Relevant bibliographies by topics / Italic and Rhaeto-Romanic languages

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Italic and Rhaeto-Romanic languages'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 January 2023

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Journal articles on the topic "Italic and Rhaeto-Romanic languages"

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Kużelewska, Elżbieta. "Language Policy in Switzerland." Studies in Logic, Grammar and Rhetoric 45, no. 1 (2016): 125–40. http://dx.doi.org/10.1515/slgr-2016-0020.

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Abstract Switzerland is often referred to as a success story for handling its linguistic and cultural diversity. Traditionally four languages have been spoken in relatively homogeneous territories: German, French, Italian and Rhaeto- Romanic (Romansh). The first three have been national languages since the foundation of the Confederation in 1848; the fourth became a national language in 1938. In effect, The Law on Languages, in effect since 2010, has regulated the use and promotion of languages and enhanced the status of Romansh as one of the official languages since 2010. While Swiss language
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Derik, Ilona, and Tetyana Druzhyna. "ON STRATEGIES AND TACTICS OF TRANSLATING AMATEUR PROSE." Naukovy Visnyk of South Ukrainian National Pedagogical University named after K. D. Ushynsky: Linguistic Sciences 2019, no. 29 (2019): 78–91. http://dx.doi.org/10.24195/2616-5317-2019-29-7.

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The presented article is aimed at elaborating the problem of the peculiarities of translating amateur prose from typologically different languages, in particular from French, German and English into Ukrainian. The corpus of the research was formed on the basis of the amateur prose writings on the official sites in Belgium, Germany, the USA and Ukraine. The main objective of the paper consists in defining the basic strategies and tactics of rendering amateur writings of different genres with the preservation of the both semantic and pragmatic components. The results of the carried-out research
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Stuogys, Arūnas. "Principals of Formation of Negation and its Differences in Contemporary Romanic (French, Spanish, Italian) Languages." Coactivity: Philology, Educology 15, no. 4 (2011): 61–67. http://dx.doi.org/10.3846/coactivity.2007.35.

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In the article it is discussed the evolution of negation in romanic languages. Compound verbal negation is a peculiarity of the French language and the norm of literary language. Verbal negation differs greatly in French, Spanish and Italian languages. In French language it makes up a framal construction ne…pas, where as in Spanish and Italian languages it is typical for the negation to be simple.
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Savickienė, Inga, Laura Raščiauskaitė, Aušra Jankauskaitė, and Loreta Alešiūnaitė. "Teaching Spanish in Secondary School of Lithuania: Possibilities and Challenges of Spanish Teacher in 21st Century." Sustainable Multilingualism 13, no. 1 (2018): 239–60. http://dx.doi.org/10.2478/sm-2018-0020.

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Summary Integration into the European Union, increasing communication and cooperation between countries have brought an extensive interest in foreign languages and the need for foreign language teaching and learning has been recognized by the developers of Lithuanian education policy as an inseparable component of personal development. Teaching and learning of Romanic languages in Lithuania have been popular, exceptional, though varied. French language teaching has old traditions in both formal and non-formal education; while teaching of other Romanic languages (Spanish, Italian, Portuguese, e
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Stuogys, Arūnas. "Interaction of the Affirmation, Negation and Restriction in Romanic (French, Spanish, Italian) Languages." Coactivity: Philology, Educology 15, no. 4 (2011): 68–74. http://dx.doi.org/10.3846/coactivity.2007.36.

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The origin of restriction is discussed in the article, its functioning in the language, typological peculiarities of the restricting expressions and the possibilities of their lexical and grammatical expressions. Making influence for the part of the sentence that it is aimed at the restriction it excludes from the negative field and it emphasies. So, in the language it has a double function; in this case it can be compared to the logical emphasis. The means of restriction in the romanic languages have the same typology but there are specific differences in every language. Grammatical restriction i
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Tsybova, I. A. "On Debov’s dictionary." Philology at MGIMO 6, no. 4 (2020): 167–69. http://dx.doi.org/10.24833/2410-2423-2020-4-24-167-169.

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B.M. Debov’s dictionary Romanic component in rhymes of French rap (On the specificity of youth’s word-creation)”. Ivanovo: Publishing House of Ivanovo State University, 2020. – 221 p. is the continuation of the preceding works of the author – dictionaries of abbreviations and deviating from norm vocabulary of youth (verlan, rap). The selection and analysis of Romanic (Italian, Spanish, Portuguese, Provensal) vocabulary is an evident quality of the dictionary. Among the words forming the rhymes are internationalisms (maestro, opera, villa, etc), names of well-known national dishes (macaroni, pi
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Mulyk, Kateryna, and Mykola Gumenny. "ON PECULIARITIES OF TRANSLATING ENGLISH ADVERTISING SLOGANS INTO UKRAINIAN." Naukovy Visnyk of South Ukrainian National Pedagogical University named after K. D. Ushynsky: Linguistic Sciences 2019, no. 29 (2019): 169–83. http://dx.doi.org/10.24195/2616-5317-2019-29-13.

