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Relevant bibliographies by topics / Ivan Bunin

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Academic literature on the topic 'Ivan Bunin'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 April 2022

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Journal articles on the topic "Ivan Bunin"

1

Kaun, Alexander. "Ivan Bunin [1934]." World Literature Today 63, no. 2 (1989): 183. http://dx.doi.org/10.2307/40144806.

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Marullo, Thomas Gaiton, and Iu Mal'tsev. "Ivan Bunin (1870-1953)." Slavic and East European Journal 40, no. 2 (1996): 390. http://dx.doi.org/10.2307/309488.

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Deotto, Patrizia. "Ivan Bunin: Three autobiographical notes." Literary Fact, no. 11 (March 2019): 357–68. http://dx.doi.org/10.22455/2541-8297-2019-11-357-368.

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Mann, T. "IVAN BUNIN AND THOMAS MANN." Forum for Modern Language Studies XXXVI, no. 4 (October 1, 2000): 357–67. http://dx.doi.org/10.1093/fmls/xxxvi.4.357.

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F. D. Reeve. "The Achievement of Ivan Bunin." Sewanee Review 116, no. 4 (2008): 654–60. http://dx.doi.org/10.1353/sew.0.0072.

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Motorina, A. "IVAN BUNIN IN NIKITA MIHALKOV’S VISION." Bulletin of the Moscow State Regional University (Russian philology), no. 3 (2016): 86–93. http://dx.doi.org/10.18384/2310-7278-2016-3-86-93.

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Rischin, Ruth, and Thomas Gaiton Marullo. "Ivan Bunin: Russian Requiem, 1885-1920." Russian Review 53, no. 4 (October 1994): 565. http://dx.doi.org/10.2307/130972.

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Bakuntsev, Anton. "Anti-Bunin pamphlet by Ivan Nazhivin." Literary Fact, no. 16 (2020): 93–118. http://dx.doi.org/10.22455/2541-8297-2020-16-93-118.

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This publication continues the theme “I.F. Nazhivin vs I.A. Bunin” which was brought up earlier in one of the issues of “Literaturnyi fact”. Ivan Fedorovich Nazhivin (1874– 1940), a writer and publicist well-known in the Russian émigré circles, a follower of Leo Tolstoy, knew Bunin personally and corresponded with him for many years. The publication introduces into scientific circulation Nazhivin’s article-pamphlet “The County Moncher” (1934), the autograph of which (an unauthorized typescript) is stored in I.A. Bunin’s collection in the Russian State Archive of Literature and Art. Presumably, it is this text that the author intended to publish in the émigré press. The introductory article gives a brief description of the autograph, and also argues the choice of a more completed version of the text for publication. The basic principles of editing and commenting the material for publication are outlined.

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Novikova, Elena A. "MOSCOW IN THE WORKS OF IVAN BUNIN." Bulletin of the Moscow State Regional University (Russian philology), no. 4 (2020): 109–15. http://dx.doi.org/10.18384/2310-7278-2020-4-109-115.

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Shrayer, Maxim D. "Vladimir Nabokov and Ivan Bunin: A Reconstruction." Russian Literature 43, no. 3 (April 1998): 339–411. http://dx.doi.org/10.1016/s0304-3479(98)80006-9.

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Dissertations / Theses on the topic "Ivan Bunin"

1

Reese, Hella. "Ein Meisterwerk im Zwielicht : Ivan Bunins narrative Kurzprosaverknüpfung "Temnye allei" zwischen Akzeptanz und Ablehnung : eine Genrestudie /." München : O. Sagner, 2003. http://catalogue.bnf.fr/ark:/12148/cb39241623b.

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Meyer, Andrea. "Die Sonettdichtung Ivan Bunins /." Wiesbaden : O. Harrassowitz, 1990. http://catalogue.bnf.fr/ark:/12148/cb36150881f.

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Focardi, Emanuela <1977&gt. "Ivan Alekseevic Bunin: immagini d'amore attraverso "Viali oscuri"." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/309/.

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Hauchard, Claire. "La prose de I. A. Bounine, 1920-1953 : la reconstruction d'une oeuvre." Paris 4, 1993. http://www.theses.fr/1993PA040064.

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La revolution russe de 1917 a represente pour bounine une complete rupture dans sa vie et dans son oeuvre. Pendant les trente-trois anbnees d'exil passees en france, il reconstruit son identite intime et litteraire sur de nouvelles bases. Dans la solitude, bounine approfondit alors apr l'ecriture un ideal de verite et de beaute detache de toute polemique sociale. Les preoccupations subjectives d'ordre metaphysique et esthetique ont remplace l'inspiration realiste de jadis. Avec une exigeante rigueur formelle, bounine explore plusieurs genres - journal, tableau miniature, biographie, autobiographie, roman, cycle de nouvelles - ou il developpe, entre aveu et retention, une quete existentielle toute personnelle
The russian revolution of 1917 represented a complete break for bunin both in his life and in his work. During the thirty-three years of exile spent in france he reconstructed his personal and professional identity on an entirely different basis. Thus in his solitude bunin gave depth through his literary work to an ideal of truth and beauty dissociated from all socialconsiderations. His former realism gave way to subjective preoccupations of a metaphysical and aesthetic nature. With an exacting formal rigour, bunin undertakes a new approach to several literary genres : the diary, the miniature portrayal, the biography, the autobiography, the novel, the cyclic short story. In these he develops a spiritual pursuit of his very own, poised betwwen revelation and restraint

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Makine, Andreï. "La prose de I. A. Bounine : la poétique de la nostalgie." Paris 4, 1992. http://www.theses.fr/1991PA040180.

