Dissertations / Theses: 'Ivan Le'

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Oerterová, Daniela. "Ivan Galamian." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78731.

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Marsling, Bäckvall Maja. "Herr Ivan och dansken : Svenska och danska arvord i riddarromanen Herr Ivan." Thesis, Uppsala University, Department of Scandinavian Languages, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-7792.

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I den här uppsatsen undersöks Herr Ivan, en av de tre Eufemiavisorna, med syfte att utröna vilka lexikala skillnader det finns i arvorden mellan de tre svenska och två danska handskrifterna av romanen som finns bevarade från 1400-talet, kallade A–C resp. E–F. Det excerperade materialet består av de arvord som enligt Erik Noreens kritiska utgåva avviker i E–F i förhållande till A–C, med morfologiska och ortofonologiska skillnader borträknade. Vissa gränsfall diskuteras dock. Undersökningen tar upp ett axplock av de utbyten som bedömts som mest relevanta i fråga om mängd, ändringsfrekvens och sammanfall med det nutida ordförrådet i båda språken. Orden i materialet delas upp i ordklasser, och både antalet belägg och lexem har räknats. Materialet visar ingen stor skillnad mellan språken, men det finns dock tendenser till att de danska handskrifternas ordförråd ligger närmare det nutida än vad de svenska gör.

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Meyer, Andrea. "Die Sonettdichtung Ivan Bunins /." Wiesbaden : O. Harrassowitz, 1990. http://catalogue.bnf.fr/ark:/12148/cb36150881f.

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Lecei, Ivan [Verfasser]. "Modelling extremal dependence / Ivan Lecei." Ulm : Universität Ulm, 2018. http://d-nb.info/1173249745/34.

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Berkovich, Aleksandr 1979. "IVAN : Integrated Virtual Agent Network." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/87189.

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Thesis (M.Eng. and S.B.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2002.
Includes bibliographical references (leaves 70-71).
by Aleksandr Berkovich.
M.Eng.and S.B.

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Faukner, Jan. "Ivan Pinkava a Adi Nes." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79123.

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The basis of this dissertation confronts through different criteria Czech photographer Ivan Pinkava and Israeli Adi Nes. The works of both artists deal with stage photography based on direct references to well-known works in art history, biblical stories or other great stories from European culture. Part one will discuss their work within the brother context of postmodern art. Part two will talk about the formal aspects of their photographs, e.g. the character of lighting, structure of the picture. Finally the last chapter will explore the meaning and the subject-matter of their attitudes, specifically translating their photographic language in the relationship to painting, photography and cinematography.

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Madrigal, Terrazas J. Santiago. "La ecclesiología de Juan de Ragusa O. P. : 1390 [o] 95-1443 : estudio e interpretación de su "Tractatus de Ecclesia /." Madrid : UPCO, 1995. http://catalogue.bnf.fr/ark:/12148/cb37025901s.

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Jedrzejewski, Franck. "Ivan Wyschnegradsky et la musique microtonale." Paris 1, 2000. http://www.theses.fr/2000PA010601.

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La thèse est construite en trois parties. La première partie est une biographie d’Ivan Wyschnegradsky (1893-1979) illustrée de larges extraits de son journal, qui raconte comment il vécut les grands évènements historiques, son départ clandestin de la Russie en 1920, sa participation aux grèves de 1936 et sa captivité à Compiègne sous l'occupation nazie. Les cahiers de ma vie et une partie importante de sa correspondance avec Bruce Mather, Boris de Schloezer et Marina Scriabine, fournissent des indications précieuses quant à la chronologie, la datation et la genèse de ses œuvres, l'influence de la musique de Scriabine et les relations avec le futurisme russe. La deuxième partie de la thèse analyse deux grands textes inédits de Wyschnegradsky, qui sont reproduits en annexe, le commentaire philosophique sur la journée de l'existence et la loi de la pansonorité, version de 1936. Ces textes permettent de construire une généalogie de la pansonorité, depuis l'histoire de la " conscience cosmique" telle qu'elle est présentée dans la journée de l'existence, jusqu'à l'élaboration du "principe pansonore". La troisième partie concerne l'étude du langage musical. Après l'analyse des théories par quartes superposées et des principes exposés dans le manuel d'harmonie à quarts de ton, nous montrons comment Wyschnegradsky aborde la micro-intervallité à travers la théorie des espaces non-octaviants, les problèmes de notation, la facture instrumentale et l'ultrachromatisme rythmique. L'influence de Wyschnegradsky sur le XXe siècle, ses relations avec les compositeurs impliques dans les musiques microtonales et l'émergence de la notion d'inharmonicite dans le champ microtonal fait l'objet du dernier chapitre.

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Swoboda, Marina. "Tradition reinvented : the vision of Russia's past and present in Ivan Timofeyev's Vremennok." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34462.

