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Relevant bibliographies by topics / Italian Riddles

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Academic literature on the topic 'Italian Riddles'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Italian Riddles"

1

Aliyeva, E. "BORROWED WORDS AND THEIR USAGE DEGREE IN ENGLISH RIDDLES." Sciences of Europe, no. 135 (February 26, 2024): 72–73. https://doi.org/10.5281/zenodo.10704555.

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Riddles being one of the oldest and richest genres of folklore are valuable treasure of word reflecting the history, spiritual values, customs and traditions of the people in themselves. Borrowed words in the English riddles are highlighted in the article. The article determines riddles as short works the basis of which is a witty, metaphorical question that involves an answer. It should be noted that the vocabulary of the language is enriched in a number of ways and methods, in addition to internal capabilities. Words or borrowings from other languages in connection with this or that need are

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2

Roberts, David D. "Maggi's Croce, Sasso's Gentile and the riddles of twentieth-century Italian intellectual history." Journal of Modern Italian Studies 7, no. 1 (2002): 116–44. http://dx.doi.org/10.1080/13545710110116950.

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Galeotti, Giulia. "Farsi beffe delle elettrici: la satira nel biennio 1945-1946." MONDO CONTEMPORANEO, no. 1 (May 2009): 151–73. http://dx.doi.org/10.3280/mon2009-001006.

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- The satire that in the years 1945 and 1946 commented the enfranchising of the Italian women replicated most of the themes emerged since the reunification of the country, in the year 1861: their lack of interest in politics, their political naiveté and therefore their asserted easy manipulability. The study of articles, short stories, riddles and cartoons of the time seems to confirm that the Italian society was not ready for women's entry into politics, beyond political and cultural differences. The author underlines however the surprising absence of a theme which had played a big role in th

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4

Rasulova, L. "TYPES OF NOMINAL COMBINATIONS IN THE LANGUAGE OF “CODEX CUMANICUS”." Tiltanym, no. 4 (December 30, 2022): 51–60. http://dx.doi.org/10.55491/2411-6076-2022-4-51-60.

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"Codex Cumanicus" is the first Turkic work that was written in the Latin alphabet in the late 13th-early 14th century and has come down to our time. The work consists of Italian and German sections, which differ from each other in terms of their subject and the purpose of writing. The Italian part (55 pages) is believed to have been written in the region between the lower Volga and the Crimea, by Italian merchants or Franciscan monks. The second part, the German part (27 pages), consists of a German-Kipchak dictionary, a translation from the "Bible", Christian songs, sermons, aphorisms, 47 rid

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5

Bikundo, Edwin. "‘Behold, I tell you a mystery’: Tracing Faust’s Influences on Giorgio Agamben to and from International Law." Pólemos 15, no. 1 (2021): 15–35. http://dx.doi.org/10.1515/pol-2021-2002.

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Abstract It is a mystery as to why more is not made of the influence of Johann Wolfgang von Goethe’s Faust on Italian philosopher Giorgio Agamben’s body of work. After all, as a great philosophical poet, and tremendously concerned with language, Goethe’s work could not have failed to capture Agamben’s attention, especially given his early and sustained interest in poetry. Indeed, Agamben cites Goethe in at least 12 of his works including: The Use of Bodies, Creation and Anarchy, Pilate and Jesus, The Kingdom and the Glory, Homo Sacer, The Signature of All Things, Stanzas, The End of the Poem,

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6

Stras, Laurie. "‘AL GIOCO SI CONOSCE IL GALANTUOMO’: ARTIFICE, HUMOUR AND PLAY IN THE ENIGMI MUSICALI OF DON LODOVICO AGOSTINI." Early Music History 24 (July 14, 2005): 213–86. http://dx.doi.org/10.1017/s0261127905000094.

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In 1571 and 1581, the Ferrarese cleric-musician Don Lodovico Agostini published two books each containing, amongst other pieces, a group of madrigals cryptically notated as musical puzzles, advertised as enigmi musicali on their title pages. The enigmi are aptly named; no doubt the composer would have delighted in the doppiosenso, or double entendre, inherent in the term, for they are musical riddles in both a formal and a metaphorical sense. Their content and their very existence in print pose an intriguing array of questions beyond the obvious enquiries regarding the identifying characterist

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7

Lanero Fernández, Juan. "Meditaciones contables sobre algunos enigmas del tratado de Fra Luca Pacioli a la luz de la traducción de Esteban Hernández Esteve = Meditations of a book keeper: The riddles of Fra Luca Pacioli’s treatise in the light of Esteban Hernandez Esteve’s." Pecvnia : Revista de la Facultad de Ciencias Económicas y Empresariales, Universidad de León, no. 16/17 (December 1, 2013): 217. http://dx.doi.org/10.18002/pec.v0i16/17.1342.

