastern? The Origins of Modern Performance Style”). His speculationstemmed from decades of discussions with his colleague TimothyMcGee about the nature of musical sound. Oral transmission, its replacementby various difficult-to

APA, Harvard, Vancouver, ISO, and other styles

27

Jakobi-Mirwald, Christine, and Marilena Maniaci. "“For there is nothing lost, that may be found, if sought”. Manuscript terminology across languages and scientific disciplines." De Medio Aevo 15, no. 1 (2021): 95–102. http://dx.doi.org/10.5209/dmae.72790.

Full text

Abstract:

The complex terminology used in the description of medieval books in manuscript catalogues and other scientific contributions offers a wide range of possible ambiguities and losses across languages and disciplines, losses that become evident most notably on their crossing paths in the Internet. . Sadly enough, true long-term collaboration across countries and disciplines is more the exception than the rule, which is also why the question of terminology and its translation is frequently neglected. The authors of the present contribution, an Italian codicologist and a German art historian – both

APA, Harvard, Vancouver, ISO, and other styles

28

Chiabrando, F., and F. Rinaudo. "Recovering a collapsed medieval fresco by using 3D modeling techniques." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences II-5 (May 28, 2014): 105–12. http://dx.doi.org/10.5194/isprsannals-ii-5-105-2014.

Full text

Abstract:

The paper presents the results of a reconstruction of the 3D model of a dome and of a medieval fresco, collapsed after an earthquake and now reconstructed in significant portions, to offer to the visitors a possible reconstruction of the lost masterpiece of medieval art. After the earthquake the collapsed dome was replaced by means of a concrete sphere connected with the survived portions of the old dome’s timber. The old dome shape and the fresco were virtually reconstructed thanks to a set of historical pictures obtained by Italian, USA and German archives; those images have been calibrated

APA, Harvard, Vancouver, ISO, and other styles

29

Doménech García, Sergi. "The Woman and the Dragon—The Formation of the Image of the Mulier Amicta Sole in the Revelation of St. John in Western Medieval Art." Religions 14, no. 1 (2022): 18. http://dx.doi.org/10.3390/rel14010018.

Full text

Abstract:

This article aims to study the visual tradition of the Woman Clothed with the Sun from chapter 12 of the Book of Revelation in medieval times, in particular the formation, continuity and variations of the various iconographic types. For this purpose, we firstly approach the main sources, both the Book of Revelation and the exegesis or interpretation of the Church Fathers. Secondly, we analyse the first preserved representations (ninth to twelfth centuries) that correspond to examples of the Italian and French tradition and the Beatus from the Iberian tradition, works that, most likely, followe

APA, Harvard, Vancouver, ISO, and other styles

30

Voulgaropoulou, Margarita. "From Domestic Devotion to the Church Altar: Venerating Icons in the Late Medieval and Early Modern Adriatic." Religions 10, no. 6 (2019): 390. http://dx.doi.org/10.3390/rel10060390.

Full text

Abstract:

Although traditionally associated with Eastern Christianity, the practice of venerating icons became deeply rooted in the Catholic societies of the broad Adriatic region from the Late Middle Ages onwards and was an indispensable part of everyday popular piety. The evidence lies in the massive amount of icons located today in public and private collections throughout the Italian Peninsula, Croatia, Slovenia, and Montenegro. At a time when Greeks were branded as “schismatics”, and although the Byzantine maniera greca had become obsolete in Western European art, icon painting managed to survive a

APA, Harvard, Vancouver, ISO, and other styles

31

Urbán, Máté. "Remeték, lovagok, szarvasok és oroszlánok." Belvedere Meridionale 32, no. 1 (2020): 43–61. http://dx.doi.org/10.14232/belv.2020.1.5.

Full text

Abstract:

Medieval hagiography is full of animal motifs. Representations of animals in medieval literature is usually metaphoric. They could represent theological, moral or political notions. Animals frequently were the symbols of vices and virtues. On one hand researching the changes of the hagiographic topoi related to animals could shed light to the human-nature relationship, on the other hand it provides several pieces of information about medieval society, mentality, religious and folkloristic beliefs. Animal episodes are emphatic in the lives of the desert fathers and later in the Western eremitic

APA, Harvard, Vancouver, ISO, and other styles

32

Bragina, N. N. "The Dialogue of Art and Philosophy in Masaccio’s Holy Trinity and G. Palestrina’s Agnus Dei." Art & Culture Studies, no. 1 (February 2022): 294–315. http://dx.doi.org/10.51678/2226-0072-2022-1-294-315.

