Relevant bibliographies by topics / Ivan Goncharov

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Academic literature on the topic 'Ivan Goncharov'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Ivan Goncharov"

1

Myakinchenko, Maria A. "“Even here your uncle has been of use to you!” On the history of creative relationships of Fyodor Dostoevsky and Ivan Goncharov." Vestnik of Kostroma State University 27, no. 2 (June 28, 2021): 96–103. http://dx.doi.org/10.34216/1998-0817-2021-27-2-96-103.

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The article is devoted to the study of literary and biographical connections between the collision of Ivan Goncharov's first novel “A Common Story” and the conflict between Fyodor Dostoevsky and his guardian Pyotr Karepin. Analysing biographical materials, the author hypothesises that Fyodor Dostoevsky, meeting with Ivan Goncharov, while the latter was working on “A Common Story”, could partly influence the creation of the main collision and central images of the novel. Noting the plot and figurative convergence, the author of the article also shows the ideological difference between Ivan Goncharov and Fyodor Dostoevsky in the presentation of the conflict between uncle and nephew – two different minds, worldviews and representatives of two different generations. The author of the work presents significant and interesting correspondences between the life and creative paths of Ivan Goncharov and Fyodor Dostoevsky, noting the similar literary influences experienced by both writers, and also points to salons and literary circles where they could meet.
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2

Melnik, Vladimir I. "“The totality of all the forces of Russian life ...” (Ivan Goncharov about strong Russia)." Two centuries of the Russian classics 2, no. 4 (2020): 118–35. http://dx.doi.org/10.22455/2686-7494-2020-2-4-118-135.

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In the article, the topic “Ivan Goncharov and Russia” is first developed in terms of the historiosophical ideas of the novelist, as well as within the framework of Sergey Uvarov’s formula: “Orthodoxy, Autocracy, and Nationality”. Both approaches are correlated with Ivan Goncharov’s ideas about strong Russia. The writer began to think about civilisationally and culturally developed Russia back in the 1830s–1840s, when he began serving in the Department of Foreign Trade, where statistics convinced him of Russia’s economic lag behind European countries. The trip on board of the frigate “Pallada” significantly broadened Ivan Goncharov’s horizons and brought specificity to his reflections on this problem. Critically regarding serfdom, Ivan Goncharov considered free creative labour to be the basis of the state’s strength, which he interpreted not only as an economic but also as a religious category, since he viewed the history of civilisation primarily as a collaboration with the Creator. Like a private person, a nation, in Ivan Goncharov’s view, just as well has its own mission, the fulfillment of which is possible when all its forces flourish, with free labour and solidarity around the national idea. Ivan Goncharov saw an example of friendly work of all classes in Siberia, showed it in the Siberian chapters of “Frigate “Pallada””. The writer’s reliance on the formula of Count Sergey Uvarov finds expression in “An Uncommon History”, in the essay “A Literary Evening” and is realised in the symbolism of the image of “Grandmother Russia” in the novel “The Precipice”.
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Vinokurtseva, Yuliya O. "Contradictions and extremes of Russian real criticism in assessing the literary position of Ivan Goncharov." Vestnik of Kostroma State University 26, no. 4 (January 28, 2021): 100–106. http://dx.doi.org/10.34216/1998-0817-2020-26-4-100-106.

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In Russian literary studies, the opinion about the excessive objectivity, if not dryness and coldness, of Ivan Goncharov as a writer, who did not want to show his personal attitude to the events and persons described by him in any way, was fixed. The article reveals the origins of this opinion about the author of "Oblomov", proves that it originates in the criticism of the natural school. It turns out that here was Vissarion Belinsky to start the party of considering Ivan Goncharov as someone who only portrays, paints, but does not lecture anyone and does not punish, does not expose his contemporary reality became the basis for subsequent criticism of the mid-19th century, represented by the names of Nikolay Dobrolyubov, Dmitry Pisarev, Nikolai Shelgunov. The article shows the change in the attitude of criticism of "Nikolai Gogol direction" to Ivan Goncharov from positive to negative – thus, if the first novel of the writer, "A Common Story" was perceived by supporters of the natural school very warmly, even enthusiastically, the second and the most famous – "Oblomov" – was not the same and caused a lot of controversy, and the last – "The Precipice" – was in fact misunderstood and considered to be a retrograde novel written by a man with very outdated views on the social life of Russia, the one who actually sang of Russia’s serfdom past and sharply condemned revolutionary-minded youth. Based on the materials of several critical articles, it is concluded that representatives of the "real" direction attributed Ivan Goncharov to the supporters of pure art, or "art for art's sake".
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Golovneva, Ekaterina I. "Ivan Goncharov (1812-1891): the Book-illustrative Exhibition." Bibliotekovedenie [Russian Journal of Library Science], no. 4 (August 15, 2012): 77–78. http://dx.doi.org/10.25281/0869-608x-2012-0-4-77-78.

