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Dissertations / Theses on the topic 'Italy – Intellectual life – 16th century'

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1

Stone, Villani Nicolas. "The dissolution of constitutions : Aristotle in Italian political thought from Niccolò Machiavelli to Giovanni Botero." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:600663d5-b566-46c0-8a7a-418fca1d635b.

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This thesis studies the reception of Aristotle's political thought in sixteenth-century Italy. It focuses on Aristotle's discussion of the dissolution of constitutions in Book 5 of the Politics and aims to show how Aristotle's political thought remained central to late Renaissance political discourse. No comprehensive study of the topic exists. Modern historiography on Renaissance political thought generally downplays the importance of Aristotle in the history of sixteenth-century Italian political thought and emphasises the Roman tradition over the Greek. This research aims to fill the gap in
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2

Maglaque, Erin. "Venetian humanism in the Mediterranean world : writing empire from the margins." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:4d671b0d-6917-4a1f-bcfb-2045128a11e0.

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My dissertation examines the cultural history of the Renaissance Venetian maritime empire. In this project I bring into conversation two historiographical subfields, the intellectual history of Venetian Renaissance humanism and the colonial history of the early modern Mediterranean, which have previously developed separately. In doing so, I examine the relationship between power and knowledge as it unfolded in the early modern Mediterranean. The ways in which Venetian Renaissance intellectual culture was shaped by its imperial engagements - and, conversely, how Venetian approaches to governanc
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3

Lavenda, Daniel. "Disenchanted engagement : the philosophy and political praxis of Massimo Cacciari." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:b322a1d4-2ec9-4d24-a847-4388832f5ba9.

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Several commentators have argued that the focus within political theory in recent decades on abstraction rather than 'reality' has left it with has nothing to say to political actors. On these grounds, some have even expressed concern regarding the discipline's future. As a reply to these concerns, I introduce in this thesis the scholarship and political career of the Italian philosopher Massimo Cacciari. Cacciari shares many goals with Anglophone political theorists, but neither his scholarship nor his practice have engaged in the kind of intellectual abstraction which they now find so troubl
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4

Steczowicz, Agnieszka. "'The defence of contraries' : paradox in the late Renaissance disciplnes." Thesis, University of Oxford, 2004. https://ora.ox.ac.uk/objects/uuid:f2f93089-60f6-4408-aae9-2b3e595efcdc.

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The aim of this thesis is to examine the meanings and functions of paradox in the late Renaissance. My understanding of Renaissance paradox, in contrast to that of most critics and historians, rests entirely on contemporary definitions of the term, rather than on its present-day meaning. Paradoxes as they are envisaged in this study begin to appear in the wake of the humanist rediscovery and dissemination of Cicero's <i>Paradoxa Stoicorum</i>. In this work, paradoxes are characterized as 'admirabilia contraque opinionem omnium', a definition that draws attention to two important traits of para
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5

Robert-Nicoud, Vincent Corentin. "The world upside-down in sixteenth-century French literature and visual culture." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:1c0536cf-ffcf-4324-a626-19075e1acca8.

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To call something 'inverted' or 'topsy-turvy' in the sixteenth century is, above all, to label it as abnormal, unnatural and going against the natural order of things. The topos of the world upside-down brings to mind a world returned to its initial state of primeval chaos, in which everything is inside-out, topsy-turvy and out of bounds: fish live in trees, children rule over their parents, wives command their husband and rivers flow back to their source. This thesis undertakes a detailed account of the development of the topos of the world upside-down in sixteenth-century French literature a
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6

Baggioni, Laurent. "La « forteresse de la raison ». Lectures de l’humanisme politique florentin d’après l’Epistolario de Coluccio Salutati (1331-1406)." Thesis, Lyon, École normale supérieure, 2011. http://www.theses.fr/2011ENSL0677.

