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Relevant bibliographies by topics / Italian Renaissance

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Academic literature on the topic 'Italian Renaissance'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Italian Renaissance"

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Tagarelli, Antonio, Giuseppe Tagarelli, Paolo Lagonia, and Anna Piro. "Italian Renaissance." Archives of Dermatology 148, no. 8 (2012): 938. http://dx.doi.org/10.1001/archdermatol.2012.1467.

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Eskhult, Josef. "Vulgar Latin as an emergent concept in the Italian Renaissance (1435–1601): its ancient and medieval prehistory and its emergence and development in Renaissance linguistic thought." Journal of Latin Linguistics 17, no. 2 (2018): 191–230. http://dx.doi.org/10.1515/joll-2018-0006.

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Abstract This article explores the formation of Vulgar Latin as a metalinguistic concept in the Italian Renaissance (1435–1601) considering its continued, although criticized, use as a concept and term in modern Romance and Latin linguistics (1826 until the present). The choice of this topic is justified in view of the divergent previous modern historiography and because of the lack of a coherent historical investigation. The present study is based on a broad selection of primary sources, in particular from classical antiquity and the Italian Renaissance. Firstly, this article traces and clari

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Kusenko, Olga, and Oleg Ermishin. "V.N. Ilyin. Italian Culture, Italian Humanism and Florence." History of Philosophy 29, no. 2 (2024): 100–117. http://dx.doi.org/10.21146/2074-5869-2024-29-2-100-117.

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The first published essay by V.N. Ilyin about the culture of the Italian Renaissance introduces readers to the Renaissance concept of the author and his more general historiosophical views. This vibrant emotional text, full of philosophical and theological inspirations, transfers the readers to fifteenthcentury Florence, to the very heart of the Renaissance flourishing under the Medici dynasty. Ilyn reflects on the masterpieces of Fra Beato Angelico, Filippo Lippi, Benozzo Gozzoli, and other outstanding representatives of the Quattrocento. In connection with Florentine Renaissance history, the

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Russo (book author), Mauda Bregoli, and Julius A. Molinaro (review author). "Renaissance Italian Theater." Quaderni d'italianistica 7, no. 1 (1986): 133. http://dx.doi.org/10.33137/q.i..v7i1.11021.

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Joost-Gaugier, Christine L., and Werner L. Gundersheimer. "The Italian Renaissance." Sixteenth Century Journal 25, no. 3 (1994): 757. http://dx.doi.org/10.2307/2542707.

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Sonnino, Paul, and Paul Robert Walker. "The Italian Renaissance." History Teacher 30, no. 1 (1996): 111. http://dx.doi.org/10.2307/494231.

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ELLIOTT, SARA. "ITALIAN RENAISSANCE PAINTING." Art Book 1, no. 2 (1994): 19. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00017.x.

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Mallett, Michael. "Italian renaissance diplomacy." Diplomacy & Statecraft 12, no. 1 (2001): 61–70. http://dx.doi.org/10.1080/09592290108406188.

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Kusenko, Olga I. "Evgenij Anan’in and the problem of the Italian Renaissance." Philosophy Journal 14, no. 2 (2021): 138–52. http://dx.doi.org/10.21146/2072-0726-2021-14-2-138-152.

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A reevaluation of the dogmas and canons rooted in the Renaissance historiography was а сommon trend in the studies in this field in the first half of the 20th century. At that time, there appeared many original concepts that corrected or completely refuted the previous ones. The present article is devoted to the participation of the Russian historian Evgenij Anan’in, who lived and worked in Italy, in the debates around the notion of the Italian Renaissance and to his attempts to contribute to the elimination of various cliché from the field of Renaissance studies (primarily to abolish the pos

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Zhou, Gang. "The Chinese Renaissance: A Transcultural Reading." PMLA/Publications of the Modern Language Association of America 120, no. 3 (2005): 783–95. http://dx.doi.org/10.1632/003081205x63859a.

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This paper examines the ways in which the idea of renaissance was understood and appropriated by Chinese intellectuals in the early twentieth century. My discussion foregrounds Hu Shi, one of the most important intellectual leaders in modern China and the main architect of the Chinese vernacular movement. I analyze his rewriting and reinvention of the European Renaissance as well as his declaration and presentation of the Chinese Renaissance in various contexts. Hu's creative uses of the Italian Renaissance and passionate claims for a Chinese Renaissance reveal the performative magic of the wo

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Dissertations / Theses on the topic "Italian Renaissance"

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Leino, Marika Annikki. "Italian Renaissance plaquettes in context." Thesis, University of London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408126.

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Kline, Jonathan Dunlap. "Christian Mysteries in the Italian Renaissance: Typology and Syncretism in the Art of the Italian Renaissance." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/4976.

