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1

John, Davenport. Dante: Poet, author, and proud Florentine. Chelsea House, 2005.

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2

Barbara, Reynolds. Dante: The poet, the political thinker, the man. I. B. Tauris, 2006.

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3

Giovanna, Hendel, Higgott Suzanne, Sani Elisa Paola, and Wallace Collection (London England), eds. Xanto: Pottery-painter, poet, man of the Italian Renaissance. The Wallace Collection, 2007.

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4

Bronzino: Renaissance painter as poet. Cambridge University Press, 2000.

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5

Giovanna, Baldissin Molli, Foladore Giulia, Galleni Pellegrini Rosa Maria, et al., eds. Danese Cattaneo da Colonnata: Scultore, poeta, architetto : collezione = sculptor, poet, architect : collection, (Colonnata 1512 - Padova 1572). Associazione culturale PerCorsi d'arte, 2013.

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6

The viewer as poet: The Renaissance response to art. Pennsylvania State University Press, 1994.

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7

Petrarch the poet: An introduction to the Rerum vulgarium fragmenta. Routledge, 1988.

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8

The reception of Giacomo Leopardi in the nineteenth century : Italy's greatest poet after Dante? E. Mellen Press, 2008.

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9

Virgil. Poet & artist: Imaging the Aeneid. Bolchazy-Carducci Publishers, 2004.

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10

Leonardo Da Vinci: I. The Complete Paintings. Taschen, 2004.

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11

The librettist of Venice: The remarkable life of Lorenzo Da Ponte, Mozart's poet, Casanova's friend, and Italian opera's impresario in America. Bloomsbury Pub., 2006.

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12

Johannes, Nathan, ed. Leonardo da Vinci: The Complete Paintings and Drawings (1452-1519, on title page). Taschen, 2003.

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13

Rosadini, Giovanna. Nuovi poeti italiani. Einaudi, 2012.

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14

Dictionary of Italian-American poets. P. Lang, 1989.

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15

Jewish poet and intellectual in seventeenth-century Venice: The works of Sarra Copia Sulam in verse and prose, along with writings of her contemporaries in her praise, condemnation, or defense. University of Chicago Press, 2009.

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Sullam, Sara Copia. Jewish poet and intellectual in seventeenth-century Venice: The works of Sarra Copia Sulam in verse and prose, along with writings of her contemporaries in her praise, condemnation, or defense. University of Chicago Press, 2009.

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17

Fontana, Ferdinando. Poeti meneghini. Lampi di stampa, 2004.

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18

InVerse 2012: Italian poets in translation. 5th ed. John Cabot University Press, 2012.

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19

Ceccucci, Piero, ed. Fiorenza mia…! Firenze e dintorni nella poesia portoghese d'oggi. Firenze University Press, 2009. http://dx.doi.org/10.36253/978-88-8453-329-6.

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In the Portuguese imagination Florence is justly considered the cradle of modern western civilisation. Seen and admired from the Renaissance on as the new Athens, for the Portuguese it has always represented not only a model of culture and civilisation to take as inspiration, but also and above all the locus amoenus of spiritual and intellectual harmony and balance, dreamed-of and unattainable, that floods and pervades the soul with a vague, nostalgic sentiment of admiration. Evidence of this, now as in the past, are the serried ranks of poets who for centuries have sung its praises and raised it to the rank of myth. This brief anthology proposes only a few of them, among the most renowned of recent generations. In a truly original way these poets have managed to convey to the hearts and minds of their compatriots their own stunned vision of the city, illustrating emotions that cannot fail to move even the Florentines and, in a broader sense, we Italians as a whole. Thus what is offered in these pages, in fine Italian translation, is this mesh of voices, an intimate and enthralling polyphony of city, poet and reader, unfurling in an evocative melody and proposing the legend of Florence in a new light – possibly more authentic and illuminating.
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20

Lo sguardo del poeta. All'insegna del pesce d'oro di V. Scheiwiller, 1991.

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21

Mincu, Marin. I poeti davanti l'apocalisse. Campanotto, 1997.