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This thesis attempts to provide a complete textual analysis of Ivan Timofeyev's Vremennik. The first three chapters establish Timofeyev's biographical data, examine the extant manuscript and review prior research. Timofeyev's biography has been restored by putting together the data from earlier biographical studies and by utilising the information hidden within the text of Vremennik. The production of the extant manuscript should be dated to the 1650s rather than the 1630s. The remaining four chapters of this dissertation deal with the elements of Vremennik which were largely ignored by other scholars. Timofeyev expressed an outlook on the state based on his "Novgorodian vision", his understanding of Novgorod's role in the development of the new Russian state. I believe that this Novgorodian element is the key to the correct interpretation of Vremennik. Timofeyev also formulated on original concept of the "ideal tsar". He perceived a monarch's legitimacy not only on his hereditary rights but also on the basis of his moral behaviour, in a way creating a moral code for a Christian monarch. He viewed the events of Smuta as a total degradation of the country and attempted to provide the solutions by developing a distinct political theory. It was based on the traditional notion of a possibility of cleansing and redemption of the whole country through an adherence to the Christian doctrine and consequently a return to the paradise of pre-Smuta days. Timofeyev recognized his own apostolic mission of revealing the truth in order to facilitate this process.

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Reese, Hella. "Ein Meisterwerk im Zwielicht : Ivan Bunins narrative Kurzprosaverknüpfung "Temnye allei" zwischen Akzeptanz und Ablehnung : eine Genrestudie /." München : O. Sagner, 2003. http://catalogue.bnf.fr/ark:/12148/cb39241623b.

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Boiadjiev, Ivan [Verfasser]. "Schadensentwicklung und Tragfähigkeit carbonitrierter Kegelradverzahnungen / Ivan Boiadjiev." München : Verlag Dr. Hut, 2019. http://d-nb.info/119428874X/34.

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Grunig, iribarren Silvia, and iribarren Silvia Grunig. "Ivan Illich (1926-2002) : la ville conviviale." Phd thesis, Université Paris-Est, 2013. http://tel.archives-ouvertes.fr/tel-00849958.

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Ivan Illich (1926-2002) propose dans ses ouvrages une critique radicale des " institutions " (Église, école, hôpital, transports, machines, etc.) qui toutes, à un moment de leur déploiement, se révèlent contre-productives. Peut-on transposer au domaine de l'urbain ses analyses ? Si oui, en quoi contribuent-elles à rendre intelligible ce qui " travaille " les villes à l'ère de l'urbanisation planétaire ? Cette recherche propose une lecture illichienne de " l'entreprise-ville " et suggère des pistes pour sortir de l'impasse productiviste dans laquelle elle est engagée. Elle s'articule autour de deux axes : Premièrement, dans le contexte du paradigme économiciste de la rareté et du paradigme cybernétique des systèmes, la Ville a été substituée par une entreprise urbaine contre-productive : une anti-ville. L'urbanisme devient iatrogène. C'est " le grand enfermement ".Deuxièmement, les idées d'Ivan Illich projetées sur l'espace habité nourrissent , et très généreusement, un nouveau paradigme pour sortir de l'industrialisme et reconstruire le territoire à travers des processus de réduction / reconduction. C'est la ville conviviale

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Grunig, Iribarren Silvia. "Ivan Illich (1926-2002) : la ville conviviale." Thesis, Paris Est, 2013. http://www.theses.fr/2013PEST1052/document.

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Ivan Illich (1926-2002) propose dans ses ouvrages une critique radicale des « institutions » (Église, école, hôpital, transports, machines, etc.) qui toutes, à un moment de leur déploiement, se révèlent contre-productives. Peut-on transposer au domaine de l'urbain ses analyses ? Si oui, en quoi contribuent-elles à rendre intelligible ce qui « travaille » les villes à l'ère de l'urbanisation planétaire ? Cette recherche propose une lecture illichienne de « l'entreprise-ville » et suggère des pistes pour sortir de l'impasse productiviste dans laquelle elle est engagée. Elle s'articule autour de deux axes : Premièrement, dans le contexte du paradigme économiciste de la rareté et du paradigme cybernétique des systèmes, la Ville a été substituée par une entreprise urbaine contre-productive : une anti-ville. L'urbanisme devient iatrogène. C'est « le grand enfermement ».Deuxièmement, les idées d'Ivan Illich projetées sur l'espace habité nourrissent , et très généreusement, un nouveau paradigme pour sortir de l'industrialisme et reconstruire le territoire à travers des processus de réduction / reconduction. C'est la ville conviviale
In his work, Ivan Illich (1926-2002) makes a radical critique of “institutions” (the Church, schools, hospitals, transport, machines, etc.), alleging that at some stage in their development they become all counterproductive. Can these analyses be transposed to the urban domain? If so, how can they help to make what “shapes” cities intelligible in the age of global urbanisation? This research proposes an Illichian reading of “the business-city” and suggests ways to leave the productivist impasse it is now experiencing. It is structured around two axes : Firstly, in the context of the economic model of scarcity and of the cybernetic model of systems, the City has been replaced by a counterproductive urban business: an anti-city, in which Urbanism becomes iatrogenic. It is « the vast enclosure ». Secondly, Ivan Illich's ideas transposed to the habitable space significantly contribute towards nurturing a new model for leaving industrialism and reconstructing the territory through processes of reduction and reconduction. This is the convivial city

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14

Siemers, Hagen. "Das Menschenbild bei Ivan Illich : Ansätze einer neuen Rezeption für die Pädagogik nach dem Ende der Entschulungsdiskussion /." Baltmannsweiler : Schneider-Verl. Hohengehren, 2004. http://www.gbv.de/dms/bs/toc/392583739.pdf.