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The presented article is aimed at elaborating the problem of the peculiarities of translating English advertising slogans into Ukrainian. The corpus of the research was formed on the basis of the advertising slogans widely circulating in the USA. The main objective of the paper consists in defining the basic strategies and tactics of rendering slogans as subtype of commercials with the preservation of the both semantic and pragmatic components. The results of the carried-out research have proved that there exist common strategies and tactics, allowing to perform adequate and faithful translati
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Grigoryeva, E., and E. Cherkashina. "Implementation of the linguistic and cultural approach to teaching Romanic languages in the system of master degree preparation." Rhema, no. 3, 2019 (2019): 133–47. http://dx.doi.org/10.31862/2500-2953-2019-3-133-147.

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The article presents the innovative experience of professional training of teachers of Romanic languages (French and Italian) based on linguo-cultural approach. The stages of the development of linguoculturology are considered. A new approach to teaching foreign languages is proposed, which is implemented in modules of a linguo-culturological orientation and allows students to create professional and special competences through the prism of the national culture of Roman countries.
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Moldovanu, Dragoş. "La découverte d’un mot et de son étymologie." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 47, no. 1 (2012): 161–79. http://dx.doi.org/10.1075/rro.47.1.09mol.

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Discovered in the Vrancea County as a result of toponymic surveys, the Ro. chiu has the semasiological field of its etymon, the Lat. clivus. The intermediary phase of its phonetic evolution (cl’iuœu) is indirectly attested by the Ukr. klyva. The same Latin lexical base was preserved in Alb. qye as well. The Romanian word must be added to both the Romanian-Albanian correspondences registered up to the present day and to those among Romanian, Rhaeto-Romance and the Northern Italian dialects.
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Yasinskaya, Maria V. "Some Usage Features of Slovenes’ Personal Names in the Italian-Slovenian Border Area (Based on Field Research Materials)." Вопросы Ономастики 19, no. 3 (2022): 126–45. http://dx.doi.org/10.15826/vopr_onom.2022.19.3.033.

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The author examines the data collected during field studies of the Slovenian ethnic minority in Italy, in order to retrace the use of anthroponyms (names and surnames) formed in this region in the 20th–21st centuries. The processes of Italianization at its various stages, including the period of fascism with the strictest prohibitions on Slavic identity in general, have had a huge impact on the modern composition of the Slovenes’ personal names in Italy. As a result of Italianization, surnames have been changed graphically (written according to the Italian orthography rules), as well as struct
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Dissertations / Theses on the topic "Italic and Rhaeto-Romanic languages"

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Hack, Franziska Maria. "The syntax and prosody of interrogatives : evidence from varieties spoken in northern Italy." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:fae95d56-9fa0-48d5-af0d-7c629eed9c3e.

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The vast majority of work on question formation examines interrogatives from the perspective of just one single component of grammar, usually the syntax or the prosody. The present dissertation offers a comprehensive account of question formation addressing both the syntax and the prosody of interrogatives and the interaction between these two components of grammar in signalling the question meaning of an utterance. The present work examines question formation on the basis of four genealogically related and geographically closely located Romance varieties spoken in northern Italy: Gherdëina, B
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Lalor, Doireann P. "Italian postwar experimentalism in the wake of English-language modernism." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:238508c2-eb42-460a-b8c1-a01d58f15630.

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After World War II in Italy the cultural scene was in need of resuscitation. Artists searched for tools with which to revifify their works. Central to this, for many key figures in the fifties and sixties, was an engagement with English-language Modernism. This phenomenon has been widely recognised, but this thesis is its first sustained analysis. I draw together the receptions of three English-language Modernist authors – T. S. Eliot, Ezra Pound and James Joyce – who, as a triad, were instrumental in the radicalisation of the arts in Italy in the fifties and sixties. I show that their works w
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Goodman, Jessica Mary. "La gloire et le malentendu : Goldoni and the Comédie-Italienne, 1760-93." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:ec5ab3e3-812e-49f7-92e6-b1eea488cad5.

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Eighteenth-century Paris was the cultural capital of Europe and home to a vibrant network of theatres, not all of which are equally present in modern scholarship. The Comédie-Italienne in particular has frequently been downplayed in historical accounts, and there is no existing work outlining its relationship with its authors. This thesis aims to address this gap through a case study of the Italian author Carlo Goldoni, who began work for the Comédie-Italienne in 1762. His thirty years in Paris hold an ambiguous place in his career: the preface to his autobiography draws attention to France as
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Pavlova, Maria. "'Il fior de Pagania' : Saracens and their world in Boiardo and Ariosto." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:ef19b552-3215-436c-8744-e91f6fe5f2cf.

