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Journal articles on the topic 'Italian Personal narrative'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Del Rizzo, Francesca. "2018 Italian political elections: Lega and the construction of a threat narrative." Rivista Italiana Costruttivismo 7, no. 2 (2019): 27–41. http://dx.doi.org/10.69995/blcf1417.

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Lega is an Italian party that had a major role in recent political elections in Italy. It came out as the third party in the country and the first in the North. By means of a Personal Construct Psychology (Kelly, 1955) perspective, in this paper I will ipothesize that Salvini’s Lega conquered the vote of so many Italians thanks to rhetoric of threat. This hypothesis is tested by means of the analysis of the constructs emerging from the election campaign main slogans. Eventually some reflections are made on the constructs used by many of the persons living in the North of Italy to read the curr

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2

Paynter, Eleanor. "The Spaces of Citizenship: Mapping Personal and Colonial Histories in Contemporary Italy in Igiaba Scego’s La Mia Casa È Dove Sono (My Home is Where I Am)." European Journal of Life Writing 6 (July 17, 2017): 135–53. http://dx.doi.org/10.5463/ejlw.6.193.

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As Italy has changed from emigration country to immigration destination, the growing body of literature by migrant and second generation writers plays an important role in connecting discourses on race and national identity with the country’s increasing diversity and its colonial past. This essay investigates the 2010 memoir La Mia Casa È Dove Sono (My Home is Where I Am) by Igiaba Scego, the daughter of Somali immigrants, as life writing that responds to these changing demographics and, more broadly, to the migration trends affecting contemporary Europe. The self Scego constructs through her

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Melchior, Claudio. "The representation of disability in the Italian media: The case of Ansa." puntOorg International Journal 9, no. 2 (2024): 172–91. http://dx.doi.org/10.19245/25.05.pij.9.2.5.

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The representation of disability in the media significantly influences the social perception of disability among the general population, as well as among individuals with disabilities themselves. This study focuses on the case of Ansa, the primary Italian press agency, to examine its portrayal of disability and persons with disabilities in the year 2022. Through the content analysis of a corpus comprising 1692 articles collected via keyword search, the research aims to draw a ‘map’ that can describe the disability narrative conveyed by Ansa. Key findings highlight Ansa’s narrative as displayin

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Maslen, Joseph. "Autobiographies of a generation? Carolyn Steedman, Luisa Passerini and the memory of 1968." Memory Studies 6, no. 1 (2013): 23–36. http://dx.doi.org/10.1177/1750698012463891.

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The meeting-point between memory studies and auto/biographical studies provides new perspectives on the study of the radical generation of 1968 through life-writing techniques, including oral history. A comparison between Carolyn Steedman’s Landscape for a Good Woman: A Story of Two Lives, published in 1986, and Luisa Passerini’s Autobiography of a Generation: Italy, 1968, published in 1988, suggests that belonging to this generation involves tensions between the social master narrative of 1968 and auto/biographical memories. Steedman and Passerini’s personal narratives relate in complex ways

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Civilotti, Cristina, Chiara Sciascia, Maria Zaccagnino, Antonella Varetto, and Daniela Acquadro Maran. "States of Mind With Respect to Adult Attachment and Reflective Functioning in a Sample of Men Detained for Stalking: Evaluation and Clinical Implications." SAGE Open 10, no. 4 (2020): 215824402096282. http://dx.doi.org/10.1177/2158244020962820.

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The efficacy of treatment for stalkers might depend on identifying peculiarities in the life stories of members of this population and their specific needs. We interviewed 14 Italian male stalkers between 27 and 78 years old ( M = 44.5 years) detained in two northwest Italian correctional facilities. We aimed to investigate two main aspects: First, we evaluated the subjects’ states of mind (SoMs) with respect to early attachment using the Adult Attachment Interview. Second, we assessed the possible recurrence of narrative clusters between the narratives of these offenders, whom we also intervi

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Pediconi, Maria Gabriella, Michela Brunori, and Eric Olijnyk. "Teachers at Work During the Pandemic. A Qualitative Research about Transformative Experiences and Resilience at School." Prima Educatione 8 (December 13, 2024): 129–60. https://doi.org/10.17951/pe.2024.8.129-160.

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The emergency due to the pandemic of COVID-19 has required great adaptability and resilience from teachers and students. This study explores teachers’ experiences with distance learning during the first Italian lockdown, investigating their personal and professional responsiveness to unexpected circumstances. A sample of 32 primary and 24 secondary school teachers responded to a narrative survey created ad hoc to highlight the differences between the experience factors that characterized the impact and the resilience in the state of emergency. Narratives were explored through T-Lab software, a

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Bertoli, Roberta. "Connections between internship and professional identity in educational professions training: a narrative review." Form@re - Open Journal per la formazione in rete 22, no. 3 (2022): 192–205. http://dx.doi.org/10.36253/form-13614.

