Relevant bibliographies by topics / Italian poetry Love in literature / Dissertations / Theses
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Dissertations / Theses on the topic 'Italian poetry Love in literature'

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Published: 4 June 2021
Last updated: 1 February 2022

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1

Hostert, Thomas. "L'amor cortese provenzale fra hohe Minne e dolce stil novo." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79948.

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In this thesis, a literary historic path on the development of the lyric expression of courtly love will be created. The path will take us from the Provence through Germany and Sicily, and up to the Tuscany of the thirteen's century. The poetic characteristics of the hohe Minne and dolce stil novo will be particularly highlighted in order to facilitate the comprehension of their similarities and differences. It is understood that it will not be possible to offer a complete interpretation of the two lyric expressions. Rather, this thesis wishes to offer a basis for the development of fur
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2

Burkowski, Jane M. C. "The symbolism and rhetoric of hair in Latin elegy." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:44e36b32-8c44-4dd0-8241-3206e40e67f9.

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This thesis examines the hair imagery that runs through the works of Propertius, Tibullus, and Ovid. Comparative analysis of the elegists’ approaches to the motif, with particular emphasis on determining where and how each deviates from the cultural assumptions and literary tradition attached to each image, sheds light on the character and purposes of elegy as a genre, as well as on the individual aims and innovations of each poet. The Introduction provides some background on sociological approaches to the study of hair, and considers the reasons why hair imagery should have such a prominent p
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3

Al-Shalabi, Marwa. "Caroline love poetry and the Renaissance tradition." Thesis, Bangor University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.331953.

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4

Quintanilla, Octavio. "Love Poem with Exiles." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28465/.

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Love Poem with Exiles is a collection of poems with a critical preface. The poems are varied in terms of subject matter and form. In the critical preface, I discuss my relationship with poetry as well as the idea that we inherit poems, and that if we are inspired by them, we can transform them into something new.
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5

Deters, Joseph Michael 1967. "Love and the postmodern: The poetry of Angel Gonzalez." Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/289422.

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This dissertation considers the discourse of love in Angel Gonzalez's poetry and the affinity that the poet's amorous verse has with a postmodern aesthetic. Beginning with his first collection and continuing through his last, the study focuses on how the amorous sentiments of the poet are manifested in his work. The evocation of love is quite varied throughout Gonzalez's poetic trajectory. In chapter one, the foundation of the study is set as the poetry of Aspero mundo (1956) is revealed to exhibit some early signs of a postmodern bent. The theoretical works of Julia Kristeva, Roland Barthes a
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6

Grave, I. "A study of figurative language in the thirteenth century Italian love lyric based on a repertory, together with an analysis of the correspondence sonnets concerning questions of style." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384766.

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7

Seog, Youngjoong. "The concept of love in the poetry of Anna Axmatova." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1342112162.

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8

Tandello, Emanuela Maria Cristina. "An enquiry into Italian post-war experimentalism : the poetry of Amelia Rosselli." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305920.

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9

Cousins, Sandra Elizabeth. "The evolution of Pedro Salinas's attitudes to poetry and language : with special reference to the poetry of love." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293587.

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10

Lazic, Boris. "From the Italian Shore : Tracing the Petrarchan Tradition in Alfred Tennyson’s In Memoriam." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-45433.

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This essay is focused on Alfred Tennyson’s In Memoriam, interpreting the poem against the background of a Petrarchan tradition. In this text I show how Tennyson’s work exhibits several parallels to the traditional elements of Petrarchism, both in terms of the themes it explores and of itsmore formal aspects. Among these commonalities are such things as a persistent focus on a distant object of affection, a sense of conflict or tension between earthly and divine love and a overall chronology and progression which ties the sequence together into an almost narrative structure. Besides these simil
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11

Piantanida, Cecilia. "Classical lyricism in Italian and North American 20th-century poetry." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4422c01a-ba88-4fe0-a21f-4804e4c610ce.

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This thesis defines ‘classical lyricism’ as any mode of appropriation of Greek and Latin monodic lyric whereby a poet may develop a wider discourse on poetry. Assuming classical lyricism as an internal category of enquiry, my thesis investigates the presence of Sappho and Catullus as lyric archetypes in Italian and North American poetry of the 20th century. The analysis concentrates on translations and appropriations of Sappho and Catullus in four case studies: Giovanni Pascoli (1855-1912) and Salvatore Quasimodo (1901-1968) in Italy; Ezra Pound (1885-1972) and Anne Carson (b. 1950) in North A
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12

Smith, Jonathan. "Love and marriage, social class, fiction : a study of three Italian novels of the 1880's." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314969.