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Leonov, Ivan [Verfasser]. "Charge Order in Transition Metal Oxides / Ivan Leonov." Aachen : Shaker, 2007. http://d-nb.info/116434093X/34.

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Imenokhoyev, Ivan [Verfasser]. "Computergestützte 3D-Modellierung von Mikrowellen-Erwärmungsanlagen / Ivan Imenokhoyev." Aachen : Shaker, 2007. http://d-nb.info/1164338692/34.

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Focardi, Emanuela <1977&gt. "Ivan Alekseevic Bunin: immagini d'amore attraverso "Viali oscuri"." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/309/.

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Schriek, Wolfgang. "Ivan Šmelëv : die religiöse Weltsicht und ihre dichterische Umsetzung /." München : O. Sagner, 1987. http://catalogue.bnf.fr/ark:/12148/cb349599454.

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Offner, Thomas [Verfasser], Ivan [Akademischer Betreuer] Manzini, Ivan [Gutachter] Manzini, and Thomas [Gutachter] Dresbach. "Wiring and information processing in the olfactory bulb of larval Xenopus laevis / Thomas Offner ; Gutachter: Ivan Manzini, Thomas Dresbach ; Betreuer: Ivan Manzini." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2020. http://d-nb.info/1204256039/34.

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Angelov, Ivan B. [Verfasser]. "Synthese und Charakterisierung von ferromagnetischen Nanopartikeln / Ivan Blazhkov Angelov." Berlin : Freie Universität Berlin, 2008. http://d-nb.info/1023375346/34.

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Reid, Katie. "Restless collection : Ivan Vladislavić and South African literary culture." Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/71746/.

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Farrell, Andrew James. "Ivan Konevskoy (1877-1901) : a reconstruction of integral identity." Thesis, Durham University, 1996. http://etheses.dur.ac.uk/1194/.

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Rivas, Márcia Guimarães. "Sofrimento e sentido: uma clínica fenomenológica de Ivan Karamázov." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/1985.

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Made available in DSpace on 2016-04-25T19:20:41Z (GMT). No. of bitstreams: 1 MARCIA GUIMARAES RIVAS.pdf: 1225263 bytes, checksum: ca150a4cd25e486a9ce5bdd194288c5b (MD5) Previous issue date: 2006-06-20
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The present dissertation seeks to grasp the relation between suffering and meaning in the Human condition in Dostoiévski s The Brothers Karamázov , with a particular emphasis on its significance to modern man as well as the purpose of finding a place for a possible contribution from the clinical practice of phenomenology. For that purpose I make use of the method of existential phenomenology in an effort to grasp the intentionality issues involved. In the first chapter I strive to understand Dostoiévski s work in the light of its Russian Orthodox sources, dealing with the authors who studied and commented it and concentrating in further detail on the reading of such categories as suffering, Christianity and Human condition as they appear in this masterpiece of Russian Literature. The Second Chapter is a descriptive compilation of the life of Ivan Karamázov (the main carachter of the book) followed by a phenomenological analysis of his personality and actions, whereby one is led to see how the failure of the notion of Man s sufficiency, which the carachter embodies, and his increasing alienation from the supernatural source of his being, is likely to tear him apart as he seeks to avoid the Human consequences of his passions. Finally, in Chapter 3, I endeavour, in the light of my prime subjects, i.e., suffering and meaning, to establish how Dostoiévski s thought, the main carachter of his book and modern man may be referred to each another, what leads me to the conclusion that the meaning of suffering resides not in suffering itself, but in Man s attitude towards it, be it one of confrontation or denial, acceptance or revolt. Although it in fact exists, is necessary and cannot be denied (denial of suffering is dangerous as it may lead to greater, infernal suffering), suffering is no drive to transformation apart from the diverse meanings which may be attributed to it. Nevertheless, for its acceptance and transformation to be operative, the supernatural aspect in the Human condition must be incorporated. Psycotherapy may contribute to this process of Man s self-revelation by facilitating the first step: not lying to one s self
Nesta dissertação buscamos compreender a relação entre sofrimento e sentido da condição humana, em que pudéssemos transpor a questão para o sofrimento do homem moderno, com a finalidade de encontrar um lugar de contribuição da clínica fenomenológica, em seu entendimento. Para tal, utilizamos o método da fenomenologia existencial de compreensão do fenômeno, de busca de compreensão de intencionalidade. No primeiro capítulo, buscamos a compreensão da ortodoxia e da obra dostoievskiana, através dos autores que trabalham estas questões, focando-nos mais detidamente na leitura do sofrimento, do cristianismo e da condição humana. O segundo capítulo foi uma compilação descritiva da vida de Ivan Karamázov e a subseqüente análise fenomenológica da personagem, quando pudemos testemunhar o fracasso da mentira de suficiência do homem, esquecido de sua sobrenatureza, desaguando em cisão e despedaçamento, no evitamento de suportar suas paixões. Por fim, trabalhamos a tessitura da discussão entre o pensamento dostoievskiano, a personagem na obra e o homem na modernidade, à luz do sofrimento e sentido. Após ter feito este percurso e concluído os resultados, podemos afirmar que o sentido do sofrimento está na atitude que temos diante dele, de enfrentamento ou negação, de aceitação ou revolta. O que nos transforma não é o sofrimento, mas o sentido que damos a ele. Mas, sem sombra de dúvidas, o sofrimento é necessário para que possamos dar sentido e nos transformar em pessoas melhores. O sofrimento existe, é necessário, e negá-lo é garantia de um sofrimento maior ainda, um sofrimento infernal. Portanto, para esta aceitação e transformação pelo sofrimento, o resgate da condição de sobrenatureza é imprescindível. A psicoterapia pode contribuir quando em seu processo de desvelamento o individuo dá seu primeiro passo: o de não mentir a si mesmo