Full text

Abstract:

The article is based on the analysis of two Renaissance works of art: Masaccio’s Holy Trinity and G. Palestrina’s Agnus Dei, which illustrate how works of art reflect the philosophy of the epoch. The author of the article draws a parallel between the nature of secular and religious Renaissance art and reveals their traditional and innovative features. The relevance of the research is due to the increased interest in the interdisciplinary scientific approach and a low number of hermeneutical studies available that reveal the common semantics of works of different art forms. Masaccio’s Holy Trin

APA, Harvard, Vancouver, ISO, and other styles

33

Mazurczak, Urszula. "Panorama Konstantynopola w Liber chronicarum Hartmanna Schedla (1493). Miasto idealne – memoria chrześcijaństwa." Vox Patrum 70 (December 12, 2018): 499–525. http://dx.doi.org/10.31743/vp.3219.

Full text

Abstract:

The historical research of the illustrated Nuremberg Chronicle [Schedelsche Weltchronik (English: Schedel’s World Chronicle)] of Hartmann Schedel comprises the complex historical knowledge about numerous woodcuts which present views of various cities important in the world’s history, e.g. Jerusalem, Constantinople, or the European ones such as: Rome, some Italian, German or Polish cities e.g. Wrocław and Cracow; some Hungarian and some Czech Republic cities. Researchers have made a serious study to recognize certain constructions in the woodcuts; they indicated the conservative and contractu

APA, Harvard, Vancouver, ISO, and other styles

34

Sikorski, Tomasz. "„Klatka Ezry”. Między poezją a polityką." Studia nad Autorytaryzmem i Totalitaryzmem 38, no. 3 (2017): 53–73. http://dx.doi.org/10.19195/2300-7249.38.3.4.

Full text

Abstract:

EZRA’S CAGE”. BETWEEN POETRY AND POLITICSEzra Pound 1885–1975 was, next to Thomas Stearns Eliot, the most prominent American poet of modernist. He was considered the creator of vorticism and imagism — modern trends in art and world culture. In his works he reached to different eras and cultural trends. He was as well fascinated by medieval Provençal, Spanish and Italian literature, and Japanese art of haiku. On his work also had an impact scholasticism, Confucianism and Far East literature. In addition to poetry, Pound was also involved in literary criticism, painting and sculpture, he wrote h

APA, Harvard, Vancouver, ISO, and other styles

35

Smith, Timothy B. "Mary of Mercy in Medieval and Renaissance Italian Art: Devotional Image and Civic Emblem. Katherine T. Brown. Abingdon: Routledge, 2017. xx + 212 pp. $150." Renaissance Quarterly 74, no. 4 (2021): 1277–78. http://dx.doi.org/10.1017/rqx.2021.212.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Anderson, Joanne W. "Subject Matter in Italian Renaissance Art: A Study of Early Sources. Joseph Manca. Medieval and Renaissance Texts and Studies 460. Tempe: Arizona Center for Medieval and Renaissance Studies, 2015. xi + 236 pp. $60." Renaissance Quarterly 70, no. 4 (2017): 1494–95. http://dx.doi.org/10.1086/696405.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Пивень, Марина Георгиевна. "Interpretations of the Old Testament Plot "David’s Victory over the Goliath" in Italian Decorative Painting of XVth Century." Вестник церковного искусства и археологии, no. 1(2) (June 15, 2020): 9–23. http://dx.doi.org/10.31802/2658-5111-2020-1-2-9-23.

Full text

Abstract:

Статья посвящена рассмотрению трактовки ветхозаветного сюжета победы Давида над Голиафом (Первая книга Царств) в живописных произведениях художников Италии XV в. Автор сосредоточивает внимание на декоративных композициях повествовательного характера, выполненных Пезеллино, Джованни ди Сер Джованни (по прозвищу Скеджа) и Андреа дель Кастаньо. Живописные образы рассмотрены в контексте культурных тенденций и идеалов эпохи Возрождения, а также в контексте параллельно развивающейся изобразительной традиции представления библейского героя в статуарной пластике. В статье уделено внимание источникам и

APA, Harvard, Vancouver, ISO, and other styles

38

Uzdenskaya, Zina. "The Domestication of an Itinerant Object: The True Cross Reliquary from the Louvre Museum." Hiperboreea 4, no. 1 (2017): 23–40. http://dx.doi.org/10.5325/hiperboreea.4.1.0023.