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13

Reno, Seth T. "Amorous Aesthetics: The Concept of Love in British Romantic Poetry and Poetics." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306247314.

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14

Mackey, Matthew C. "When Bird and Fish Fall in Love." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1596.

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A work of poetry that offers a new method of poetics. By examining translation as a means of understanding relationships, this work offers a nuanced manner for the writing and experience of poetry. When Bird and Fish Fall in Love is a close examination of language, relationships, translation, and the intimacy of conflation.
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15

Gironce-Evrard, Marie-Anne. "La symbolique des saisons dans la poésie lyrique, en Italie, en Espagne et en France, 1465-1645 un prétexte pour dire le temps /." Villeneuve d'Ascq, France : Presses Universitaires du Septentrion, 2000. http://books.google.com/books?id=Wk9ZAAAAMAAJ.

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16

Giugliano, Marcello. "Translating mimesis of orality: Robert Frost’s poetry in catalan and italian." Doctoral thesis, Universitat Pompeu Fabra, 2012. http://hdl.handle.net/10803/127352.

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This doctoral thesis studies the recreation of spoken language in Robert Frost’s poetry and the translation of Frost’s poetry that has been carried out by Agustí Bartra and Miquel Declot into Catalan, and by Giovanni Giudici into Italian. The study starts by describing the meaning of the term mimesis of orality and its main features. It stresses the complexity of the phenomenon, which can be explained better only if a more eclectic theoretical and methodological approach is adopted that focuses on both the linguistic features of mimesis of orality and their potential effect on readers. Frost’s
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17

Rogers, Donna Ann. "Elizabeth Bishop and her women countering loss, love, and language through Bishop's homosocial continuum /." Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002044.

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18

Rogers, Donna. "ELIZABETH BISHOP AND HER WOMEN:COUNTERING LOSS, LOVE, AND LANGUAGE THROUGH BISHOP'S HOMOSOCIAL CONTINUUM." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2992.

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This thesis examines Elizabeth Bishop's seemingly understated and yet nuanced poetry with a specific focus on loss, love, and language through domesticity to create a poetic home. In this sense, home offers security for a displaced orphan and lesbian, moving from filial to amorous love, as well as the literary home for a poet who struggled for critical recognition. Further, juxtaposing the familiar with the strange, Bishop situates her speaker in a construction of artificial and natural boundaries that break down across her topography and represent loss through the multiple female figures that
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19

Rassekh, Chohre. "Mystical poetry of Jalaloddin Rumi and Jacopone da Todi : A comparison." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/28268.

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"Mystical poetry of Jalaloddin Rumi and Jacopone da Todi: A comparison" attempts to analyze and prove the possibility of a comparison of mystical poetry of the Eastern and Western traditions. The consciousness of the One (which is ineffable) is the goal of the mystical experience. This experience finds its expression in the following ways: 1- By affirming its ineffability through the insufficiency of words (the negative way does not exist in complete separation from the affirmative). 2- By relying on imagery and symbols drawn from the phenomenal world and translating abstract concepts into te
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20

Bowe, David James Alexander. "'E io a lui' : dialogic models of conversion and self-representation in medieval Italian poetry." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:ae039556-3805-42b8-90ed-bcc4b065d4da.

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This thesis examines the role of dialogic processes in representations of conversion narratives and expressions of poetic subjectivity across the works of four poets: Guittone d’Arezzo (c.1235-1294), Guido Guinizzelli (c.1230-1276), Guido Cavalcanti (c.1255-1300) and Dante Alighieri (1265-1321). The introduction proposes a definition of ‘dialogic processes’ drawing on theoretical models of performativity and dialogism. It presents the usefulness of these approaches to the analysis of narratives of conversion and accounts of subjectivity in poetry. Chapter 1 analyses Guittone’s conversion poeti
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21

Durham, Alexandra. "Capies, tu modo tende plagas repetition and inversion of the hunting metaphor in Roman love elegy /." Diss., Connect to the thesis, 1999. http://hdl.handle.net/10066/1478.

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22

Schaefer, Thomas. "A Chronology of Error." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1237823424.

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23

Morton, Matthew Travis. ""Improvisation without Accompaniment" and "What Passes Here for Mountains"." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703355/.

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"Improvisation without Accompaniment" is a lyric investigation into the ways that an awareness of mutability and death can clarify or distort our experience of the world. The poems in this collection draw upon the speaker's small-town Texas upbringing to explore broader questions that arise as a consequence of his burgeoning awareness of mortality: What are the moral imperatives for an individual citizen in a larger political community? What are the bidirectional effects of our relationship with place and the environment? Given the painful transience of human experience, what does it mean to l
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24

Rodriguez-Carroll, Natasha L. "Red Factor." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1470331179.