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Today’s society at the Italian and European levels is subject to rapid and continuous change, and those who are part of it must acquire the necessary tools and skills to cope with it and to be active builders of their own personal and professional life projects. The curricular internship is proposed as a device for learning about and experiencing the circularity between theory and practice, which is fundamental to the construction of the professional identity of educators and pedagogues. The literature review presented here aims to highlight the close connection between internship and professi

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Söding, Christoph. "Beppe Fenoglio’s I ventitre giorni della città di Alba – Personal Memory and Reflections on Civil War." Memoria y Narración. Revista de estudios sobre el pasado conflictivo de sociedades y culturas contemporáneas, no. 2 (March 5, 2021): 95–105. http://dx.doi.org/10.5617/myn.8665.

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The article examines I ventitre giorni della città di Alba, one of Beppe Fenoglio’s early texts about the Italian resistance during the Second World War. Largely ignored at the time of its first publication, it rose to fame only in the 1960s. This is strongly linked to the fact that Fenoglio depicts the resistance as a civil war, a rather controversial issue in post-war Italy. He deheroises the partisans and shows the inadequacy of social categories by adopting a specific narrative strategy that focuses on the mundane and the ridiculous.

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Nemer, Perla Téllez Elias. "The Journey of Italian Belly Dancers." Intercultural Relations 8, no. 2(16) (2024): 44–74. https://doi.org/10.12797/rm.02.2024.16.03.

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Commonly referred to as Raqs Sharqi in Arabic, “belly dance” is a choreographic form intricately woven into the cultural fabric of the MENAT region. This paper begins by tracing its transcultural evolution, from colonial influences to recent feminist discourses, illustrating how research on belly dance offers a rich field for examining the complex interplay of culture, ethnicity, religion, gender, and power. The second section builds on this foundation, applying theoretical frameworks to investigate how dancers’ habitus is selectively developed through “reflexive body techniques” (Crossley 200

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Uršič, Irena. "Men and boys from the Ilirska Bistrica area in Italian military uniform." Kronika 71, no. 3 (2023): 679–702. http://dx.doi.org/10.56420/kronika.71.3.14.

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Between 1922 and 1943, after the Treaty of Rapallo came into force, men enlisted in the Italian armed forces and boys forcibly incorporated into special battalions of the Italian army left the Ilirska Bistrica area as Italian citizens, joining the military structures of a state that was not their homeland. Having their names Italianized and coming from an environment that the fascist regime had stripped of its national identity, they risked their lives for the military interests of the Kingdom of Italy. The contribution sets forth selected topics, focusing on conscripts deserting in 1935, befo

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Mouti, Anna. "Investigating the plurilingual profiles and linguistic repertoires of student language teachers: issues of SLA, multilingual assessment, and the role of L2 Italian in a localized Greek context." Language Learning in Higher Education 14, no. 2 (2024): 497–516. http://dx.doi.org/10.1515/cercles-2024-0003.

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Abstract Plurilingual competence or repertoire of languages refers to all individuals being potentially plurilingual. As plurilingual competence and language repertoires are individual, assessment modes targeted to the individual and localized to the context should be encouraged. This study explored and depicted the plurilingual profile of Italian Studies students (and thus student language teachers) in the Greek context through various modes. The role of the Italian language in this localized context was also explored and the language trajectory was attempted to be de-picted qualitatively. Th

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Bardazzi, Adele. "“Maybe nothing is an elegy”." Journal of World Literature 8, no. 1 (2023): 26–46. http://dx.doi.org/10.1163/24056480-00801007.

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Abstract This article investigates two central aspects of contemporary elegy: (1) the plausible and tempting assumption of it being disentangled from formal constraints, something that might have generated a major historical shift from poetry as a poetic form to an elegiac mode of discourse (Bardazzi, Giusti, and Tandello 2022); (2) the formal glitch it creates and, at times, reconciles via the lyric and its generative tension between personal and collective, narrative and non-narrative dimensions, linear and non-linear temporalities. This study does so by focusing on two authors who have weav

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Elokhin, Kirill. "On the Issue of Italian Generic Badges in the Coins of the Early Modern Time." ISTORIYA 14, no. 6 (128) (2023): 0. http://dx.doi.org/10.18254/s207987840027250-4.