Full text

Abstract:

Abstract The Reliquary of the True Cross from the Louvre Museum serves as a good illustration of some key ideas which are of high interest for modern art historians studying medieval art. These ideas are: hybridity (syncretism, compositeness), portability (mobility), circulation, and transparency (crossing borders). The Reliquary is a product of a complicated cross-cultural exchange with more than one participant. First of all, it is a composite, or hybrid, object. The cross-shaped reliquary was produced in the Holy Land in the twelfth century, most likely in Jerusalem, while the casket, in wh

APA, Harvard, Vancouver, ISO, and other styles

39

Levin, William R. "Federico Botana, The Works of Mercy in Italian Medieval Art (c. 1050–c. 1400). (Medieval Church Studies 20.) Turnhout: Brepols, 2011. Pp. xl, 256; 110 black-and-white and 12 color figures. €110. ISBN: 9782503536231." Speculum 88, no. 3 (2013): 762–65. http://dx.doi.org/10.1017/s0038713413001978.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Harrán, Don. "In Search of the ‘Song Of Zion’: Abraham Portaleone on Music in the Ancient Temple." European Journal of Jewish Studies 4, no. 2 (2010): 215–39. http://dx.doi.org/10.1163/102599911x573341.

Full text

Abstract:

AbstractAbraham Portaleone’s massive disquisition on the Ancient Temple (Sefer shiltei ha-gibborim, 1612) stands alone among Hebrew writings of the early seventeenth century. Of its ninety chapters, ten along with comments in various appendices present his views on the so-called ‘Song of Zion’ (Psalms 137:3), or music sung and played by the Levites for worship in the Temple. Portaleone takes off from the premise that its components, thought to have gradually been forgotten by the Hebrews in their wanderings after 70 CE, were, from earliest times, imitated and preserved by Christians in their a

APA, Harvard, Vancouver, ISO, and other styles

41

Cameron-Pesant, Sarah. "Les Horae à l’usage d’Autun imprimées pour Simon Vostre (v. 1507) : examen de l’exemplaire conservé à McGill." Renaissance and Reformation 39, no. 4 (2017): 215–52. http://dx.doi.org/10.33137/rr.v39i4.28164.

Full text

Abstract:

L’étude des livres d’Heures imprimés destinés à un usage liturgique régional est d’un grand intérêt, puisque, dans le contexte de leur standardisation progressive, l’usage régional dans les Heures imprimées se fait de plus en plus rare à la Renaissance. L’objet de cet article est un livre d’Heures imprimé conservé au Département des livres rares et collections spécialisées de l’Université McGill. D’abord considéré comme une édition de Jean Dupré parue à Paris le 12 mars 1495, Harry Bober a suggéré qu’il s’agirait plutôt d’une édition imprimée pour Simon Vostre à Paris en 1507. Notre but premie

APA, Harvard, Vancouver, ISO, and other styles

42

Chumak, Maria. "An Expressionist Painter of the Fourteenth Century." OPEN JOURNAL FOR STUDIES IN ARTS 4, no. 2 (2021): 47–62. http://dx.doi.org/10.32591/coas.ojsa.0402.02047c.

Full text

Abstract:

Theophanes the Greek was one of the well-known artists of exceptional personality who lived in the second half of the 14th century. His talent stood out on account of the expressionist manner in which he portrayed his art creations and their impact on the school of Russian religious painting. His artistic talent, “swift brush” painting manner and life adventure can be compared with those of Doménikos Theotokópoulos (El Greco), another famous Greek painter, who brought the Cretan dramatic and expressionistic style to the West, influencing the Spanish Renaissance two hundred years after Theophan

APA, Harvard, Vancouver, ISO, and other styles

43

Wickham, Chris. "Medieval studies and the British School at Rome." Papers of the British School at Rome 69 (November 2001): 35–48. http://dx.doi.org/10.1017/s0068246200001756.