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25

Lacki, Glenn Christopher. "A conspiracy of love : exile and the double Heroides." Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669896.

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26

Cozzone, Iolanda. "Una poeta : perspectives on the translation of Janet Frame's Verse into Italian." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/16610.

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Janet Frame (1924-2004) is known for being one of the most prolific, translated, and unconventional New Zealand novelists. Her work, however, includes a vast production of poems, which scholars and translators have ignored or, at least, not considered worthy for a comprehensive approach to her. Frame's work has undergone the further limitation of a strongly biography-based hermeneutics: from the gossiping around her alleged schizophrenia, to the popularity of the filmic version of her autobiography (An Angel at My Table) by Jane Campion, and the countless legends that have sprung around her, s
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27

Du, Preez Jenny Bozena. "Re-imagining love and intimacy in the poetry of Gabeba Baderoon, Ingrid De Kok, and Makhosazana Xaba." Thesis, Nelson Mandela Metropolitan University, 2014. http://hdl.handle.net/10948/d1020039.

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This dissertation explores the ways in which the poetry of Gabeba Baderoon, Ingrid de Kok and Makhosazana Xaba challenge the sexist discourses that allow for the exploitation of women‘s bodies. It will also examine how they re-imagine the script 1 of heterosexual romantic love which places women in a submissive position and closes down possibilities for human connections which do not fit within the narrow strictures of this notion of love. The poems selected come from Baderoon‘s two collections, The Dream in the Next Body (2005) and A Hundred Silences (2006), an anthology of Ingrid de Kok‘s po
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De, Santo Paola Chiara. "(Ne) Habeas corpus: The Body and the Body Politic in the Figures of the Ambassador and the Courtesan in Renaissance Italy." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11601.

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This dissertation offers a comparative study of two key figures of the Italian Renaissance, the ambassador and the courtesan, and the place of their bodies in relation to the Renaissance body politic. In studying myriad textual spaces of the body natural within writings by and about these two seemingly opposite figures, I find that these spaces range from the material to the metaphorical. In the Renaissance material spaces were increasingly allocated to both figures, urban confinement for the prostitute, and the establishment of the embassy for the ambassador. Metaphorically, the prostitute be
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Barrett, Redfern Jon. "Queer friendship : same sex love in the works of Thomas Gray, Anna Seward, Mary Wollstonecraft and William Godwin." Thesis, Swansea University, 2010. https://cronfa.swan.ac.uk/Record/cronfa43030.

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30

Murray, Ellen J. "“How Silence Best Can Speak”: The Distrust of Speech in George Meredith's Modern Love." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/94.

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The scarcity of speech in George Meredith’s Modern Love creates a deeply psychological narrative, reflecting a distrust of speech and the effectiveness of language in general. The narrator of the poem exists in a space of ambiguity, both blaming and yearning for speech; in his confusion, he remains largely silent. His silence does not only emphasize the distance between husband and wife but also between language and meaning. Furthermore, the narrator’s distrust of language ultimately exposes a breakdown in his certainty of self and truth.
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31

Applauso, Nicolino. "Curses and laughter: The ethics of political invective in the comic poetry of high and late medieval Italy." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10874.

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xiv, 479 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>My dissertation examines the ethical engagement of political invective poetry in thirteenth- and fourteenth-century Italy. Modern criticism tends to treat medieval invective as a playfully subversive but marginal poetic game with minimal ethical weight. Instead, I aim to restore these poetic productions to their original context: the history, law, and custom of Tuscan cities. This contexts allows me to explore how humor and fury, in
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Vergara, Cynthia P. "Gypsie." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/83.

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Many of these poems deal with childhood, love, art, and the search for meaning. Most of the poems have a female voice that is hopeful and acceptant. The format of the thesis goes from adulthood to childhood and works as a return to the familial.
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Bedon, Elettra. "La poesia in lingua veneta dalla fine della Prima Guerra Mondiale a oggi." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26252.

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Writers and poets who wrote in the "language of Venice" are far more numerous than is commonly reported in the history of Italian literature. It is the purpose of this dissertation to present and highlight their works.<br>Since here we mainly deal with writers and poets of the second half of the twentieth century, for which there is no roll call, we deemed it appropriate to research and introduce them, supplying for each of them detailed biobibliographical data.<br>In the course of our work we tried to sketch a subdivision of the matter which keeps in mind what has been previously done, but wh
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34

Bedon, Elettra. "Il filo di Arianna : letteratura in lingua veneta nel XX secolo." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ29888.pdf.