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Art History<br>Ph.D.;<br>My dissertation studies the typological juxtaposition and syncretic incorporation of classical and Christian elements-subjects, motifs, and forms-in the art of the Italian Renaissance and the significant meaning of classical subjects and figures in such contexts. In this study, I analyze the interpretative modes applied to extra-Biblical and secular literature in the Italian Tre- and Quattrocento and the syncretic philosophies of the later Quattro- and early Cinquecento and reevaluate selected works of art from the Italian Renaissance in light of the period claims and

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McCue, Maureen Clare. "British Romanticism and Italian Renaissance art." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2680/.

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This study examines British Romantic responses to Italian Renaissance art and argues that Italian art was a key force in shaping Romantic-period culture and aesthetic thought. Italian Renaissance art, which was at once familiar and unknown, provided an avenue through which Romantic writers could explore a wide range of issues. Napoleon’s looting of Italy made this art central to contemporary politics, but it also provided the British with their first real chance to own Italian Old Master art. The period’s interest in biography and genius led to the development of an aesthetic vocabulary that m

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Schadee, Hester. "Julius Caesar in the Early Italian Renaissance." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508650.

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Comiati, Giacomo. "Horace in the Italian Renaissance (1498-1600)." Thesis, University of Warwick, 2015. http://wrap.warwick.ac.uk/79572/.

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This dissertation aims to study the reception of the Latin poet Horace in the Italian Renaissance, taking into consideration works composed in several different genres both in Latin and Italian vernacular between 1498 and 1600. This thesis follows five main pathways of investigation: 1) to study the Renaissance biographies of the poet; 2) to analyse several exegetical works both in Horace’s single texts and his whole corpus; 3) to study the Italian translations written both in prose and verse which were made during the Cinquecento; 4) to study in depth those who imitated Horace in their lyrica

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Leyland, Anthony Allan. "Ezra Pound and the Italian Renaissance, 1915 - 1930." Thesis, University of York, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.440733.

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Lasansky, D. Medina. "Italian Renaissance refashioned : Fascist architecture and urban spectacle /." View online version; access limited to Brown University users, 1999. http://wwwlib.umi.com/dissertations/fullcit/9936645.

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Tobey, Elizabeth MacKenzie. "The palio in Italian Renaissance art, thought, and culture." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2458.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: Art History and Archaeology. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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Green, David M. "The depiction of musical instruments in Italian Renaissance painting." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.241296.

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Clarke, Georgia Margot. "Italian Renaissance urban domestic architecture : the influence of Antiquity." Thesis, Courtauld Institute of Art (University of London), 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264517.

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Books on the topic "Italian Renaissance"

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Clare, John D. Italian Renaissance. Edited by Clare John D. 1952-. Harcourt Brace, 1995.

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Plumb, J. H. The Italian Renaissance. Houghton Mifflin, 1987.

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Donato, Antonio. Italian Renaissance Utopias. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03611-9.

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G, Mallet J. V., Liefkes Reino 1959-, and Victoria and Albert Museum, eds. Italian Renaissance maiolica. V&A Pub., 2012.

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Annemarie, Sawkins, Franklin David, Waldman Louis Alexander, and Patrick and Beatrice Haggerty Museum of Art., eds. Italian Renaissance masters. Haggerty Museum of Art, Marquette University, 2001.

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Museum, British, ed. Italian Renaissance drawings. British Museum Press, 2010.

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Wyndham, Pope-Hennessy John. Italian renaissance sculpture. 3rd ed. Phaidon, 1986.

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Corporation, Marshall Cavendish, ed. The Italian Renaissance. M. Cavendish, 1989.

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Maritz, Reiner E. The Italian Renaissance. Edited by Reimann Elke, Greene James, RM Arts (Firm), Films for the Humanities (Firm), and Reiner Moritz Associates. Films for the Humanities & Sciences, 2006.

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Wyndham, Pope-Hennessy John. Italian Renaissance sculpture. Phaidon Press, 2000.

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Book chapters on the topic "Italian Renaissance"

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Capecchi, Danilo. "Italian Renaissance statics." In History of Virtual Work Laws. Springer Milan, 2012. http://dx.doi.org/10.1007/978-88-470-2056-6_5.

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Callanan Martin, Kathleen, and John McGrath. "The Italian Renaissance." In The Modernization of the Western World, 3rd ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003467328-6.

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Prizer, William F. "North Italian Courts, 1460–1540." In The Renaissance. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20536-3_4.

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Donato, Antonio. "Introduction." In Italian Renaissance Utopias. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03611-9_1.

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Donato, Antonio. "An Introduction to Belluzzi or The Happy City by Lodovico Zuccolo." In Italian Renaissance Utopias. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03611-9_10.

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Donato, Antonio. "Translation of Belluzzi or The Happy City by Lodovico Zuccolo." In Italian Renaissance Utopias. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03611-9_11.

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Donato, Antonio. "An Introduction to Wise and Crazy World by Anton Francesco Doni." In Italian Renaissance Utopias. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03611-9_2.

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Donato, Antonio. "Translation of Wise and Crazy World by Anton Francesco Doni." In Italian Renaissance Utopias. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03611-9_3.

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Donato, Antonio. "An Introduction to The Happy City by Francesco Patrizi of Cherso." In Italian Renaissance Utopias. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03611-9_4.