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The article is devoted to Italian generic badges (it. impresa), minted in coins. Considered are predominantly northern Italian states, where their own special heraldic traditions have developed, which differ from French or Spanish ones. The borrowing of badges is indicated. The article shows the interaction of personal and generic badges. The influence of ancient coins on the coins of the early modern period and the reception of images as pictorial mottos are considered. Unique narrative sources relating to badges are given. Changes in generic badges over several generations of their owners ar

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Fioretti, Chiara, and Andrea Smorti. "How emotional content of memories changes in narrating." Narrative Inquiry 25, no. 1 (2015): 37–56. http://dx.doi.org/10.1075/ni.25.1.03fio.

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The purpose of this study is to explore the link between autobiographical memories and personal narratives and to assess whether the emotions present in memories are maintained or transformed when memories are narrated. In a Memory Fluency Task a total of 72 Italian undergraduates (35 males and 37 females) were asked to recall memories from their last period of life (from adolescence to present), to select one of them and to choose the emotions connected to this memory from an eleven-item list. Then, they were requested to write this memory in detail and again to select the emotions connected

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Willman, Kate. "Unidentified narrative objects: Approaching instant history through experiments with literary journalism in Beppe Sebaste’s H. P. Lady Diana’s Last Driver and Frédéric Beigbeder’s Windows on the World." Journalism 21, no. 7 (2017): 1007–22. http://dx.doi.org/10.1177/1464884917722722.

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The subjects of the two texts analysed in this article are two highly significant recent historical events: the death of Lady Diana in a car crash after being chased by paparazzi on 31 August 1997 and the attacks on the World Trade Center in New York City on 11 September 2001, which are addressed by the Italian writer Beppe Sebaste and the French writer Frédéric Beigbeder, respectively. An analysis of each text shows that they not only examine the events in question through reportage, but they are also strongly personal and subjective. Both texts also put forward literary writers to help ‘read

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Smorti, Andrea, Carole Peterson, and Franca Tani. "The Language of Memory: Narrating Memories of Parents and Friends." Open Psychology Journal 9, no. 1 (2016): 95–110. http://dx.doi.org/10.2174/1874350101609010095.

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The purpose of this study was to compare narrated memories of parents and friends, recounted by both males and females. A total of 177 Italian undergraduates were asked to recall and to write in detail one relevant memory regarding their relationship with either parents or friends during adolescence. Half of the participants wrote a narrative about parents and half about friends. Narratives were examined using both a content and a lexical linguistic method of analysis.The results showed that the language of memories was substantially influenced by the identity of the social partners that were

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Romano, Giacomo. "The quest for self in Italian secondary schools: Bridging literature and philosophy." Journal of Philosophy in Schools 11, no. 2 (2024): 119–36. https://doi.org/10.46707/jps.v11i2.241.

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A considerable number of Italian high schools, specifically those classified as liceo, offer a program for the final three years in which the history of Western philosophy is taught from its beginnings through to the 20th century. However, little attention is given to the philosophy of mind, even in the final year, while teachers of history and literature emphasise the dissolution of the self as a key theme for understanding 20th-century culture, often referencing authors like James Joyce, Marcel Proust, and Luigi Pirandello. The rejection of the self is perhaps presented as a cultural hallmar

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Castro, Aurelio. "Stories Told Together: Male Narratives of Non-Monogamous Bi+ and Heterosexual Men." Archives of Sexual Behavior 50, no. 4 (2021): 1461–77. http://dx.doi.org/10.1007/s10508-021-02008-6.

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AbstractThe stories we tell about our identities and sexual orientations shape how we perform gendered scripts and negotiate relationships with significant others. Previous literature inquired the styles and outcomes of consensual non-monogamous (CNM) relationships, but more research is need on how CNM men resist or abide to hegemonic models of masculinity. To understand how constructions of masculinity and conceptualizations of sexual orientation are embedded in CNMs, the study analysed the stories of non-monogamous Bi+ and heterosexual men. Following a critical narrative approach, the study

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Bristow, Joseph. "Inverse Intimacy: Reconfiguring ‘Personal Relations’ in Elizabeth Bowen's The Hotel." Irish University Review 51, no. 1 (2021): 40–56. http://dx.doi.org/10.3366/iur.2021.0494.

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Ever since its publication in 1927, Elizabeth Bowen's first novel, The Hotel, has prompted critical responses that have tried to gauge the ways in which the narrative represents intimacy between women. Although one of its earliest reviewers sensed that the ‘dark, forlorn spirit of inversion is all through it’, modern critics have acknowledged that The Hotel is not engaged with the sexological models of inversion that inform Radclyffe Hall's contemporaneous novel, The Well of Loneliness (1928). At the same time, commentators have recognized that The Hotel forms part of a group of 1920s fictions

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Salvioni, Paola. "La Dolce Vita? Helping Intercultural Couples in Italy Navigate Relational Challenges." Journal of Mental Health Counseling 46, no. 4 (2024): 313–34. http://dx.doi.org/10.17744/mehc.46.4.04.

