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Relevant bibliographies by topics / Italian theatre / Dissertations / Theses

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Dissertations / Theses on the topic 'Italian theatre'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Pinna, Ilaria. "Theatre and impegno : commitment, struggle and resistance on the Italian stage." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/22011.

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This thesis examines the development of Italian political theatre between 1968 and 2010. It analyses the relationship between political theatre during the 1970s and politically engaged practice in the following decades in terms of continuity rather than rupture, thereby challenging recent theatre historiography and criticism which interpreted the two periods as diametrically opposite: one characterised by profound political engagement and the other by a widespread retreat from the political (riflusso). The analysis of the case studies is grounded on a rigorous contextual approach which places

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2

Cinque, Silvia. "Self-discipline and identity work in theatre : a study of an Italian theatre production." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/50411/.

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This thesis is the product of a four-year PhD research project grounded in Organisation and Management Theory (OMT). The project examines the relationship between self-discipline and identity work in the precarious and economically challenging setting of theatre through the analytical lens of narrative. The arguments are theoretically informed by a Foucauldian reading of discipline and identity, and they build on the existing critical and interpretivist accounts that discuss these two constructs. Empirically, the inquiry draws on evidence collected in a theatre production. Specifically, the in

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3

Bucciarelli, Melania. "Italian opera and European theatre, 1680-1720 : plots, performers, dramaturgies." Thesis, King's College London (University of London), 1998. https://kclpure.kcl.ac.uk/portal/en/theses/italian-opera-and-european-theatre-16801720--plots-performers-dramaturgies(c1235462-b549-497d-aff7-34b0658ea912).html.

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4

Mitens, Karina. "The Roman Theatre and its 'reappearance' in the Italian Renaissance." Thesis, Royal Holloway, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299462.

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5

Zarabadi, Naeimehalsadar. "Fire Safety in Historical Theatres (Italian-Style)." Doctoral thesis, Università degli Studi di Palermo, 2019. http://hdl.handle.net/10447/361521.

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The research starts from a punctual knowledge of the theatrical typology under many aspects and in-depth analysis: from the recognition of the monumental value and qualification of a historical theater, collective heritage to be preserved for future generations, we’ll investigate environmental, typological, distributive, functional, material and constructive characters in the earliest designing phases and after the adjustment and transformation interventions occurred. The main aim is identifying all the parts that are at risk of fire, the equipment implementation done to lower such a risk, wit

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6

Taviano, Stefania. "Italians on the twentieth century stage : theatrical representations of Italianness in the English speaking world." Thesis, University of Warwick, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247985.

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7

Lovelock, John David. "The function of music in Greek drama, and its influence on Italian theatre and theatre music in the Renaissance." Thesis, Open University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.277300.

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8

Ertz, Matilda Ann Butkas 1979. "Nineteenth-century Italian ballet music before national unification: Sources, style, and context." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11296.

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xxiv, 603 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>Though not widely acknowledged, ballet and its music were important to the nineteenth-century Italian theatre-goer. While much scholarship exists for Italian opera, less study is made of its counterpart even though the ballet was an important feature of Italian theatre and culture. This dissertation is the first in-depth survey of the music for Italian ballets from 1800-1870, drawing from the hundreds of ballet scores in two import

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9

Tardi, Rachele. "Representations of Italian left political violence in film, literature and theatre (1973-2005)." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1446520/.

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The thesis investigates representations of 'red' political violence in Italy of the so- called anni di piombo and later memory of it in selected films, theatrical works, novels and stories. After the Introduction, which includes a discussion of aims, key concepts and methods, there are four main chapters. Chapter One examines representations of the abduction and killing of Aldo Moro in two thematic groups; those which focus respectively on Moro and the brigatisti during the imprisonment and on the Via Fani massacre and the alleged conspiracy behind it. The analysis of these texts serves as a c

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10

Pitrolo, Flora. "What was before isn't anymore : image, theatre and the Italian New Spectacularity 1978-1984." Thesis, University of Roehampton, 2014. https://pure.roehampton.ac.uk/portal/en/studentthesis/what-was-before-isn’t-anymore(f63c74ca-32b0-4bbb-a03d-4f65cb93632d).html.