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Prenant appui sur une historicisation critique des postulats méthodologiques et idéologiques au fondement des catégories d’humanisme civique et de républicanisme, la thèse entend renoncer à une lecture uniquement théorique de l’œuvre des humanistes florentins et restituer aux textes leur statut d’énoncés historiques. L’enjeu est de redessiner les lignes portantes d’une tradition civile et républicaine propre à la réalité florentine dont les penseurs des guerres d’Italie (Savonarole, Guichardin, Machiavel) seront les dépositaires critiques. Un travail d’interprétation de la correspondance famil
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7

Doyle, John F. (John Francis). "Humphrey Duke of Gloucester and the Introduction of Italian Humanism in Fifteenth Century England." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc501124/.

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Duke Humphrey of Gloucester is often given credit for the renaissance of English learning in the fifteenth century. It is true that the donations of books he made to Oxford, his patronage of English and Italian writers, and his patronage of administrators who had humanist training resulted in the transmittal of humanist values to England. But is it also true that these accomplishments were mainly the by-product of his self-aggrandizing style, rather than a conscious effort on the duke's part to promote learning. The duke, however, does deserve recognition for what he unwittingly may have done.
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8

Bedon, Elettra. "La poesia in lingua veneta dalla fine della Prima Guerra Mondiale a oggi." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26252.

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Writers and poets who wrote in the "language of Venice" are far more numerous than is commonly reported in the history of Italian literature. It is the purpose of this dissertation to present and highlight their works.<br>Since here we mainly deal with writers and poets of the second half of the twentieth century, for which there is no roll call, we deemed it appropriate to research and introduce them, supplying for each of them detailed biobibliographical data.<br>In the course of our work we tried to sketch a subdivision of the matter which keeps in mind what has been previously done, but wh
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9

Harikae, Ryoko. "John Bellenden's Chronicles of Scotland : translation and circulation." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:d0ebf41c-8263-45e0-a6d5-5826bf8e0396.

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John Bellenden's Chronicles of Scotland (1531-r. 1537) is a humanist Scots translation of Hector Boece's Scotorum Historia (1527). As the first full-scale printed national history in the vernacular, the Chronicles assumed a pivotal role in sixteenth-century Scottish literary culture. Despite its contemporary importance,however, relatively little critical attention has been paid to Bellenden's work itself, primarily due to the misconception that it is a neutral translation of the Scotorum Historia. However, as Bellenden successively revised his text in several stages with stylistical, ideologic
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10

Fonsato, Vanna Marisa. "Giudizi letterari di Isabella Teotochi Albrizzi nel carteggio inedito della Raccolta Piancastelli." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61287.

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The present work examines the literary criticism expressed by Isabella Teotochi Albrizzi in several of her unpublished letters.<br>The first part outlines the cultural and historical tradition of Venice during the Eighteenth Century. Particular attention is subsequently given to the intellectual role of women, their contribution to the literary salons of the time, and the neoclassical tradition. This first part is essential in that it supplies a valuable context to Isabella Teotochi Albrizzi's writings.<br>In the second part, I examine Isabella Teotochi Albrizzi's literary criticism of major E
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11

Kay, Simon Michael Gorniak. "Literary, political and historical approaches to Virgil's Aeneid in early modern France." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/13837.

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This thesis examines the increasing sophistication of sixteenth-century French literary engagement with Virgil's Aeneid. It argues that successive forms of engagement with the Aeneid should be viewed as a single process that gradually adopts increasingly complex literary strategies. It does this through a series of four different forms of literary engagement with the Aeneid: translation, continuation, rejection and reconciliation. The increasing sophistication of these forms reflects the writers' desire to interact with the original Aeneid as political epic and Roman foundation narrative, and
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12

LUNA, GONZALEZ Adriana. "From self-preservation to self-liking in Paolo Mattia Doria : civil philosophy and natural jurisprudence in the early Italian Enlightenment." Doctoral thesis, 2009. http://hdl.handle.net/1814/12705.

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Defence Date: 07/09/2009<br>Examining Board: Prof. Martin van Gelderen (European University Institute) supervisor; Prof. Vittor Ivo Comparato (Università di Perugia); Prof. Sebastian Conrad (European University Institute); Prof. Maurizio Viroli (Princeton University) external supervisor<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>From the outset of his intellectual life Doria had been a civil philosopher interested in reflecting, in a secular manner on the foundations of civil society thereby departing from the more traditional discussions that took as their
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13

TERVOORT, Adrianus. "The Iter Italicum and the Northern Netherlands : Dutch students at Italian universities and their role in the Netherlands' society." Doctoral thesis, 2000. http://hdl.handle.net/1814/5995.