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Intercultural couples have a diversity that can both enrich their relationship and add layers of complexity, multiplying the potential for misunderstandings. What is often invisible to the couple is how their cultural backgrounds inform how they perceive themselves, each other, and the relationship. These differences can become more accentuated when the couple is in conflict. Counselors working with intercultural couples need a firm grasp on their own cultural background, knowledge of the couple's cultures, and the skills to identify and navigate those differences. Partly written as a personal

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Agostinelli, Gianluca. "Nato Fuori Posto: Exploring Placelessness in Dean Serravalle’s “The Buried Tree”." Open Cultural Studies 1, no. 1 (2017): 4–16. http://dx.doi.org/10.1515/culture-2017-0002.

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Abstract Building on the seminal scholarship of humanistic geographer, Edward Relph, this paper explores the postmodern notion of placelessness in Canadian-Italian literature. The author argues that placelessness can afford bi-cultural writers, and their literary protagonists, a degree of productive peripherality that works to deconstruct and undercut the authoritative dynamic of a culturally dominant place. Working with the concept of placelessness, the author analyzes, critically, “The Buried Tree,” a short story composed by Canadian-Italian author, Dean Serravalle, to suggest that the metap

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Verhagen, Veerle. "Puccini’s Tosca as a representation of a freethinker’s struggle against the corrupted power of the church." Groundings Undergraduate 6 (April 1, 2013): 121–29. http://dx.doi.org/10.36399/groundingsug.6.233.

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Giacomo Puccini (1858-1924), the famous Italian composer, has been described as a cynic towards the Catholic Church, despite having been brought up in arguably one of the most Catholic countries of Europe. The Church was equally mistrusting of him, especially after the first performances of Tosca, one of his most famous works. In this opera his antipathy towards the Catholic Church as an institution is expressed clearly through the narrative, where the struggle of the individual against the corrupted power of the Church is represented as a personal struggle between two individuals who represen

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Colomba, Caterina. "Catching the Invisible: Translating Women Novelists of Queen Victoria’s Reign: A Book of Appreciations." Victorian Studies 65, no. 1 (2022): 32–36. http://dx.doi.org/10.2979/victorianstudies.65.1.05.

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Abstract: This brief article concentrates on my personal experience in translating Women Novelists of Queen Victoria’s Reign: A Book of Appreciations (1897) into Italian. It provides a reflection on the role of the translator as a privileged reader, as the one able to access more easily, to use Raymond Williams’s words, the structure of feeling, a narrative which is not fully articulated on the page but is to be inferred by reading between the lines. It intends to show how WNQVR reveals, to a close reader, new formations of women’s thought struggling to emerge out of the dominant Victorian dis

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Colomba, Caterina. "Catching the Invisible: Translating Women Novelists of Queen Victoria’s Reign: A Book of Appreciations." Victorian Studies 65, no. 1 (2022): 32–36. http://dx.doi.org/10.2979/vic.2022.a901283.

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Abstract: This brief article concentrates on my personal experience in translating Women Novelists of Queen Victoria’s Reign: A Book of Appreciations (1897) into Italian. It provides a reflection on the role of the translator as a privileged reader, as the one able to access more easily, to use Raymond Williams’s words, the structure of feeling, a narrative which is not fully articulated on the page but is to be inferred by reading between the lines. It intends to show how WNQVR reveals, to a close reader, new formations of women’s thought struggling to emerge out of the dominant Victorian dis

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Saburova, Liudmila E. "‟My Karst” by Scipio Slataper as a manifesto of the ‟New Literature”." Vestnik of Kostroma State University 31, no. 1 (2025): 206–12. https://doi.org/10.34216/1998-0817-2025-31-1-206-212.

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The article is dedicated to the analysis of the autobiographical book My Karst by the Italian writer Scipio Slataper. Slataper’s work is far from a classical autobiography; it should be classified as experimental autobiographical prose, developed by a group of writers who gathered around the magazine Voce. My Karst fully meets the criteria set by the group for examples of “new literature”: it is a large literary work made up of autobiographical fragments in various styles, many of which are written in lyrical prose. According to the ideas of the magazine’s staff, My Karst is a work of deeply p

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Batsak, Kostyantyn. "Italian Culture and Art Representations in Odesa under the Policy of Romanization Conditions (1941–1944)." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 139 (February 28, 2024): 92–111. https://doi.org/10.31318/2522-4190.2024.139.301123.