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La création littéraire de I. A. Bounine, poète et prosateur russe, représente un phénomène esthétique extrêmement original et dont la dimension n'est pas toujours reconnue à sa juste valeur. Son œuvre est souvent réduite à une somme d'influences provenant de la tradition classique. Or, la véritable spécificité de la poétique de Bounine est liée à sa vision nostalgique. La nostalgie ne peut pas être interprétée comme un thème parmi d'autres, ni comme une simple tonalite psychologique de l'œuvre bouninienne. Elle représente le principe même de sa vision poético-philosophique. Le dépassement de la fonctionnalité socio-psychologique s'accomplit précisément à travers "la nostalgisation" : le réel est défonctionnalisé, arraché au temps, il commence à exister dans sa valeur esthétique propre. La vision nostalgique s'exprime à tous les niveaux de l'univers poétique de Bounine (caractères, sujet, style)
I. A. Bounine is a Russian poet and prose writer whose literary creation shows an extremely original aesthetic phenomenon the importance of which is not always appreciated as it should be. His work is often reduced to a certain number of influence coming from the classical tradition. Indeed, the specificity of Bounine's poetic is linked with his nostalgic vision. Nostalgia can be interpreted neither as a theme among others nor as a common psychological tone in Bounine's works. It is the very principle of his poetico-philosophical vision. The overstepping of the socio-psychological functionality is precisely achieved through "them nostalgisation": the real is defunctionalised, pulled out of time, it starts existing in its own aesthetic value. The nostalgic vision expresses itself in all the levels of Bounine's poetical universe (characters, subject, style)

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Dearman, Vera. "The reality of time, history and life in the prose of Ivan Bunin." Thesis, University of Sheffield, 1999. http://etheses.whiterose.ac.uk/14915/.

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The thesis focuses on two major aspects. Firstly, it offers a discussion of the evolution of the notion of 'historicity' in the thought of various Russian thinkers and cultural historians with particular reference to the ideas of Berdiaev, Bakhtin and Likhachev. It also addresses the problem of the contribution made to the twentieth-century humanities by the 'Slavonic Renaissance' of the early part of the twentieth century. Secondly, the work examines various views on the issue of historical time and its perception and representation in artistic work, focusing primarily on the specificity of artistic time in the prose of Ivan Bunin. The discussion of this issue is based on four of Bunin's substantial works (The Shadow of the Bird, The Life of Arsen 'ev The Emancipation of Tolstoi and Dark Avenues), examining the problem of historical time from semantic and formal points of view. The analysis of the novel The Life of Arsen 'ev emerges as central to the whole discussion since it approaches the problem of the notion of 'path through life' and its significance both for an understanding of Bunin's work and in relation to the discursive practice of the 1920s and early 1930s in Russia. Moreover, for Bunin this category proves to be both a feature of artistic thinking and of generic significance, extending the boundaries of understanding and portrayal of historical time in its various aspects.

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Gucker, Jeanne. "Ivan Bounine en Russie (1870-1917) : tradition et modernité." Paris 4, 1989. http://www.theses.fr/1989PA040029.

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Hoffman, Zachary Adam. "Neither This Ancient Earth Nor Ancient Rus' Has Passed On: A Microhistorical Biography of Ivan Bunin." Miami University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=miami1281218845.

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Therén, Sebastian. "Att framställa ”den andre” : En analys av hur Nobelpristagarna i litteratur Bunin och Mistral skildrades i det offentliga rummet." Thesis, Södertörns högskola, Institutionen för historia och samtidsstudier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-41908.

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In this essay I’ve been looking to extend the knowledge regarding the construction as someone as “the other”. The aim is to examine if it is possible to depict and find a general picture of ”the other”, as he/she is described in the media. I’m not alone in examining this, and I present several works which are somewhat similar to this essay. My work is special however, in that I’ve decided to examine the picture of “the other" by examining how four different Swedish newspapers wrote about the first Russian and the first Chilean Nobel prize winner in literature, Ivan Bunin (1933) and Gabriela Mistral (1945). To be more specific, I’ve been asking the following thematic questions, to find answers to my initial question: Is “the other” portrayed differently, as a result of the winners’ native countries? Is "the other” portrayed differently, as a result of the winners’ social class or gender? Is it possible to distinguish any interesting differences and similarities in how “the other” is constructed, in diverse political schools? Through my findings I’ve discovered that the term “the other” isn’t a homogenous one, as it varies from situation to situation. In Bunin’s case the political aspect of the term tended to outweigh the ethnical one. In other words, the fact that Bunin, in the reporting, is constructed as someone who can represent the political views of the magazine (or is otherfied, as someone who’s representing deviating views), was considered more interesting than portraying a picture of Russia as “the other”. In Mistral’s case the newspapers tended to focus more on her otherness, as a female, in contrast to how the maleness is considered to be normal. There’s also a view of South American people as a whole – as embodied in Mistral – as something different and “other” compared to the Swedish.