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Gucker, Jeanne. "Ivan Bounine en Russie (1870-1917) : tradition et modernité." Paris 4, 1989. http://www.theses.fr/1989PA040029.

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Siegel, Holger. "Aleksandr Ivanovic Turgenev (1784-1845) : ein russischer Aufklärer /." Köln : Böhlau, 2001. http://catalogue.bnf.fr/ark:/12148/cb39263224g.

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Curtis, Michelle. "Analysis and comparative review of Principles of violin playing and teaching by Ivan Galamian /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/11243.

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Nampaisarn, Thanasin [Verfasser], Ivan [Akademischer Betreuer] [Gutachter] Penkov, Alan [Gutachter] Huckleberry, and Vera [Gutachter] Serganova. "Categories O for Dynkin Borel Subalgebras of Root-Reductive Lie Algebras / Thanasin Nampaisarn ; Gutachter: Ivan Penkov, Alan Huckleberry, Vera Serganova ; Betreuer: Ivan Penkov." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2017. http://d-nb.info/1137054468/34.

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Gortchanina, Olga. "L'identité culturelle d'Ivan Tourgueniev : entre la Russie et la France." Thesis, Lille 3, 2014. http://www.theses.fr/2014LIL30017/document.

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L’objet de cette thèse est d’exposer l’influence que le contact prolongé d’Ivan Tourguéniev avec la culture étrangère a pu produire sur l’évolution de son identité culturelle.Enraciné dans la Russie du début du XIXe siècle où il naquit et passa son enfance, Tourguéniev bénéficia d’une éducation « dans l’air du temps », c’est-à-dire réservant à l’élément étranger une place prépondérante. Au moment où l’identité culturelle initiale de Tourguéniev était en formation, la société russe en était, elle aussi, à ses premiers balbutiements vers la découverte de sa propre authenticité nationale. Plus tard, l’écrivain ressentira avec force le décalage existant entre sa propre identité multiculturelle et les désirs d’affirmation de « russité » de sa patrie d’origine. Sous l’impulsion des nombreux événements politiques et sociaux en Russie et en Europe au XIXe siècle, Tourguéniev fut amené à changer fréquemment de pays, optant en définitive pour un établissement complet de domicile en Europe, d’abord en Allemagne et ensuite en France, ce qui ne fit qu’exacerber, au fil du temps, la pluralité de son identité culturelle. Le propos de cette thèse est de suivre, pas à pas et au travers de ses écrits et ses œuvres, les modifications que subit l'identité culturelle d'Ivan Tourgueniev à différentes étapes de vie, à travers l’évolution de la figure de l’Autre et les fluctuations du sentiment d’appartenance éprouvé par l'écrivain
The purpose of this dissertation is to define the influence exerted by prolonged contacts with foreign cultures on Ivan Turgenev’s cultural identity. Turgenev was born and raised in early 19th century Russia, enjoying an education that was in line with the spirit of the time, where foreign culture and language held great importance. As Ivan Turgenev was building his initial cultural identity, Russian society as a whole had only just started gaining consciousness of its own national genuineness. Later in his life, the writer realized the extent of the gap between his own multicultural identity and his homeland’s wish to affirm its “Russianness”. As a consequence of the numerous political and social events that took place in 19th century Europe and Russia, Turgenev travelled extensively and finally chose to settle in Europe, first in Germany, then in France. The plurality of his cultural identity was profoundly deepened as a result.Throughout this dissertation and based on his writings, the variations in Turgenev’s image of the Others and in his Sense of Belonging, shall allow us to closely follow the changes in the writer’s cultural identity, step by step and at various stages in his life

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Fadeev, Aleksandr [Verfasser], Ivan [Akademischer Betreuer] Penkov, Ivan [Gutachter] Penkov, Alan [Gutachter] Huckleberry, and Alexey [Gutachter] Petukhov. "Classification of primitive ideals of U(o(\infty)) and U(sp(\infty)) / Aleksandr Fadeev ; Gutachter: Ivan Penkov, Alan Huckleberry, Alexey Petukhov ; Betreuer: Ivan Penkov." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2019. http://d-nb.info/1202364640/34.