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This thesis is an investigation into Italian experimental theatre practices in the late 1970s and early 1980s commonly referred to as ‘New Spectacularity’, of which it considers the socio-cultural background, the philosophical perspectives and the aesthetic contribution. Conscious of traversing rarely trodden ground, this research takes as its subject the New Spectacularity per se while also considering questions regarding its memory and its theorisation. As such, alongside a careful analysis – in some cases the first – of the theatre it takes as its subject of inquiry, this work is invested i

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11

Loreti, Lisa. "Assessing the effectiveness of ISO 3382 for evaluating the acoustical quality of italian historical theatres: the case study of the Bonci Theatre." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amslaurea.unibo.it/5728/.

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The present study concerns the acoustical characterisation of Italian historical theatres. It moved from the ISO 3382 which provides the guidelines for the measurement of a well established set of room acoustic parameters inside performance spaces. Nevertheless, the peculiarity of Italian historical theatres needs a more specific approach. The Charter of Ferrara goes in this direction, aiming at qualifying the sound field in this kind of halls and the present work pursues the way forward. Trying to understand how the acoustical qualification should be done, the Bonci Theatre in Cesena has been

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12

Klöck, Anja Isabel. "Speed dissolving time and space : technologies of representation and the women of Italian Futurist Theatre /." Diss., ON-CAMPUS Access For University of Minnesota, Twin Cities Click on "Connect to Digital Dissertations", 2000. http://www.lib.umn.edu/articles/proquest.phtml.

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13

Pirisino, Claudio. "Autour de la "regìa". La mise en scène en Italie : 1893-1943. Protagonistes, histoires, débats." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA153.

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Cette thèse s'inscrit dans une dynamique de recherche qui seulement récemment a commencé à remettre en discussion une doxa de l'historiographie théâtrale un peu simpliste: dans le contexte italien, l'avènement de la mise en scène moderne serait un phénomène tardif, par rapport à d'autres Pays, comme par exemple l'Allemagne, la France, la Russie. Ce « retard » trouverait son origine dans la persistance d'une tradition autoréférentielle de l'acteur. Le système dans lequel il se produit - un système de troupes nomades, en l'absence d'un pôle théâtral hégémonique comme pouvait l'être Paris pour la

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14

Spedalieri, Francesca. "Innovation and Tradition: Kantor, Grotowski, and the Sicilian School in the Theatre of Emma Dante." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1310143871.

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15

Bocianowski, Cécile. "Les dramaturgies du grotesque en Europe au XXe siècle." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040066.

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La thèse propose une lecture comparée de l’emploi du grotesque dans les théâtres français, polonais, belge francophone, germanophone, italien et espagnol. L’analyse comparée des écritures dramatiques comme du discours littéraire permet de dégager les spécificités du grotesque et de sa réception dans les diverses aires culturelles. La première partie est consacrée à la mise en place théorique de la notion dans les arts, des arts décoratifs à l’art dramatique, de la Renaissance au vingtième siècle. Une attention particulière est portée à la danse grotesque, jusque-là peu étudiée, ainsi qu’aux di

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16

Pramaggiore, Valentina <1991&gt. "Women’s Tragedy in the Romantic Age: Questioning English, Italian and Spanish Theatre and Drama from a Feminist Perspective." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amsdottorato.unibo.it/9331/1/pramaggiore_valentina_tesi.pdf.

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This thesis aims at rediscovering Romantic women playwrights in English, Italian and Spanish literature, and their tragedies, analysed through a feminist critical approach. Starting from a comparative study of the Romantic age and Romantic women’s writings, an overview of female writers’ role and contribution to the development of Romantic literature will be presented. This fundamental examination of the socio-cultural context will be followed by an in-depth analysis of the theatrical environments, deepening the issue of women’s various roles. The relationship between women playwrights and the

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17

Cazzato, Elisa. "An Italian Artist in Paris: The career and designs of Ignazio Degotti (1758–1824)." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/18587.

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This thesis aims to explore the ways in which, through a community of Franco-Italian artists, a tradition of innovative stage design took root in France in the late eighteenth century, transforming the scenic ambitions of official theatre. By reconstructing the career of the Italian designer Ignazio Degotti, and his little-known vicissitudes, my thesis investigates how stage design found new ambition and purpose both in the theatre and in the culture of French ‘Revolution’ and ‘Empire.’ Degotti completed his apprenticeships in the later eighteenth century in the court and civic theatres of met

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18

Spedalieri, Francesca. "Seeing the Unseen, Staging the Unspoken: The Gender Politics and Political Language of Emma Dante’s Theatre in the Berlusconi Era (1994-2011)." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1480594504188268.