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Pyrkov, Ivan V. "The Newspaper and Other Markers of the Information World in the Novel Oblomov by Ivan Goncharov." Two centuries of the Russian classics 3, no. 2 (2021): 120–37. http://dx.doi.org/10.22455/2686-7494-2021-3-2-120-137.

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The article is devoted to the analysis of the artistic functions of the image of newspaper in the novel by I. A. Goncharov Oblomov and the comprehension of moral and philosophical results of the confrontation of protagonist with the profane information challenges of the external environment. Particular attention is paid to the semantic content of the Oblomov paradigm – the information world, interpreted taking into account the rich experience of Goncharov's work in the newspaper editorial field. The author of the article proves that one of the central tenets in the moral and philosophical concept of the writer is the preservation of humanity. The dialogues of heroes and the clash of their positions show that humanity in Oblomov's understanding echoes the corresponding understanding of it by Goncharov, revealing the complex and multifaceted worldview of the writer. The study outlines the evolution of attitudes towards the information model in Russian classical literature and examines the issue of the proportionality between external inertia and internal dynamics characteristic of Ilya Ilyich Oblomov. A hypothesis is put forward about the intense spiritual life of Oblomov, the expediency of pronouncing the name of Pushkin by the protagonist is deciphered.
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Yurchenko, Tatiana. "THE OLFACTORY SPACE OF RUSSIAN LITERATURE AS A RESEARCH PROBLEM. PART 2. PROSE AND DRAMA." RZ-Literaturovedenie, no. 4 (2021): 7–21. http://dx.doi.org/10.31249/lit/2021.04.01.

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This essay deals with the studies of olfactory imagery in literature - a new trend in literary criticism intensively developed from the beginning of the twenty first century. It concerns different ways of representation of odor perception in Russian prose and drama, particularly in the writings of Ivan Turgenev, Dmitrii Grigorovich, Ivan Goncharov, Fedor Dostoyevsky, Anton Chekhov, Ivan Bunin and Aleksandr Sukhovo-Kobylin. The essay traces the significance of odors and smells in the description of psychological portrait of the characters as well as in the plot.
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7

Mondry, H. "A semiotic interpretation of national typology: the English, the Boers and ... the Russians (Ivan Goncharov’s Frigate Pallas)." Literator 12, no. 1 (May 6, 1991): 71–81. http://dx.doi.org/10.4102/lit.v12i1.750.

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This article examines the text of renowned nineteenth century Russian travellers notes, The Frigate Pallada, by Ivan Goncharov, the author of Oblomov. Using the teachings of Victor Shklovsky, Yurij Tynianov and Yurij Lotman on the role of the genre of travellers notes in the history of Russian literature, the author examines the chapter on the Cape Province. She demonstrates that in his descriptions of the two nations of the Cape Province - the English and the Boers - Goncharov is applying that which is known to him - his own cultural model of the Russian society of the mid-nineteenth century. In his examination of differences between the English and the Boers Goncharov applies the ideological dichotomy between the Slavophiles and the Westernisers. Goncharov, by "inverting" the "dual model of Russian culture" (Lotman & Uspensky, 1984a) draws comparisons between the Russians of the Oblomov Slavophile type on the one hand, and the English on the other hand as the model for the improvement of the industry of the economically backward Russian nation. To Goncharov the Boers resemble the Oblomov, old world side of dichotomy, which by inversions of the dual model can fluctuate between "the good" and "the bad" categories.
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8

Rebel, G. M. "OUT OF TIME CHARACTERS IN LITERARY WORKS OF 1859: “FAMILY HAPPINESS” BY LEV TOLSTOY, “OBLOMOV” BY IVAN GONCHAROV, “A HOUSE OF GENTLEFOLK” BY IVAN TURGENEV." Bulletin of Udmurt University. Series History and Philology 30, no. 5 (October 27, 2020): 859–69. http://dx.doi.org/10.35634/2412-9534-2020-30-5-859-869.