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Perica, Ivana. "Mut zum "Offenlegen und Zuhörengeben" : Ivan Slamnigs Bolja polovica hrabrosti." Universität Potsdam, 2011. http://opus.kobv.de/ubp/volltexte/2012/5894/.

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- Öffentlichkeit und Angst. Affirmationsdrang und Mut - Interpretatorische Vereinnahmung des Textes - Passive Weltlosigkeit und aktive Weltflucht - Heimischwerden in der Nationalliteratur - Pragmatik des Ästhetischen - "Urteilsspruch" - Legitimierung des halbwüchsigen Rauschens als literarischer Sprache: Die Politik der Literatur

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Dovica, Ivan [Verfasser], Ralf [Akademischer Betreuer] Borndörfer, and Martin [Akademischer Betreuer] Grötschel. "Robust tail assignment / Ivan Dovica. Gutachter: Ralf Borndörfer ; Martin Grötschel." Berlin : Technische Universität Berlin, 2014. http://d-nb.info/1066548536/34.

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Maggini, Ivan [Verfasser]. "Migratory strategies in the Northern Wheatear (Oenanthe oenanthe) / Ivan Maggini." Aachen : Shaker, 2010. http://d-nb.info/1124365788/34.

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Aretov, Ivan [Verfasser]. "Einfluss der Kaltdrahtzufuhr beim Unterpulverschweißen von hochwarmfesten Nickelbasislegierungen / Ivan Aretov." Aachen : Shaker, 2009. http://d-nb.info/1161302603/34.

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Olsen, Trenton B. "Fallen Womanhood and Modernity in Ivan Kramskoi's Unknown Woman (1883)." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4198.

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My thesis investigates Ivan Kramskoi's well-known work Unknown Woman (1883). In reviewing the criticism concerning Unknown Woman written in the wake of the eleventh peredvizhniki exhibition in which it was first shown, Kramskoi's painting attracted praise, perplexity, and condemnation. One of the major interpretations (though not commonly discussed) was that this work was meant to allude to female sexuality or prostitution in Russian society. The purpose of my thesis is to reinstate the pertinence of this reading, one which has been obfuscated or ignored in the majority of ensuing twentieth and twenty-first century scholarship. The second purpose of this work is to explore some of the ambiguities and complexities inherent in this work in order to better understand some of the complexities facing modernizing Russian society. It is perhaps impossible to state Kramskoi's motivations for painting this work or his attitude towards his subject concretely, but as I will suggest, he experienced both attraction toward and apprehension of the sexuality of his subject. However, this anxiety was also combined with a desire to invoke recognition if not empathy for the plight of the individual prostitute, a desire which can be found in other artistic productions of the age. In addition to Kramskoi's motivations in creating this work, I look at the way this work indicates the social issues of late nineteenth-century Russia. This was a time where ideas of national identity, class, and gender roles were in flux due to the developments of modernity. Unknown Woman encapsulates the complexity of this social milieu, and I examine the largely overlooked elements of the woman's gaze, wardrobe and physical location in order to better understand the questions and persuasions that existed in this period of late nineteenth-century Russian modernity.

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Neto, Edson Pereira de Souza Leão. "Ivan Illich: uma aproximação com sua trajetória-obra (1926-1967)." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/91/91131/tde-17072017-123751/.

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O presente trabalho buscou uma aproximação com a trajetória-obra de Ivan Illich entre os anos de 1926-1967. Esse recorte temporal obedece um caminho, que optamos por percorrer, para demonstrar uma característica fundamental do autor: sua produção escrita fortemente atrelada às situações concretas da vida. Esse engajamento de Ivan Illich, que produziu durante esses anos que analisamos ao menos dez textos importantes, foi o eixo estrutural da nossa dissertação. Tratamos de três aspectos simultâneos: lugar na cultura científica, sua trajetória e obra. O primeiro aspecto, aparece no primeiro capítulo na forma de uma análise de prefácios, feitos por intelectuais, para os livros do, ou sobre, Ivan Illich. O leitor encontrará elementos que ajudam na identificação da crítica illichiana. O segundo e terceiro aspectos foram analisados conjuntamente, ou seja, não separamos o autor de sua obra. Isso pode ser encontrado no segundo e terceiro capítulo. Trata-se de uma crítica a institucionalização na sua forma da escolarização da sociedade, na qual o pano de fundo desse processo é a Aliança para o Progresso. Mas também, trata da questão da linguagem como uma forma de crítica da modernidade industrial.
The present work sought an approximation with the trajectory-work of Ivan Illich between the years of 1926-1967. This temporal cut follows a path we have chosen to follow, to demonstrate a fundamental characteristic of the author: his written production strongly tied to the concrete situations of life. This engagement of Ivan Illich, who produced during those years that we analyzed at least ten important texts, was the structural axis of our dissertation. We deal with three simultaneous aspects: place in scientific culture, its trajectory and work. The first aspect appears in the first chapter in the form of an analysis of prefaces, made by intellectuals, for the books of, or about, Ivan Illich. The reader will find elements that help in identifying the Illichian critique. The second and third aspects were analyzed together, that is, we did not separate the author from his work. This can be found in the second and third chapters. It is a critique of institutionalization in its form of schooling of society, in which the background of this process is the Alliance for Progress. But it also deals with the question of language as a form of criticism of industrial modernity.