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This study investigates the representation of Saracens in Boiardo's Inamoramento de Orlando and Ariosto's Orlando furioso, a subject that has attracted growing scholarly interest in recent years. Chapter I assesses the degree of realism in Boiardo's and Ariosto's portrayal of Islam and Islamic culture and locates the two poems in their historical context. Bringing to light unpublished archival material and other little-known historical sources, I argue that Boiardo and Ariosto drew inspiration from contemporary courtly culture which was characterised by openness towards the figure of the forei
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Weavil, Victoria. "Community, women and selfhood in the writings of Michel Leiris and Carlo Emilio Gadda." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:bd528880-e440-47c7-bc14-ec07c77948a0.

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This study sets out to uncover the thus far unexplored affinities between the works of Carlo Emilio Gadda and Michel Leiris, two key figures of twentieth-century literature whose place within the broader European literary panorama has been largely overlooked. Through an inquiry into three interconnected areas – the question of 'community'; the relationship between male self and female other; and writing as a space in which a fractured experience of subjectivity is both played out and exposed – I argue that their works are underpinned by a parallel tension, between a nostalgia for a lost experi
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Jewell, Rhianedd Mair. "Constructing the self in language and narrative in the work of Grazia Deledda." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:75b1dcc0-efac-48c7-baca-e6f45d60e725.

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This thesis examines the presence of modernist ideas regarding identity, language and narrative in the work of the neglected Sardinian author, Grazia Deledda (1871-1936). It has the overall aim of redefining Deledda’s later work as modernist for she has been disregarded by most critics and is generally classed as a minor, veristic writer. Drawing Deledda out of these restricted interpretations, this thesis demonstrates that Deledda straddles two literary modes, for she matures beyond veristic influences and looks forward to modernist ideas, particularly regarding the complex nature of the self
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Smith-Laing, Tim. "Variorum vitae : Theseus and the arts of mythography in Medieval and early modern Europe." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:0f4305c6-3c62-4f89-a3b2-d8204893fdfb.

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This thesis offers an approach to the history of mythographical discourse through the figure of Theseus and his appearances in texts from England, Italy and France. Analysing a range of poetic, historical, and allegorical works that feature Theseus alongside their classical and contemporary intertexts, it is a study of the conceptions of Greco-Roman mythology prevalent in European literature from 1300-1600. Focusing on mythology’s pervasive presence as a background to medieval and early modern literary and intellectual culture, it draws attention to the fragmentary, fluid and polymorphous natu
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Piantanida, Cecilia. "Classical lyricism in Italian and North American 20th-century poetry." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4422c01a-ba88-4fe0-a21f-4804e4c610ce.

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This thesis defines ‘classical lyricism’ as any mode of appropriation of Greek and Latin monodic lyric whereby a poet may develop a wider discourse on poetry. Assuming classical lyricism as an internal category of enquiry, my thesis investigates the presence of Sappho and Catullus as lyric archetypes in Italian and North American poetry of the 20th century. The analysis concentrates on translations and appropriations of Sappho and Catullus in four case studies: Giovanni Pascoli (1855-1912) and Salvatore Quasimodo (1901-1968) in Italy; Ezra Pound (1885-1972) and Anne Carson (b. 1950) in North A
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Books on the topic "Italic and Rhaeto-Romanic languages"

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Hartwig, Susanne. Inclusión, integración, diferenciación: La diversidad funcional en la literatura, el cine y las artes escénicas. Peter Lang International Academic Publishers, 2020.

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Cârdu, Petru. The trapped strawberry: Poems. Forest Books, 1990.

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C, Alston R. The Italian, Spanish, Portuguese and Romansh languages: Grammars, dictionaries, miscellaneous treatises. Robin Alston, 1987.

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Eichenhofer, Wolfgang. Die Stellung der Nomen-Nomen-Komposita in Rumantsch Grischun zwischen Deutsch und Italienisch. Francke, 2006.

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Fitz-Hugh, Thomas. Prolegomena To The History Of Italico-Romanic Rhythm. Kessinger Publishing, LLC, 2007.

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Cangemi, Francesco. Prosodic detail in Neapolitan Italian. Language Science Press, 2014.

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Cangemi, Francesco. Prosodic Detail in Neapolitan Italian. Saint Philip Street Press, 2020.

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Cangemi, Francesco. Prosodic Detail in Neapolitan Italian. Saint Philip Street Press, 2020.

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Hartwig, Susanne. Inclusión, Integración, Diferenciación: La Diversidad Funcional en la Literatura, el Cine y Las Artes Escénicas. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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Hartwig, Susanne. Inclusión, Integración, Diferenciación: La Diversidad Funcional en la Literatura, el Cine y Las Artes Escénicas. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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