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19

Berriel, Nádia Jorge 1983. "Antigone de Vittorio Alfieri : uma tradução." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270172.

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Orientador: Suzi Frankl Sperber<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-22T02:08:04Z (GMT). No. of bitstreams: 1 Berriel_NadiaJorge_M.pdf: 849852 bytes, checksum: c58e0a274adf4d28a2ea692d6cd8ce13 (MD5) Previous issue date: 2012<br>Resumo: este trabalho consiste numa tradução da peça Antigone, do tragediógrafo italiano Vittorio Alfieri, escrita em 1776 em Florença, Itália. Esta tragédia revela inquietações artísticas e particularidades linguísticas que refletem o período que antecede o Risorgimento

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20

Holmes, Rachel E. "Casos de honra : honouring clandestine contracts and Italian novelle in early modern English and Spanish drama." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/6318.

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This thesis argues that the popularity of the clandestine marriage plot in English and Spanish drama following the Reformation corresponds closely to developments and emerging conflicts in European matrimonial law. My title, ‘casos de honra,' or ‘honour cases', unites law and drama in a way that captures this argument. Taken from the Spanish playwright Lope de Vega's El arte nuevo (1609), a treatise on his dramatic practice, the phrase has been understood as a description of the honour plots so common in Spanish Golden Age drama, but ‘casos' [cases] has a further, and related, legal meaning. C

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21

Wagner, Stefanie. "Dario Fos "Morte accidentale di un anarchico" und seine Adaptationen in Frankreich und Deutschland." Universität Potsdam, 2012. http://opus.kobv.de/ubp/volltexte/2012/6027/.

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Dario Fo (Nobelpreis 1997) ist einer der herausragendsten Erneuerer des italienischen Theaters des 20. Jahrhunderts. Ein Überblick über die wichtigsten Stationen seines künstlerischen Schaffens zeugt zunächst von Fos stetem Bemühen um innovative Ansätze in Bezug auf Theaterkonzeption und –praxis: immer gilt es, sich von den Konventionen des literarischen, bürgerlichen, subventionierten, weitgehend passiv rezipierten Theaters abzugrenzen und das Theater für das Publikum wieder ganzheitlich erfahrbar zu machen. Doch nicht selten geraten er und seine Truppe dabei in Konflikt mit den herrschenden

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22

Fasolo, Federico <1995&gt. "Experience as a competitive advantage in the movie theatre industry: a qualitative study of its possibilities in the consumer Italian market." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19558.

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Movie theatres in Italy from their first appearance during the 20th century had to adapt to the changes in the competitive environment, forced to evolve by technological disruptions in the way consumers enjoy the movie products, the appearance of new players in the market and the increase of competition for leisure time of people. The pandemic situation closed movie theatres and forced people in lockdowns, accelerating the changing of habits of consumers, a process already in act, and made important for movie theatres, in order to survive, to start working towards the next step of their evolut

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23

Kanaridis, Mina, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "Investigating a singing voice in diverse genres and styles : a discussion of context and process." THESIS_CAESS_CAR_Kanaridis_M.xml, 2002. http://handle.uws.edu.au:8081/1959.7/241.

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The author investigates the voice in diverse genres and styles, documenting and interpreting vocal performance through a contextual analysis of specifically chosen repertoire. This repertoire is drawn from collaboration with two musical groups, the Renaissance Players and Coda and from the author's artistic direction and presentation of four diverse recitals: American Songs, Italian Baroque, American Folk and Theatre and Nostalgia. Each recital is treated as a separate case study, in which the process of selecting, rehearsing and performing the repertoire is closely examined. Recordings and se

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24

GENTILE, FRANCESCA. "COMUNITA' ESTETICHE E COMUNITA' ETICHE IL TEATRO DI GRUPPO IN ITALIA IL CASO DEL TEATRO DEL MAGOPOVERO (1971-1989)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/264.