Full text

Abstract:

GLI STUDI MEDIEVALI E LA ‘BRITISH SCHOOL AT ROME’Le ricerche in campo medievale hanno costituito uno dei tratti distintivi dell'attività della ‘British School at Rome’ sin dagli esordi, con la pubblicazione di consistenti ricerche storico artistiche (Rushforth) e di storia amministrativa (Jamison) nella prima decade del ventesimo secolo. Successivamente, però, fino al secondo dopoguerra, itemi medievali vennero trattati in maniera piuttosto discontinua. Negli anni '50 l'attenzione si concentro sugli studi storici, mentre quelli archeologici iniziarono negli anni '60. Questi ultimi conobbero un

APA, Harvard, Vancouver, ISO, and other styles

44

Rondeau, Jennifer Fisk. "Konrad Eisenbichler, ed. Crossing the Boundaries: Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities. (Early Drama, Art, and Music Monograph Series, 15.) Kalamazoo, MI: Medieval Institute Publications, 1991. 41 pls. + ix + 274 pp. $26.95 hardcover; $16.95 paper." Renaissance Quarterly 48, no. 2 (1995): 415–16. http://dx.doi.org/10.2307/2863097.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Mazour-Matusevich, Yelena. "Gerson et Pétrarque: humanisme et l’idée nationale." Renaissance and Reformation 37, no. 1 (2001): 45–80. http://dx.doi.org/10.33137/rr.v37i1.8671.

Full text

Abstract:

Gerson never met Petrarch in person. However, a comparative study of these authors allows us to evaluate the crucial role of national pride in revealing the initial difference between early French and Italian forms of humanism. While the Italians, oppressed by Parisian intellectual prestige, were interested in breaking away from the medieval past, the French were interested in continuity with the medieval tradition, wherein they perceived the glory and the legitimacy of the French nation.

APA, Harvard, Vancouver, ISO, and other styles

46

Hibberts, Stephen, Howell G. M. Edwards, Mona Abdel-Ghani, and Peter Vandenabeele. "Raman spectroscopic analysis of a ‘ noli me tangere ’ painting." Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences 374, no. 2082 (2016): 20160044. http://dx.doi.org/10.1098/rsta.2016.0044.

Full text

Abstract:

The discovery of an oil painting in seriously damaged condition with an important historical and a heterodox detail with possible origins in the late fifteenth century has afforded the opportunity for Raman microscopic analysis prior to its restoration being undertaken. The painting depicts a risen Christ following His crucifixion in a ‘ noli me tangere ’ pose with three women in an Italian terrace garden with a stone balustrade overlooking a rural landscape and an undoubted view of late-medieval Florence. The picture has suffered much abuse and is in very poor condition, which is possibly att

APA, Harvard, Vancouver, ISO, and other styles

47

Di Francesco, Gabriele. "Food and wine tourism and urban local development." Transnational Marketing Journal 4, no. 2 (2016): 133–42. http://dx.doi.org/10.33182/tmj.v4i2.396.

Full text

Abstract:

Food and wine tourism in Italy is characterized by the reference to natural foods and to the history of the cities. For most of the foods the bond with the territories and especially with the cities was and is crucial. Always food, typically produced in a family business, have the same name of the cities, as if the city was the real corporate brand of taste. This city brand is often copied in many countries of the world to product industrial supplies that have a wide commercial distribution. These products are impossible to reproduce. They are the result of the combination of local products, c

APA, Harvard, Vancouver, ISO, and other styles

48

Hamilton, Louis I. "Lisbeth Castelnuovo-Tedesco and Jack Soultanian, Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters. New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2010. Pp. 368; 41 black-and-white figures and 287 color figures. $75. ISBN: 9780300148985." Speculum 88, no. 3 (2013): 770–72. http://dx.doi.org/10.1017/s0038713413002339.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Kordovska, P. A. "Italian singer Daisy Lumini as an interpreter of the post-avant-garde music." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (2020): 253–66. http://dx.doi.org/10.34064/khnum1-56.16.

Full text

Abstract:

Introduction. In the music of the late twentieth century the realization of the creative potential of performers is rarely limited with the framework of direction which was chosen in the beginning of career. The field of the academic music may be too narrow for the artist, but this does not mean a definitive departure from this area. The life and performances of Italian singer, actress and composer Daisy Lumini (1936–1993) could be considered as one of the examples of the twentieth century “variability” of the artist’s way. She developed from a graduate of the Conservatory to a pop star and a

APA, Harvard, Vancouver, ISO, and other styles

50

King, Catherine. "Medieval and Renaissance Matrons, Italian-Style." Zeitschrift für Kunstgeschichte 55, no. 3 (1992): 372. http://dx.doi.org/10.2307/1482588.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!