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Silva, Jilyane Rouse Pauferro da. "A geografia de Alagoas, por Ivan Fernandes Lima, de 1965." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/9851.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The Geografia de Alagoas (Geography of Alagoas) subject was introduced into the secondary syllabus as a result of determinations of the law of the Diretrizes e Bases da Educação Nacional in 1961 which was followed by similar state-level legislation. This decision was influenced by the national political and socioeconomic context which aimed at the modernisation of the country. Teaching was reorganised in order for it to play an important function towards the instruction of the society. Many teachers got involved with the teaching of both local and regional geography and that showed the need for school books which covered the geographic aspects of the state of Alagoas. This study analyses the book Geografia de Alagoas published by Ivan Fernandes Lima in 1965, based on studies of the hystory of school disciplines. Methods included literature review, interviews, analysis of documents in various sources, collections of the public libraries of the municipality of Maceió-AL, and the private collection of Ivan Fernandes Lima. Results identify the social place from which it was spoken about professor Ivan Fernandes Lima which provided us with a base to outline the trajectory of his scholarly output as well as about his social relations. The intellectual production of this author started with the publication of articles in the Jornal de Alagoas (a daily newspaper) in the 1960s. These papers influenced the writing of the book Geografia de Alagoas which was used as a school book and a university reference in the state of Alagoas.
A Geografia de Alagoas foi incluída no ensino de Geografia escolar a partir da normatização da Lei de Diretrizes e Bases da Educação Nacional de 1961 com a criação das determinações da educação estadual voltadas para a regularmentação do currículo do ensino secundário. Haja vista, o contexto político e socioeconômico que se constituiu no país, visando à modernização, sendo estabelecida uma nova organização do ensino, almejando que a educação realizasse uma função importante na instrução da sociedade. Destaca-se a ação de professores com o ensino de Geografia regional/local e a necessidade de livro didático com abordagem do conteúdo sobre os aspectos geográficos alagoanos. A pesquisa teve como foco a análise do livro didático Geografia de Alagoas, por Ivan Fernandes Lima de 1965 com base nos estudos sobre a história das disciplinas escolares. Metodologicamente recorreram-se: a levantamento bibliográfico, análise documental em diversas fontes de pesquisas, acervo das bibliotecas públicas em Maceió - AL, acervo pessoal de Ivan Fernandes Lima e entrevistas. As conclusões indicam o lugar social de onde se falava sobre o professor Ivan Fernandes Lima, dando-nos suporte para apontar os traços da trajetória de suas produções e das relações sociais, cujo início da produção intelectual do autor se deu com as publicações no Jornal de Alagoas na década de 1960, que reverberou na produção do livro didático Geografia de Alagoas, para o ensino de Geografia escolar e para a Geografia acadêmica no Estado.

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Reis, Edgard Pereira dos. "Alegoria e política do romance A festa, de Ivan Ângelo." Universidade Federal de Minas Gerais, 1987. http://hdl.handle.net/1843/BUBD-9JGNKV.

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Análise sociocrítica da montagem configuradora da fusão documento / imaginário no romance A Festa, de Ivan Ângelo, focaliza do como estrutura significante das relações enunciação/enunciado, poder/cultura, repressor/reprimido, nas Minas Gerais dos anos 70.

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Arvidsson, Lille Johan. "What's not to like? : Historiebruk kring Ivan Aguéli 1920-2020." Thesis, Jönköping University, Högskolan för lärande och kommunikation, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-49246.