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La ricerca ricostruisce le vicende della scena italiana tra gli anni '70 e gli anni '80 e, più nello specifico, il fenomeno del teatro di gruppo, di quelle formazioni cioè che hanno sperimentato con più profondità la questione di un'azione comunitaria attraverso lo strumento del teatro. La ricostruzione di questo fenomeno, svolta all'interno di una premessa più generale sull'emersione di una tensione comunitaria in molte delle più importanti esperienze del teatro del Novecento, è stata effettuata attraverso l'analisi della vicenda artistica e sociale di uno dei più interessanti gruppi teatrali

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25

GENTILE, FRANCESCA. "COMUNITA' ESTETICHE E COMUNITA' ETICHE IL TEATRO DI GRUPPO IN ITALIA IL CASO DEL TEATRO DEL MAGOPOVERO (1971-1989)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/264.

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La ricerca ricostruisce le vicende della scena italiana tra gli anni '70 e gli anni '80 e, più nello specifico, il fenomeno del teatro di gruppo, di quelle formazioni cioè che hanno sperimentato con più profondità la questione di un'azione comunitaria attraverso lo strumento del teatro. La ricostruzione di questo fenomeno, svolta all'interno di una premessa più generale sull'emersione di una tensione comunitaria in molte delle più importanti esperienze del teatro del Novecento, è stata effettuata attraverso l'analisi della vicenda artistica e sociale di uno dei più interessanti gruppi teatrali

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26

Patterson, David Josh. "A Tale of Two Carlos: An Examination of the Ongoing Battle Between the Marginalized and the Privileged as Exemplified by Carlo Goldoni and Carlo Gozzi During the 18th Century." DigitalCommons@USU, 2011. https://digitalcommons.usu.edu/etd/1006.

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This thesis explores the lives and works of Carlo Gozzi and Carlo Goldoni. Specific emphasis is placed on their feud, positions in society, the motivations behind their theatrical styles, and the ways they used theatre to either attempt to maintain the status quo (Gozzi) or strive for social change (Goldoni). Contrary to previous studies, this study suggests that Goldoni tried to influence the world around him, rather than merely reflect it. This study examines the above through the lens of several twentieth century theories including semiotics, structuralism, and the avante-garde. The content

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27

Dumont-Lewi, Laetitia. "Portraits de l’histrion en auteur : Dario Fo ou les représentations d’un homme-théâtre." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100114.

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Homme-théâtre, Dario Fo s’inscrit dans un continuel processus de définition de l’auteur comme acteur et de l’acteur comme auteur, qui passe par une affirmation de sa double place en scène et dans la vie publique. Il se fait ainsi le créateur d’une façon de faire du théâtre non pas radicalement neuve mais singulière et qui se distingue dans le panorama théâtral de son temps en envahissant d’autres domaines d’activité et de compétence, ce qui lui permet de conquérir une reconnaissance globale à la fois comme histrion et comme intellectuel. La première partie de la thèse analyse les processus de

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28

TRIACHINI, STEFANIA. "MONALDO LEOPARDI "CAVALIERE CRISTIANO". L'ESPERIENZA LETTERARIA GIOVANILE TRA CULTURA GESUITICA E ACCADEMIE RECANATESI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/46248.

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Il presente lavoro si propone di studiare la produzione letteraria giovanile di Monaldo Leopardi (1776-1847), padre del celebre poeta Giacomo, contestualizzandola entro una cornice di carattere storico-culturale che possa restituirne le origini e gli sviluppi. Si è in primo luogo ricostruito il legame di Monaldo Leopardi e della sua famiglia con la Compagnia di Gesù (secc. XVI-XVIII), mettendo in luce il modello del «cavaliere cristiano» che il conte recanatese fu chiamato a impersonare negli anni della sua scuola domestica di stampo gesuitico. Si è quindi analizzata l'attività letteraria (180

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29

TRIACHINI, STEFANIA. "MONALDO LEOPARDI "CAVALIERE CRISTIANO". L'ESPERIENZA LETTERARIA GIOVANILE TRA CULTURA GESUITICA E ACCADEMIE RECANATESI." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/46248.

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Il presente lavoro si propone di studiare la produzione letteraria giovanile di Monaldo Leopardi (1776-1847), padre del celebre poeta Giacomo, contestualizzandola entro una cornice di carattere storico-culturale che possa restituirne le origini e gli sviluppi. Si è in primo luogo ricostruito il legame di Monaldo Leopardi e della sua famiglia con la Compagnia di Gesù (secc. XVI-XVIII), mettendo in luce il modello del «cavaliere cristiano» che il conte recanatese fu chiamato a impersonare negli anni della sua scuola domestica di stampo gesuitico. Si è quindi analizzata l'attività letteraria (180

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30

Hervé, Stéphane. "De l'inactualité du théâtre : poétique et politique de l'hétérotopie chez Pier Paolo Pasolini et Rainer Werner Fassbinder." Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30101/document.