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<p>Los autores que sucedieron en el tiempo a Fra Luca Pacioli se ocuparon de corregir sus deficiencias y a veces hasta sus contradicciones. Ese proceso corrector deja constancia de algo que, en ocasiones, la ortodoxia pacioliana quiere pasar por alto: el franciscano italiano fue un recopilador; perfeccionó unas partes, dejando intactas otras, lo que necesariamente conllevaba inexactitudes e inconsistencias.</p> <p>Los enigmas paciolianos se han ido resolviendo a lo largo de los siglos. En unas ocasiones, a través de sus seguidores, que fueron mejorando los textos gracias a la

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8

Silantyeva, M. V. "<i>EUROPE IN OUR BLOOD</i>... About the Nadezhda Venediktova`s book <i>Caesar and Venediktova. Cultural excavations</i>." Concept: philosophy, religion, culture 5, no. 4 (2021): 206–8. http://dx.doi.org/10.24833/2541-8831-2021-4-20-206-208.

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Cultural Excavations by Nadezhda Venediktova were published in late autumn 2021, at the time most suitable for philosophical speculations. This way of thinking brings us close to a collapse that might equally turn out productive or catastrophic. Its anaemic academic manner stands out among full-blooded well-crafted literature of saturated and inspiring reality. Pandemic or not, we seek to know whether there is a need to distinguish between various cultures if at the end of the day people are still people. The author does not provide the answer but rather invites us to join a sophisticated ment

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9

Kozlov, Alexander. "Riddles of the Text of an Early Byzantine Historian (Book Review: Priscus Panita. Excerpta et fragmenta / ed. by P. Carolla. – Berolini ; Novi Eboraci : Walter de Gruyter, 2017. – XLVIII, 140 p.)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (February 2021): 285–91. http://dx.doi.org/10.15688/jvolsu4.2020.6.23.

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Introduction. The publication is a review of the critical edition of the preserved fragments of the Early Byzantine intellectual and diplomat Priscus Panita’s historical work who presented first of all unique information about the nature of international relations in the Eastern Mediterranean and in Europe at the time of increasing threats to the Eastern and Western Roman empires from the barbarians. Analysis. Italian scholar, philologist, and archaeographer P. Carolla who, unlike many of her predecessors, involved all the codices containing excerpts from the writings of Priscus for the public

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10

Martelli, Paolo. "Is Nomenklatura Rule the Clue to the Riddle of Italian Politics?" Journal of Theoretical Politics 10, no. 2 (1998): 237–44. http://dx.doi.org/10.1177/0951692898010002005.

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Books on the topic "Italian Riddles"

1

Lapucci, Carlo. Il libro degli indovinelli italiani. A. Vallardi, 1994.

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Pitrè, Giuseppe. Indovinelli popolari siciliani vastasi. Antares, 2003.

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Ercolani, Libero. 4500 modi di dire e 280 indovinelli in dialetto romagnolo. Grafiche Marzocchi, 2000.

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4

Garzaro, Elsa. Manuale del giovane enigmista. Mondadori, 1998.

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5

Rotondò, Antonio. Mangianapoli: Raccolta di proverbi, detti, modi di dire napoletani. Bastogi, 1985.

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6

G, De Donno Nicola, ed. Indovinelli erotici salentini. Congedo, 1990.

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7

Nicola, Muschitiello, ed. Aelia Laelia: Il mistero della pietra di Bologna. Il mulino, 2000.

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8

Tal, Guy. Art and Witchcraft in Early Modern Italy. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463722599.

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The figure of the witch is familiar from the work of early modern German, Dutch, and Flemish artists, but much less so in the work of their Italian counterparts. Art and Witchcraft in Early Modern Italy seeks to explore the ways in which representations of witchcraft emerged from and coincided with the main cultural currents and artistic climate of an epoch chiefly celebrated for its humanistic and rational approaches. Through an in-depth examination of a panoply of arresting paintings, engravings, and drawings—variously portraying a hag-ridden colossal phallus, a horror-stricken necromancer d

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9

Conan, Doyle A. The Extraordinary Cases of Sherlock Holmes. Puffin Books, 1994.

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Conan, Doyle A. Treize enquêtes élémentaires de Sherlock Holmes. Librio, 2009.

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Book chapters on the topic "Italian Riddles"

1

"6. Maggi’s Croce, Sasso’s Gentile, and the Riddles of Twentieth- Century Italian Intellectual History." In Historicism and Fascism in Modern Italy. University of Toronto Press, 2007. http://dx.doi.org/10.3138/9781442684423-007.

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2

Bikundo, Edwin. "‘Behold, I tell you a mystery’: Tracing Faust ’s Influences on Giorgio Agamben to and from International Law." In The Faustian Pact in International Law. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781474455664.003.0002.