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This essay studies the use of history concerning the Swedish nineteenth century painter Ivan Aguéli. It places itself in the field of didactics of history where, in this case, the use of history on a societal scale is being analyzed. With the theoretic typology of Klas-Göran Karlsson both the interests, needs and functions of the use of Aguéli can be illuminated and compared. The groups of people that use the memory of Aguéli in the Swedish culture of history are very broad. To sort these out, the essay borrows the theoretical framework stemmed from Jörn Rüsen and applied by Anders Dybelius. Using this analytical typology of the educational, popular, and commemorative spheres, the journey of Aguéli’s memory in Sweden between 1920 and 2020 can be illuminated and understood. The empirical material is very broad and includes, among others, novels, exhibitions, a rock band, a museum, biographies, and newspapers. Regarding the theoretical typologies in the essay, a deductive method is used to sort these artifacts in their relation to their abode. Ivan Aguéli was introduced in the Swedish historical culture after his death. He is remembered mainly as one of the great Swedish modernist landscape-painters, and his extravagant personality and bohemian lifestyle has made him an object of both reverence and wonderment. But why has this person been used and remembered in this way? Ivan Aguéli has often been described as a mystery. This is the one main quality that has followed his memory through the millennia, disregarding which group has been using it. This study points out that the refusal to un-mystify Aguéli has kept his memory in the style of a “bottomless well”, where different groups and individuals has been able to pick up quality’s that answer to their own particular interests and needs. This “bottomless well” contains a flurry of positive characteristics and has something that is appealing for everyone: what’s not to like? Ivan Aguéli is more popular today than ever before. His legacy as an artist is getting challenged when much of his metaphysical, political, and philosophical legacy becomes accessible through translation from French and Arabic into Swedish. Aguéli’s theories of the correlation between religious truths and the political organization of society answers to an increased need for both political and spiritual renewal. This fact makes this essay, and the use of Ivan Aguéli’s memory, an example of how history is being produced and used as a tool to aid man in her aspirations.
I denna uppsats studeras historiebruket kring den svenska sekelskiftskonstnären Ivan Aguéli. Studien har sin hemvist i det historiedidaktiska fältet där, i detta fall, ett samhälleligt bruk av historia analyseras. Med Klas-Göran Karlssons analytiska typologi som bejakar de olika mänskliga intressen, behov och funktioner som historiebruket fyller, kan användningen av Aguélis minne i den svenska historiekulturen avslöjas och analyseras. Bruket av Aguélis minne i den svenska historiekulturen är väldigt brett och kräver något typ av sorteringsverktyg för att begripliggöras. Uppsatsen lånar därför Jörn Rüsens teoretiska ramverk, vilket applicerats i den svenska historiebruksforskningen av Anders Dybelius. Genom att använda de analytiska kategorierna utbildningskultur, populärkultur och minneskultur kan vandringen av Aguélis minne i Sverige mellan 1920 och 2020 belysas och förstås. Det empiriska materialet är väldigt brett och består av bland annat facklitteratur, skönlitteratur, konstutställningar, ett rockband, ett museum och tidningsrecensioner. I ljuset av uppsatsens teoretiska ramverk används en deduktiv metod för att sortera dessa artefakter utifrån deras förhållande till de tre kultursfärerna. Ivan Aguéli blev introducerad i den svenska historiekulturen först efter sin död. Han är ihågkommen som främst en av de stora modernistiska landskapsmålarna, och hans extravaganta personlighet och bohemiska livsöde har kommit att prägla särarten i hans minne. Men varför har han blivit ihågkommen på just detta sätt? Aguéli har ofta beskrivit som ett mysterium. Detta är det enskilda karaktärsdraget som följt hans minne genom århundradet, oavsett vilken grupp som har brukat det. Uppsatsens resultat pekar på att en ovilja att avmystifiera Aguéli har gjort hans minne till något av en ”bottenlös brunn” där olika grupper och personer har kunnat plocka upp värden som svarat på deras specifika intressen och behov. Ivan Aguéli är mer populär idag än någonsin tidigare. Hans arv som i första hans konstnär har kommit att utmanas då mycket av hans metafysiska, politiska och filosofiska tänkande tillgängliggjorts genom översättningar från franska och arabiska till svenska. Aguélis teorier kring korrelationen mellan religiösa sanningar och den politiska organiseringen av samhället har svarat på ett ökat behov av både andlig och politisk förnyelse. Detta faktum gör denna uppsats, och bruket av Aguélis minne i den svenska historiekulturen, till ett exempel på hur historia produceras och brukas av människor för att svara på deras behov och intressen.

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39

Rüting, Torsten. "Pavlov und der neue Mensch : Diskurse über Disziplinierung in Sowjetrussland /." München : Oldenbourg, 2002. http://hsozkult.geschichte.hu-berlin.de/rezensionen/2003-4-071.

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Univ., Diss. u.d.T.: Rüting, Torsten: Pawlows Bestimmung und Vermächtnis im Diskurs um die Entwicklung von Disziplin während der Modernisierung Rußlands und der Schöpfung der Sowjetzivilisation--Hamburg, 2000.
Literaturverz. S. [311] - 331.

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Rauf, Abdul [Verfasser], Stefan [Akademischer Betreuer] [Gutachter] Maubach, Ivan [Akademischer Betreuer] [Gutachter] Penkov, Alan [Gutachter] Huckleberry, and David [Gutachter] Finston. "Polynomial endomorphisms having coefficients in finitely generated Z-algebras. / Abdul Rauf. Betreuer: Stefan Maubach ; Ivan Penkov. Gutachter: Ivan Penkov ; Stefan Maubach ; Alan Huckleberry ; David Finston." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2016. http://d-nb.info/1107762049/34.

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Slezkine, Hélène Besse Jean-Paul. "Kireievski et Optino Poustyne /." Lavardac (5 pont de Bordes, 47230) : Monastère orthodoxe Saint-Michel, 2001. http://catalogue.bnf.fr/ark:/12148/cb37709101b.

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Marest, Nathalie. "Les représentations de Mazeppa dans les arts du XIXe siècle /." Le Perray-en-Yvelines : N. Marest, 1993. http://catalogue.bnf.fr/ark:/12148/cb356078438.

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Durand-Lapitskaïa, Irina. "Le roman de Tourgueniev "Terres vierges" et l'évolution des personnages tourgueniéviens." Paris 4, 1993. http://www.theses.fr/1993PA040068.