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Relevance of the study. Italian culture and art in Odesa, their influence on the city development, the European traditions diffusion in urban planning, education, music and theatre activities have a century-long history. It was interrupted with the World War the First and, subsequently, with decades of the bolsheviks’ dictatorship. Therefore, although brief-lasted, Odessa involvement in the cultural space of Italy during the Romanian occupation of the city in 1941–1944, which took place in Hitler’s and Mussolini’s ideological paradigm of the «new Europe» possessions, became a unique experience

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Carlotti, Elvira, and Gholam Najafi Fusaro. "“QUANDO PARLO ITALIANO SENTO DI ESSERE ABBRACCIATO SPESSO” – “WHEN I SPEAK ITALIAN, I FEEL LIKE I’M BEING HUGGED”. A JOURNEY ACROSS LOTE MOTIVATION AND PERSISTENCE." Italiano LinguaDue 17, no. 1 (2025): 137–60. https://doi.org/10.54103/2037-3597/29074.

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This paper explores the language learning history and motivational dynamics of Gholam Najafi Fusaro, who came to Italy as an unaccompanied minor in 2006 and has spent eighteen years in Venice, where he attended school and university. Research on motivation and persistence has been mainly conducted in EFL/ESL contexts. Far fewer studies investigate these topics in LOTE contexts and in respect to first generation multilingual teenagers with a migration journey. For this reason, this study uses Participative Narrative Inquiry to capture the complexities of the lived experience of Gholam. Data wer

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Pennarola, Cristina. "Christian Prayer and the Kingdom Quest: A Dialogue with Our Father across Languages and Cultures." Humanities 9, no. 3 (2020): 75. http://dx.doi.org/10.3390/h9030075.

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Much has been written about the Our Father (also referred to as the Lord’s Prayer) as it represents a personal and public dialogue with God in daily prayer and liturgy. While its theological and spiritual aspects have been thoroughly investigated, their cultural implications for different speech communities have been disregarded. This study aims to compare the English, Italian, and French versions of the Lord’s Prayer in the Catholic Church in an attempt to examine the role that culture is bound to play in shaping religious response and tracing a preferential interpretive pathway through a sac

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Frascarelli, Mara, and Giorgio Carella. "Topic chains and the interpretation of null subjects. The acquisition of discourse-related strategies in Italian children." Linguistic Review 36, no. 4 (2019): 637–74. http://dx.doi.org/10.1515/tlr-2019-2018.

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AbstractBased on the theory proposed in Frascarelli (2007), according to which the interpretation of null subjects depends on an Agree relation betweenproand a specific type of Topic (i.e. the A-Topic, cf. Frascarelli & Hinterhölzl 2007), the first objective of this paper is to evaluate this theory from an acquisitional perspective on children from 3 to 9 years old. Furthermore, since the A-Topic is argued to be systematically associated to specific discourse, prosodic and syntactic properties, a second objective of this paper is to check whether the relevant acquisition correlates with in

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Morozova, Irina V. "Contemporary Reception of Kate Chopin’s Work in Different Cultures (Kate Chopin Around the World: Global Perspectives. Edited by Heather Ostman. New York; London: Lexington Books, 2025. 204 p.)." Literature of the Americas, no. 18 (2025): 334–45. https://doi.org/10.22455/2541-7894-2025-18-334-345.

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Kate Chopin Around the World edited by H. Ostman is a collective work of scholars from different countries who share their approaches to studying/teaching the short stories and novels of the American writer. The book consists of three sections, which contain analysis of different approaches to reading and teaching Chopin’s works, comparative studies, and personal perception of the writer’s work. In the first section, “Reading and Teaching Chopin’s Fiction Around the World,” scholars reflect on the experience of studying and/or teaching the American writer’s work in other national contexts. In

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Lucamante, Stefania. "Road Movies and Gas Stations: Monica Stambrini's Benzina as Creation of Alternative Spaces." Quaderni d'italianistica 29, no. 2 (2008): 111–34. http://dx.doi.org/10.33137/q.i..v29i2.8459.