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Defence date: 14 October 2000<br>Supervisors: Prof. dr. J. Brewer ; Prof. dr. H. de Ridder-Symoens<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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14

DELPHY, Christine. "Modèles italiens et traditions nationales : les artistes belges en Italie (1830-1914)." Doctoral thesis, 2001. http://hdl.handle.net/1814/5748.

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15

EVANGELISTI, Silvia. "La povertà impossibile : monache, famiglia e proprietà in Italia (secc XVI-XVIII)." Doctoral thesis, 1998. http://hdl.handle.net/1814/5758.

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Defence date: 30 April 1998<br>Examining board: Prof. Renata Ago, Università di Cagliari ; Prof. Gérard Delille, Istituto Universitario Europeo ; Prof. Olwen Hufton, Morton College Oxford (Supervisor) ; Prof. Gianna Pomata, Università di Bologna e University of Minnesota, Minneapolis ; Prof. Gabriella Zarri, Università di Firenze<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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16

ORTOLJA-BAIRD, Alexandra. "Where philosophy meets bureaucracy : Cesare Beccaria's social contract from page to practice." Doctoral thesis, 2017. http://hdl.handle.net/1814/49327.

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Defence date: 14 December 2017<br>Examining Board: Prof. Ann Thomson, European University Institute (Supervisor); Prof. Pavel Kolář, European University Institute; Prof. Clorinda Donato, California State University; Prof. Richard Whatmore University of St. Andrews<br>Cesare Beccaria, renowned author of the 1764 Enlightenment treatise Dei delitti e delle pene, has long been celebrated as the voice of the abolitionist movement against the death penalty, the founding father of modern criminology, and the go-to source on penal reform. These personalities have been fuelled by the instant global suc
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17

PIERRE, Benoist. "Les réseaux cléricaux dans la construction de l'état moderne : la congrégation franco-italienne des Feuillants (XVIe-XVIIIe siècle)." Doctoral thesis, 2002. http://hdl.handle.net/1814/5940.

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Examining board: M. Anthony Molho (I.U.E.) ; M. Mario Rosa (École Normale Supérieure de Pise) ; M. Bernard Dompnier (Univ. de Clermont-Ferrand) ; Mme Nicole Lemaitre (Univ. Paris-I Sorbonne) ; M. Gérard Delille (I.U.E.)<br>Defence date: 19 December 2002<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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18

BERTILOTTI, Teresa. "Il palcoscenico della nazione : 1909-1918." Doctoral thesis, 2012. http://hdl.handle.net/1814/25194.

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Examining Board: Professor Heinz-Gerhard Haupt, IUE (Supervisor); Professor Lucy Riall, IUE (Relatore IUE); Professor Martin Baumeister, Ludwig Maximilians Universität, München (Relatore esterno); Professor Catherine Brice, Université Paris-Est Créteil (Relatore esterno).<br>Defence date: 7 November 2012<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>This dissertation examines the forms and spaces of entertainment, such as theatres, cinemas and music halls, in Rome between 1911, when celebrations for the 50th anniversary of Italy’s unification took place, an
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19

ROICK, Matthias. "Mercury in Naples : the moral and political thought of Giovanni Pontano." Doctoral thesis, 2009. http://hdl.handle.net/1814/13281.

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Defence date: 26 October 2009<br>Examining Board: Prof. Martin van Gelderen (EUI) - supervisor; Prof. Anthony Molho (EUI); Prof. Riccardo Fubini (University of Florence); Prof. Thomas Kaufmann (University of Göttingen).<br>PDF of thesis uploaded from the Library digital archive of EUI PhD theses<br>The present study returns to Giovanni Gioviano Pontano's role as a thinker and philosopher. It is based on the treatises and tracts Pontano wrote, to which scant attention has been paid until now, but also on his ad hoc political writings and his better known dialogues and poems. It moves between
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