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Journal articles on the topic 'Italian poetry Love in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Defaux, Gérard. "(Re)visiting Délie: Maurice Scève and Marian Poetry*." Renaissance Quarterly 54, no. 3 (2001): 685–740. http://dx.doi.org/10.2307/1261922.

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Si iracunda, aut avaritia, aut carnis illecebra naviculam concusserit mentis, respice ad Mariam.— Bernard, In laudibus Virginis MatrisFactat animam Vulcanus, vestes aptat Pallas, fucat Venus, & cesto cingit, ornant cteterte Den, docet pessimos mores Mercurius. Et quia omni genere rerum a Diis donata esset, Pandoram appellat.— Jean Olivier, PandoraCelle qui est la Vertu, et la Grace …Monstre, qu'en soy elle a plus, que de femme.— Délie, D354 and 284This study proposes a new reading of Delie and tries to shed a new light on the poet himself. Sceve appears here not only as the humanist we all

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2

Blackmore, Josiah. "Melancholy, Passionate Love, and the Coita d'Amor." PMLA/Publications of the Modern Language Association of America 124, no. 2 (2009): 640–46. http://dx.doi.org/10.1632/pmla.2009.124.2.640.

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From (Pseudo-)Aristotle's reflections on wine, poetry, and heroes in problems, book 30, to modern psychoanalytic theory and depression, melancholy has claimed the attention of artists and thinkers throughout the history of Western culture. According to Jennifer Radden's historical analysis, melancholy was “a central cultural idea, focusing, explaining, and organizing the way people saw the world and one another and framing social, medical, and epistemological norms” (vii). It takes a number of forms: for ancient Greek physicians it was a somatic malady, an overwrought contemplativeness and mor

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3

Barros, Paula. "In Fortune Fair and Foul." Critical Survey 32, no. 3 (2020): 82–93. http://dx.doi.org/10.3167/cs.2020.320308.

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This article focuses on the idiosyncratic conception of happiness Sir Kenelm Digby develops in the letters he wrote after the death of his wife in 1633. It contextualises Digby’s vision of happiness through an examination of the different traditions he revisits and appropriates to develop his personal and subjective ethics of self-care, mainly Renaissance Neoplatonism, the idealisation of conjugal love, the idealism of Italian poetry, and an ascetic model of widowhood linked to the tradition of spiritual mourning. It analyses how Digby’s conception of happiness, through its vindication of subj

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4

Ustinovskaya, Alena. "ПЕРЕВОД КАК ДИАЛОГ ТРАДИЦИЙ И КУЛЬТУР («АНАКРЕОНТИЧЕСКАЯ ПЕСЕНКА» Н. С. ГУМИЛЕВА)". Проблемы исторической поэтики 18, № 4 (2020): 288–305. http://dx.doi.org/10.15393/j9.art.2020.8722.

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The article is devoted to the analysis of the Anacreontic Song by Théophile Gautier, translated by N. S. Gumilev, which is examined against the background of the Russian and global Anacreontic tradition. Imitation of Anacreon is rooted in antiquity: his figure became a symbol of light lyric poetry that glorified sensual pleasures. Anacreon’s own legacy is not as extensive as pseudo-Anacreontic poetry: this tradition is present in English, French, German, Italian and Russian literature. In the process of translating Odelette anacréontique by Théophile Gautier, Gumilev enters into intercultural

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5

Soler, Abel. "«Major de tots los poetes e oradors»: la condecoració humanística del cavaller Curial." Revista de lenguas y literaturas catalana, gallega y vasca 23 (December 17, 2018): 13. http://dx.doi.org/10.5944/rllcgv.vol.23.2018.23226.

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En la novel·la cavalleresca Curial e Güelfa (ca. 1445-1448), anònima i escrita en català, l’autor transforma un cavaller-trobador del segle xiii, Curial, en un cavaller bibliòfil i humanista (orator et poeta): educat «entre los grans philòsofs, poetes e oradors» i estudiós de les ciències liberals, la filosofia moral i la poesia clàssica. Curial —probable alter ego de l’escriptor— visita un Parnàs oníric, on Apol·lo li atorga el títol de «major de tots los poetes e oradors qui vuy son». La somniada coronació serveix d’excusa a l’autor per a fer una defensa de la literatura de ficció i per a pr

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6

Pasolini, Pier Paolo, Rosa Mucignat, and Cristina Viti. "The Turks in Friuli." PMLA/Publications of the Modern Language Association of America 135, no. 2 (2020): 329–43. http://dx.doi.org/10.1632/pmla.2020.135.2.329.