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35

Figueredo, Dheisson Ribeiro. "Trieste e a poética da vida: proposta de tradução de poemas de Umberto Saba." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-31072017-145512/.

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Esta pesquisa surgiu do anseio de ampliar a presença da poesia de Umberto Saba no Brasil. Decidimos, por isso, selecionar e traduzir alguns de seus poemas, usando como critério de escolha o estudo da obra poética do triestino a partir da abordagem mais frequente: a relação entre o sujeito lírico e a cidade de Trieste. Escolhemos esse recorte porque acreditamos que ele possibilita fornecer uma visão abrangente da obra do autor, haja vista que, a partir dessa relação, muitas outras questões importantes para a compreensão de sua poesia podem ser estudadas, em especial aquelas questões engendradas
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36

Giardina, Eleonora. "Gaelic Literature in Translation: the Effect of English Within and Beyond the Contact Zone The Case of Italian Translations." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/17620/.

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In un contesto di lingue minoritarie, come nel caso del gaelico scozzese, la traduzione letteraria verso lingue maggioritarie può avere una natura ambivalente: se da un lato garantisce la diffusione di una letteratura altrimenti isolata, dall’altro potrebbe perpetuare degli squilibri di potere che spesso caratterizzano i rapporti tra la cultura dominante e la cultura minoritaria. Se questo è specialmente vero nella traduzione dal gaelico all’inglese, lingua la cui espansione è avvenuta a scapito della cultura gaelica, è possibile che anche nelle traduzioni italiane, prodotte generalmente trami
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37

Candiloro, Mauro. "La poésie de Paolo Volponi comme forme complexe de relation." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSES022/document.

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À quelques exceptions près, dans le canon littéraire italien comme dans la réception que lui réserva la critique, la poésie de Volponi occupe une place secondaire par rapport à sa production narrative. Cela apparaît comme une contradiction, car l’auteur se considérait avant tout comme un poète. Une contradiction qui va de pair avec une biographie fort riche, qui fait de Volponi un homme et un écrivain à mi-chemin entre participation et dissidence, entre ordre et désordre. À la lumière de tout ceci, nous nous sommes interrogé sur la place que Volponi attribue à la poésie, à partir des notions m
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Figueredo, Dheisson Ribeiro. "Tensões e ambivalências no Canzoniere de Umberto Saba." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-28092010-153733/.

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Esta dissertação tenciona fazer uma leitura da obra Il Canzoniere, de Umberto Saba, com base na linha tensiva descendente que se inicia na coletânea Trieste e una donna (1910-1912), e cujo ponto de menor temperatura é Cose leggere e vaganti (1920). Procuramos focar nossa leitura nas tensões e ambivalências que perpassam a produção poética do triestino nesse período. Desse modo, o trabalho está estruturado em três capítulos: no primeiro, centramos atenção em Trieste e una donna e tentamos compreender como se estabelece a relação de confluencia entre o eu-lírico e o sensível, como busca de apree
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39

Byars, Matthew. "Ordinary Madness." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/71.

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ORDINARY MADNESS by MATTHEW ARDEN BYARS Under the Direction of Dr. Beth Gylys ABSTRACT The following document is a brief introduction to- and selection of the poetry I have written in the years directly preceding, during, and directly after my tenure as a student in the doctoral program in creative writing at Georgia State University. The poems contained herein represent the scope of my artistic development in the field of poetry, and are a culmination of my study in the doctoral creative writing program. What growth and/or maturity they display is subjective and is, thus, for the reader to
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40

Schulz, Ulrike-Marianne. "Liebe, Ehe und Sexualität im vorreformatorischen Meistersang Texte und Untersuchungen /." Göppingen : Kümmerle, 1995. http://books.google.com/books?id=6L1bAAAAMAAJ.

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Connolly, Margaret. "An edition of 'Contemplations of the dread and love of God'." Thesis, University of St Andrews, 1991. http://hdl.handle.net/10023/2786.

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This thesis presents an edition of Contemplations of the Dread and Love of God, a late Middle English devotional prose text for which no critical edition is currently available. I have transcribed and collated the text from all sixteen extant manuscripts and the 1506 printed edition. An investigation of the errors and variants according to the classical method of textual criticism has yielded little in the way of conclusive results, and it has therefore not proved possible to construct a stemma of manuscripts from the corpus of evidence as it now exists. My edition therefore uses one manuscrip
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42

Adams, Stephen D. (Stephen Duane). ""Looking into the Heart of Light, the Silence": The Rule of Desire in T.S. Eliot's Poetry." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc935756/.