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Autour de 1968, le théâtre, confronté à l’exigence de contemporanéité posée par les mouvements de contestation et au développement sans précédent des médias de la culture de masse, connaît une période intense de problématisation de sa puissance politique. Du fait même de sa marginalisation dans l’espace social, le théâtre devient une hétérotopie, c’est-à-dire un genre d’utopie effectivement réalisée : il oppose sa disposition communautaire à la masse indistincte des consommateurs, un discours de vérité aux mensonges des sociétés capitalistes et autoritaires, l’exposition d’une expérience authe

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31

Junior, Ivan Aparecido Gotardelo Pacheco. "Giuseppe Salerio, um comediógrafo veneziano na São Paulo de 1900: análise e tradução de \'Un ammalato per forza\'." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-08112007-153636/.

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Esta dissertação apresenta ao público um desconhecido escritor imigrante italiano da São Paulo de 1900. Durante sua vida em São Paulo, Giuseppe Salerio trabalhou como dentista na Av. São João no centro da cidade, quando ela mostra ao país seu grande potencial para ser a maior e mais industrializada cidade do Brasil. Un ammalato per forza, uma comédia em um ato. Esse trabalho possui muitos aspectos do teatro do imigrante italiano em São Paulo. A dissertação quer mostrar alguns valores da arte dos imigrantes, depois de momentos difíceis na terra natal: a Itália. Também será apresentada uma tradu

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Paula, Leon de. "Ecos dos sermões: a paixão segundo todos os homens, de Wilson Rio Apa, em Florianópolis." Universidade do Estado de Santa Catarina, 2009. http://tede.udesc.br/handle/handle/1331.

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Made available in DSpace on 2016-12-08T16:52:06Z (GMT). No. of bitstreams: 1 Leon.pdf: 1529542 bytes, checksum: 46b1ab8dacf5f7e206bf7f75b963c05f (MD5) Previous issue date: 2009-03-31<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This dissertation analyses the theatre work of Wilson Rio Apa and his 'Family', in the city of Florianópolis. It focuses on the performance A PAIXÃO Segundo Todos Os Homens, produced in the neihbourhoods of Lagoa da Conceição; Praias dos Ingleses and do Santinho, between 1977 and 1987. It also discusses the outcomes of his work to the city's theat

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33

Kanaridis, Mina. "Investigating a singing voice in diverse genres and styles : a discussion of context and process." Thesis, View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/241.

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The author investigates the voice in diverse genres and styles, documenting and interpreting vocal performance through a contextual analysis of specifically chosen repertoire. This repertoire is drawn from collaboration with two musical groups, the Renaissance Players and Coda and from the author's artistic direction and presentation of four diverse recitals: American Songs, Italian Baroque, American Folk and Theatre and Nostalgia. Each recital is treated as a separate case study, in which the process of selecting, rehearsing and performing the repertoire is closely examined. Recordings and se

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34

Sobeck, Janine Michelle. "Arlecchino's Journey: Crossing Boundaries Through La Commedia Dell'arte." Diss., CLICK HERE for online access, 2007. http://contentdm.lib.byu.edu/ETD/image/etd2075.pdf.

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35

Barba, Sevillano Arturo. "La acústica virtual como herramienta arqueológica. Historia y sonido en el Teatro Principal de Valencia." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/62687.

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[EN] This thesis takes the Teatro Principal Valencia as a sample of study and raises questions to deepen the awareness of its history, architecture and acoustics. Our final objective has been to analyse and reconstruct the acoustic conditions of our theatre in different historical moments, providing a new way of approaching the Valencian architectural heritage with it. In addition to this, we intend to show the potentiality of our current tools of acoustic simulation and auralization for the study of the most widely deployed theatrical architectural typology in Europe in the seventeenth centur

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Astier, Aude. "Observatoire, conservatoire, laboratoire : l’institution théâtrale publique en France et en Italie à l’heure du néo-libéralisme et du postmodernisme : le TNS durant l'exercice de Stéphane Braunschweig, le TNP sous la direction de Christian Schiaretti et le Piccolo Teatro dirigé par Luca Ronconi et Sergio Escobar (1999-2014)." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100127.