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The article is a comparative structural, thematic and genre analysis of the works by Lev Tolstoy, Ivan Turgenev and Ivan Goncharov. The study had the following objectives: to give the genre definitions of “Family Happiness”, “Oblomov” and “A House of Gentlefolk” on the basis of structural, ideological and thematic features of the works; to compare the novels of Turgenev and Goncharov as different genre modifications; to justify the ideological character of the novel “A House of Gentlefolk”; to analyze the ideological controversy of the characters of Turgenev’s novel. As a result, the following conclusions were made. Tolstoy's “Family Happiness:, which is traditionally identified as a novel, in this case should be qualified as a novella: it has the predominant point of view which belongs to the narrator; the subject of the description are the episodes of private life presented outside of the socio-historical context of the era. Goncharov's “Oblomov” and Turgenev's “A House of Gentlefolk” present a multi-faceted, epically voluminous, large-scale picture of reality in two fundamentally different versions of the genre novel modifications. Despite the fact that in both novels the main characters are out of time, both works recreate the pre-reform atmosphere of the late 1850s, but perform it in fundamentally different ways. A mythologically-generalized, elegiac image of the past serfdom of Russia is presented in “Oblomov”. In “A House of Gentlefolk” the socio-historical specificity appears in close connection with real historical events, the lyrical beginning is organically combined with the polemical acuteness of the problem. The plot and the destinies of the characters in Turgenev's novel are determined by the ideological controversy, in which not only the main but also the secondary characters are subjectively or objectively involved, which ultimately determines the ideological character of the work. The proposed genre differentiation of the works of the three leading writers of the era allows us to give a dynamic cross-section of the literary process of the second half of the XIX century in the defining 1859 year of this period.
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9

Kazakova, Svetlana K. "MAN AND THE WORLD IN THE RUSSIAN NOVEL – METAMORPHOSES OF HEROES OF «A COMMON STORY» BY IVAN GONCHAROV." Vestnik of Kostroma State University, no. 1 (2020): 118–24. http://dx.doi.org/10.34216/1998-0817-2020-26-1-118-124.

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The article proposes a new interpretation of the denouement of «A Common Story» by Ivan Goncharov. Based on the analysis of many implicit details, it is hypothesised that the heroes’ return to their own «I», hidden both from themselves and from the reader in the epilogue of the novel rather than the rebirth of heroes (the «sensitive» nephew and the «cold» uncle). This conclusion changes the perspective of the consideration of «A Common Story» in the context of European literature and considers it necessary to clarify the existing typological characteristics of «A Common Story» (a novel of upbringing, a novel of «loss of illusions»). Ivan Goncharov’s confl ict between people and society, which is characteristic of the European romance tradition, gets a more optimistic interpretation: the idea of a tragic, hopeless confrontation between the individual and society leaves the text. The confl ict with the outside world is considered in relation to the internal contradictions of the heroes and is overcome on the path to knowing oneself: Aduev Jr. concentrates on «career and fortune», Aduev-uncle refuses service and work for the sake of his wife’s health and hope for a belated gaining family happiness.
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10

White, James. "Ivan Goncharov and the Imperial Horizons of The Frigate Pallada." QUAESTIO ROSSICA 7, no. 1 (2019): 347–53. http://dx.doi.org/10.15826/qr.2019.1.380.

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Dissertations / Theses on the topic "Ivan Goncharov"

1

Rotheray, Brian Christopher. "Dualism, synthesis and tradition in the novels of Ivan Aleksandrovich Goncharov." Thesis, University of Leeds, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.277903.

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Sekulovski, Alexander. "Oblomov och Sachar : Två sidor av samma mynt." Thesis, Jönköping University, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-7752.

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Romanen Oblomov (1859) av Ivan Gontjarov handlar om den lättjefulle adelsmannen Oblomovs liv. Boken har varit föremål för utbredd forskning tidigare men någon undersökning som lagt fokus på Oblomovs betjänt Sachar mot bakgrund av den slöa livsstil som boken skildrar har inte gått att finna. Syftet med denna uppsats är därför att genom noggrann läsning av framförallt de episoder där Sachar är närvarande lära känna hans karaktär och funktion i boken och på så vis fylla ett litet tomrum i forskningen om Oblomov.

Bortsett från deras olika befattningar är Sachar i stora drag mycket lik sin herre Oblomov och hans bifigur fungerar som någon som belyser huvudkaraktärens egenskaper. Samtidigt förstärker Sachars gestalt både närvaron av slöhet i boken och budskapet om en lättjefull livsstil som något negativt.


Oblomov (1859) by Ivan Goncharov deals with the life of the lazy nobleman Oblomov. The novel has been the object of extensive research before, but no study has been found with Zakhar, Oblomov’s servant, as its focus. Therefore, this essay puts Zakhar, including the indolent lifestyle portrayed in the book, in the centre of attention. By close reading of the text the aim has been to investigate his character and function for the narrative, thus reducing a small gap in the research of Oblomov.