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Both the novel and the film Benzina think of the literary and the visual as contesting sites for women. In revisiting the fields of space within a capitalist society and the struggle for representation of sexual identity, these two works successfully deploy strategies where the visual narrative — literary and cinematic — confirms its ability to be a place in which subjects try out distinct possibilities of their existential corporeality. Rather than presenting crystallized subjectivities, these works analyze the attempts a lesbian couple makes at finding their place within a social system stil

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Bomben, Francesca, Maurizio Mascarin, Giuseppe Maria Milano, et al. "A Textual Analysis for Understanding the Relations and the Identity Construction in Adolescent Oncology Patients: Retrospective Personal Views in Order to Educate Health Professionals." Behavioral Sciences 12, no. 5 (2022): 120. http://dx.doi.org/10.3390/bs12050120.

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Patient input is critical for all aspects of value-based healthcare design. This contribution describes the following: the specifics of communications with doctors regarding the disease in adolescents and young adults with cancer; the patients’ thoughts, emotions and changes in self-perception; “other meanings” taking shape along the treatment pathway; and reacting modes to the disease and treatments. Thirty-five Italian AYA patients in follow-up (age 18–24) were involved in a plenary interview on the cited aspects of their oncological experience. The answers were analyzed by MADIT (Analysis M

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Bellini, Tommaso, Francesco Vinci, Giulia Polleri, et al. "Adverse Outcomes in Neonates Following Planned Home Births: A Case Report Series and a Narrative Literature Review." Journal of Clinical Medicine 14, no. 4 (2025): 1181. https://doi.org/10.3390/jcm14041181.

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Background: Although home births provide personal and intimate experiences, they pose potential risks that may be better managed in hospital settings. The safety of home birth remains highly debated, with no consensus on its safety or potential adverse events, and its adoption varies widely across the world. In Italy, the Italian Society of Neonatology opposed this practice, resulting in one of the lowest home birth rates in Europe (approximately 0.1% of total births). This study evaluated the impact of planned home births on neonatal health, with a focus on severe complications requiring inte

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Mushtanova, O. Yu. "Interpretation of Historical Facts in Modern Italian Literature by the Example of Umberto Eco’s Novel “Baudolino”." MGIMO Review of International Relations, no. 1(40) (February 28, 2015): 251–56. http://dx.doi.org/10.24833/2071-8160-2015-1-40-251-256.

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The article is devoted to interpretation of historical facts in Umberto Eco's novel " Baudolino ". The subject of interpretation in the novel is medieval history, in particular, the reign of the emperor Frederick Barbarossa. Eco uses the typical for the historical novel method, which is the combination of facts from chronicles and fictional elements; the events are shown by the eyes of an invented character Baudolino. Emphasizing the connection between history and modernity, Eco proposes to revise the stereotypes associated with the mentioned historical period. The portraits of historical figu

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Schwarz, Guri. "Italian Jews under Fascism, 1938–1945: A Personal and Historical Narrative. By John Tedeschi, with Anne C. Tedeschi.Madison: Parallel Press/University of Wisconsin Libraries, 2015. Pp. xx+444. $35.00." Journal of Modern History 89, no. 3 (2017): 713–14. http://dx.doi.org/10.1086/692880.

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Pizzorno, Maria Chiara, Angelo Benozzo, and Neil Carey. "Narrating career, positioning identity and constructing gender in an Italian adolescent's personal narratives." Journal of Vocational Behavior 88 (June 2015): 195–204. http://dx.doi.org/10.1016/j.jvb.2015.03.002.

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Ashfaq, Mohammad, and Yasmin Roofi. "Elite Political Culture as Problematic for Liberal Democracy in Pakistan: A Critical Study." Journal of South Asian Studies 9, no. 3 (2021): 235–41. http://dx.doi.org/10.33687/jsas.009.03.3929.

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The elite political culture of Pakistan is comparatively feudalistic in nature as the base of power in the state. Political culture may be defined as how many people participate in the political procedure. It is a system of beliefs upon which a large majority of people agree. The history of the political culture of Pakistan has witnessed the domination of multiple elite groups. These major elites had influences on the political system. Gaetano Mosca, the founder of the Italian school of elitism enumerated the personal traits of these ruling elites, operating centrally as direct power holders o

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Carniel, Jessica. "Calvary or limbo? Articulating identity and citizenship in two Italian Australian autobiographical narratives of World War II internment." Queensland Review 23, no. 1 (2016): 20–34. http://dx.doi.org/10.1017/qre.2016.4.