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Issue d’une volonté démocratique d’émancipation du citoyen et d’élaboration d’une société nouvelle, l’institution théâtrale publique, en France comme en Italie, apparaît à nouveau, depuis le tournant des années 2000, comme en proie à une triple crise (politique, structurelle et artistique) qui permet d’interroger les rapports politiques et symboliques qui se jouent entre l’art et la société à l’intérieur d’un cadre institutionnel aiguillé par une mission de service public. À travers les exemples du Théâtre National de Strasbourg, du Théâtre National Populaire et du Piccolo Teatro de Milan, il

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Nadeau, Martin. "Theatre et esprit public : le role du Theatre-Italien dans la culture politique parisienne a l'ere des revolutions (1770-1799)." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37795.

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Taking as a case study the Theatre-Italien, here considered both as a particular theatrical practice and as a specific stage in Paris---one of the most popular at the time---this dissertation asks what role this theatre played in the novel competition of discourses which characterized political culture in the era of Revolutions. All too often, historians have overestimated print culture as the main medium through which discourses were produced in the eighteenth century, and this despite the fact that theatre played a fundamental role in the public life of this period. Furthermore, when theatre

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Werchowski, Katherine. "Un exemple d'intertextualité : Comédie du mariage : premier drame juif en hébreu." Paris 8, 1999. http://www.theses.fr/1999PA081614.

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Vers 1550 apparait dans l'italie de la renaissance un drame inedit dans l'histoire des lettres hebraiques : comedie du mariage, oeuvre du juif mantuan yehudah somo (1525-1592). En effet, la tradition juive litteraire n'a pas de precedent a cette piece pour laquelle le genre theatral est vil et honni en ce qu'il puise ses origines et ses inspirations dans la culture idolatre greco-latine. La presente recherche repose principalement sur la traduction de ce texte qui a valeur de curiosite et dans le reperage et le role induit par les nombreux intertextes tant bibliques que rabbiniques qui se fond

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Johnson, Janet Lynn. "The Theatre italien and opera and theatrical life in Restoration Paris : 1818-1827 /." Chicago : Ill. : [J.L. Johnson], 1988. http://catalogue.bnf.fr/ark:/12148/cb36954757n.

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VANNUCCI, ALESSANDRA. "LA QUINTA COLONNA: THE GENERATION OF ITALIANS DIRECTORS IN THE RENOVATION OF BRAZILIAN THEATRE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5660@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>A presença de diretores teatrais italianos (Adolfo Celi, Ruggero Jacobbi, Luciano Salce, Flaminio Bollini, Gianni Ratto, Alberto d`Aversa) na renovação do teatro brasileiro (década de 1950) remete ao campo teórico de representação dos processos de modernização da cultura, entre anseio de globalização (alcançar o padrão internacional) e preservação do local (atingir o Brasil autêntico). A polêmica entre esteticismo cosmopolita e brasileirismo permea o debate renovador desde a sua implantação. Motivada pela missão pioneira de

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Lindsey, Renee J. "The Truth of Night in the Italian Baroque." UKnowledge, 2015. http://uknowledge.uky.edu/art_etds/10.

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In the sixteenth century, the nocturne genre developed in Italian art introducing the idea of a scene depicted in the darkness of night. This concept of darkness paired with intense light was adopted by Caravaggio in the late sixteenth century and popularized by himself and his followers. The seemingly sudden shift towards darkness and night is puzzling when viewed as individual occurrences in artists’ works. As an entire genre, the night scene bears cultural implications that indicate the level of influence culture and society have over artists and patrons. The rising popularity of the theate

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Buonanno, Giovanna. "A stage under petticoat government : Italian international actresses in the age of Queen Victoria." Thesis, University of Warwick, 1995. http://wrap.warwick.ac.uk/4267/.

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The aim of this thesis has been to document the English careers of the two nineteenth-century Italian International actresses Adelaide Ristori and Eleonora Duse. The English careers of Duse and Ristori are discussed in the light of both the nineteenth-century debate which developed in England on the role and nature of the actress, and the reception of foreign stars on the English stage and the ensuing discussion on the way foreign theatre stars conformed to, or contravened, prevailing images of English womanhood. Chapter 2 looks into the role and status of the actress from the mid-nineteenth-c

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Hostiou, Jeanne-Marie. ""Les miroirs de Thalie". Le théâtre sur le théâtre et la Comédie-Française [1680-1762]." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030175.