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The poetry of T. S. Eliot represents intense yet discriminate expressions of desire. His poetry is a poetry of desire that extenuates the long tradition of love poetry in Occidental culture. The unique and paradoxical element of love in Occidental culture is that it is based on an ideal of the unconsummated love relationship between man and woman. The struggle to express desire, yet remain true to ideals that have deep sacred and secular significance is the key animating factor of Eliot's poetry. To conceal and reveal desire, Eliot made use of four core elements of modernism: the apocalyptic v
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Wynn, Samantha M. "Dreams and Other Things." Cleveland State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=csu1400009486.

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44

Carpita, Chiara. "Rebellion to the Gods : dialogue and conflict with tradition in the poetry of Amelia Rosselli from 'Primi Scritti' to 'Variazioni belliche'." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:ae1a9f6e-4503-4ea1-9a8f-83344a818077.

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This thesis focuses on Intertexuality in the Poetry of Amelia Rosselli from Primi Scritti (1952-1963) to Variazioni belliche (1959-1961). The research is based on the annotated books of the author's personal library kept in the Fondo Rosselli of Viterbo and of her personal documents, letters and original typescripts of her works held in the Centro Manoscritti Autori Moderni e Contemporanei of the University of Pavia. Rosselli's annotations are studied for the first time and they have proved to be essential for the interpretation of her poetry. Rosselli's aspiration to Gesamtskunstwerk is refle
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Sterzi, Eduardo 1973. "Incipit : a Vita Nova e a irrupção da lirica moderna." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270285.

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Orientador: Marcio Orlando Seligmann-Silva<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-07T08:00:44Z (GMT). No. of bitstreams: 1 Sterzi_Eduardo_D.pdf: 2837671 bytes, checksum: 39cae6f53388a9a2a74341ffa23d7fbf (MD5) Previous issue date: 2006<br>Resumo: Neste estudo, propomos uma compreensão renovada da obra de Dante Alighieri a partir da hipótese de que seu primeiro livro, a Vita Nova, oferece uma representação da irrupção da lírica moderna. Inicialmente, buscamos determinar o sentido desta irrupção (e, pois
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Klein, Kaitlyn Marie. "Literary Love(r)s: Recognizing the Female Outline and its implications in Roman Verse Satire." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2825.

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The existence of a metaphoric female standing in for poetic style was only plainly discussed in a paper from 1987 concerned with Roman elegiac poetry. This figure is given the title of scripta puella or written woman, since her existence depends solely on the writings of an author. These females often appear to have basis in reality; however there is insufficient evidence to allow them to cross out of the realm of fantasy. The term scripta puella in poetry refers to a perfected poetic form, one the author prefers over all others, and a human form creates the illusion of a mistress. Using this
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O'Brien, Erica F. ""FLIPPING THE SCRIPT": FEMININE CULPABILITY MODELS IN FIFTEENTH-CENTURY IBERIAN TEXTS." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/577421.

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Spanish<br>Ph.D.<br>This dissertation explores the ways in which feminine culpability is verbally articulated by the male courtly lover to his beloved lady within the amorous relationship in three fifteenth-century Spanish sentimental novels: Diego de San Pedro’s Cárcel de amor, published in 1492, and two of Juan de Flores' sentimental novels, Grimalte y Gradissa and Grisel and Mirabella, both published in approximately 1495, and how these motifs of feminine culpability are subverted in the anonymous fifteenth-century Catalan chivalric novel Curial e Güelfa. This subversion of culpability moti
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48

Guenther, Ben. "oPPOSITE dAY." Ohio University Art and Sciences Honors Theses / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ouashonors1265385993.

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49

Green, Sarah E. "Earth Science." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1427967539.

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50

Morelli, Nicolo. "Aspects of animal imagery in Petrarch's 'Rerum Vulgarium Fragmenta'." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/286587.

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This thesis examines the role of animal imagery in Petrarch's 'Rerum vulgarium fragmenta' (Rvf) as a means of elucidating his poetics in conversation with his predecessors. To achieve this aim, the present study compares and contrasts Petrarch's poetry with that of the poets quoted in Rvf 70, namely Arnaut Daniel, Guido Cavalcanti, Dante Alighieri and Cino da Pistoia. My research sheds light on the way in which Petrarch draws on and diverges from his precursors as he establishes his poetic language. The comparison between Petrarch and one or more of his predecessors poses three areas of enquir
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