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AbstractAlmost 5,000 Italians were interned in Australia during World War II, a high proportion of them Queensland residents. Internment was a pivotal experience for the Italian community, both locally and nationally, complicating Italian Australians’ sense of belonging to their adopted country. Through an examination of two migrant autobiographical narratives of internment, Osvaldo Bonutto's A Migrant's Story and Peter Dalseno's Sugar, Tears and Eyeties, this article explores the impact of internment on the experience and articulation of cultural and civic belonging to Australian society. It

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Praino, E., F. Scioscia, C. Scioscia, et al. "THU0628-HPR SSCENTRY: A PERSONAL DISEASE DIARY APP FOR SYSTEMIC SCLEROSIS PATIENTS." Annals of the Rheumatic Diseases 79, Suppl 1 (2020): 558–59. http://dx.doi.org/10.1136/annrheumdis-2020-eular.6067.

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Background:Systemic Sclerosis (SSc) is a connective tissue disease characterized by severe alterations in the microvasculature and progressive fibrosis of the skin and internal organs [1]. Management of SSc is not easy, for both patients and physicians [2]. Symptoms are manifold and have a significant impact on patient’s daily autonomy and psychological well-being.Objectives:SScEntry (SSc data Entry tool; Figure 1) is a solution conceived to assist SSc patients in monitoring their disease, as a kind of “sentry”. The core idea is to provide patients with a personal diary to annotate and track t

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Lajta-Novak, Julia. "Father and Daughter across Europe: The Journeys of Clara Wieck Schumann and Artemisia Gentileschi in Fictionalised Biographies." European Journal of Life Writing 1 (December 5, 2012): 41–58. http://dx.doi.org/10.5463/ejlw.1.25.

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German pianist Clara Wieck Schumann and Italian painter Artemisia Gentileschi were both tutored by their fathers from an early age and made their mark as great European artists. Their art took them both across the continent, where they met many other famous historical persons. Their lives have not only been recorded in biographies but have also been retold in several novels, or ‘fictionalised biographies’. The fictionalised biography is an interesting hybrid genre, placed somewhat uncomfortably between historiography and the art of fiction, which permits it to disregard certain expectations ra

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Marino, Sara. "Digital food and foodways: How online food practices and narratives shape the Italian diaspora in London." Journal of Material Culture 23, no. 3 (2017): 263–79. http://dx.doi.org/10.1177/1359183517725091.

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The article discusses the role of online food practices and narratives in the formation of transnational identities and communities. Data has been collected in the framework of a doctoral research project undertaken by the author between 2009 and 2012 with a follow-up in 2014. The working hypothesis of this article is that the way Italians talk about food online and offline, the importance they give to ‘authentic’ food, and the way they share their love for Italian food with other members of the same diaspora reveal original insights into migrants’ personal and collective identities, their sen

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Moderc, Saša. "I DOLORI DEL GIOVANE SERBOFONO ALLE PRESE CON I TEMPI VERBALI ITALIANI." Годишњак Филозофског факултета у Новом Саду 49, no. 3 (2024): 313–30. http://dx.doi.org/10.19090/gff.v49i3.2482.

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La presente ricerca si pone il compito di illustrare i percorsi di strutturazione del testo narrativo italiano nelle traduzioni dal serbo. Nella transizione dal testo serbo a quello italiano è necessario optare per uno dei tre approcci espositivi attuati in italiano: descrizione vs narrazione, distanziamento e oggettività vs coinvolgimento e soggettività, primo piano vs secondo piano. Mentre nel testo narrativo italiano queste opposizioni si esplicano mediante l’uso di quattro tempi del passato e del presente, il serbo dispone del presente e di un unico tempo passato in uso effettivo e non è i

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Fayzullina, G. Sh, and E. I. Kubasheva. "Communication aspect of museum activities (experience and innovation of museums of florence)." Bulletin of "Turan" University, no. 2 (June 13, 2021): 175–83. http://dx.doi.org/10.46914/1562-2959-2021-1-2-175-183.

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The aim of the research presented in the article is to study the directions and mechanisms of action of museums in innovative practice. The modern museum as a cultural center is more focused on the individual, takes on the functions of organizing the leisure of citizens, responding to the social order, lifestyle. The study of the experience of museums in this context is focused on considering innovation at the local level - the museums of the city of Florence (center of Tuscany), which are a vivid example of the communicative model of the museum. This model of the museum is especially in deman

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Lekkas, Demetrios E. "The true “punching bag” behind Molière’s The Middle-Class Nobleman." Epistēmēs Metron Logos, no. 2 (June 8, 2019): 11. http://dx.doi.org/10.12681/eml.20569.

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Summary In 1670, the new ballet comedy The middle-class gentleman (Le bourgeoisgentilhomme) premiered at the theatre of the French palace before “theSun King” Louis XIV, on a text by Molière with music by Lully, hispermanent collaborator. Both were acting on stage. Since then, no one hasraised the question who is the real punching bag of the play’s aggression.The present author decided to research towards understanding it, in orderto compose new music responsibly for a performance at the MunicipalRegional Theatre of Crete, an island paradoxically connected directly withthe initial impetus behi

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Margherita, Medri. "To What Extent can Maurizio Cattelan be Considered a Political Artist?" Art Style, Art & Culture International Magazine 1, no. 1 (2019): 49–67. https://doi.org/10.5281/zenodo.4068923.