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Pier Paolo Pasolini Continues to Be Known Outside of Italy Primarily as A filmmaker and Controversial Public Intellectual whose uncompromising explorations of sexuality, religious meaning, and social exclusion gave expression to a “uniquely provocative and prophetic modernity” (Hirschman 9). Recent scholarship in English is only beginning to reveal the extraordinary variety and quality of Pasolini's writing in Italian, and it has barely touched on his early works in Friulian. Friulian is a Romance variety spoken in Friuli, a region in the far northeast of Italy, where Pasolini spent many a sum

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7

Garcia Busquets, Anna. "A primera sang: batalles nupcials en la Catalunya barroca. Els epitalamis al galant Alba de Francesc Fontanella." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 10 (December 6, 2017): 229. http://dx.doi.org/10.7203/scripta.10.11081.

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Resum: A l’antiga Grècia i Roma els epitalamis actuaven com a preludi eròtic de la nit nupcial. Claudià, a l’antiguitat tardana, va tractar el motiu del desflorament com a pugna amoris amb lasciu refinament. A partir del Quattrocento italià, l’Europa moderna va reprendre amb profusió aquesta tradició laudatòria d’erotisme estilitzat amb cants consagrats a la unió de les famílies il·lustres. El poeta barroc Francesc Fontanella (1622-1682/83) va compondre quatre magnífics epitalamis dedicats a les noces d’un enigmàtic personatge: el ‘galant Alba’. Diversos estudis han intentat, sense èxit, desve

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8

Chandran, K. Narayana, S. K. Sareen, and Kapil Kapoor. "South Asian Love Poetry." World Literature Today 70, no. 3 (1996): 760. http://dx.doi.org/10.2307/40042309.

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9

Young, R. V. "Love, Poetry, and John Donne in the Love Poetry of John Donne." Renascence 52, no. 4 (2000): 251–73. http://dx.doi.org/10.5840/renascence20005246.

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10

Armani, David, and Louise Gormley. "Persian Love Poetry." American Journal of Islam and Society 25, no. 1 (2008): 136–38. http://dx.doi.org/10.35632/ajis.v25i1.1503.

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This little book is a beguiling collection of Persian love poems drawn fromboth classical and modern poetry, but united by the theme of love in its myriadinterpretations. Included are poems that explore the spiritual lovebetween humans and God, the magical love between lovers or spouses, theaffectionate love between family members and between friends, and eventhe patriotic love for one’s homeland. Each poem is accompanied with a preciousPersian chef d’oeuvre from the British Museum and, in particular, numerous illustrations of Persian miniatures. The editors come to this subjectwith vast exper

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11

Vinall, Shirley W., and Willard Bohn. "Italian Futurist Poetry." Modern Language Review 103, no. 2 (2008): 560. http://dx.doi.org/10.2307/20467851.

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12

Gatta, John. "Richard Wilbur's Poetry of Love." Renascence 45, no. 1 (1992): 3–15. http://dx.doi.org/10.5840/renascence1992/1993451/220.

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13

Hancock, Tim. "The Chemistry of Love Poetry." Cambridge Quarterly 36, no. 3 (2007): 197–228. http://dx.doi.org/10.1093/camqtly/bfm004.

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14

Silviu-Dan, Fanny, and Keith Woodhouse. "Poetry." Critical Survey 30, no. 2 (2018): 120–22. http://dx.doi.org/10.3167/cs.2018.300207.

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15

Pintarič, Miha. "Hate Speech and French Mediaeval Literature." Acta Neophilologica 51, no. 1-2 (2018): 63–70. http://dx.doi.org/10.4312/an.51.1-2.63-70.