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Cretu, Andrei Ionut. "Modelling The Text: Iurii Lotman’s Information-Theoretic Approach Revisited." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1218122289.

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Books on the topic "Ivan Bunin"

1

Roshchin, Mikhail. Ivan Bunin. Moskva: Molodai͡a︡ gvardii͡a︡, 2000.

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2

Smolent͡sev, Alekseĭ. Ivan Bunin: Garmonii͡a stradanii͡a. Samara: [s.n.], 2001.

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3

Mal'tsev, Yurii Vladimirovich. Ivan Bunin, 1870-1953. Frankfurt/Main: Posev, 1994.

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Malʹt͡sev, I͡Uriĭ. Ivan Bunin: 1870-1953. Moskva: Posev, 1994.

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5

Bunin, Ivan Alekseevich. Sunstroke: Selected stories of Ivan Bunin. Chicago: Ivan R. Dee, 2002.

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Di͡akina, A. A. Ivan Bunin, poėt serebri͡anogo veka: Monografii͡a. Elet͡s: EGPI, 2000.

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Bunin, Ivan Alekseevich. Sunstroke: Selected stories of Ivan Bunin. Chicago: Ivan R. Dee, 2002.

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Bunin, Ivan Alekseevich. Sunstroke: Selected stories of Ivan Bunin. Chicago: Ivan R. Dee, 2002.

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9

Blagasova, G. M. Ivan Bunin: Zhiznʹ, tvorchestvo, problemy metoda i poėtiki. Moskva: Izd-vo Belgorodskogo gos. universiteta, 1997.

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Ivan Alekseevich Bunin: Bibliografii︠a︡ originalʹnykh knizhnykh izdaniĭ, 1891-1990. Praga: Nat︠s︡ionalʹnai︠a︡ b-ka Cheshskoĭ respubliki - Slavi︠a︡nskai︠a︡ b-ka, 2007.

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Book chapters on the topic "Ivan Bunin"

1

Thiergen, Peter. "Ivan Bunin." In Die russische Erzählung, 410–27. Köln: Böhlau Verlag, 2018. http://dx.doi.org/10.7788/9783412506599.410.

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Freise, Matthias. "Bunin, Ivan Alekseevič." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_199-1.

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Kaibach, Bettina. "Ivan Alekseevič Bunin." In Kindler Kompakt: Russische Literatur 20. Jahrhundert, 158–59. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04365-8_24.

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Koch, Christoph, and Marianna Leonova. "Bunin, Ivan Alekseevič: Suchodol." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_201-1.

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Guski, Andreas. "Bunin, Ivan Alekseevič: Derevnja." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_200-1.

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Thaidigsmann, Karoline. "Bunin, Ivan Alekseevič: Čaša žizni." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_202-1.

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Kaibach, Bettina. "Bunin, Ivan Alekseevič: Tëmnye allei." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_204-1.

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Grunert, Manfred, and Matthias Freise. "Bunin, Ivan Alekseevič: Gospodin iz San Francisko." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_203-1.

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Böhmig, Michaela. "Zwei anonyme Tode im Hotel: Ein Beitrag zu Bunin und Pirandello." In Ivan A. Bunins "Gospodin iz San-Francisko", 301–6. Köln: Böhlau Verlag, 2016. http://dx.doi.org/10.7788/9783412502720-013.

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Džaji, Harris. "Buni Vuči, Ivan." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11681-1.

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Conference papers on the topic "Ivan Bunin"

1

Seliverstova, Elena A., and Natalya N. Beklemesheva. "IVAN BUNIN. “THE GENTLEMAN FROM SAN-FRANSISCO”: COMPARATIVE ANALYSIS OF ENGLISH TRANSLATIONS." In Люди речисты - 2021. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2021. http://dx.doi.org/10.33065/978-5-907216-49-5-2021-276-288.

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The paper aims to study and compare English translations of Ivan Bunin's novella “The Gentleman from San Francisco” (1915). Analysis is based on translations of different time periods: D.G. Lawrence and S.S. Kotelyansky (1917), A. Yarmolinsky (1918), B. Guerney (1923), T. Seltzer (1925), and D. Richards (1987). The works of I. Bunin have always had an appeal to translators, who tried to rise to the challenge of capturing Bunin’s idiosyncrasy in the English language.

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