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Art Style | Art & Culture International Magazine Abstract This essay investigates the question: ‘To what extent can Maurizio Cattelan be considered a political artist?’ Throughout the essay, various sculptures by the Italian artist, Maurizio Cattelan, are analyzed in pursuance of the answer to the research question. The investigation is aided by knowledge of Cattelan’s life as an artist and an understanding of a definition of political art. The analysis runs through four different sculptures created by Maurizio Cattelan, including La Nona Ora, Him, L.O.V.E, and America, w

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GAVAGNIN, STEFANO. "‘They Fell Like Meteorites’: Avatars of the Andean Sound and Their Reception by Italian Music Groups (1973–1996)." Twentieth-Century Music 17, no. 3 (2020): 381–99. http://dx.doi.org/10.1017/s1478572220000183.

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AbstractDespite the attention given to the transnational circulation of Andean music, its reception and adoption by European musicians have been rarely researched. This article focuses on the specific case of Italy, where the Andean music boom blended with that of the New Chilean Song in exile (1973–89) and where, in addition, repertoires and practices of both musics were adopted by dozens of local groups formed by young Italians. Those Italian groups – with their performative strategies and their choices of repertoires – provide a privileged lookout about how different representations of the

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Keršienė, Dovilė. "Desiderium videndi: Correspondence between Barbara Zápolya and Sigismund the Old." Senoji Lietuvos literatūra 47 (June 1, 2019): 15–55. https://doi.org/10.51554/sll.2019.28768.

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In this article, the author analyses the Latin correspondence between Barbara Zápolya (1495–1515) and her husband, Sigismund the Old (1467–1548), published in the collection Acta Tomiciana (Vol. 3, 1853). Although only three of Barbara Zápolya’s letters survived, the analysis suggests the hypothesis that there might have been more of them, at least seven; as for the king’s letters, 24 of them are extant. The correspondence of the royal couple offers a broader picture of the nature of their communication through letters and expression of their feelings, which point to their close and good relat

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Carrascón, Guillermo. "Las traducciones castellanas de narrativa breve italiana en el siglo XV." Iberoromania 2023, no. 98 (2023): 294–308. http://dx.doi.org/10.1515/iber-2023-2019.

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Resumen Se repasan las principales características de las colecciones de narrativa breve italianas que fueron elegidas para su traducción al español por personas relacionadas con el ambiente de impresores y libreros. Uno de los criterios de selección parece haber sido el éxito de ventas de estas obras en Italia y Francia, por lo que parece lícito afirmar que si por una parte las traducciones de narrativa breve ofrecieron a los escritores españoles un modelo para instaurar un nuevo género de prosa, su función en otro plano, no menos fundamental, fue la de crear un nuevo público y un nuevo merca

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Battisti, Jacopo. "Beyond Domesticity: Revaluing Gendered Textile Arts in the Context of Relational Prosperity." Fashion Highlight, SI1 (July 14, 2025): 52–60. https://doi.org/10.36253/fh-3172.

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This paper explores the historical undervaluation of textile crafts within Western societies, particularly concerning their strong associations with female labor. Despite their rich cultural and social significance, textile arts have often been relegated to the margins of artistic and economic discourse, overshadowed by forms of expression deemed more "legitimate" or valuable (Nochlin, 1971). This research aims to challenge these perceptions by highlighting the inherent value of textile crafts and their role in shaping a more relational and ethically grounded concept of prosperity in fashion.

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Mandres, Marinel. "Ich bin Italiano: The Internment of Trentini, Tirolesi, and Triestini in Canada during the First World War Marinel Mandres." Italian Canadiana 36, no. 1 (2022): 169–99. http://dx.doi.org/10.33137/ic.v36i1.39377.

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Citizenship, rather than ethnicity, determined the treatment of immigrants during Canada’s first national internment operations (1914–20). Italians were concurrently treated as friends and enemies. Those born in Italy were “friendly” aliens. Those born in Austria (Trentino, Tyrol, and Trieste) were declared “enemy” aliens and subjected to monitoring, arrest, and internment. Personal narratives are constructed for most of the fifty-one interned Italians. Many of them rebuilt their lives in Canada. The goals of this article are to (1) establish the identities and narratives of internees, (2) det

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