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Hate speech is spoken or written word which expresses a hostile attitude of a dominating majority towards any kind of minority. The author analyses a few examples of hate speech in literary history and concludes that such a phenomenon is typical of The Song of Roland, whether uttered in a direct way or spoken between the lines. One will expect hate speech in epic and heroic poetry, less in the Troubadour poetry. Yet we come across this awkward characteristic even in their love poetry. To be quite clear, in the poetry of Bernart de Ventadorn. The last part of the article is about the courtly ro

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16

PERRIAM, CHRISTOPHER. "METAPHORICAL MACHISMO: NERUDA'S LOVE POETRY." Forum for Modern Language Studies XXIV, no. 1 (1988): 58–77. http://dx.doi.org/10.1093/fmls/xxiv.1.58.

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17

Gaylard, Gerald. "LOVE IN THE TIME OF ILLNESS: DAMBUDZO MARECHERA'S LOVE POETRY." English Studies in Africa 50, no. 2 (2007): 89–100. http://dx.doi.org/10.1080/00138390709485251.

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18

Gardner, Thomas, and Eric Murphy Selinger. "Meeting Apart: Love in American Poetry." Contemporary Literature 41, no. 2 (2000): 368. http://dx.doi.org/10.2307/1208765.

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19

Hainsworth (book editor), Peter, Emmanuela Tandello (book editor), and Antonio Franceschetti (review author). "Italian poetry since 1956. The Italianist." Quaderni d'italianistica 17, no. 2 (1996): 159–60. http://dx.doi.org/10.33137/q.i..v17i2.10315.

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20

Sider, David. "The Love Poetry of Philodemus." American Journal of Philology 108, no. 2 (1987): 310. http://dx.doi.org/10.2307/294819.

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21

Abramson, Glenda. "The Love Poetry of Yehuda Amichai." AJS Review 11, no. 2 (1986): 221–49. http://dx.doi.org/10.1017/s0364009400001707.

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If Yehuda Amichai does not use as topics for his work all three of those that Dante considered fundamental to poetry, salus, venus, and virtus, the second, venus, appears as a pervasive theme, perhaps the most pervasive throughout his work, revealing a consistency of idea which has unfailingly moved through the structured verse of the early volumes to the less tersely conceived poems of later years. One of the primary topics of his poetry is the alteration of love within a variety of contexts: time, war, youth and maturity, memory and religion. Love is the framework in which most of the events

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22

Gowers, Emily. "Vegetable Love: Virgil, Columella, and Garden Poetry." Ramus 29, no. 2 (2000): 127–48. http://dx.doi.org/10.1017/s0048671x00001624.

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In 65 CE, a Spanish writer appointed himself Virgil's heir and stepped into a breach that did not really exist. L. Iunius Moderatus Columella chose to attach to his self-styled prose ‘monument’ of agricultural instruction an ornamental didactic poem on gardening, to fill the gap apparently left by Virgil at the start of Georgic 4. The result has been regarded for the most part as a misguided experiment, an uninspired pastiche of clippings and half-lines from a greater poet. Yet in recent years, as part of the wholescale rehabilitation of ‘second-rate’ Latin literature, it has begun to be consi

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23

DOYLE, JENNIFER. "Jo March's Love Poems." Nineteenth-Century Literature 60, no. 3 (2005): 375–402. http://dx.doi.org/10.1525/ncl.2005.60.3.375.

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At key moments in Louisa May Alcott's novel Little Women (1868-69) we encounter poetry written by the tomboy heroine, Jo March. This essay considers the place of those poems in a lesbian reading of the novel.

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24

Gillespie, Gerald. "Anna Balakian: For the Love of Poetry." Comparative Critical Studies 7, no. 2-3 (2010): 211–28. http://dx.doi.org/10.3366/ccs.2010.0007.

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25

Julius, Anthony. "Love Poetry and the Art of Advocacy." Critical Quarterly 39, no. 2 (1997): 3–22. http://dx.doi.org/10.1111/1467-8705.00095.

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26

Erickson, Peter. "The Love Poetry of June Jordan." Callaloo, no. 26 (1986): 221. http://dx.doi.org/10.2307/2931089.

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27

Parker, S., and P. Murgatroyd. "Love poetry and Apuleius’ Cupid and Psyche." Classical Quarterly 52, no. 1 (2002): 400–404. http://dx.doi.org/10.1093/cq/52.1.400.

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28

Hughes, Glenn. "Love, Terror, and Transcendence in Emily Dickinson’s Poetry." Renascence 66, no. 4 (2014): 283–304. http://dx.doi.org/10.5840/renascence201466421.