Although different in position, Zakhar is much alike the lethargic Oblomov with his purpose in the novel being to highlight his master’s features. Also, Zakhar’s presence reinforces the occurrence of idleness in the novel as well as the message of a slothful lifestyle as being something negative.

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Books on the topic "Ivan Goncharov"

1

Ivan Goncharov: A bibliography. Cotgrave, Nottingham, England: Astra Press, 1986.

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2

Krasnoshchekova, Elena Aleksandrovna. Ivan Aleksandrovich Goncharov: Mir tvorchestva. Sankt-Peterburg: "Pushkinskiĭ fond", 1997.

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Kotel'nikov, V. A. Ivan Aleksandrovich Goncharov: Kniga dlya uchashchikhsya starshikh klassov. Moskva: Prosveshchenie, 1993.

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4

1812-1891, Goncharov Ivan Aleksandrovich, Goncharov Ivan Aleksandrovich 1812-1891, and Goncharov Ivan Aleksandrovich 1812-1891, eds. Simbirskie motivy Ivana Goncharova: Fotoalʹbom po ocherku-vospominanii︠u︡ I.A. Goncharova "Na rodine", pisʹmam i vospominanii︠a︡m sovremennikov = Simbirsk motives of Ivan Goncharov : photoalbum on a reminiscence essay by I.A. Goncharov "In my homeland", contemporaries' letters and recollections. Moskva: T︠S︡entr knigi Rudomino, 2012.

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Troyat, Henri. "Milʹon terzaniĭ" Ivana Aleksandrovicha Goncharova. Moskva: T︠S︡entr knigi Rudomino, 2012.

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Nikitina, N. I. Opisanie biblioteki Ivana Aleksandrovicha Goncharova: Katalog. Ulʹianovsk: Obl. nauch. biblioteka, 1987.

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1812-1891, Goncharov Ivan Aleksandrovich, Goncharov Ivan Aleksandrovich 1812-1891, Goncharov Ivan Aleksandrovich 1812-1891, and Goncharov Ivan Aleksandrovich 1812-1891, eds. Obyknovennye istorii Ivana Goncharova: Fotoalʹbom po romanu I.A. Goncharova "Obyknovennai︠a︡ istorii︠a︡", povesti "Poezdka po Volge", pisʹmam i vospominanii︠a︡m sovremennikov. Moskva: T︠S︡entr knigi Rudomino, 2012.

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8

Ehre, Milton. Oblomov and His Creator: Life and Art of Ivan Goncharov. Princeton University Press, 2015.

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Ehre, Milton. Oblomov and His Creator: Life and Art of Ivan Goncharov. Princeton University Press, 2016.

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Ehre, Milton. Oblomov and His Creator: Life and Art of Ivan Goncharov. Princeton University Press, 2015.

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Book chapters on the topic "Ivan Goncharov"

1

"CHAPTER IX. Goncharov and His Trilogy." In Oblomov and his Creator: Life and Art of Ivan Goncharov, 264–68. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400868186-010.

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"Chapter Eight: The Two sides of Ivan Goncharov." In Classics in Russia 1700-1855, 305–22. BRILL, 1992. http://dx.doi.org/10.1163/9789004246829_010.

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"PREFACE." In Oblomov and his Creator: Life and Art of Ivan Goncharov, vii—x. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400868186-001.

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"CHAPTER I. A Portrait of the Artist." In Oblomov and his Creator: Life and Art of Ivan Goncharov, 1–67. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400868186-002.

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"CHAPTER II. Esthetic Views." In Oblomov and his Creator: Life and Art of Ivan Goncharov, 68–82. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400868186-003.

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"CHAPTER III. The Creative Method and1 the Writing of the Novels." In Oblomov and his Creator: Life and Art of Ivan Goncharov, 83–97. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400868186-004.

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"CHAPTER IV. Early Efforts." In Oblomov and his Creator: Life and Art of Ivan Goncharov, 98–113. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400868186-005.

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"CHAPTER V. A Common Story." In Oblomov and his Creator: Life and Art of Ivan Goncharov, 114–41. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400868186-006.

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"CHAPTER VI. A Prosaic Imagination: The Journey of the Frigate Pallas." In Oblomov and his Creator: Life and Art of Ivan Goncharov, 142–53. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400868186-007.

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"A SELECTED BIBLIOGRAPHY." In Oblomov and his Creator: Life and Art of Ivan Goncharov, 280–88. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400868186-012.

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