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22

Three modern Italian poets: Saba, Ungaretti, Montale. 2nd ed. University of Chicago Press, 1993.

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23

Italian women poets of the twentieth century. Irish Academic Press, 1996.

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24

InVerse 2008-2009: Italian poets in translation. John Cabot University Press, 2011.

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25

Ferretti, Gian Carlo. Poeta e di poeti funzionario: Il lavoro editoriale di Vittorio Sereni. Il saggiatore, 1999.

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26

Giampiero Neri: Il poeta architettonico. Dialogo libri, 2005.

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27

Galaverni, Roberto, and Attilio Bertolucci. I luoghi dei poeti. Palomar, 2001.

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28

Boroni, Carla. Le donne dei poeti. Zanetti, 1998.

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29

Lenzini, Luca. Stile tardo: Poeti del Novecento italiano. Quodlibet, 2008.

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30

Maffia, Dante. Poeti italiani verso il nuovo millennio. Scettro del re, 2002.

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31

Bardini, Marco. Morante Elsa: Italiana : di professione, poeta. Nistri Lischi, 1999.

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32

Bronzino: Renaissance Painter as Poet. Cambridge University Press, 2011.

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33

Mallet, J. V. G. Xanto: Pottery-Painter, Poet, Man of the Italian Renaissance. Paul Holberton publishing, 2007.

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34

Parker, Deborah. Bronzino: Renaissance Painter as Poet. Cambridge University Press, 2000.

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35

The Poet, The Count, and The Peddler. Rockaway Press, 2006.

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36

Dante: The Poet, the Political Thinker, the Man. Shoemaker & Hoard, 2006.

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37

Dante: The Poet, the Political Thinker, the Man. Shoemaker & Hoard, 2007.

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38

Murphy, Jim. Pick-and-Shovel Poet: The Journeys of Pascal D'Angelo. Clarion Books, 2000.

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39

Titian : Vanitas: The Poet of the Image and the Shade of Beauty. Silvana, 2017.

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40

Hainsworth, Peter. Petrarch the Poet: An Introduction to the 'Rerum Vulgarium Fragmenta'. Taylor & Francis Group, 2015.

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41

Hainsworth, Peter. Petrarch the Poet: An Introduction to the 'Rerum Vulgarium Fragmenta'. Taylor & Francis Group, 2014.

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42

Reading Dante in Renaissance Italy: Florence, Venice and the 'Divine Poet'. Cambridge University Press, 2018.

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43

Scafoglio, Giampiero. ‘Only a Poet Can Translate True Poetry’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810810.003.0021.

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This chapter’s exploration of Giacomo Leopardi’s translation of the Aeneid tackles one of the most debated dilemmas in translation practice: whether or not one has to be a poet in order to translate poetry. Having undertaken the daunting task of translating the Aeneid, Leopardi shows himself to be a good philologist and, at the same time, also comes into his own poetic vocation as his translation progresses. The result of his translation is an impressive achievement, Scafoglio argues, a work that combines literary faithfulness to the original with the rendering of the expressive musicality and elusive fascination of Virgilian verse in Italian.
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44

Gabriele d'Annunzio: Poet, seducer and preacher of war. 2013.

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45

Gabriele D'Annunzio: Poet, Seducer, and Preacher of War. Anchor, 2014.

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46

Bender, Henry V., and David J., Ph.d. Califf. Poet & Artist: Imaging the Aeneid. Bolchazy-Carducci Publishers, 2004.

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47

The Pike: Gabriele d'Annunzio, Poet, Seducer and Preacher of War. Fourth Estate Ltd, 2013.

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48

Leonardo da Vinci: II. Sketches and Drawings. Taschen, 2004.

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49

The Poet and the Dictator: Lauro de Bosis Resists Fascism in Italy and America. Praeger Publishers, 2002.

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50

Ferdinando, Alfonsi, ed. Poeti italo-americani e italo-canadesi: Antologia = Italo-American and Italo-Canadian poets. Carello, 1994.

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