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It is a mystery as to why more is not made of the influence of Goethe’s Faust on Italian Agamben’s body of work. After all, as a great philosophical poet, and tremendously concerned with language, Goethe’s work could not have failed to capture Agamben’s attention, especially given his early and sustained interest in poetry. Indeed, Agamben cites Goethe in at least 12 of his works including: The Use of Bodies, Creation and Anarchy, Pilate and Jesus, The Kingdom and the Glory, Homo Sacer, The Signature of All Things, Stanzas, The End of the Poem, Potentialities, Karman, Adventure and Infancy and

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3

"2 Why Do Men Go Blind in the Theatre? Gender Riddles and Fools’ Play in the Italian Renaissance Comedy Gl’Ingannati (1532)." In Dramatic Experience. BRILL, 2017. http://dx.doi.org/10.1163/9789004329768_004.

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Varvaro, Alberto. "Language and culture." In Italy in the Central Middle Ages. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780199247035.003.0010.

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Abstract The first signs of the appearance of a vernacular Italian are the well-known Riddle of Verona and some graﬃti in the Catacombs of Comodilla in Rome, both around ad After these, the vernacular was documented at Capua and Teano, today in the province of Caserta, in ad These fragments only underline the overall lack of textual evidence, which is not suﬃcient to give even a vague idea of the linguistic situation over the entire peninsula around the year Accordingly, it is possible to infer that awareness of the difference between Latin and the vernacular was not particularly fierce at the

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5

Akimova, Liudmila. "The Riddle of South Italian Eros: Ambiquity of form, indeterminacy of function." In Definiteness and indefiniteness in the languages and cultures of the Balkans. Institute of Slavic Studies, Russian Academy of Sciences, 2023. http://dx.doi.org/10.31168/2618-8597.2023.17.02.

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Berghaus, Günter. "Fortunato Depero ‘S Theatrical Experiments Of The 1910s." In Italian Futurist Theatre 1909-1944. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198158981.003.0012.

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Abstract Fortunato Depero (1892-1960) arrived in Rome in December 1913. He was 21, penniless, and had been attracted to the capital by the news circulating in his hometown about the Futurist renewal of Italian culture. He was born in Fondo in the Trentino and grew up in Rovereto, a small town then belonging to the Austro-Hungarian empire. His education had been mitteleuropean in outlook, and his first artistic attempts in the fields of literature and drawing followed the models of Jugendstil, Art Nouveau, and Symbolism. After failing the entrance exam at the Academy of Arts in Vienna, Depero t

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7

"Open or closed doors? Accessibility of Italian social work organisations towards ethnic minorities." In Migration and Social Work, edited by Sofia Dedotsi, Elena Cabiati, Emilio José Gómez-Ciriano, Sofia Dedotsi, Elena Cabiati, and Emilio José Gómez-Ciriano. Policy Press, 2023. http://dx.doi.org/10.1332/policypress/9781447361800.003.0008.

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As human beings, people in need should have the right to access services and support to improve their living conditions, irrespective of their backgrounds. However, in reality, practising this principle is often ridden with complexity; therefore, social work organisations continue to grapple with the problem of accessibility towards ethnic minorities. Research and practice reveal that the accessibility of social work practices and social work organisations for ethnic minorities depends on several objective and subjective factors. These factors impose different responsibilities on social worker

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8

Caselli, Davide, Carlotta Mozzana, Daniela R. Piccio, and Barbara Saracino. "No hero outside the hospital lane. Governmental Committees, Pop Star Experts and Conflicts of Expertise in COVID-19-ridden Italy." In Comparing the place of experts during the first waves of the COVID-19 pandemic. Stockholm University Press, 2024. http://dx.doi.org/10.16993/bco.g.

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Italian citizens have become accustomed to the recurrent presence of experts in the country’s decision-making processes. As elsewhere in Europe, an increasing number of “technocrats” (i.e.: professionals with no former partisan involvement possessing recognized expertise which is directly relevant to the role occupied, see McDonnell and Valbruzzi 2014), have been holding ministerial responsibilities. Only in the last three decades, moreover, in a context of general de-structuration of the Italian political landscape, the country experienced three fully technocratic governments, a record in a c

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9

Castiglione, Caroline. "Introduction." In Patrons and Adversaries. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195173864.003.0001.

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Abstract In the winter of 1811-1812, Innocenzo Campanelli, a notary and sometimes employee of the Barberini family, sent a description of his native village to Prince Maffeo Barberini, the new owner of the stato of Monte Libretti. The stato was an extensive territory northeast of Rome comprising six villages, one of which was Campanelli’s village of Nerola. In Campanelli’s obviously biased geography, Nerola was “the most celebrated village of the province of Sabina,” and the Sabina was the most ancient (and therefore most important) province of Italy. Campanelli combined his historical assessm

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