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Malgré l'abondante littérature critique sur Tourgueniev certains thèmes importants restent très faiblement étudiés. Ainsi la question de la transformation des motifs tourguenieviens traditionnels dans le roman « Terres vierges » n'a jamais été nettement posée. Cette question justifie une étude particulière. Dans le romanesque de Tourgueniev il y a certains thèmes qui en se transformant, passent de ses premiers romans à « Terres vierges ». Notamment le thème du héros et son environnement, le problème du lyrisme et de la satire, le rôle de la nature. A cela s'ajoute l'évolution des procédés psychologiques de l'écrivain. La notion du personnage est cardinale chez Tourgueniev. L'auteur ne donne presque jamais son avis ouvertement, mais il l'exprime d'une façon indirecte, par l'intermédiaire de quelqu'un ou de quelque chose, avant tout à travers le personnage. C'est pourquoi l'étude du personnage est excessivement importante pour la découverte de l'attitude de l'auteur, pour la compréhension de la conception idéologique de l'œuvre. La présence des traits communs des personnages, la similitude des fonctions qu'ils remplissent dans les romans, permettent de les classer en différents types et suivre leur évolution qui est très sensible dans le romanesque de Tourgueniev
In spite of the lengthy critical literature Turgenev’s works have inspired, it is to be noted that a few topics have very seldom been studied. For instance, the problem of the evolution to be found in the traditional Turgenevian themes recurrent through the novel "virgin lands", has never been clearly stated. That issue well deserves close attention. From Turgenev’s earliest novels to "virgin lands", one can trace various themes which, although they undergone slight alterations, nevertheless remain basically identical. Among others, we could mention the hero in his environment, lyricism and satire, or the part played by nature. Symmetrically, Turgenev’s process of characterization also has developed. The importance attached to characterization by Turgenev is paramount. The novelist's standpoint is hardly ever plainly stated, but indirectly voiced, most of the time through one of his characters. This is why the study of characterization in Turgenev’s works is of the highest importance if we are to grasp his opinions, and the ideological bases on which he laid his writings. The common features linking his characters, the similarities in the functions they fulfil in his novels, make it possible to classify them according to type and to follow their very appreciable evolution throughout Turgenev’s works

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Modi, Ashutosh [Verfasser], and Ivan [Akademischer Betreuer] Titov. "Modeling common sense knowledge via scripts / Ashutosh Modi ; Betreuer: Ivan Titov." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2017. http://d-nb.info/1137206276/34.

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Popovic, Ivan [Verfasser]. "Electrocoagulation in the separation process of used bentonite suspensions / Ivan Popovic." Düren : Shaker, 2020. http://d-nb.info/1217164014/34.

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Parra, Ferrada Ivan [Verfasser]. "Planar orthogonal polynomials and two dimensional Coulomb gases / Ivan Parra Ferrada." Bielefeld : Universitätsbibliothek Bielefeld, 2020. http://d-nb.info/1224313127/34.

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Volosyak, Ivan [Verfasser]. "Untersuchung neuer Bildverarbeitungs- und Sensorkonzepte als Basis autonomer Automatisierungssysteme / Ivan Volosyak." Aachen : Shaker, 2005. http://d-nb.info/1186577339/34.

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Chizhik, Ivan [Verfasser], and M. [Akademischer Betreuer] Hampp. "Physikalische und chemische Strukturänderungen in Purpurmembranvarianten / Ivan Chizhik. Betreuer: M. Hampp." Marburg : Philipps-Universität Marburg, 2014. http://d-nb.info/1046404636/34.

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Jones, Larissa V. "Recovery and insurance issues following Hurricane Ivan in Gulf Shores, Alabama." Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1371846.

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Hurricane Ivan struck the Gulf Coast in September 2004. Ivan was classified as a category five storm on the Saffir-Simpson scale of Hurricane Intensity before it made landfall in the U.S. with winds around 165 miles per hour. Its intensity dropped to a category three as it approached the Gulf Coast. Ivan damaged not only properties and businesses along the coast but inland as well. Heavy rains caused rivers and lakes to overflow their banks and tornadoes spawned by the storm struck Tennessee, Kentucky, Louisiana, and Georgia.The purpose of this research is to examine if hurricane insurance or separate endorsements adequately protects and reimburses owners for their losses and to access public and private responses to natural hazards and disaster mitigation using Gulf Shores, Alabama as a case study. Since fall 2004, many homeowners and business owners have been negotiating with their insurance companies. Owners received some help from the organizations like FEMA and the American Red Cross but these efforts were not enough to recuperate all the damages and losses. This study seeks to place the issues of insurance costs, claims and coverage in Gulf Shores, Alabama within the overall context of natural hazards research using archival sources, observation, questionnaires, and formal and informal interviews as data sources. In light of continuing migration to hurricane prone coastal areas, ever-increasing property values and insurance premiums, and the added risk of increasing hurricane frequency, this research contributes to a better understanding of the role of insurance on natural hazard mitigation and preparedness.
Department of Geography

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Rotheray, Brian Christopher. "Dualism, synthesis and tradition in the novels of Ivan Aleksandrovich Goncharov." Thesis, University of Leeds, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.277903.

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Dissertations / Theses on the topic 'Ivan Le'

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