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29

Hashmi, Alamgir, and Darshan Singh. "Love at Every Step; My Concept of Poetry." World Literature Today 65, no. 1 (1991): 196. http://dx.doi.org/10.2307/40146383.

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30

Ganassi, Ian. "Poetry: I do not Love Thee Doctor Fell." Yale Review 88, no. 3 (2000): 87–88. http://dx.doi.org/10.1111/0044-0124.00426.

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31

Condini (book editor and translator), Ned, Dana Renga (book editor and introducer), and Corrado Federici (review author). "An Anthology of Modern Italian Poetry in English Translation, with Italian Text." Quaderni d'italianistica 30, no. 2 (2009): 169–71. http://dx.doi.org/10.33137/q.i..v30i2.11916.

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32

Hainsworth, Peter, Alessandro Gentili, and Catherine O'Brien. "The Green Flame: Contemporary Italian Poetry." Modern Language Review 84, no. 2 (1989): 493. http://dx.doi.org/10.2307/3731631.

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33

Snell, Ana Maria, and Julian Olivares. "The Love Poetry of Francisco de Quevedo." MLN 102, no. 2 (1987): 402. http://dx.doi.org/10.2307/2905700.

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34

Kaplis-Hohwald, Laurie, Julian Olivares, and Francisco de Quevedo. "The Love Poetry of Francisco de Quevedo." Hispanic Review 53, no. 2 (1985): 242. http://dx.doi.org/10.2307/473328.

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35

Borg, Gert. "Love Poetry by Arab Women A Survey." Arabica 54, no. 4 (2007): 425–65. http://dx.doi.org/10.1163/157005807782322445.

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AbstractPoetry by Arab women has often been neglected to a point, that many thought of it as hardly playing any role at all in the Arabic literary heritage, an exception being pre-Islamic marātī. This contribution tries to assess the importance of medieval love poetry by women in relation to Bauers far reaching conclusions about male love poetry in his Liebe und Liebesdichtung, etc. and its outline of Arab medieval "Mentalitätsgeschichte".The contribution that female love poetry offers to understand medieval Arab society is disappointing for two reasons:1. It is very much inspired by the every

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36

Payne (book author), Roberta L., and Corrado Federici (review author). "A Selection of Modern Italian Poetry in Translation." Quaderni d'italianistica 25, no. 2 (2004): 147–49. http://dx.doi.org/10.33137/q.i..v25i2.9200.

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37

Skenazi, Cynthia, and Jerry C. Nash. "The Love Aesthetics of Maurice Sceve. Poetry and Struggle." SubStance 21, no. 1 (1992): 145. http://dx.doi.org/10.2307/3685356.

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38

Nurhamidah, Idha. "Teen’s Anxiety Through Poetry: Love or Dream?" Dinamika Bahasa dan Budaya 13, no. 2 (2018): 43–51. http://dx.doi.org/10.35315/bb.v13i2.6456.

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Teens are identical with instability and anxiety for which they need to express as their individual self-actualization. So far there have been no such efforts to accommodate their needs through literary works. The current study explores the dictions employed in English poems written by the students (identified as teens) of English Letters Study Program to find about how far a poem can be as a means for teens to express their feelings. The subjects were assigned to write poems of their interests. The 32 poems were then analyzed and interpreted to find out how most students expressed their anxie

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39

Abbott, H. "POETRY AND MUSIC: A DOOMED LOVE AFFAIR?" French Studies Bulletin 30, no. 113 (2009): 84–87. http://dx.doi.org/10.1093/frebul/ktp033.

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40

Orsini, Francesca. "From Eastern Love to Eastern Song: Re-translating Asian Poetry." Comparative Critical Studies 17, no. 2 (2020): 183–203. http://dx.doi.org/10.3366/ccs.2020.0358.