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Donato, Antonio. "Translation of The Happy City by Francesco Patrizi of Cherso." In Italian Renaissance Utopias. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03611-9_5.

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Conference papers on the topic "Italian Renaissance"

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PLESCAU, Ionut Alexandru. "The Byzantine Influence on the Italian Renaissance." In 12th LUMEN International Scientific Conference Rethinking Social Action. Core Values in Practice RSACVP 2019, 15-17 May 2019, Iasi, Romania. LUMEN Publishing house, 2019. http://dx.doi.org/10.18662/lumproc.172.

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Durão, Maria. "Considerations on colour techniques in Italian Renaissance painting." In The 2nd International Multidisciplinary Congress Phi 2016 – Utopia(S) – Worlds and Frontiers of the Imaginary. CRC Press, 2016. http://dx.doi.org/10.1201/9781315265322-33.

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Пичугина, О. К. "TAPESTRIES IN ITALY DURING THE RENAISSANCE." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.23.

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Статья посвящена истории развития шпалерного ткачества и бытования шпалер на территории Италии в XV–XVI вв. Рассматривается возникновение центров шпалерного производства в Венеции, Мантуе, Ферраре, Флоренции и Риме. Выявляется определяющая роль бургундских и нидерландских ткачей в создании шпалерных мастерских под патронажем итальянской аристократии и включение в ковровое производство выдающихся итальянских художников от Мантеньи и Козимо Тура до Рафаэля, Сальвиати, Понтормо и Бронзино. The article is devoted to the history of the development of trellis weaving and the use of trellises in Ital

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Herczeg, Agnes. "THE RELATIONSHIP BETWEEN HUNGARIAN AND ITALIAN EARLY RENAISSANCE GARDENS." In 8th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscah.f2021/s06.08.

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Clementi, Francesco, Andrea Nespeca, and Stefano Lenci. "Seismic behavior of an Italian Renaissance Sanctuary: Damage assessment by numerical modelling." In INTERNATIONAL CONFERENCE OF COMPUTATIONAL METHODS IN SCIENCES AND ENGINEERING 2016 (ICCMSE 2016). Author(s), 2016. http://dx.doi.org/10.1063/1.4968722.

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Broglia, Francesco, and Mirco Pucci. "Freehand draw and the study of military architecture." In FORTMED2024 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18076.

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This paper aims at analysing medieval and Renaissance fortifications by freehand draw. Freehand draw has been used for this purpose since the so called ‘epoca della transizione’and its fortune reached its peak with the study of Renaissance fortifications (XV-XVI century).Physical survey by scale sketches and drawings is a technique of Italian and European Renaissance tradition. It is a fundamental first step in understanding buildings and how they were designed.This research took into consideration the following case studies: fortifications in the State of Presidii – on the border between Lazi

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Jacazzi, Danila, and Raffaela Fiorillo. "Castelli e arsenali delle isole balcaniche nella Peregrinatio di Bernhard von Breydenbach." In FORTMED2024 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18077.

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The voyage across the Mare Nostrum has had many meanings over the centuries: from the devotional purposes predominant in the pilgrimages of the Middle Ages, from the commercial exchanges that saw the establishment of merchant colonies in the main cities and harbour ports, to the movement of armies during the crusades and the diplomatic missions of ambassadors, nobles and knights during the Renaissance. From the 15th century onwards, relations between Italian courts and Mediterranean countries were not limited to mercantile aspects: scholars, clergymen and men of culture, driven by the Renaissa

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Para, Iulia, and Daniela Stanciu. "TO BE, TO HAVE OR TO HOLD THE POWER IN THE RENAISSANCE ITALIAN CITY-STATES?" In 7th SWS International Scientific Conference on ART and HUMANITIES - ISCAH 2020 Proceedings. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sws.iscah.2020.7.1/s21.06.

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Angelaccio, Michele, Alessandra Basili, Berta Buttarazzi, and Walter Liguori. "Smart and Mobile Access to Cultural Heritage Resources: A Case Study on Ancient Italian Renaissance Villas." In 2012 IEEE 21st International Workshop On Enabling Technologies: Infrastructure For Collaborative Enterprises (WETICE). IEEE, 2012. http://dx.doi.org/10.1109/wetice.2012.36.

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Dolinšek, Eva. "Monteverdi and Seconda Pratica: Music Should be at the Ser-vice of the Word." In Socratic Lectures 7. University of Lubljana Press, 2022. http://dx.doi.org/10.55295/psl.2022.d21.

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This article provides insight into the music of the late Renaissance and early Baroque in Italy. Com-poser Claudio Monteverdi was one of the most important figures in the music of the early Italian Baroque. We consider the events that led to the creation of the new early Baroque style – Seconda pratica - (second practice) and describe the significant changes in vocal music that took place with the aim to depart from strict counterpoint at the turn of the 16th century. Keywords: Claudio Monteverdi; Seconda pratica; Venetian school; Madrigalisms; Ornamentation

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