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Le « théâtre sur le théâtre », procédé par lequel le théâtre se prend explicitement pour objet, connaît en France, entre 1680 et 1762, une vogue inégalée : à l’exception de l’Opéra, il concerne plus du quart du répertoire comique créé sur les scènes publiques de Paris. Cette étude s’appuie sur plus de quatre cents pièces et se concentre sur une sélection de cent vingt-sept d’entre elles, jouées à la Comédie-Française : principalement des prologues dramatiques et des comédies en un acte, des « comédies de comédiens », des « comédies de spectateurs », des pièces allégoriques et des pièces d’actu

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Rogers, Mark Christopher. "Art and public festival in Renaissance Florence studies in relationships /." Full text available online (restricted access), 1996. http://images.lib.monash.edu.au/ts/theses/Rogers.pdf.

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Levenstein, Anna. "Songs for the first Hebrew play Tsahut bedihuta dekidushin by Leone de' Sommi (1527-1592)." online version, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=case1138299788.

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Clò, Clarissa. "Italy in the world and the world in Italy : tracing alternative cultural trajectories /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3100380.

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Crisanti, Flavia. "Lecture et interprétation du Théâtre d'Ippolito Nievo : « I Beffeggiatori » et les fragments dramatiques." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040247.

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À l'exception de Le Confessioni di un italiano, le roman le plus célèbre d'Ippolito Nievo (1831-1861), - et d'une partie de sa production poétique – Le poesie garibaldine- , les œuvres de Nievo sont encore, en grande partie, étudies selon l'image du début du XXe siècle fixée par Dino Mantovani. Le premier biographe de Nievo a voulu relever dans ses œuvres une dimension poétique et esthétique liée au Romantisme, auxquelles s'ajoute un arrière fond politique. Cet portrait a marqué la tendance de la critique italienne à lire et relire Nievo comme l'écrivain qui a donné les plus belles pages de la

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Ackermann, Peter. "Zur Aufführungsgeschichte italienischer Opern am städtischen Theater in Frankfurt am Main während des 19. Jahrhunderts." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219305.

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Als spezielles Korpus innerhalb des umfangreichen Gesamtbestands an Werken des Musiktheaters der Stadt- und Universitätsbibliothek Frankfurt am Main umfaßt die sogenannte \"Frankfurter Opernsammlung\" die erhaltenen Aufführungsmaterialien des Frankfurter Stadttheaters aus einem Zeitraum von mehr als anderthalb Jahrhunderten, der von der Eröffnung des "Comödienhauses" im Jahre 1782 bis zur Zerstörung des Opernhauses im März 1944 reicht.

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Albala, Pelegrin Marta. "De la peninsula Iberica a Italia| Concepcion y practica teatral de las primeras comedias castellanas." Thesis, City University of New York, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3601853.

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<p>In my dissertation, <i>De la península Ibérica a Italia: concepción y práctica teatral de las primeras comedias castellanas </i>, I analyze the formation of early modern Spanish comedia, in the context of Italo-Iberian cultural exchanges. My aim is to incorporate the most popular Spanish plays of the first half of the sixteenth century into the larger scenario in which they belong: one that we could name the "formation of the genre of comedy". Works such as Juan del Encina's<i> Eclogues </i>, <i>La Celestina</i> (<i>The Spanish Bawd</i>), and Torres Naharro's <i>

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Cerrai, Marzia. "Il teatro sulla scena del testo : l’Adone di Giovan Battista Marino e le feste di corte." Doctoral thesis, Scuola Normale Superiore, 2005. http://hdl.handle.net/11384/86091.

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From the introduction: [...] L’intento del mio lavoro è quello, dunque, di avvicinarsi al testo dell’Adone attraverso gli strumenti e la conoscenza messi a disposizione dalla storia del teatro e dello spettacolo. Si tratta di osservare quali esperienze della spettacolarità contemporanea confluiscono nel poema ed in che modo esse entrano in rapporto con il genere letterario a cui l’opera dichiara di appartenere. [...] Il lavoro della tesi sarà strutturato in quattro parti ognuna delle quali indagherà quattro diverse possibili forme di rapporto tra Marino e la teatralità dell’epoca: il rapporto

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