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This essay explores the loop of translations and re-translations of ‘Eastern poetry’ from Asia into Europe and back into (South) Asia at the hands of ‘Oriental translators’, translators of poetry who typically used existing translations as their original texts for their ambitious and voluminous enterprises. If ‘Eastern’ stood in all cases for a kind of exotic (in the etymological sense of ‘from the outside’) poetic exploration, for Adolphe Thalasso in French and E. Powys Mathers in English, Eastern love poetry could shade into prurient ethno-eroticism. For the Urdu poet and translator Miraji,

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41

Kerrigan, William, and Gordon Braden. "Milton's Coy Eve: Paradise Lost and Renaissance Love Poetry." ELH 53, no. 1 (1986): 27. http://dx.doi.org/10.2307/2873146.

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42

Kubi, Benjamin. "Department of Ghanaian Languages and Linguistics, University of Cape Coast, Ghana." International Journal of Comparative Literature and Translation Studies 6, no. 2 (2018): 43. http://dx.doi.org/10.7575/aiac.ijclts.v.6n.2p.43.

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Love, as a subject, has received a lot of attention in literature, particularly poetry. This is probably because poetry is traditionally seen as the creative exploration and expression of an individual’s emotion and passion. A genre of Ga oral poetry that has love as its primary subject is the adaawe songs which are sung by Ga maidens. This paper examines an aspect of Ga women’s discourse on love in the songs. Particularly, it examines how love is bemoaned. This was done based on the premise that, as a creative exploration and expression of individuals’ emotions and passions, adaawe songs cont

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43

Woodhouse, J. R., and Patrick Boyde. "Night Thoughts on Italian Poetry and Art." Modern Language Review 81, no. 2 (1986): 505. http://dx.doi.org/10.2307/3729773.

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44

Lindon, John, and Deirdre O'Grady. "Alexander Pope and Eighteenth-Century Italian Poetry." Modern Language Review 85, no. 1 (1990): 213. http://dx.doi.org/10.2307/3732870.

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45

Kinkade, Richard P., Jorge Manrique, and Frank A. Dominguez. "Love and Remembrance: The Poetry of Jorge Manrique." Hispanic Review 58, no. 4 (1990): 519. http://dx.doi.org/10.2307/473663.

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46

Eckhardt, Joshua. ""Love-song weeds, and Satyrique thornes": Anti-Courtly Love Poetry and Somerset Libels." Huntington Library Quarterly 69, no. 1 (2006): 47–66. http://dx.doi.org/10.1525/hlq.2006.69.1.47.

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47

Vitiello, Justin. "Translating the Contemporaneity of Neodialect Italian Poetry." Forum Italicum: A Journal of Italian Studies 35, no. 2 (2001): 498–506. http://dx.doi.org/10.1177/001458580103500213.

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48

Sconza, M. Jean, Frank A. Dominguez, and Jorge Manrique. "Love and Remembrance: The Poetry of Jorge Manrique." South Central Review 8, no. 2 (1991): 111. http://dx.doi.org/10.2307/3189203.

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49

Dahami, Yahya Saleh Hasan, and Abdullah Al Ghamdi. "MUA'LLAGAT ZOHAYR IBN ABI SOLMA: ELEGANT PIECE OF ARABIC POETRY (1)." International Journal of Applied Research in Social Sciences 3, no. 1 (2021): 1–11. http://dx.doi.org/10.51594/ijarss.v3i1.208.

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Zohayr ibn Abi Solma is identified as an eminent poet who produced poetry distinguished with preeminence in courtly and virtuous love. The study employs an analytical and critical methodology, attempting to elucidate the influence of virtuous love narrated by the poet in the first verse lines of his great Mua'llagah. It commences with a terse introductory synopsis shedding light on the importance of classical Arabic and its involvement with poetry. The paper attempts to prove, via the poetry of Zohayr ibn Abi Solma, the greatness of the Arabic classical poetry and demonstrate the aptitudes of

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50

Mascetti, Yaakov A. "Tokens of Love." Common Knowledge 27, no. 1 (2021): 1–39. http://dx.doi.org/10.1215/0961754x-8723023.

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Contextualist scholars working on the rhetoric of corporeal presence in seventeenth-century English religious lyrics have naturally focused their attention on sacramental discourse of the Reformation era. As part of the Common Knowledge symposium on the future of contextualism, this full-length monograph, serialized in installments, argues that the contextualist focus on a single and time-limited “epistemic field” has resulted in a less than adequately ramified understanding of the poetry of John Donne, George Herbert, Aemilia Lanyer, and John Milton. What the contextualist approach misses is

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